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Art Political Expression In Early China
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Book Synopsis Art & Political Expression in Early China by : Martin Joseph Powers
Download or read book Art & Political Expression in Early China written by Martin Joseph Powers and published by . This book was released on 1991-01-01 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: In This path breaking book Martin J. Powers examines the art and politics of Han dynasty (206 B. C. - A.D. 220) and show that both were shaped by the rise of an educated, non aristocratic public-the Confucian literati - that questioned the authority of the rich and royal at all levels. By considering the design and construction of local tombs and shrines, their mural schemes, subject matter, and style, the author distinguishes three major traditions of taste and places each tradition within a narrative of political rivalries in northeast China.
Book Synopsis Art, Myth, and Ritual by : Kwang-chih Chang
Download or read book Art, Myth, and Ritual written by Kwang-chih Chang and published by . This book was released on 1983 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Companion to Chinese Art by : Martin J. Powers
Download or read book A Companion to Chinese Art written by Martin J. Powers and published by John Wiley & Sons. This book was released on 2022-04-26 with total page 596 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the history of art in China from its earliest incarnations to the present day, this comprehensive volume includes two dozen newly-commissioned essays spanning the theories, genres, and media central to Chinese art and theory throughout its history. Provides an exceptional collection of essays promoting a comparative understanding of China’s long record of cultural production Brings together an international team of scholars from East and West, whose contributions range from an overview of pre-modern theory, to those exploring calligraphy, fine painting, sculpture, accessories, and more Articulates the direction in which the field of Chinese art history is moving, as well as providing a roadmap for historians interested in comparative study or theory Proposes new and revisionist interpretations of the literati tradition, which has long been an important staple of Chinese art history Offers a rich insight into China’s social and political institutions, religious and cultural practices, and intellectual traditions, alongside Chinese art history, theory, and criticism
Book Synopsis China and England by : Martin Powers
Download or read book China and England written by Martin Powers and published by Routledge. This book was released on 2018-09-24 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines egalitarian social ideals and institutions that arose in preindustrial China and England, and in the process, uncovers China’s forgotten role in the history of social justice debate and legislation during the eighteenth century. Drawing on a wide range of visual and documentary evidence, the author shows that many prominent individuals in both England and China adopted comparable strategies as a logical response to excesses of privilege and arbitrary power, with educated but non-noble persons taking advantage of print culture, a more literate population, an expanded art market, public spaces and other familiar ‘early modern’ developments to interrogate the system of inherited privilege and promote a more meritocratic society. This shared experience created common ground for transformative exchange between the two great traditions during the eighteenth century. By providing a more global account of what we call Western values, the book shows that early modern China and England had far more in common than is normally supposed, and thus challenges claims on the right and the left that the people of China lacked a concept of social justice and that China’s cultural legacy should be treated as exceptional in regard to human rights.
Download or read book Mao’s Images written by Yan Geng and published by Springer. This book was released on 2018-04-17 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Yan Geng examines Mao’s image from the perspective of its producers, focusing on four artists, chosen for both the diverse media they worked in and their diverse backgrounds. The book suggests an alternative perspective on the making of propaganda not only as a politically themed representation but also as an expression of artists’ subjectivities and their roles as pivotal agents in the transition of modern Chinese art history. Mao’s Image: Artists and China’s 1949 Transition demonstrates how artists portrayed Mao as the nation’s leader during the early People’s Republic and what such images reveal about Chinese artists’ experience during the Communist takeover of the country.
Book Synopsis The Art of Rulership by : Roger T. Ames
Download or read book The Art of Rulership written by Roger T. Ames and published by SUNY Press. This book was released on 1994-07-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ames demonstrates that the political theory contained in The Art of Rulership shares an underlying sympathy with precepts of Taoist and Confucian origin, and contains a systematic political philosophy that is not only unique but compelling. The book presents a political theory that tempers lofty ideals with functional practicability.
Book Synopsis China—Art—Modernity by : David Clarke
Download or read book China—Art—Modernity written by David Clarke and published by Hong Kong University Press. This book was released on 2019-01-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London
Author :Metropolitan Museum of Art (New York, N.Y.) Publisher :Metropolitan Museum of Art ISBN 13 :0870994832 Total Pages :97 pages Book Rating :4.8/5 (79 download)
Book Synopsis Ancient Chinese Art by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book Ancient Chinese Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1987 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Art of Being Governed by : Michael Szonyi
Download or read book The Art of Being Governed written by Michael Szonyi and published by Princeton University Press. This book was released on 2019-08-27 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of Choice Reviews' Outstanding Academic Titles of 2018--an innovative look at how families in Ming dynasty China negotiated military and political obligations to the state.tate.
Book Synopsis Art and China's Revolution by : Melissa Chiu
Download or read book Art and China's Revolution written by Melissa Chiu and published by Yale University Press. This book was released on 2008 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Takes an in-depth look at the period between the 1950s and 1970s, focusing on the formation of a new visual culture and how it was given priority over artistic traditions such as ink painting. This was part of a broader national program to modernize China, and it had a great impact on artists and their work.
Download or read book Chinese Art written by Maxwell K. Hearn and published by Metropolitan Museum of Art. This book was released on 2001 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: China's entry into the modern era was shaped by unprecedented internal turmoil and external pressures, which brought a forceful end to two millennia of imperial rule and cultural insularity. The essays in this volume offer a variety of perspectives on the impact of the West on indigenous literature, architecture, painting, and calligraphy during this period (ca. 1860-1980). This book is published in conjunction with the exhibition "Nineteenth- and Twentieth-Century Chinese Paintings from the Robert H. Ellsworth Collection in The Metropolitan Museum of Art", held at the museum from 30th January-19th August 2001.
Download or read book Chinese Steles written by Dorothy C. Wong and published by University of Hawaii Press. This book was released on 2004-09-30 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Buddhist steles represent an important subset of early Chinese Buddhist art that flourished during the Northern and Southern Dynasties period (386–581). More than two hundred Chinese Buddhist steles are known to have survived. Their brilliant imagery has long captivated scholars, yet until now the Buddhist stele as a unique art form has received little scholarly attention. Dorothy Wong rectifies that insufficiency by providing in this well-illustrated volume the first comprehensive investigation of this group of Buddhist monuments. She traces the ancient roots of the Chinese stele tradition and investigates the process by which Chinese steles were adapted for Buddhist use. She arranges the known corpus of Buddhist steles into broad chronological and regional groupings and analyzes not only their form and content but also the nexus of complex issues surrounding this art form—from cultural symbolism to the interrelations between religious doctrine and artistic expression, economic production, patronage, and the synthesis of native and foreign art styles. In her analysis of Buddhism’s dialogue with native traditions, Wong demonstrates how the Chinese artistic idiom planted the seeds for major achievements in figural and landscape arts in the ensuing Sui and Tang periods.
Book Synopsis Picturing Heaven in Early China by : Lillian Lan-ying Tseng
Download or read book Picturing Heaven in Early China written by Lillian Lan-ying Tseng and published by BRILL. This book was released on 2020-03-17 with total page 479 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge. By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.
Book Synopsis The Politics of Mourning in Early China by : Miranda Brown
Download or read book The Politics of Mourning in Early China written by Miranda Brown and published by State University of New York Press. This book was released on 2012-02-01 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at mourning practices during the Han dynasty to reassess whether filial piety was the overriding model for society and governance in early China.
Book Synopsis Politics and Religion in Ancient and Medieval Europe and China by : Frederick Hok-Ming Cheung
Download or read book Politics and Religion in Ancient and Medieval Europe and China written by Frederick Hok-Ming Cheung and published by BRILL. This book was released on 1999 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seven, diverse papers, written by ancient and medieval historians, are collected in this volume. These papers were presented at the academic conference "Politics and Religion in Ancient and Medieval Europe and Asia," organized by the Department of History and New Asia College of The Chinese University of Hong Kong in March 1996. Although the papers vary widely in the region and time-span, they are joined by their concern about the relationship between politics and different religions Christianity, Buddhism, Taoism and others in ancient and medieval Europe and Asia.
Book Synopsis Art, Religion, and Politics in Medieval China by : Qiang Ning
Download or read book Art, Religion, and Politics in Medieval China written by Qiang Ning and published by University of Hawaii Press. This book was released on 2004-03-31 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: The cave-temple complex popularly known as the Dunhuang caves is the world’s largest extant repository of Tang Buddhist art. Among the best preserved of the Dunhuang caves is the Zhai Family Cave, built in 642. It is this remarkable cave-temple that forms the focus of Ning Qiang’s cross-disciplinary exploration of the interrelationship of art, religion, and politics during the Tang. The author combines, in his careful examination of the paintings and sculptures found there, the historical study of pictures with the pictorial study of history. By employing this two-fold approach, he is able to refer to textual evidence in interpreting the formal features of the cave temple paintings and to employ visual details to fill in the historical gaps inevitably left by text-oriented scholars. The result is a comprehensive analysis of the visual culture of the period and a vivid description of social life in medieval China. The original Zhai Family Cave pictures were painted over in the tenth century and remained hidden until the early 1940s. Once exposed, the early artwork appeared fresh and colorful in comparison with other Tang paintings at Dunhuang. The relatively fine condition of the Zhai Family Cave is crucial to our understanding of the original pictorial program found there and offers a unique opportunity to investigate the visual details of the original paintings and sculptures in the cave. At the same time, the remaining traces of reconstruction and redecoration provide a new perspective on how, for over three centuries, a wealthy Chinese clan used its familial cave as a political showcase.
Book Synopsis The Construction of Space in Early China by : Mark Edward Lewis
Download or read book The Construction of Space in Early China written by Mark Edward Lewis and published by State University of New York Press. This book was released on 2012-02-01 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shows how the emerging Chinese empire purposely reconceived but was also constrained by basic spatial units such as the body, the household, the region, and the world.
