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Art Conservation And Authenticities
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Book Synopsis Art, Conservation and Authenticities by : E. Hermens (ed.)
Download or read book Art, Conservation and Authenticities written by E. Hermens (ed.) and published by . This book was released on 2009 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The papers presented in this volume focus on a series of conservation 'flashpoints'-- painted works, drawings, sculpture, installations, new media, performance, interiors and historic houses, cultural objects-- and revolve around three key areas considered vital in establishing or vouchsafing an artwork's 'authenticity': material, concept and context. A wide range of approaches, some object-based, some more conceptual and philosophical, demonstrate that although the term authenticity is generally employed in the singular, the values associated with it are multiple, multilayered and often competing. The papers, each in their own way, evaluate the critical potential of the pluralised form, 'authenticities', creating a platform for a continuous discussion on this important and fascinating theme"--P. [4] of cover.
Download or read book Art written by David A. Scott and published by Cotsen Institute of Archaeology Press. This book was released on 2016-12-31 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a detailed account of authenticity in the visual arts from the Paleolithic to the postmodern. The restoration of works of art can alter the perception of authenticity and may result in the creation of fakes and forgeries. These interactions set the stage for the subject of this book, which initially examines the conservation perspective, then continues with a detailed discussion of notions of authenticity and philosophical background. There is a disputed territory between those who view the present-day cult of authenticity as fundamentally flawed and those who have analyzed its impact upon different cultural milieus, operating across performative, contested, and fragmented ground. The book discusses several case studies where the ideas of conceptual authenticity, aesthetic authenticity, and material authenticity can be incorporated into an informative discourse about art from the ancient to the contemporary, illuminating concerns relating to restoration and art forgery.
Download or read book The Painted King written by Glenn Wharton and published by University of Hawaii Press. This book was released on 2011-11-30 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: The famous statue of Kamehameha I in downtown Honolulu is one of the state’s most popular landmarks. Many tourists—and residents—however, are unaware that the statue is a replica; the original, cast in Paris in the 1880s and the first statue in the Islands, stands before the old courthouse in rural Kapa‘au, North Kohala, the legendary birthplace of Kamehameha I. In 1996 conservator Glenn Wharton was sent by public arts administrators to assess the statue’s condition, and what he found startled him: A larger-than-life brass figure painted over in brown, black, and yellow with “white toenails and fingernails and penetrating black eyes with small white brush strokes for highlights. . . . It looked more like a piece of folk art than a nineteenth-century heroic monument.” The Painted King is Wharton’s account of his efforts to conserve the Kohala Kamehameha statue, but it is also the story of his journey to understand the statue’s meaning for the residents of Kapa‘au. He learns that the townspeople prefer the “more human” (painted) Kamehameha, regaling him with a parade, chants, and leis every Kamehameha Day (June 11). He meets a North Kohala volunteer who decides to paint the statue’s sash after respectfully consulting with kahuna (Hawaiian spiritual leaders) and the statue itself. A veteran of public art conservation, Wharton had never before encountered a community that had developed such a lengthy, personal relationship with a civic monument. Going against the advice of some of his peers and ignoring warnings about “going native,” Wharton decides to involve the people of Kapa‘au in the conservation of their statue and soon finds himself immersed in complex political, social, and cultural considerations, including questions about representations of the Native Hawaiian past: Who should decide what is represented and how? And once a painting or sculpture exists, how should it be conserved? The Painted King examines professional authority and community involvement while providing a highly engaging and accessible look at “activist conservation” at work, wherever it may be found.
Book Synopsis Authenticity in Architectural Heritage Conservation by : Katharina Weiler
Download or read book Authenticity in Architectural Heritage Conservation written by Katharina Weiler and published by Springer. This book was released on 2016-07-01 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book contributes to a recontextualization of authenticity by investigating how this value is created, reenacted, and assigned. Over the course of the last century, authenticity figured as the major parameter for the evaluation of cultural heritage. It was adopted in local and international charters and guidelines on architectural conservation in Europe, South and East Asia. Throughout this period, the concept of authenticity was constantly redefined and transformed to suit new cultural contexts and local concerns. This volume presents colonial and postcolonial discourses, opinions, and experiences in the field of architectural heritage conservation and the use of site-specific practices based on representative case studies presented by art historians, architects, anthropologists, and conservationists from Germany, Nepal, India, China, and Japan. With more than 180 illustrations and a collection of terminologies in German, English, Sanskrit, Hindi, Nevari and Nepali, classical Chinese and standard Mandarin, and Japanese, these cross-cultural investigations document the processual re-configuration of the notion of authenticity. They also show that approaches to authenticity can be specified with key analytical categories from transcultural studies: appropriation, transformation, and, in some cases, refusal.
Download or read book Art written by David Scott and published by . This book was released on 2015-07-31 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with how we perceive the authenticity of art objects and asks: What does authenticity mean? Who defines what an authentic or inauthentic artwork is? How has the concept of what constitutes the authentic changed over the past few thousand years and how might this interact with conservation and restoration? Do different cultures have different views on what authenticity is, and if so, how does this affect the notion of forgery or restoration? Are there degrees of authenticity or inauthenticity? How can we apply the notion of authenticity to ethnographic art or to intangible cultural heritage? Do alterations of substance (during restoration) affect the material authenticity, conceptual authenticity or meaning of art objects? The author examines the recent renewed interest in the problems of the inauthentic, namely the world of fakes and forgeries, restoration, replication, emulation, appropriation and falsification of works of art. Contents: Chapter One: Authenticity: Contexts and Meanings Chapter Two: Some Philosophical Notions of Authenticity Chapter Three: Authenticity, Monuments and the International Charters Chapter Four: Cleaning, Restoration and Authenticity. Chapter Five: The Ancient Old World Chapter Six: Mediaeval Authenticity Chapter Seven: Authenticity and the Ethnographic. Chapter Eight: The Renaissance: Restoration, Copies and Authenticity Chapter Nine: The 19th Century and the Victorian Period Chapter Ten: The Modern and Post-Modern Chapter Eleven: Some Final Thoughts and Reflections Acknowledgements Appendix: Glossary of Terms Bibliography
Book Synopsis Innovative Technology in Art Conservation by : W. (Bill) Wei
Download or read book Innovative Technology in Art Conservation written by W. (Bill) Wei and published by Taylor & Francis. This book was released on 2024-01-29 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics. Written in language understandable for the non-technical reader, the book begins with a brief history of so-called science-based conservation, which is based on chemistry, physics and engineering, and examines how it influences conservation ethics and conservation decisions. It considers the concepts of originality and original appearance, and how people see and perceive objects, looking in particular at the results of the relatively new technology of eye-tracking. Wei then moves on to critically examine advanced technologies such as colour modelling, hyperspectral imaging, texture mapping, virtual retouching and digital reproductions and considers what they offer for determining original appearance of artworks and other cultural heritage objects. The book concludes with some reflections on the future of conservation and science-based conservation, calling for more thoughtful consideration of what it is that conservation scientists are offering, and why and for whom it is being offered. Innovative Technology in Art Conservation is essential reading for academics and students working in conservation and conservation science. The book will also be of interest to the international community of conservators and cultural heritage professionals who must make decisions about whether to use advanced technologies in their practice.
Book Synopsis Collecting and Conserving Net Art by : Annet Dekker
Download or read book Collecting and Conserving Net Art written by Annet Dekker and published by Routledge. This book was released on 2018-05-08 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collecting and Conserving Net Art explores the qualities and characteristics of net art and its influence on conservation practices. By addressing and answering some of the challenges facing net art and providing an exploration of its intersection with conservation, the book casts a new light on net art, conservation, curating and museum studies. Viewing net art as a process rather than as a fixed object, the book considers how this is influenced by and executed through other systems and users. Arguing that these processes and networks are imbued with ambiguity, the book suggests that this is strategically used to create suspense, obfuscate existing systems and disrupt power structures. The rapid obsolescence of hard and software, the existence of many net artworks within restricted platforms and the fact that artworks often act as assemblages that change or mutate, make net art a challenging case for conservation. Taking the performative and interpretive roles conservators play into account, the book demonstrates how practitioners can make more informed decisions when responding to, critically analysing or working with net art, particularly software-based processes. Collecting and Conserving Net Art is intended for researchers, academics and postgraduate students, especially those engaged in the study of museum studies, conservation and heritage studies, curatorial studies, digital art and art history. The book should also be interesting to professionals who are involved in the conservation and curation of digital arts, performance, media and software.
Book Synopsis Authenticity and Replication by : Rebecca Gordon
Download or read book Authenticity and Replication written by Rebecca Gordon and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of authenticity is one of the core factors driving decision making. Papers in this volume examine five key areas of discussion.
Book Synopsis Installation Art and the Museum by : Vivian van Saaze
Download or read book Installation Art and the Museum written by Vivian van Saaze and published by . This book was released on 2013 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation--authenticity, artist's intention, and the notion of ownership--while exploring how these concepts apply in contemporary art conservation.
Book Synopsis Authenticity in Transition by : Erma Hermens
Download or read book Authenticity in Transition written by Erma Hermens and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: - This volume contains papers from the NeCCAR 2014 conference "Authenticity in Transition". The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists' viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation ethics. Contents: 'In the Wings' - Jill Sterret; Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye - Dr Muriel Verbeeck and Nico Broers; When the critical reception won't let go of the inaugural exhibition: The case of the fragmentation of Mike Kelley's Day Is Done - Dr Ariane Noël de Tilly; In search of the real Suzanne: Conservation of Julian Opie's Suzanne Walking in Leather Skirt (2007) - Joanna Shepard; Shaping a collection of current art. Between curator and the artist - a problem of authority - Agnieszka Wielocha; The legalities of authenticity and contemporary art - Jean Brown; Stills and Touches. Paper conservator in a private gallery - Magdalena Grenda; Authorship and intentionality in the Contemporary Art Museum - Dr Glenn Wharton; The conservation of the Cybernetic Tower of Nicolas Schöffer: between the continuity and historicity of the production - Manon D haenens; Good Vibrations: Conserving Soto's Grande muro panoramico vibrante - Dr Paolo Martore; Shifting authenticities in re-performance - Christine Baviere; The aesthetics of change: On the Relative Duration of the Impermanent and critical thinking in conservation - Dr Hanna Hölling; ...Designed to exist in passing time: Robert Rauschenberg's Black Paintings - Jennifer Hickey; Through the conservator s lens: from analogue photowork to digital printout - Sanneke Stigter; Mind the gap: Recognising the material legacy of transitional art practice - Dr Dawn V. Rogala; Street Art: Its evolving materials and a consideration of how necessity is the mother of invention - Will Shank; Tracing authenticity in the computational age by looking at alliances in net art practices - Dr Annet Dekker; Artist's experiments with new materials in works of art: How to preserve intent and matter - Dr Monika Jadzinska; Motors matter: Electro-Mechanical devices in contemporary art preservation. Two case studies - Laura Calvi, Iolanda Ratti, Roberto Dipasquale; Connecting practices of preservation: exploring authenticities in contemporary music and performance art - Andreia Nogueira and Hélia Marçal; Authenticity and authorship in socially engaged art - Dr Rebecca Gordon; Identifying aesthetic and technological thresholds in the restoration of contemporary art - Tiarna Doherty and L. H. (Hugh) ShockeyWashington DC; Conserving authenticity in transition - Stephanie de Roemer; Blind spots in contemporary art conservation. Results of an interdisciplinary workshop - Julia Giebeler, Nora Krause, Prof. Dr Gunnar Heydenreich; Authenticities and ontologies: an approach from practice theory - Prof. Renée van de Vall.
Download or read book Conservation written by Alison Richmond and published by Routledge. This book was released on 2010-07-15 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Conservation: Principles, Dilemmas, and Uncomfortable Truths' presents multi-perspective critical analyses of the ethics and principles that guide the conservation of works of art and design, archaeological artefacts, buildings, monuments, and heritage sites on behalf of society. Contributors from the fields of philosophy, sociology, history, art and design history, museology, conservation, architecture, and planning and public policy address a wide range of conservation principles, practices, and theories from the US, Canada, Europe, Australia and New Zealand, encouraging the reader to make comparisons across subjects and disciplines. By wrestling with and offering ways of disentangling the ethical dilemmas confronting those who maintain and sustain cultural heritage for today and tomorrow, 'Conservation: Principles, Dilemmas, and Uncomfortable Truths' provides an essential reference text for conservation professionals, museum and heritage professionals, art and cultural historians, lecturers and students, and all others invested in cultural heritage theories and practices. Alison Richmond, as a Senior Conservator in the Victoria and Albert Museum and Deputy Head of the Conservation Department at the Royal College of Art, maintains teaching and research roles in conservation theory, principles and ethics, and has developed decision-making tools for conservators. She is an Accredited Conservator-Restorer (ACR), a Fellow of the International Institute for Conservation (FIIC), and a Trustee of the UK’s Institute of Conservation (Icon) since 2005. Alison Bracker received her PhD in the History of Art from the University of Leeds, and manages the Events & Lectures programme at the Royal Academy of Arts in London. As co-founder of Bracker Fiske Consultants, she advises on the presentation, description, documentation, and care of artworks comprising modern media, and lectures and publishes widely on the theoretical and practical issues arising from the conservation of non-traditional and impermanent materials in contemporary works of art.
Book Synopsis The Restoration of Paintings in Paris, 1750-1815 by : Noémie Étienne
Download or read book The Restoration of Paintings in Paris, 1750-1815 written by Noémie Étienne and published by Getty Publications. This book was released on 2017-02-21 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The decades following the 1973 publication of Alessandro Conti’s Storia del Restauro have seen considerable scholarly interest in the development of restoration in France in the second half of the eighteenth century. A number of technical treatises and biographies of restorers have offered insight into restoration practice. The Restoration of Paintings in Paris, 1750–1815, however, is the first book to situate this work within the broader historical and philosophical contexts of the time. Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noémie Étienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Régime and early post– Revolution France. Initial chapters present the diversity of restoration practice, encompassing not only royal institutions and the Louvre museum but also private art dealers, artists, and craftsmen, and examine questions of trade secrecy and the changing role of the restorer. Following chapters address the influence of restoration and exhibition on the aesthetic understanding of paintings as material objects. The book closes with a discussion of the institutional and political uses of restoration, along with an art historical consideration of such key concepts as authenticity, originality, and stability of artworks, emphasizing the multilayered dimension of paintings by such important artists as Titian and Raphael. There is also a useful dictionary of the main restorers active in France between 1750 and 1815.
Book Synopsis Art History and Visual Studies in Europe by : Matthew Rampley
Download or read book Art History and Visual Studies in Europe written by Matthew Rampley and published by BRILL. This book was released on 2012-06-22 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.
Download or read book Painted Wood written by Valerie Dorge and published by Getty Publications. This book was released on 1998-08-27 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionals—including art historians, curators, scientists, and conservators—will be interested in this volume and in the multidisciplinary nature of its articles.
Book Synopsis Conservation of Contemporary Art by : Renée van de Vall
Download or read book Conservation of Contemporary Art written by Renée van de Vall and published by Springer Nature. This book was released on 2024-01-31 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.
Book Synopsis Conservation of Easel Paintings by : Joyce Hill Stoner
Download or read book Conservation of Easel Paintings written by Joyce Hill Stoner and published by Routledge. This book was released on 2020-11-29 with total page 949 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
Book Synopsis The Conservation of Easel Paintings by : Joyce Hill Stoner
Download or read book The Conservation of Easel Paintings written by Joyce Hill Stoner and published by Routledge. This book was released on 2012 with total page 917 pages. Available in PDF, EPUB and Kindle. Book excerpt: Conservation of Easel Paintings is the first comprehensive text on the history, philosophy and methods of treatment of easel paintings integrating theory with practice. A guide to necessary background knowledge in technical art history, artists " materials, interviews with artists, scientific methods of examination and documentation precedes sections that present varying approaches and methods for treatment. This book concludes with the history and treatment of frames and a section featuring issues of preventive conservation, storage, shipping, exhibition, display, wall colours, and lighting. Extensive bibliographies at the end of each section point readers to additional resources. Conservation of Easel Paintings will be of use in the training of conservation students and will provide generations of practicing paintings conservators and interested art historians, curators, directors, collectors, dealers, artists, and students of art and art history with valuable information.
