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Arnheim Gestalt And Media
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Book Synopsis Arnheim, Gestalt and Media by : Ian Verstegen
Download or read book Arnheim, Gestalt and Media written by Ian Verstegen and published by Springer. This book was released on 2019-01-09 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph presents a synthesis and reconstruction of Rudolf Arnheim’s theory of media. Combining both Arnheim’s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seek to address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design.
Book Synopsis Arnheim, Gestalt and Art by : Ian Verstegen
Download or read book Arnheim, Gestalt and Art written by Ian Verstegen and published by Springer Science & Business Media. This book was released on 2006-05-24 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arnheim, Gestalt and Art is the first book-length discussion of the powerful thinking of the psychologist of art, Rudolf Arnheim. Written as a complete overview of Arnheim’s thinking, it covers fundamental issues of the importance of psychological discussion of the arts, the status of gestalt psychology, the various sense modalities and media, and developmental issues. By proceeding in a direction from general to specific and then proceeding through dynamic processes as they unfold in time (creativity, development, etc.), the book discovers an unappreciated unity to Arnheim’s thinking. Not content to simply summarize Arnheim’s theory, however, Arnheim, Art, and Gestalt goes on to enrich (and occasionally question) Arnheim’s findings with the contemporary results of gestalt-theoretical research from around the world, but especially in Italy and Germany. The result is a workable overview of the psychology of art with bridges built to contemporary research, making Arnheim’s approach living and sustainable.
Book Synopsis Art and Visual Perception, Second Edition by : Rudolf Arnheim
Download or read book Art and Visual Perception, Second Edition written by Rudolf Arnheim and published by Univ of California Press. This book was released on 2004-11-08 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.
Book Synopsis Arnheim for Film and Media Studies by : Scott Higgins
Download or read book Arnheim for Film and Media Studies written by Scott Higgins and published by Routledge. This book was released on 2010-10-18 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.
Download or read book Film as Art written by Rudolf Arnheim and published by Univ of California Press. This book was released on 1957 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: “More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts
Book Synopsis To the Rescue of Art by : Rudolf Arnheim
Download or read book To the Rescue of Art written by Rudolf Arnheim and published by Univ of California Press. This book was released on 1992 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The provocative title of this new collection of essays was chosen by Rudolf Arnheim for good reason. He has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself. He says that we must face the threat 'that the work crew charged with erecting the edifice of our principles is infiltrated by termites.'
Download or read book Entropy and Art written by Rudolf Arnheim and published by Univ of California Press. This book was released on 2010-08-02 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: This essay is an attempt to reconcile the disturbing contradiction between the striving for order in nature and in man and the principle of entropy implicit in the second law of thermodynamics - between the tendency toward greater organization and the general trend of the material universe toward death and disorder.
Book Synopsis Toward a Psychology of Art by : Rudolf Arnheim
Download or read book Toward a Psychology of Art written by Rudolf Arnheim and published by Univ of California Press. This book was released on 2010-08-13 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Psychology.
Book Synopsis The Power of the Center by : Rudolf Arnheim
Download or read book The Power of the Center written by Rudolf Arnheim and published by Univ of California Press. This book was released on 1983-01-01 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tension between two systems for understanding and picturing space, the concentric and the Cartesian, is regarded by the author as the key to composition in painting, sculpture and architecture
Download or read book Visual Thinking written by Rudolf Arnheim and published by Univ of California Press. This book was released on 1969 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 35th anniversary of this classic of art theory.
Book Synopsis Arnheim for Film and Media Studies by : Scott Higgins
Download or read book Arnheim for Film and Media Studies written by Scott Higgins and published by Routledge. This book was released on 2010-10-18 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.
Book Synopsis New Essays on the Psychology of Art by : Rudolf Arnheim
Download or read book New Essays on the Psychology of Art written by Rudolf Arnheim and published by Univ of California Press. This book was released on 2023-04-28 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thousands of readers who have profited from engagement with the lively mind of Rudolf Arnheim over the decades will receive news of this new collection of essays expectantly. In the essays collected here, as in his earlier work on a large variety of art forms, Arnheim explores concrete poetry and the metaphors of Dante, photography and the meaning of music. There are essays on color composition, forgeries, and the problems of perspective, on art in education and therapy, on the style of artists' late works, and the reading of maps. Also, in a triplet of essays on pioneers in the psychology of art (Max Wertheimer, Gustav Theodor Fechner, and Wilhelm Worringer) Arnheim goes back to the roots of modern thinking about the mechanisms of artistic perception.
Download or read book Rudolf Arnheim written by Rudolf Arnheim and published by University of Michigan Press. This book was released on 1997 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eminent contributors celebrate the distinguished career of art and film theorist Rudolf Arnheim
Book Synopsis Gestalt Psychology in German Culture, 1890-1967 by : Mitchell G. Ash
Download or read book Gestalt Psychology in German Culture, 1890-1967 written by Mitchell G. Ash and published by Cambridge University Press. This book was released on 1998-10-13 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: A full-length historical study of Gestalt psychology in Germany, based on exhaustive research in primary sources.
Book Synopsis Art and Visual Perception by : Rudolf Arnheim
Download or read book Art and Visual Perception written by Rudolf Arnheim and published by Univ of California Press. This book was released on 1954 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Visual Metaphors and Aesthetics by : Michalle Gal
Download or read book Visual Metaphors and Aesthetics written by Michalle Gal and published by Bloomsbury Publishing. This book was released on 2022-05-19 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a new definition of metaphor-as an ontological and visual construction, whose roots are external visual forms, and its motivation is our attachment to forms. This definition, which Michalle Gal names “visualist,” challenges the ruling conceptualist theory of metaphors and places a new emphasis on how we experience rather than understand metaphors. In doing so, she responds to the visual turn that is taking place in literature and the media, demanding that the visual become a site of philosophical analysis. This focus on the external visual world allows Gal to employ visual theories to capture the essence of metaphor. She looks beyond conceptual or semantic mechanism, and returns to theories of Arnheim and Gombrich and the current evolution of ideas about the visual or material and embodied cognition. Proposing to see visual metaphors in their basic form, she uses a new externalist terminology of ontology, visuality, composition, affordance, construction, and emergence. Setting out a new theory that takes into account that humans are visual no less than cognitive creatures, Visual Metaphors and Aesthetics lays the foundation for a new vocabulary to talk about metaphors.
Book Synopsis Still Life in Real Time by : Richard Dienst
Download or read book Still Life in Real Time written by Richard Dienst and published by Duke University Press. This book was released on 1994 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Television can be imagined in a number of ways: as a profuse flow of images, as a machine that produces new social relationships, as the last lingering gasp of Western metaphysical thinking, as a stuttering relay system of almost anonymous messages, as a fantastic construction of time. Richard Dienst engages each of these possibilities as he explores the challenge television has posed for contemporary theories of culture, technology, and media. Five theoretical projects provide Still Life in Real Time with its framework: the cultural studies tradition of Raymond Williams; Marxist political economy; Heideggerian existentialism; Derridean deconstruction; and a Deleuzian anatomy of images. Drawing lessons from television programs like Twin Peaks and Crime Story, television events like the Gulf War, and television personalities like Madonna, Dienst produces a remarkable range of insights on the character of the medium and on the theories that have been affected by it. From the earliest theorists who viewed television as a new metaphor for a global whole, a liberal technology empty of ideological or any other content, through those who saw it as a tool for consumption, making time a commodity, to those who sense television's threat to being and its intimate relation to power, Dienst exposes the rich pattern of television's influence on philosophy, and hence on the deepest levels of contemporary experience. A book of theory, Still Life in Real Time will compel the attention of all those with an interest in the nature of the ever present, ever shifting medium and its role in the thinking that marks our time.
