American Avant Garde Cinemas Philosophy Of The In Between

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American Avant-Garde Cinema's Philosophy of the In-Between

Author : Rebecca A. Sheehan
Publisher : Oxford University Press
ISBN 13 : 0190949724
Total Pages : 416 pages
Book Rating : 4.1/5 (99 download)

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Book Synopsis American Avant-Garde Cinema's Philosophy of the In-Between by : Rebecca A. Sheehan

Download or read book American Avant-Garde Cinema's Philosophy of the In-Between written by Rebecca A. Sheehan and published by Oxford University Press. This book was released on 2020-03-09 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this crucial question for the emergent field of film philosophy, American Avant-Garde Cinema's Philosophy of the In-Between argues that the films of the American avant-garde do in fact do philosophy and illuminates the ethical stakes of their aesthetic interventions. Author Rebecca A. Sheehan contends that American avant-garde cinema's characteristic self-reflexivity is an interrogation of the modes and stakes of our engagement with the world on and beyond the screen. The book demonstrates this with the theory of the in-between: a pervasive figure that helps clarify how avant-garde cinema's reflections on the creation of images construct an ethics of perception itself, a responsibility to perpetuate thought in an enduring re-encounter with the world and with meaning's unfinished production. The book is structured by a taxonomy of the multiple in-betweens evident in American avant-garde filmmaking. Rather than systematically seeking reproductions of particular philosophers' ideas in avant-garde films, Sheehan derives categories of analysis and the philosophical claims they disclose from close readings of the films themselves. This methodology opposes mapping preconfigured philosophical concepts and values onto these films, as too many philosophical approaches to cinema have done, silencing the philosophies uniquely articulated by these films in the interest of making them ventriloquize philosophies advanced elsewhere. The chapters of this book trace three modes of the in-between that function philosophically in American avant-garde cinema: the material, the dimensional, and the conceptual. Although the chapters are organized around discrete aesthetic and philosophical preoccupations that unify several filmmakers, these three presentations of the in-between cut through all the chapters, allowing the subjects of each to converse over the course of the book.

American Avant-garde Cinema's Philosophy of the In-between

Author : Rebecca Sheehan
Publisher :
ISBN 13 : 9780190949747
Total Pages : pages
Book Rating : 4.9/5 (497 download)

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Book Synopsis American Avant-garde Cinema's Philosophy of the In-between by : Rebecca Sheehan

Download or read book American Avant-garde Cinema's Philosophy of the In-between written by Rebecca Sheehan and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this question crucial to the emergent field of film philosophy, this book argues that the films of the American avant-garde do "do" philosophy and illuminates the ethical and political stakes of their aesthetic interventions. The book traces the avant-garde's philosophy by developing a history and theory of its investment in dimensional, conceptual, and material in-betweens, clarifying how this cinema's reflections on the creation and reception of images construct an ethics of perception itself, a responsibility to perpetuate thought in an enduring re-encounter with the world and with meaning's unfinished production. This entails the avant-garde's locating of cinema's-and thought's-ends or meanings in their means, and their advancement of an image of truth that is made rather than found that unites their films with the philosophies of Ludwig Wittgenstein and Ralph Waldo Emerson who believed the "journey's end is found in every step of the road" (Cavell). Rectifying film-philosophy's neglect of the American avant-garde, the book demonstrates how rather than showing their interest in the revelation of authoritative truths, the avant-garde's interest in the re-encounter and review of the seen and known emerges from an American Transcendentalist tradition that opposes such notions. Sheehan reads the avant-garde's interest in the contingencies of spectatorial experience as also an extension of Pragmatism's commitment to replacing the authority of a priori knowledge with that of individual experience. She also shows how Emerson's influence on Friedrich Nietzsche connects the American avant-garde's philosophies to Deleuze's time-image, premised largely upon Nietzsche's "powers of the false.""--

American Avant-Garde Cinema's Philosophy of the In-Between

Author : Rebecca A. Sheehan
Publisher : Oxford University Press, USA
ISBN 13 : 0190949708
Total Pages : 305 pages
Book Rating : 4.1/5 (99 download)

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Book Synopsis American Avant-Garde Cinema's Philosophy of the In-Between by : Rebecca A. Sheehan

Download or read book American Avant-Garde Cinema's Philosophy of the In-Between written by Rebecca A. Sheehan and published by Oxford University Press, USA. This book was released on 2020 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Can films philosophize rather than simply represent philosophical ideas developed outside of the cinematic medium? Taking up this question crucial to the emergent field of film philosophy, this book argues that the films of the American avant-garde do "do" philosophy and illuminates the ethical and political stakes of their aesthetic interventions. The book traces the avant-garde's philosophy by developing a history and theory of its investment in dimensional, conceptual, and material in-betweens, clarifying how this cinema's reflections on the creation and reception of images construct an ethics of perception itself, a responsibility to perpetuate thought in an enduring re-encounter with the world and with meaning's unfinished production. This entails the avant-garde's locating of cinema's-and thought's-ends or meanings in their means, and their advancement of an image of truth that is made rather than found that unites their films with the philosophies of Ludwig Wittgenstein and Ralph Waldo Emerson who believed the "journey's end is found in every step of the road" (Cavell). Rectifying film-philosophy's neglect of the American avant-garde, the book demonstrates how rather than showing their interest in the revelation of authoritative truths, the avant-garde's interest in the re-encounter and review of the seen and known emerges from an American Transcendentalist tradition that opposes such notions. Sheehan reads the avant-garde's interest in the contingencies of spectatorial experience as also an extension of Pragmatism's commitment to replacing the authority of a priori knowledge with that of individual experience. She also shows how Emerson's influence on Friedrich Nietzsche connects the American avant-garde's philosophies to Deleuze's time-image, premised largely upon Nietzsche's "powers of the false.""--

The Most Typical Avant-Garde

Author : David James
Publisher : Univ of California Press
ISBN 13 : 9780520938199
Total Pages : 572 pages
Book Rating : 4.9/5 (381 download)

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Book Synopsis The Most Typical Avant-Garde by : David James

Download or read book The Most Typical Avant-Garde written by David James and published by Univ of California Press. This book was released on 2005-05-30 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.

Magic Realism, World Cinema, and the Avant-Garde

Author : Felicity Gee
Publisher : Routledge
ISBN 13 : 1315312794
Total Pages : 248 pages
Book Rating : 4.3/5 (153 download)

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Book Synopsis Magic Realism, World Cinema, and the Avant-Garde by : Felicity Gee

Download or read book Magic Realism, World Cinema, and the Avant-Garde written by Felicity Gee and published by Routledge. This book was released on 2021-04-19 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy.

Points of Resistance

Author : Lauren Rabinovitz
Publisher : University of Illinois Press
ISBN 13 : 9780252071249
Total Pages : 276 pages
Book Rating : 4.0/5 (712 download)

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Book Synopsis Points of Resistance by : Lauren Rabinovitz

Download or read book Points of Resistance written by Lauren Rabinovitz and published by University of Illinois Press. This book was released on 2003 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar avant-garde movement offered an opportunity. Rabinovitz argues that avant-garde cinema, open to women because of its marginal status in the art world, included women as filmmakers, organizers, and critics. Focusing on Maya Deren, Shirley Clarke, and Joyce Wieland, Rabinovitz illustrates how women used bold physical images to enhance their work and how each provided entrée to her subversive art while remaining culturally acceptable. She combines archival materials with her own interviews to show how the women's labor and films, even their identities as women filmmakers, were produced, disseminated, and understood. With a new preface and an updated bibliography, Points of Resistance simultaneously demonstrates the avant-garde's importance as an organizational network for women filmmakers and the processes by which women remained marginal figures within that network.

Avant-garde Film

Author : Michael O'Pray
Publisher : Wallflower Press
ISBN 13 : 9781903364567
Total Pages : 150 pages
Book Rating : 4.3/5 (645 download)

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Book Synopsis Avant-garde Film by : Michael O'Pray

Download or read book Avant-garde Film written by Michael O'Pray and published by Wallflower Press. This book was released on 2003 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation Few aspects of American military history have been as vigorously debated as Harry Truman's decision to use atomic bombs against Japan. In this carefully crafted volume, Michael Kort describes the wartime circumstances and thinking that form the context for the decision to use these weapons, surveys the major debates related to that decision, and provides a comprehensive collection of key primary source documents that illuminate the behavior of the United States and Japan during the closing days of World War II. Kort opens with a summary of the debate over Hiroshima as it has evolved since 1945. He then provides a historical overview of thye events in question, beginning with the decision and program to build the atomic bomb. Detailing the sequence of events leading to Japan's surrender, he revisits the decisive battles of the Pacific War and the motivations of American and Japanese leaders. Finally, Kort examines ten key issues in the discussion of Hiroshima and guides readers to relevant primary source documents, scholarly books, and articles.

The Poetics of the Avant-garde in Literature, Arts, and Philosophy

Author : Slav N. Gratchev
Publisher : Rowman & Littlefield
ISBN 13 : 1793615756
Total Pages : 247 pages
Book Rating : 4.7/5 (936 download)

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Book Synopsis The Poetics of the Avant-garde in Literature, Arts, and Philosophy by : Slav N. Gratchev

Download or read book The Poetics of the Avant-garde in Literature, Arts, and Philosophy written by Slav N. Gratchev and published by Rowman & Littlefield. This book was released on 2020-10-05 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Poetics of the Avant-garde in Literature, Arts, and Philosophy presents a range of chapters written by a highly international group of scholars from disciplines such as literary studies, arts, theatre, and philosophy to analyze the ambitions of avant-garde artists. Together, these essays highlight the interdisciplinary scope of the historic avant-garde and the interconnectedness of its artists. Contributors analyze topics such as abstraction and estrangement across the arts, the imaginary dialogue between Lev Yakubinsky and Mikhail Bakhtin, the problem of the “masculine ethos” in the Russian avant-garde, the transformation of barefoot dancing, Kazimir Malevich’s avant-garde poetic experimentations, the ecological imagination of the Polish avant-garde, science-fiction in the Russian avant-garde cinema, and the almost forgotten history of the avant-garde children’s literature in Germany. The chapters in this collection open a new critical discourse about the avant-garde movement in Europe and reshape contemporary understandings of it.

A Line of Sight

Author : Paul Arthur
Publisher : U of Minnesota Press
ISBN 13 : 9780816642656
Total Pages : 246 pages
Book Rating : 4.6/5 (426 download)

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Book Synopsis A Line of Sight by : Paul Arthur

Download or read book A Line of Sight written by Paul Arthur and published by U of Minnesota Press. This book was released on 2005-01-01 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arthur (English and film studies, Montclair State U.) balances close analysis of major and lesser-known films with detailed examinations of their production, distribution and exhibition. He addresses the avant-garde's cultural significance and reexamines accepted critical categories and artistic options. Rather than treating American avant-garde ci

Maya Deren and the American Avant-Garde

Author : Bill Nichols
Publisher : Univ of California Press
ISBN 13 : 9780520227323
Total Pages : 356 pages
Book Rating : 4.2/5 (273 download)

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Book Synopsis Maya Deren and the American Avant-Garde by : Bill Nichols

Download or read book Maya Deren and the American Avant-Garde written by Bill Nichols and published by Univ of California Press. This book was released on 2001-10-31 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Regarded as one of the founders of the postwar American independent cinema, Maya Deren was a poet, photographer, ethnographer and filmaker. These essays examine Deren's writings, films, and legacy from a variety of perspectives.

The Parisian Avant-Garde in the Age of Cinema, 1900-1923

Author : Jennifer Wild
Publisher : Univ of California Press
ISBN 13 : 0520340809
Total Pages : 360 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis The Parisian Avant-Garde in the Age of Cinema, 1900-1923 by : Jennifer Wild

Download or read book The Parisian Avant-Garde in the Age of Cinema, 1900-1923 written by Jennifer Wild and published by Univ of California Press. This book was released on 2023-04-28 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves.

Abstraction in Avant-garde Films

Author : Maureen Cheryn Turim
Publisher :
ISBN 13 :
Total Pages : 184 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Abstraction in Avant-garde Films by : Maureen Cheryn Turim

Download or read book Abstraction in Avant-garde Films written by Maureen Cheryn Turim and published by . This book was released on 1985 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Women's Experimental Cinema

Author : Robin Blaetz
Publisher : Duke University Press
ISBN 13 : 9780822340447
Total Pages : 436 pages
Book Rating : 4.3/5 (44 download)

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Book Synopsis Women's Experimental Cinema by : Robin Blaetz

Download or read book Women's Experimental Cinema written by Robin Blaetz and published by Duke University Press. This book was released on 2007-10-16 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers introductions to the work of fifteen avant-garde American women filmmakers.

Canyon Cinema

Author : Scott MacDonald
Publisher : Univ of California Press
ISBN 13 : 0520250877
Total Pages : 477 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Canyon Cinema by : Scott MacDonald

Download or read book Canyon Cinema written by Scott MacDonald and published by Univ of California Press. This book was released on 2008-01-02 with total page 477 pages. Available in PDF, EPUB and Kindle. Book excerpt: "MacDonald's selections tread a pitch-perfect path between being comprehensive and making an engrossing and illuminating narrative. He has perfected his voice, and controls the entire history of U.S. avant-garde film with an easy and graceful confidence."—David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles

Avant-doc

Author : Scott MacDonald
Publisher : Oxford University Press, USA
ISBN 13 : 0199388717
Total Pages : 473 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Avant-doc by : Scott MacDonald

Download or read book Avant-doc written by Scott MacDonald and published by Oxford University Press, USA. This book was released on 2015 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: With in-depth interviews of directors like Nina Davenport, Ross McElwee, Ed Pincus, and others, Avant-Doc provides a unique oral history of the hybrid genre of nonfiction film that combines the techniques of avant-garde auteurs with the more traditional methods of conventional storytelling.

British art cinema

Author : Paul Newland
Publisher : Manchester University Press
ISBN 13 : 1526133148
Total Pages : 433 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis British art cinema by : Paul Newland

Download or read book British art cinema written by Paul Newland and published by Manchester University Press. This book was released on 2019-07-23 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.

A History of Experimental Film and Video

Author : A.L. Rees
Publisher : Bloomsbury Publishing
ISBN 13 : 1838714197
Total Pages : 208 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis A History of Experimental Film and Video by : A.L. Rees

Download or read book A History of Experimental Film and Video written by A.L. Rees and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.