Aesthetics And The Cinematic Narrative

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Aesthetics and the Cinematic Narrative

Author : Michael Peter Bolus
Publisher : Anthem Press
ISBN 13 : 1783089822
Total Pages : 176 pages
Book Rating : 4.7/5 (83 download)

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Book Synopsis Aesthetics and the Cinematic Narrative by : Michael Peter Bolus

Download or read book Aesthetics and the Cinematic Narrative written by Michael Peter Bolus and published by Anthem Press. This book was released on 2019-08-26 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their respective cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. ‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a practical philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling.

Aesthetics and Film

Author : Katherine Thomson-Jones
Publisher : Bloomsbury Publishing
ISBN 13 : 1441128301
Total Pages : 211 pages
Book Rating : 4.4/5 (411 download)

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Book Synopsis Aesthetics and Film by : Katherine Thomson-Jones

Download or read book Aesthetics and Film written by Katherine Thomson-Jones and published by Bloomsbury Publishing. This book was released on 2008-10-23 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics and Film is a philosophical study of the art of film. Its motivation is the recent surge of interest among analytic philosophers in the philosophical implications of central issues in film theory and the application of general issues in aesthetics to the specific case of film. Of particular interest are questions concerning the distinctive representational capacities of film art, particularly in relation to realism and narration, the influence of the literary paradigm in understanding film authorship and interpretation, and our imaginative and affective engagement with film. For all of these questions, Katherine Thomson-Jones critically compares the most compelling answers, driving home key points with a wide range of film examples including Wiene's The Cabinet of Doctor Caligari, Eisenstein's October, Hitchcock's Rear Window, Kubrick's The Shining and Sluizer's The Vanishing. Students and scholars of aesthetics and cinema will find this an illuminating, accessible and highly enjoyable investigation into the nature and power of a technologically evolving art form.

Aesthetics of Film

Author : Jacques Aumont
Publisher :
ISBN 13 :
Total Pages : 296 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Aesthetics of Film by : Jacques Aumont

Download or read book Aesthetics of Film written by Jacques Aumont and published by . This book was released on 1992-07 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The chapters include "Film as Audiovisual Representation," "Montage," "Cinema and Narration," "Cinema and Language," and "Film and Its Spectator." With numerous references to specific films and many black-and-white stills, the book will be useful for both beginning film students and advanced scholars who need a summary of the major stages in the development of film theory and aesthetics."--BOOK JACKET. "Beyond its obvious appeal to cinema students, Aesthetics of Film also raises theoretical, critical, and historical issues of interest to everyone working in the larger field of cultural studies. These issues include the ideological dimensions of visual representation, problems in narrative theory, concepts applicable to linguistic and textual analysis, and issues surrounding the audience."--BOOK JACKET.

Aesthetics and Film

Author : Katherine Thomson-Jones
Publisher : A&C Black
ISBN 13 : 0826485235
Total Pages : 159 pages
Book Rating : 4.8/5 (264 download)

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Book Synopsis Aesthetics and Film by : Katherine Thomson-Jones

Download or read book Aesthetics and Film written by Katherine Thomson-Jones and published by A&C Black. This book was released on 2008-12-23 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics and Film is a philosophical study of the historically dominant form of moving image media.

A Philosophy of Cinematic Art

Author : Berys Gaut
Publisher : Cambridge University Press
ISBN 13 : 0521822440
Total Pages : 339 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis A Philosophy of Cinematic Art by : Berys Gaut

Download or read book A Philosophy of Cinematic Art written by Berys Gaut and published by Cambridge University Press. This book was released on 2010-01-14 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.

The Light in the Dark

Author : Michael Peter Bolus
Publisher :
ISBN 13 : 9781516582747
Total Pages : 246 pages
Book Rating : 4.5/5 (827 download)

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Book Synopsis The Light in the Dark by : Michael Peter Bolus

Download or read book The Light in the Dark written by Michael Peter Bolus and published by . This book was released on 2019-12-04 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through an engaging and enlightening selection of readings and articles, The Light in the Dark: The Evolution, Mechanics, and Purpose of Cinema investigates cinema from a variety of diverse perspectives. The anthology explores the technical aspects of the filmmaking process, the ways in which certain elements of cinema are creatively combined toward emotional and intellectual effect, and the myriad ways cinema both interacts with and reflects culture. The opening chapter is comprised of readings that examine the nature and origin of cinematic technique, speaking to its early development as both a commercial and artistic endeavor. The second chapter reviews the core components of filmmaking, including mise-en-scène, editing, sound design, acting, and shot composition. In the final chapter, students explore film in cultural context. The readings examine particular stages in cinema's evolution, the role and implications of complex gender constructs, and the manner in which race and racial tensions have manifested themselves in filmic narratives. A highly contemporary and accessible anthology, The Light in the Dark is an excellent resource for courses in filmmaking and film studies. Michael Peter Bolus is the CEO of MEANSTREET Productions, a founding partner of the educational consulting firm CampusPro Group, the department chair of the Liberal Arts Program at The Los Angeles Film School, and a professor of film studies at Santa Monica College. He holds a Ph.D. in theatre studies from the City University of New York Graduate Center and a master's degree in creative writing from Boston University. He is the author of Aesthetics and the Cinematic Narrative: An Introduction (Anthem Press), and his articles, interviews, and criticism have appeared in a wide array of academic and scholarly journals.

An Aesthetics of Injury

Author : Ian Fleishman
Publisher : Northwestern University Press
ISBN 13 : 0810136813
Total Pages : 280 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis An Aesthetics of Injury by : Ian Fleishman

Download or read book An Aesthetics of Injury written by Ian Fleishman and published by Northwestern University Press. This book was released on 2018-03-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino. Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all). With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.

The Orientation of Future Cinema

Author : Bruce Isaacs
Publisher : A&C Black
ISBN 13 : 1623569133
Total Pages : 312 pages
Book Rating : 4.6/5 (235 download)

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Book Synopsis The Orientation of Future Cinema by : Bruce Isaacs

Download or read book The Orientation of Future Cinema written by Bruce Isaacs and published by A&C Black. This book was released on 2013-02-14 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems? The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumière’s Arrival of a Train at a Station, Bruce Isaacs confronts the threat of contemporary digital technologies and processes by returning to cinema’s complex history as a technological and industrial phenomenon. The technology of moving images has profoundly changed; and yet cinema materialises ever more forcefully in digital capture and augmentation, 3-D perception and affect, High Frame Rate cinema, and the evolution of spectacle as the dominant aesthetic mode in contemporary studio production.

3D Cinematic Aesthetics and Storytelling

Author : Yong Liu
Publisher : Springer
ISBN 13 : 3319727427
Total Pages : 226 pages
Book Rating : 4.3/5 (197 download)

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Book Synopsis 3D Cinematic Aesthetics and Storytelling by : Yong Liu

Download or read book 3D Cinematic Aesthetics and Storytelling written by Yong Liu and published by Springer. This book was released on 2018-07-05 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that 3D films are becoming more sophisticated in utilising stereoscopic effects for storytelling purposes. Since Avatar (2009), we have seen a 3D revival marked by its integration with new digital technologies. With this book, the author goes beyond exploring 3D’s spectacular graphics and considers how 3D can be used to enhance visual storytelling. The chapters include visual comparisons between 2D and 3D to highlight their respective narrative features; an examination of the narrative tropes and techniques used by contemporary 3D filmmakers; and a discussion of the narrative implications brought by the coexistence of flatness and depth in 3D visuality. In demonstrating 3D cinematic aesthetics and storytelling, Yong Liu analyses popular films such as Hugo (2011), Life of Pi (2012), Gravity (2013), Star Trek Into Darkness (2013, and The Great Gatsby (2013). The book is an investigation into contemporary forms of stereoscopic storytelling derived from a unique, long-existing mode of cinematic illusions.

Authorship and Narrative in the Cinema

Author : William Luhr
Publisher : Penguin Adult HC/TR
ISBN 13 :
Total Pages : 326 pages
Book Rating : 4.X/5 ( download)

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Book Synopsis Authorship and Narrative in the Cinema by : William Luhr

Download or read book Authorship and Narrative in the Cinema written by William Luhr and published by Penguin Adult HC/TR. This book was released on 1977 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Forms of Being

Author : Leo Bersani
Publisher : Bloomsbury Publishing
ISBN 13 : 1838715851
Total Pages : 184 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Forms of Being by : Leo Bersani

Download or read book Forms of Being written by Leo Bersani and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: In each of the films discussed in this study - 'Le Mepris', 'All About My Mother', 'The Thin Red Line' - something extraordinary is proposed. Or if not proposed, then shown, visually, by stranger and more powerful means than narrative or argument.

Film Worlds

Author : Daniel Yacavone
Publisher : Columbia University Press
ISBN 13 : 0231538359
Total Pages : 341 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Film Worlds by : Daniel Yacavone

Download or read book Film Worlds written by Daniel Yacavone and published by Columbia University Press. This book was released on 2014-12-23 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film Worlds unpacks the significance of the "worlds" that narrative films create, offering an innovative perspective on cinema as art. Drawing on aesthetics and the philosophy of art in both the continental and analytic traditions, as well as classical and contemporary film theory, it weaves together multiple strands of thought and analysis to provide new understandings of filmic representation, fictionality, expression, self-reflexivity, style, and the full range of cinema's affective and symbolic dimensions. Always more than "fictional worlds" and "storyworlds" on account of cinema's perceptual, cognitive, and affective nature, film worlds are theorized as immersive and transformative artistic realities. As such, they are capable of fostering novel ways of seeing, feeling, and understanding experience. Engaging with the writings of Jean Mitry, Pier Paolo Pasolini, Christian Metz, David Bordwell, Gilles Deleuze, and Hans-Georg Gadamer, among other thinkers, Film Worlds extends Nelson Goodman's analytic account of symbolic and artistic "worldmaking" to cinema, expands on French philosopher Mikel Dufrenne's phenomenology of aesthetic experience in relation to films and their worlds, and addresses the hermeneutic dimensions of cinematic art. It emphasizes what both celluloid and digital filmmaking and viewing share with the creation and experience of all art, while at the same time recognizing what is unique to the moving image in aesthetic terms. The resulting framework reconciles central aspects of realist and formalist/neo-formalist positions in film theory while also moving beyond them and seeks to open new avenues of exploration in film studies and the philosophy of film.

Cinematic Modernism and Contemporary Film

Author : Howard Finn
Publisher : Bloomsbury Publishing
ISBN 13 : 1350242578
Total Pages : 337 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Cinematic Modernism and Contemporary Film by : Howard Finn

Download or read book Cinematic Modernism and Contemporary Film written by Howard Finn and published by Bloomsbury Publishing. This book was released on 2022-10-06 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema was the most important new artistic medium of the twentieth century and modernism was the most important new aesthetic movement across the arts in the twentieth century. However, what exactly is the relationship between cinema and modernism? Cinematic Modernism and Contemporary Film explores how in the early twentieth century cinema came to be seen as one of the new technologies which epitomised modernity and how cinema itself reflected ideas, hopes and fears concerning modern life. Howard Finn examines the emergence of a new 'international style' of cinema, combining a poetic aesthetic of the image with genre-based fictional narrative and documentary realism. He provides concise accounts of how theorists such as André Bazin, Siegfried Kracauer, Gilles Deleuze and Jacques Rancière have discussed this cinematic aesthetic, clarifying debates over terms such as 'realism', 'classical' and 'avant-garde' as well as recent controversies over terms such as 'slow cinema' and 'vernacular modernism'. He further argues the influence of modernism through close readings of many contemporary films, including films by Abbas Kiarostami, Béla Tarr, Jia Zhangke, and Angela Schanelec. Drawing on a broad range of examples, including Soviet montage, Italian neorealism, postwar new waves and the 'new cinema' of Taiwan and Iran, this book explores the cultural significance of modernism and its lasting influence over cinema.

Deleuze and Cinema

Author : Barbara Kennedy
Publisher : Edinburgh University Press
ISBN 13 : 0748665919
Total Pages : 240 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Deleuze and Cinema by : Barbara Kennedy

Download or read book Deleuze and Cinema written by Barbara Kennedy and published by Edinburgh University Press. This book was released on 2000-12-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies.

Cinematic Emotion in Horror Films and Thrillers

Author : Julian Hanich
Publisher : Routledge
ISBN 13 : 1136991581
Total Pages : 314 pages
Book Rating : 4.1/5 (369 download)

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Book Synopsis Cinematic Emotion in Horror Films and Thrillers by : Julian Hanich

Download or read book Cinematic Emotion in Horror Films and Thrillers written by Julian Hanich and published by Routledge. This book was released on 2011-02-09 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hanich looks at fear at the movies – its aesthetics, its experience and its pleasures--in this thought-provoking study. Looking at over 150 different films including Seven, Rosemary's Baby, and Silence of the Lambs, Hanich attempts to answer the paradox of why we enjoy films that thrill us, that scare us, that threaten us, that shock us –affects that we otherwise desperately wish to avoid.

Hollywood Aesthetic

Author : Todd Berliner
Publisher : Oxford University Press
ISBN 13 : 0190658762
Total Pages : 352 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Hollywood Aesthetic by : Todd Berliner

Download or read book Hollywood Aesthetic written by Todd Berliner and published by Oxford University Press. This book was released on 2017-03-01 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthetic experiences, among huge populations, translate into box office success. With that goal in mind, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a massive scale. In Hollywood Aesthetic, Todd Berliner accounts for the chief attraction of Hollywood cinema worldwide: its entertainment value. The book examines films such as City Lights and Goodfellas that have earned aesthetic appreciation from both fans and critics. But it also studies some curious outliers, cult films, and celebrated Hollywood experiments, such as The Killing and Starship Troopers. And it demonstrates that even ordinary popular films, from Tarzan and His Mate to Rocky III, as well as action blockbusters, like Die Hard and The Dark Knight, offer aesthetic pleasure to mass audiences. Hollywood Aesthetic explains how Hollywood engages viewers by satisfying their aesthetic desires. Visit the companion website at www.oup.com/us/hollywoodaesthetic

The Aesthetics and Psychology of the Cinema

Author : Jean Mitry
Publisher : Indiana University Press
ISBN 13 : 9780253213778
Total Pages : 428 pages
Book Rating : 4.2/5 (137 download)

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Book Synopsis The Aesthetics and Psychology of the Cinema by : Jean Mitry

Download or read book The Aesthetics and Psychology of the Cinema written by Jean Mitry and published by Indiana University Press. This book was released on 1997 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mitry was driven to explain the "why," "what if," and "how come" experiences that resulted after the "wow" experience in cinema. His theory uses psychology and phenomenology to understand how cinema can elevate the viewer from the everyday world.