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A Social History Of Iranian Cinema Volume 2
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Book Synopsis A Social History of Iranian Cinema, Volume 2 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 2 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
Book Synopsis A Social History of Iranian Cinema, Volume 1 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 1 written by Hamid Naficy and published by Duke University Press. This book was released on 2011-09-16 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div
Book Synopsis A Social History of Iranian Cinema, Volume 4 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 4 written by Hamid Naficy and published by Duke University Press. This book was released on 2011 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
Book Synopsis A Social History of Iranian Cinema, Volume 3 by : Hamid Naficy
Download or read book A Social History of Iranian Cinema, Volume 3 written by Hamid Naficy and published by Duke University Press. This book was released on 2011 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran."--Page 4 of cover.
Book Synopsis Directory of World Cinema: Iran 2 by : Parviz Jahed
Download or read book Directory of World Cinema: Iran 2 written by Parviz Jahed and published by Intellect Books. This book was released on 2017-03-01 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Working at the intersection of religion and ever-shifting political, economic and social environments, Iranian cinema has produced some of the most critically lauded films in the world today. The first volume in the Directory of World Cinema: Iran turned the spotlight on the award-winning cinema of Iran, with particular attention to the major genres and movements, historical turning points and prominent figures that have helped shape it. Considering a wide range of genres, including Film Farsi, New Wave, war film, art house film and women’s cinema, the book was greeted with enthusiasm by film studies scholars, students working on alternative or national cinema and fans and aficionados of Iranian film. Building on the momentum and influence of its predecessor, Directory of World Cinema: Iran 2 will be welcomed by all seeking an up-to-date and comprehensive guide to Iranian cinema.
Download or read book Close Up written by Hamid Dabashi and published by Verso. This book was released on 2001 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
Book Synopsis Displaced Allegories by : Negar Mottahedeh
Download or read book Displaced Allegories written by Negar Mottahedeh and published by Duke University Press. This book was released on 2008-11-14 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the 1979 Iranian Revolution, Iran’s film industry, in conforming to the Islamic Republic’s system of modesty, had to ensure that women on-screen were veiled from the view of men. This prevented Iranian filmmakers from making use of the desiring gaze, a staple cinematic system of looking. In Displaced Allegories Negar Mottahedeh shows that post-Revolutionary Iranian filmmakers were forced to create a new visual language for conveying meaning to audiences. She argues that the Iranian film industry found creative ground not in the negation of government regulations but in the camera’s adoption of the modest, averted gaze. In the process, the filmic techniques and cinematic technologies were gendered as feminine and the national cinema was produced as a woman’s cinema. Mottahedeh asserts that, in response to the prohibitions against the desiring look, a new narrative cinema emerged as the displaced allegory of the constraints on the post-Revolutionary Iranian film industry. Allegorical commentary was not developed in the explicit content of cinematic narratives but through formal innovations. Offering close readings of the work of the nationally popular and internationally renowned Iranian auteurs Bahram Bayza’i, Abbas Kiarostami, and Mohsen Makhmalbaf, Mottahedeh illuminates the formal codes and conventions of post-Revolutionary Iranian films. She insists that such analyses of cinema’s visual codes and conventions are crucial to the study of international film. As Mottahedeh points out, the discipline of film studies has traditionally seen film as a medium that communicates globally because of its dependence on a (Hollywood) visual language assumed to be universal and legible across national boundaries. Displaced Allegories demonstrates that visual language is not necessarily universal; it is sometimes deeply informed by national culture and politics.
Book Synopsis A Social History of Iranian Cinema by : Hamid Naficy
Download or read book A Social History of Iranian Cinema written by Hamid Naficy and published by . This book was released on 2011 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Iranian Cinema written by Hamid Reza Sadr and published by Bloomsbury Publishing. This book was released on 2006-09-29 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in artistic merit and, crucially, as apolitical in content. This highly readable history of Iran as revealed through the full breadth of its cinema re-reads the films themselves to tell the full story of shifting political, economic and social situations. Sadr argues that embedded within even the seemingly least noteworthy of mainstream Iranian films, we find themes and characterisations which reveal the political contexts of their time and which express the ideological underpinnings of a society. Beginning with the introduction of cinema to Iran through the Iranian monarchy, the book covers the broad spectrum of Iran's cinema, offering vivid descriptions of all key films. "Iranian Cinema" looks at recurring themes and tropes, such as the rural versus the 'corrupt' city and, recently, the preponderance of images of childhood, and asks what these have revealed about Iranian society. The author brings the story up to date explaining Iranian filmmaking after the events of September 11, from Mohsen Makhmalbaf's astonishing Kandahar to Saddiq Barmak's angry work Osama, to explore this most recent and breathtaking revival in Iranian cinema.
Book Synopsis Iranian Cosmopolitanism by : Golbarg Rekabtalaei
Download or read book Iranian Cosmopolitanism written by Golbarg Rekabtalaei and published by Cambridge University Press. This book was released on 2019-01-17 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique look at how cinema shaped the cosmopolitan society in Tehran through cultural exchanges between Iran and the world.
Book Synopsis Film in the Middle East and North Africa by : Josef Gugler
Download or read book Film in the Middle East and North Africa written by Josef Gugler and published by University of Texas Press. This book was released on 2011-01-15 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: *A timely window on the world of Middle Eastern cinema, this remarkable overview includes many essays that provide the first scholarly analysis of significant works by key filmmakers in the region.
Book Synopsis Social Media in Iran by : David M. Faris
Download or read book Social Media in Iran written by David M. Faris and published by State University of New York Press. This book was released on 2015-11-20 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: First comprehensive account of how the Internet has impacted life in Iran. Social Media in Iran is the first book to tell the complex story of how and why the Iranian people—including women, homosexuals, dissidents, artists, and even state actors—use social media technology, and in doing so create a contentious environment wherein new identities and realities are constructed. Drawing together emerging and established scholars in communication, culture, and media studies, this volume considers the role of social media in Iranian society, particularly the time during and after the controversial 2009 presidential election, a watershed moment in the postrevolutionary history of Iran. While regional specialists may find studies on specific themes useful, the aim of this volume is to provide broad narratives of actor-based conceptions of media technology, an approach that focuses on the experiential and social networking processes of digital practices in the information era extended beyond cultural specificities. Students and scholars of regional and media studies will find this volume rich with empirical and theoretical insights on the subject of how technologies shape political and everyday life. David M. Faris is Chair of the Department of Political Science and Public Administration at Roosevelt University and the author of Dissent and Revolution in a Digital Age: Social Media, Blogging and Activism in Egypt. Babak Rahimi is Associate Professor of Communication, Culture, and Religion at the University of California, San Diego. He is the author of Theater State and the Formation of Early Modern Public Sphere in Iran: Studies on Safavid Muharram Rituals, 1590–1641 CE.
Book Synopsis Iranian Cinema and Globalization by : Shahab Esfandiary
Download or read book Iranian Cinema and Globalization written by Shahab Esfandiary and published by Intellect Books. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite critical acclaim and a recent surge of popularity with Western audiences, Iranian cinema has been the subject of lamentably few academic studies--and those have by and large been limited to the films and filmmakers most visible on the international film circuit. Iranian Cinema and Globalization seeks to broaden readers' exposure to other dimensions of Iranian cinema, including the works of the many prolific filmmakers whose films have received little outside attention despite being widely popular within Iran. Combining theories of globalization and national cinema with in-depth, interdisciplinary analyses of individual films, this volume expands the current literature on Iranian cinema with insights into the social, and religious political contexts involved.
Download or read book Shahnameh written by Firdawsī and published by Penguin. This book was released on 2006 with total page 936 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new translation of the late-tenth-century Persian epic follows its story of pre-Islamic Iran's mythic time of Creation through the seventh-century Arab invasion, tracing ancient Persia's incorporation into an expanding Islamic empire. 15,000 first printing.
Book Synopsis Iranian National Cinema by : Anne Demy-Geroe
Download or read book Iranian National Cinema written by Anne Demy-Geroe and published by Routledge. This book was released on 2020-01-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers – the presidential terms of Reformist president Mohammad Khatami and his successor, the conservative Mahmoud Ahmadinejad – and filmic markers, particularly Jafar Panahi’s The Circle (2000) and Asghar Farhadi’s About Elly (2009). Through extensive field and media research, the book considers the interaction of a range of factors including government policy, Iranian national cinema genres and categories, intended audience, funding source, and domestic and international reception, to demonstrate the interplay between filmmakers and the government over these two successive presidencies. While the impact of politics on Iranian filmmaking has been widely examined, this work argues for a more nuanced understanding of politics in and of the Iranian cinema than has generally been previously acknowledged. Drawing on both personal experience as a juror at the Fajr International Film festival and interviews with significant filmmakers, producers, actors and other industry insiders, including senior bureaucrats and politicians, the volume is a key resource for anyone interested in politics and Iranian cinema.
Book Synopsis Popular Iranian Cinema before the Revolution by : Pedram Partovi
Download or read book Popular Iranian Cinema before the Revolution written by Pedram Partovi and published by Taylor & Francis. This book was released on 2017-07-14 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.
Book Synopsis Counter-Memories in Iranian Cinema by : Matthias Wittmann
Download or read book Counter-Memories in Iranian Cinema written by Matthias Wittmann and published by EUP. This book was released on 2023-08-31 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective.
