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A Nineteenth Century Satire
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Book Synopsis A Satirical View of London at the Commencement of the Nineteenth Century by : John Corry
Download or read book A Satirical View of London at the Commencement of the Nineteenth Century written by John Corry and published by . This book was released on 1801 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Nineteenth Century Satire by : Chiel amang the classes and the masses takin' notes
Download or read book A Nineteenth Century Satire written by Chiel amang the classes and the masses takin' notes and published by . This book was released on 1891 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Satire in an Age of Realism by : Aaron Matz
Download or read book Satire in an Age of Realism written by Aaron Matz and published by Cambridge University Press. This book was released on 2010-07-15 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: As nineteenth-century realism became more and more intrepid in its pursuit of describing and depicting everyday life, it blurred irrevocably into the caustic and severe mode of literature better named satire. Realism's task of portraying the human became indistinguishable from satire's directive to castigate the human. Introducing an entirely new way of thinking about realism and the Victorian novel, Aaron Matz refers to the fusion of realism and satire as 'satirical realism': it is a mode in which our shared folly and error are so entrenched in everyday life, and so unchanging, that they need no embellishment when rendered in fiction. Focusing on the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, Matz argues that it was the transformation of Victorian realism into satire that granted it immense moral authority, but that led ultimately to its demise.
Book Synopsis Money and Materiality in the Golden Age of Graphic Satire by : Amanda Lahikainen
Download or read book Money and Materiality in the Golden Age of Graphic Satire written by Amanda Lahikainen and published by Studies in Seventeenth- And Ei. This book was released on 2022-08-12 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the entwined and simultaneous rise of graphic satire and cultures of paper money in late eighteenth- and early nineteenth-century Britain, capturing the difficult and uncertain cultural process of attaching value to printed paper as a medium.
Download or read book The Dictionary of Art written by and published by . This book was released on 2002 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Oxford Handbook of Eighteenth-century Satire by : Paddy Bullard
Download or read book The Oxford Handbook of Eighteenth-century Satire written by Paddy Bullard and published by . This book was released on 2019 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook is a guide to the kinds of satire written in English during the 'long' eighteenth century and it focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789.
Book Synopsis Smile of Discontent by : Eileen Gillooly
Download or read book Smile of Discontent written by Eileen Gillooly and published by University of Chicago Press. This book was released on 1999-06 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like sex, Eileen Gillooly argues, humor has long been viewed as a repressed feature of nineteenth-century femininity. However, in the works of writers such as Jane Austen, George Eliot, Elizabeth Gaskell, Anthony Trollope, and Henry James, Gillooly finds an understated, wryly amusing perspective that differs subtly but significantly in rhetoric, affect, and politics from traditional forms of comic expression. Gillooly shows how such humor became, for mostly female writers at the time, an unobtrusive and prudent means of expressing discontent with a culture that was ideologically committed to restricting female agency and identity. If the aggression and emotional distance of irony and satire mark them as "masculine," then for Gillooly, the passivity, indirection, and sympathy of the humor she discusses render it "feminine." She goes on to disclose how the humorous tactics employed by writers from Burney to Wharton persist in the work of Barbara Pym, Anita Brookner, and Penelope Fitzgerald. The book won the Barbara Perkins and George Perkins Award given by the Society for the Study of Narrative Literature.
Download or read book City of Laughter written by Vic Gatrell and published by Bloomsbury Publishing USA. This book was released on 2007-01-01 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.
Book Synopsis The Birth of Modern Political Satire by : Meredith McNeill Hale
Download or read book The Birth of Modern Political Satire written by Meredith McNeill Hale and published by Oxford University Press. This book was released on 2020-09-02 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.
Book Synopsis Humor and Irony in Nineteenth-century German Women's Writing by : Helen Chambers
Download or read book Humor and Irony in Nineteenth-century German Women's Writing written by Helen Chambers and published by Camden House. This book was released on 2007 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brings to light unsuspectedly rich sources of humor in the works of prominent nineteenth-century women writers. Nineteenth-century German literature is seldom seen as rich in humor and irony, and women's writing from that period is perhaps even less likely to be seen as possessing those qualities. Yet since comedy is bound to societal norms, and humor and irony are recognized weapons of the weak against authority, what this innovative study reveals should not be surprising: women writers found much to laugh at in a bourgeois age when social constraints, particularlyon women, were tight. Helen Chambers analyzes prose fiction by leading female writers of the day who prominently employ humor and irony. Arguing that humor and irony involve cognitive and rational processes, she highlights the inadequacy of binary theories of gender that classify the female as emotional and the male as rational. Chambers focuses on nine women writers: Annette von Droste-Hülshoff, Ida Hahn-Hahn, Ottilie Wildermuth, Helene Böhlau, Marie vonEbner-Eschenbach, Ada Christen, Clara Viebig, Isolde Kurz, and Ricarda Huch. She uncovers a rich seam of unsuspected or forgotten variety, identifies fresh avenues of approach, and suggests a range of works that merit a place onuniversity reading lists and attention in scholarly studies. Helen Chambers is Professor of German at the University of St Andrews, Scotland, UK.
Book Synopsis A Companion to Satire by : Ruben Quintero
Download or read book A Companion to Satire written by Ruben Quintero and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 624 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of twenty-nine original essays, surveys satire fromits emergence in Western literature to the present. Tracks satire from its first appearances in the prophetic booksof the Old Testament through the Renaissance and the Englishtradition in satire to Michael Moore’s satirical movieFahrenheit 9/11. Highlights the important influence of the Bible in the literaryand cultural development of Western satire. Focused mainly on major classical and European influences onand works of English satire, but also explores the complex andfertile cultural cross-semination within the tradition of literarysatire.
Book Synopsis Satire and Romanticism by : S. Jones
Download or read book Satire and Romanticism written by S. Jones and published by Springer. This book was released on 2000-04-21 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This remarkable study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 provides us with a new understanding of the historical development of Romanticism as a literary movement. Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of 'English Romanticism'.
Book Synopsis Satire Or Evasion? by : James S. Leonard
Download or read book Satire Or Evasion? written by James S. Leonard and published by Duke University Press. This book was released on 1992 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ranging from the laudatory to the openly hostile, 15 essays by prominent African American scholars and critics examine the novel's racist elements and assess the degree to which Twain's ironies succeed or fail to turn those elements into a satirical attack on racism. Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis The Cambridge Introduction to Satire by : Jonathan Greenberg
Download or read book The Cambridge Introduction to Satire written by Jonathan Greenberg and published by Cambridge University Press. This book was released on 2019 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Book Synopsis Devastation and Laughter by : Annie Gérin
Download or read book Devastation and Laughter written by Annie Gérin and published by University of Toronto Press. This book was released on 2018-01-01 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Devastation and Laughter, Annie G?rin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. G?rin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie G?rin provides a nuanced and alternative reading of early Soviet art.
Book Synopsis Nietzsche's Last Laugh by : Nicholas D. More
Download or read book Nietzsche's Last Laugh written by Nicholas D. More and published by Cambridge University Press. This book was released on 2014-03-27 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates that Nietzsche's autobiographical and much-maligned Ecce Homo is a sophisticated satire by which the thinker unifies his disparate corpus.
Download or read book Neo-Victorian Humour written by and published by BRILL. This book was released on 2017-06-06 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume highlights humour’s crucial role in shaping historical re-visions of the long nineteenth century, through modes ranging from subtle irony, camp excess, ribald farce, and aesthetic parody to blackly comic narrative games. It analyses neo-Victorian humour’s politicisation, its ideological functions and ethical implications across varied media, including fiction, drama, film, webcomics, and fashion. Contemporary humour maps the assumed distance between postmodernity and its targeted nineteenth-century referents only to repeatedly collapse the same in a seemingly self-defeating nihilistic project. This collection explores how neo-Victorian humour generates empathy and effective socio-political critique, dispensing symbolic justice, but also risks recycling the past’s invidious ideologies under the politically correct guise of comic debunking, even to the point of negating laughter itself. "This rich and innovative collection invites us to reflect on the complex and various deployments of humour in neo-Victorian texts, where its consumers may wish at times that they could swallow back the laughter a scene or event provokes. It covers a range of approaches to humour utilised by neo-Victorian writers, dramatists, graphic novelists and filmmakers – including the deliberately and pompously unfunny, the traumatic, the absurd, the ribald, and the frankly distasteful – producing a richly satisfying anthology of innovative readings of ‘canonical’ neo-Victorian texts as well as those which are potential generic outliers. The collection explores what is funny in the neo-Victorian and who we are laughing at – the Victorians, as we like to imagine them, or ourselves, in ways we rarely acknowledge? This is a celebration of the parodic playfulness of a wide range of texts, from fiction to fashion, whilst offering a trenchant critique of the politics of postmodern laughter that will appeal to those working in adaptation studies, gender and queer studies, as well as literary and cultural studies more generally." - Prof. Imelda Whelehan, University of Tasmania, Australia