A History of Narrative Film

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Publisher :
ISBN 13 : 9780393288728
Total Pages : 0 pages
Book Rating : 4.2/5 (887 download)

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Book Synopsis A History of Narrative Film by : David A. Cook

Download or read book A History of Narrative Film written by David A. Cook and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Closely Watched Films

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Publisher : Univ of California Press
ISBN 13 : 0520279972
Total Pages : 312 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Closely Watched Films by : Marilyn Fabe

Download or read book Closely Watched Films written by Marilyn Fabe and published by Univ of California Press. This book was released on 2014-10-14 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.

On the History of Film Style

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Publisher : Harvard University Press
ISBN 13 : 9780674634299
Total Pages : 338 pages
Book Rating : 4.6/5 (342 download)

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Book Synopsis On the History of Film Style by : David Bordwell

Download or read book On the History of Film Style written by David Bordwell and published by Harvard University Press. This book was released on 1997 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.

Emotion and the Structure of Narrative Film

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Publisher : Routledge
ISBN 13 : 1136694978
Total Pages : 309 pages
Book Rating : 4.1/5 (366 download)

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Book Synopsis Emotion and the Structure of Narrative Film by : Ed S. Tan

Download or read book Emotion and the Structure of Narrative Film written by Ed S. Tan and published by Routledge. This book was released on 2013-10-16 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.

D.W. Griffith and the Origins of American Narrative Film

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Publisher : University of Illinois Press
ISBN 13 : 9780252063664
Total Pages : 334 pages
Book Rating : 4.0/5 (636 download)

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Book Synopsis D.W. Griffith and the Origins of American Narrative Film by : Tom Gunning

Download or read book D.W. Griffith and the Origins of American Narrative Film written by Tom Gunning and published by University of Illinois Press. This book was released on 1994 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.

A New History of Japanese Cinema

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441161546
Total Pages : 415 pages
Book Rating : 4.4/5 (411 download)

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Book Synopsis A New History of Japanese Cinema by : Isolde Standish

Download or read book A New History of Japanese Cinema written by Isolde Standish and published by Bloomsbury Publishing USA. This book was released on 2006-05-08 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A New History of Japanese Cinema Isolde Standish focuses on the historical development of Japanese film. She details an industry and an art form shaped by the competing and merging forces of traditional culture and of economic and technological innovation. Adopting a thematic, exploratory approach, Standish links the concept of Japanese cinema as a system of communication with some of the central discourses of the twentieth century: modernism, nationalism, humanism, resistance, and gender. After an introduction outlining the earliest years of cinema in Japan, Standish demonstrates cinema's symbolic position in Japanese society in the 1930s - as both a metaphor and a motor of modernity. Moving into the late thirties and early forties, Standish analyses cinema's relationship with the state-focusing in particular on the war and occupation periods. The book's coverage of the post-occupation period looks at "romance" films in particular. Avant-garde directors came to the fore during the 1960s and early seventies, and their work is discussed in depth. The book concludes with an investigation of genre and gender in mainstream films of recent years. In grappling with Japanese film history and criticism, most western commentators have concentrated on offering interpretations of what have come to be considered "classic" films. A New History of Japanese Cinema takes a genuinely innovative approach to the subject, and should prove an essential resource for many years to come.

Altman and After

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Publisher : Scarecrow Press
ISBN 13 : 0810885077
Total Pages : 264 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Altman and After by : Peter F. Parshall

Download or read book Altman and After written by Peter F. Parshall and published by Scarecrow Press. This book was released on 2012-06-21 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. Parshall asserts that although this form may lose some of the close psychological identification and forward drive of linear narratives, such films gain a corresponding strength by developing thematic relationships in the various story lines. In each of these chapters, Parshall examines a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry. He also argues that these devices open up a variety of creative vistas, a strength that appeals to directors and audiences alike. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of Veronique, and Run Lola Run. A long overdue examination of this unique cinematic form, Altman and After will appeal to scholars, students, and fans eager to learn more about complex-narrative films.

A Short History of Film, Third Edition

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Publisher : Rutgers University Press
ISBN 13 : 0813595169
Total Pages : 525 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis A Short History of Film, Third Edition by : Wheeler Winston Dixon

Download or read book A Short History of Film, Third Edition written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2018-03-30 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.

An Introduction to Film Analysis

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501318551
Total Pages : 287 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis An Introduction to Film Analysis by : Michael Ryan

Download or read book An Introduction to Film Analysis written by Michael Ryan and published by Bloomsbury Publishing USA. This book was released on 2020-04-16 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Introduction to Film Analysis is designed to introduce students to filmmaking techniques while also providing an invaluable guide to film interpretation. It takes readers step by step through: -the basic technical terms -shot-by-shot analyses of film sequences -set design, composition, editing, camera work, post-production, art direction and more -each chapter provides clear examples and full colour images from classic as well as contemporary films Ryan and Lenos's updated edition introduces students to the different kinds of lenses and their effects, the multiple possibilities of lighting, and the way post-production modifies images through such processes as saturation and desaturation. Students will learn to ask why the camera is placed where it is, why an edit occurs where it does, or why the set is designed in a certain way. The second section of the book focuses on critical analysis, introducing students to the various approaches to film, from psychology to history, with new analysis on postcolonial, transnational and Affect Theory. New to this edition is a third section featuring several in-depth analyses of films to put into practice what comes before: The Birds, The Shining, Vagabond, In the Mood for Love, Before the Devil Knows You're Dead.

A History of Film Music

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Publisher : Cambridge University Press
ISBN 13 : 1316264866
Total Pages : 688 pages
Book Rating : 4.3/5 (162 download)

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Book Synopsis A History of Film Music by : Mervyn Cooke

Download or read book A History of Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2008-09-25 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive and lively introduction to the major trends in film scoring from the silent era to the present day, focussing not only on dominant Hollywood practices but also offering an international perspective by including case studies of the national cinemas of the UK, France, India, Italy, Japan and the early Soviet Union. The book balances wide-ranging overviews of film genres, modes of production and critical reception with detailed non-technical descriptions of the interaction between image track and soundtrack in representative individual films. In addition to the central focus on narrative cinema, separate sections are also devoted to music in documentary and animated films, film musicals and the uses of popular and classical music in the cinema. The author analyses the varying technological and aesthetic issues that have shaped the history of film music, and concludes with an account of the modern film composer's working practices.

Narrative and Narration

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Publisher : Columbia University Press
ISBN 13 : 023154359X
Total Pages : 110 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Narrative and Narration by : Warren Buckland

Download or read book Narrative and Narration written by Warren Buckland and published by Columbia University Press. This book was released on 2020-12-15 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: From mainstream blockbusters to art house cinema, narrative and narration are the driving forces that organize a film. Yet attempts to explain these forces are often mired in notoriously complex terminology and dense theory. Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. Narrative and Narration distills the basic components of cinematic storytelling into a set of core concepts: narrative structure, processes of narration, and narrative agents. The book opens with a discussion of the emergence of narrative and narration in early cinema and proceeds to illustrate key ideas through numerous case studies. Each chapter guides readers through different methods that they can use to analyze cinematic storytelling. Buckland also discusses how departures from traditional modes, such as feminist narratives, art cinema, and unreliable narrators, can complicate and corroborate the book’s understanding of narrative and narration. Examples include mainstream films, both classic and contemporary; art house films of every stripe; and two relatively new styles of cinematic storytelling: the puzzle film and those driven by a narrative logic derived from video games. Narrative and Narration is a concise introduction that provides readers with fundamental tools to understand cinematic storytelling.

The Children's Film

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Publisher : Columbia University Press
ISBN 13 : 0231851111
Total Pages : 190 pages
Book Rating : 4.2/5 (318 download)

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Book Synopsis The Children's Film by : Noel Brown

Download or read book The Children's Film written by Noel Brown and published by Columbia University Press. This book was released on 2017-05-16 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Films for children and young people are a constant in the history of cinema, from its beginnings to the present day. This book serves as a comprehensive introduction to the children's film, examining its recurrent themes and ideologies, and common narrative and stylistic principles. Opening with a thorough consideration of how the genre may be defined, this volume goes on to explore how children's cinema has developed across its broad historical and geographic span, with particular reference to films from the United States, Britain, France, Denmark, Russia, India, and China. Analyzing changes and continuities in how children's film has been conceived, it argues for a fundamental distinction between commercial productions intended primarily to entertain, and non-commercial films made under pedagogical principles, and produced for purposes of moral and behavioral instruction. In elaborating these different forms, this book outlines a history of children's cinema from the early days of commercial cinema to the present, explores key critical issues, and provides case studies of major children's films from around the world.

The Woman's Film of the 1940s

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Publisher : Routledge
ISBN 13 : 1135053707
Total Pages : 224 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis The Woman's Film of the 1940s by : Alison L. McKee

Download or read book The Woman's Film of the 1940s written by Alison L. McKee and published by Routledge. This book was released on 2014-04-03 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.

Cinema of Choice

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Publisher : Berghahn Books
ISBN 13 : 0857455923
Total Pages : 198 pages
Book Rating : 4.8/5 (574 download)

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Book Synopsis Cinema of Choice by : Nitzan Ben Shaul

Download or read book Cinema of Choice written by Nitzan Ben Shaul and published by Berghahn Books. This book was released on 2012-07-30 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Standard Hollywood narrative movies prescribe linear narratives that cue the viewer to expect predictable outcomes and adopt a closed state of mind. There are, however, a small number of movies that, through the presentation of alternate narrative paths, open the mind to thoughts of choice and possibility. Through the study of several key movies for which this concept is central, such as Sliding Doors, Run Lola Run, Inglourious Basterds, and Rashomon, Nitzan Ben Shaul examines the causes and implications of optional thinking and how these movies allow for more open and creative possibilities. This book examines the methods by which standard narrative movies close down thinking processes and deliver easy pleasures to the viewer whilst demonstrating that this is not the only possibility and that optional thinking can be both stimulating and rewarding.

The Way Hollywood Tells It

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Publisher : Univ of California Press
ISBN 13 : 0520932323
Total Pages : 309 pages
Book Rating : 4.5/5 (29 download)

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Book Synopsis The Way Hollywood Tells It by : David Bordwell

Download or read book The Way Hollywood Tells It written by David Bordwell and published by Univ of California Press. This book was released on 2006-04-10 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.

Sexual Politics and Narrative Film

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Publisher : Columbia University Press
ISBN 13 : 9780231076050
Total Pages : 372 pages
Book Rating : 4.0/5 (76 download)

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Book Synopsis Sexual Politics and Narrative Film by : Robin Wood

Download or read book Sexual Politics and Narrative Film written by Robin Wood and published by Columbia University Press. This book was released on 1998 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the relationship between narrative style and sexual politics. Looking at contemporary films from the USA, Europe and Japan, the book examines the ways in which films relate to sexual politics and the organization within our culture of gender and sexuality.

Narrative Mortality

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Publisher : U of Minnesota Press
ISBN 13 : 9780816624867
Total Pages : 284 pages
Book Rating : 4.6/5 (248 download)

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Book Synopsis Narrative Mortality by : Catherine Russell

Download or read book Narrative Mortality written by Catherine Russell and published by U of Minnesota Press. This book was released on 1995 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: What seems like closure might be something more, as Catherine Russell shows us in this book about death in narrative cinema since the 1950s. Analyzing the structural importance of death in narrative endings, as well as the thematics of loss and redemption, Russell identifies mortality as a valuable critical tool for understanding the cinema of the second half of the twentieth century. Her work includes close textual readings of films by Fritz Lang, Wim Wenders, Oshima Nagisa, Jean-Luc Godard, and Robert Altman, among others. In these analyses, Russell reveals an uneasy relationship between death and closure, which she traces to anxieties about identity, gender, and national-cultural myths, and also to the persistence of desire. Drawing on the work of Walter Benjamin, she shows us death as a fundamentally allegorical structure in cinema - and as a potential sign of historical difference, with crucial implications for theories of film narrative and spectatorship. "Narrative Mortality" provides an insight into the dynamics of postmodern cinema as it emerged from the modernist preoccupation with existential mortality. By tracing the role of death from a work that precedes the Brechtian cinema of the 60s ("Beyond a reasonable doubt") to several that succeed it ("Nashville", "The State of things"), the book expands the narrative project of new wave cinema and ushers it onto a broad historical plane.