A Dictionary of Correspondences, Representatives, and Significatives Derived from the Word of the Lord. Extracted from the Writings of E. Swedenborg. [Abridged Principally from The"Dictionary of Correspondences,"by G. Nicholson.]

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ISBN 13 :
Total Pages : 452 pages
Book Rating : 4.0/5 (19 download)

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Book Synopsis A Dictionary of Correspondences, Representatives, and Significatives Derived from the Word of the Lord. Extracted from the Writings of E. Swedenborg. [Abridged Principally from The"Dictionary of Correspondences,"by G. Nicholson.] by : Emanuel Swedenborg

Download or read book A Dictionary of Correspondences, Representatives, and Significatives Derived from the Word of the Lord. Extracted from the Writings of E. Swedenborg. [Abridged Principally from The"Dictionary of Correspondences,"by G. Nicholson.] written by Emanuel Swedenborg and published by . This book was released on 1841 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Nineteenth Century Short Title Catalogue

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ISBN 13 : 9780907977575
Total Pages : 614 pages
Book Rating : 4.9/5 (775 download)

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Book Synopsis Nineteenth Century Short Title Catalogue by : Avero Publications Limited

Download or read book Nineteenth Century Short Title Catalogue written by Avero Publications Limited and published by . This book was released on 1994 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971

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ISBN 13 :
Total Pages : 544 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971 by : New York Public Library. Research Libraries

Download or read book Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971 written by New York Public Library. Research Libraries and published by . This book was released on 1979 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Total Work of Art in European Modernism

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Publisher : Cornell University Press
ISBN 13 : 0801461456
Total Pages : 305 pages
Book Rating : 4.8/5 (14 download)

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Book Synopsis The Total Work of Art in European Modernism by : David Roberts

Download or read book The Total Work of Art in European Modernism written by David Roberts and published by Cornell University Press. This book was released on 2011-12-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.

Armies of Medieval Burgundy 1364–1477

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Publisher : Osprey Publishing
ISBN 13 : 9780850455182
Total Pages : 0 pages
Book Rating : 4.4/5 (551 download)

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Book Synopsis Armies of Medieval Burgundy 1364–1477 by : Nicholas Michael

Download or read book Armies of Medieval Burgundy 1364–1477 written by Nicholas Michael and published by Osprey Publishing. This book was released on 1983-11-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: King John the Good of France was captured by the English at the Battle of Poitiers in 1356; his 14-year-old son Philip fought valiantly by his side until the bitter end, and as soon as he was in a position to do so, King John rewarded his son's courage and devotion by designating him Duke of Burgundy, a title that by chance had just become extinct. Philip was the first of the Valois Dukes of Burgundy and this fascinating text by Nicholas Michael examines the functioning and organization of the Burgundian armies from the beginning of his reign until the time of the last of the Valois Dukes: Charles the Bold.

Knight's Move

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Publisher : Dalkey Archive Press
ISBN 13 : 9781564783851
Total Pages : 172 pages
Book Rating : 4.7/5 (838 download)

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Book Synopsis Knight's Move by : Виктор Шкловский

Download or read book Knight's Move written by Виктор Шкловский and published by Dalkey Archive Press. This book was released on 2005 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1923, Knight's Move is a collection of articles and short critical pieces that Viktor Shklovsky, no doubt the most original literary critic and theoretician of the twentieth century, wrote for the newspaper The Life of Art between 1919 and 1921. With his usual epigrammatic, acerbic wit and genius, Shklovsky pillories the bad writers, artists, and critics of his time, especially those who used art as a political or social tool. And at no time is Shklovsky better than when he insists with indignation and outrage that "Art has always been free of life. Its flag has never reflected the color of the flag that flies over the city fortress." As fresh and revolutionary today as they were when written nearly a century ago, these pieces promise to infuriate an English-speaking readership as much as the Russian one of the 1920s.