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Women Composers Of Classical Music
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Book Synopsis Sounds and Sweet Airs by : Anna Beer
Download or read book Sounds and Sweet Airs written by Anna Beer and published by Simon and Schuster. This book was released on 2016-04-07 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: A companion to the Classic FM series Francesca Caccini. Barbara Strozzi. Élisabeth Jacquet de la Guerre. Marianna Martines. Fanny Hensel. Clara Schumann. Lili Boulanger. Elizabeth Maconchy. Since the birth of classical music, women who dared compose have faced a bitter struggle to be heard. In spite of this, female composers continued to create, inspire and challenge. Yet even today so much of their work languishes unheard. Anna Beer reveals the highs and lows experienced by eight composers across the centuries, from Renaissance Florence to twentieth-century London, restoring to their rightful place exceptional women whom history has forgotten.
Book Synopsis Women Composers of Classical Music by : Mary F. McVicker
Download or read book Women Composers of Classical Music written by Mary F. McVicker and published by McFarland. This book was released on 2011-02-14 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: As early as the 1500s, a surprising number of women have composed classical music. Many were successful, finding venues for both publishing and performing their music; others found the social barriers for women impossible to overcome. This book provides access to these composers, both well known and obscure. Arranged chronologically by era, the profiles are further divided into countries. For each female composer within a country, a brief biographical sketch is provided, as well as a description of her body of work. This text also includes an extensive timeline of operatic works by female composers.
Book Synopsis The Norton/Grove Dictionary of Women Composers by : Julie Anne Sadie
Download or read book The Norton/Grove Dictionary of Women Composers written by Julie Anne Sadie and published by W. W. Norton & Company. This book was released on 1995 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout history women have been composing music, but their achievements have usually gone unrecognized.
Book Synopsis Women Making Music by : Jane M. Bowers
Download or read book Women Making Music written by Jane M. Bowers and published by University of Illinois Press. This book was released on 1986 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
Book Synopsis Music by Black Women Composers by : Helen Walker-Hill
Download or read book Music by Black Women Composers written by Helen Walker-Hill and published by Center for Black Music Rsrch. This book was released on 1995 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Five Lives in Music by : Cecelia Hopkins Porter
Download or read book Five Lives in Music written by Cecelia Hopkins Porter and published by University of Illinois Press. This book was released on 2012-08-20 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the twentieth century brought forth two exceptional women: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess.
Book Synopsis Women Composers by : Melanie Spanswick
Download or read book Women Composers written by Melanie Spanswick and published by Schott Music. This book was released on 2022-05-06 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: This three-volume series of piano music by women composers is a progressive compendium of educational literature with a broad repertoire from the 17th century to the present day. For each piece, the editor has written short instructions with rehearsal tips as well as biographical notes on the women composers. The collection covers all levels of difficulty from easy (volume 1) to medium (volume 2) to difficult (volume 3) and is an indispensable addition to lessons and concerts.
Book Synopsis Historical Anthology of Music by Women by : James R. Briscoe
Download or read book Historical Anthology of Music by Women written by James R. Briscoe and published by Indiana University Press. This book was released on 1987 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Works by women composers, including Francesca Caccini, Fanny Mendelssohn, Ethel Smyth, [et al]
Book Synopsis Women Composers by : Sylvia Glickman
Download or read book Women Composers written by Sylvia Glickman and published by G K Hall. This book was released on 1999 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive historical overview of music created by women from the 9th through the 20th centuries. Each volume features 10-25 complete musical scores or complete movements from multi-movement compositions--most of which have been previously inaccessible. Expert scholars provide original essays about the composers, including biographical information, a discussion of the music in historical context, and critical analysis of each work. Entries also include bibliography, a list of works by the composer, and a discography.
Book Synopsis The Cambridge Companion to Women in Music since 1900 by : Laura Hamer
Download or read book The Cambridge Companion to Women in Music since 1900 written by Laura Hamer and published by Cambridge University Press. This book was released on 2021-05-06 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.
Download or read book NHAMW written by James R. Briscoe and published by Indiana University Press. This book was released on 2004-08-11 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This anthology of musical scores is a new edition of a text that has been widely used in courses in women's music. James R. Briscoe's New Historical Anthology compiles fifty-five compositions by forty-six women composers from the ancient Greeks to the present. Each work is introduced by an informative essay by a specialist in the field, with recommendations for further reading."--BOOK JACKET.
Book Synopsis British Women Composers and Instrumental Chamber Music in the Early Twentieth Century by : Dr Laura Seddon
Download or read book British Women Composers and Instrumental Chamber Music in the Early Twentieth Century written by Dr Laura Seddon and published by Ashgate Publishing, Ltd.. This book was released on 2013-10-28 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
Book Synopsis Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939 by : Laura Hamer
Download or read book Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939 written by Laura Hamer and published by Routledge. This book was released on 2018-05-20 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon extensive archival research, interview material, and musical analysis, Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements, and reception of women composers, conductors, and performers against a contemporary socio-political climate that was largely hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine, and Claude Arrieu are discussed with reference to significant works dating from the interwar period. Hamer highlights the activities of Jane Evrard and her Orchestre féminin de Paris as well as the reception of the Orchestra of the Union des Femmes Professeurs et Compositeurs de Musique, a contemporary pro-suffrage organisation that was dedicated to defending the collective interests of musiciennes and campaigning for their employment rights. Beyond women composers and conductors, Hamer also sheds light on female performers and their contribution to the interwar early music revival.
Download or read book Women Composers written by Diane Jezic and published by Feminist Press at CUNY. This book was released on 1994 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though rarely included in traditional music history, women have a remarkable tradition as composers of Western music. This book brings together musical and biographical material on twenty-five women, from the eleventh through the twentieth centuries. Each chapter focuses on one composer, providing an introduction to her life, an analysis of her music, a checklist of her works, and a bibliography. Extensive appendices include a historical outline showing female composers in relation to their more famous male contemporaries by period and genre, and suggestions for further readings and recordings.
Download or read book The King and I written by Herbert Breslin and published by Crown. This book was released on 2004-10-19 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Luciano Pavarotti’s longtime manager and friend tells all. All. The King and I is the story of the thirty-six-year-old business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, “the greatest career in classical music.” During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the history of classical music, and Herbert Breslin relates the tale in a brash, candid, witty fashion that is often bitingly frank and profane. He also provides a portrait of his friend and client—“a beautiful, simple, lovely guy who turned into a very determined, aggressive, and somewhat unhappy superstar”—that is by turns affectionate and satirical and full of hilarious details and tales out of school, with Pavarotti emerging as something like the ultimate Italian male. The book is also enlivened by the voices of other players in the soap opera drama that was Pavarotti’s career, and they are no less uncensored than Herbert Breslin. The last word, in fact, comes from none other than Luciano Pavarotti himself! The King and I is the ultimate backstage book about the greatest opera star of the past century—and it’s a delight to read as well.
Download or read book Women Composers written by Jane Frasier and published by Detroit, Mich. : Information Coordinators. This book was released on 1983 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis In Her Own Words by : Jennifer Kelly
Download or read book In Her Own Words written by Jennifer Kelly and published by University of Illinois Press. This book was released on 2013-06-01 with total page 490 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of new interviews with twenty-five accomplished female composers substantially advances our knowledge of the work, experiences, compositional approaches, and musical intentions of a diverse group of creative individuals. With personal anecdotes and sometimes surprising intimacy and humor, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first. The composers work in a variety of genres including classical, jazz, multimedia, or collaborative forms for the stage, film, and video games. Their interviews illuminate questions about the status of women composers in America, the role of women in musical performance and education, the creative process and inspiration, the experiences and qualities that contemporary composers bring to their craft, and balancing creative and personal lives. Candidly sharing their experiences, advice, and views, these vibrant, thoughtful, and creative women open new perspectives on the prospects and possibilities of making music in a changing world.
