What Is Non Fiction Cinema

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What Is Non-fiction Cinema?

Author : Trevor Ponech
Publisher : Routledge
ISBN 13 : 1000010066
Total Pages : 258 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis What Is Non-fiction Cinema? by : Trevor Ponech

Download or read book What Is Non-fiction Cinema? written by Trevor Ponech and published by Routledge. This book was released on 2021-11-28 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In What Is Non-Fiction Cinema? Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In making his case, Ponech cogently presents the other major theoretical positions regarding documentary cinema and shows why each is incomplete. The result is a cutting-edge philosophical inquiry into purposiveness in film.

Documentary Screens

Author : Keith Beattie
Publisher : Bloomsbury Publishing
ISBN 13 : 0230628036
Total Pages : 276 pages
Book Rating : 4.2/5 (36 download)

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Book Synopsis Documentary Screens by : Keith Beattie

Download or read book Documentary Screens written by Keith Beattie and published by Bloomsbury Publishing. This book was released on 2017-04-29 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate this engaging study. Documentary Screens is a comprehensive and critical study of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so-called popular factual entertainment and the future of documentary film, television and new media. This provocative and accessible analysis situates wide-ranging examples from each category within the larger material forces which impact on documentary form and content. The important connection between form, content and context explored in the book constitutes a new and lively 'documentary studies' approach to documentary representation.

Documentary

Author : Erik Barnouw
Publisher : Oxford University Press, USA
ISBN 13 : 9780195078985
Total Pages : 414 pages
Book Rating : 4.0/5 (789 download)

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Book Synopsis Documentary by : Erik Barnouw

Download or read book Documentary written by Erik Barnouw and published by Oxford University Press, USA. This book was released on 1993 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a history of the documentary film

Beyond Document

Author : Charles Warren
Publisher : Wesleyan University Press
ISBN 13 : 9780819562906
Total Pages : 404 pages
Book Rating : 4.5/5 (629 download)

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Book Synopsis Beyond Document by : Charles Warren

Download or read book Beyond Document written by Charles Warren and published by Wesleyan University Press. This book was released on 1996-05-31 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics and writers consider nonfiction film both as document and as creative work with strong artistic, political, and moral implications. In essays by eleven of America's foremost writers, critics, and filmmakers, Beyond Document explores the full spectrum of nonfiction film and its creative possibilities. In addition to Charles Warren's broad introductory history of the genre, the book takes a close look at ethnographic films, cinema-verité, memoir and autobiography, docudramas, essay films, and newsreels, from classics like Night and Fog and Nanook of the North to more recent important work like Film about a Woman Who. . ., Harlan County, U.S.A., Sans Soleil, and Forest of Bliss. Representations of reality are increasingly contested, in courtrooms and in Congress, as well as in art. Asking what the art of film can achieve, Helene Keyssar considers the history of nonfiction films by women; Jay Cantor discusses film investigations of the Holocaust; Patricia Hampl looks at how autobiographical films render experience into narrative; Robert Gardner questions the filmmaker's "impulse to preserve" ; and poet Susan Howe explores structures of mourning in several filmmakers. All the book's essays provide deeply felt understanding of documentary film, and of how we live with, an d within, images. CONTRIBUTORS: Jay Cantor, Robert Gardener, Patricia Hampl, Maureen Howard, Susan Howe, Helene Keyssar, Phillip Lopatte, Vlada Petric, William Rothman, Charles Warren, Eliot Weinberger.

Documenting Cityscapes

Author : Iván Villarmea Álvarez
Publisher : Columbia University Press
ISBN 13 : 0231850786
Total Pages : 257 pages
Book Rating : 4.2/5 (318 download)

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Book Synopsis Documenting Cityscapes by : Iván Villarmea Álvarez

Download or read book Documenting Cityscapes written by Iván Villarmea Álvarez and published by Columbia University Press. This book was released on 2015-05-12 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.

In Every Moment We Are Still Alive

Author : Tom Malmquist
Publisher : Hachette UK
ISBN 13 : 1473640032
Total Pages : 288 pages
Book Rating : 4.4/5 (736 download)

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Book Synopsis In Every Moment We Are Still Alive by : Tom Malmquist

Download or read book In Every Moment We Are Still Alive written by Tom Malmquist and published by Hachette UK. This book was released on 2017-06-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chosen by the New York Times as one of the "Notable Books of 2018" Chosen by El País as one of this past decade's nine best novels about life and death The prize-winning, bestselling tale of love, loss, family and the lives we live moment by moment, from a stunning new voice in European fiction. Tom's heavily pregnant girlfriend Karin is rushed to hospital with severe flu. While the doctors are able to save the baby, they are helpless in the face of what transpires to be acute Leukemia, and in a moment as fleeting as it is cruel Tom gains a daughter but loses his soul-mate. In Every Moment is the story of a year that changes everything, as Tom must reconcile the fury of bereavement with the overwhelming responsibility of raising his daughter, Livia, alone. By turns tragic and redemptive, meditative and breathless, achingly poignant and darkly funny, this heavily autobiographical novel has been described in its native Sweden as 'hypnotic', 'impossible to resist' and 'one of the most powerful books about grief ever written'.

Fiction and Imagination in Early Cinema

Author : Mario Slugan
Publisher : Bloomsbury Publishing
ISBN 13 : 135011569X
Total Pages : 358 pages
Book Rating : 4.3/5 (51 download)

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Book Synopsis Fiction and Imagination in Early Cinema by : Mario Slugan

Download or read book Fiction and Imagination in Early Cinema written by Mario Slugan and published by Bloomsbury Publishing. This book was released on 2019-11-28 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shortlisted for the BAFTSS 'Best Monograph' Award 2021 When watching the latest instalment of Batman, it is perfectly normal to say that we see Batman fighting Bane or that we see Bruce Wayne making love to Miranda Tate. We would not say that we see Christian Bale dressed up as Batman going through the motions of punching Tom Hardy dressed up us Bane. Nor do we say that we see Christian Bale pretending to be Bruce Wayne making love with Marion Cotillard, who is playacting the role Miranda Tate. But if we look at the history of cinema and consider contemporary reviews from the early days of the medium, we see that people thought precisely in this way about early film. They spoke of film as no more than documentary recordings of actors performing on set. In an innovative combination of philosophical aesthetics and new cinema history, Mario Slugan investigates how our default imaginative engagement with film changed over the first two decades of cinema. It addresses not only the importance of imagination for the understanding of early cinema but also contributes to our understanding of what it means for a representational medium to produce fictions. Specifically, Slugan argues that cinema provides a better model for understanding fiction than literature.

New Nonfiction Film

Author : Dara Waldron
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501322524
Total Pages : 224 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis New Nonfiction Film by : Dara Waldron

Download or read book New Nonfiction Film written by Dara Waldron and published by Bloomsbury Publishing USA. This book was released on 2018-08-09 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Nonfiction Film: Art, Poetics and Documentary Theory is the first book to offer a lengthy examination of the relationship between fiction and documentary from the perspective of art and poetics. The premise of the book is to propose a new category of nonfiction film that is distinguished from – as opposed to being conflated with – the documentary film in its multiple historical guises; a premise explored in case-studies of films by distinguished artists and filmmakers (Abbas Kiarostami, Ben Rivers, Chantal Akerman, Ben Russell Pat Collins and Gideon Koppel). The book builds a case for this new category of film, calling it the 'new nonfiction film,' and argues, in the process, that this kind of film works to dismantle the old distinctions between fiction and documentary film and therefore the axioms of Film and Cinema Studies as a discipline of study.

Nonfiction Film

Author : Richard Meran Barsam
Publisher :
ISBN 13 :
Total Pages : 356 pages
Book Rating : 4.3/5 (243 download)

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Book Synopsis Nonfiction Film by : Richard Meran Barsam

Download or read book Nonfiction Film written by Richard Meran Barsam and published by . This book was released on 1974 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A Companion to Documentary Film History

Author : Joshua Malitsky
Publisher : John Wiley & Sons
ISBN 13 : 1119116309
Total Pages : 544 pages
Book Rating : 4.1/5 (191 download)

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Book Synopsis A Companion to Documentary Film History by : Joshua Malitsky

Download or read book A Companion to Documentary Film History written by Joshua Malitsky and published by John Wiley & Sons. This book was released on 2021-04-28 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a new and expanded history of the documentary form across a range of times and contexts, featuring original essays by leading historians in the field In a contemporary media culture suffused with competing truth claims, documentary media have become one of the most significant means through which we think in depth about the past. The most rigorous collection of essays on nonfiction film and media history and historiography currently available, A Companion to Documentary Film History offers an in-depth, global examination of central historical issues and approaches in documentary, and of documentary's engagement with historical and contemporary topics, debates, and themes. The Companion's twenty original essays by prominent nonfiction film and media historians challenge prevalent conceptions of what documentary is and was, and explore its growth, development, and function over time. The authors provide fresh insights on the mode's reception, geographies, authorship, multimedia contexts, and movements, and address documentary's many aesthetic, industrial, historiographical, and social dimensions. This authoritative volume: Offers both historical specificity and conceptual flexibility in approaching nonfiction and documentary media Explores documentary's multiple, complex geographic and geopolitical frameworks Covers a diversity of national and historical contexts, including Revolution-era Soviet Union, post-World War Two Canada and Europe, and contemporary China Establishes new connections and interpretive contexts for key individual films and film movements, using new primary sources Interrogates established assumptions about documentary authorship, audiences, and documentary's historical connection to other media practices. A Companion to Documentary Film History is an ideal text for undergraduate and graduate courses covering documentary or nonfiction film and media, an excellent supplement for courses on national or regional media histories, and an important new resource for all film and media studies scholars, particularly those in nonfiction media.

The Art of Nonfiction Movie Making

Author : Jeffrey Friedman
Publisher : Bloomsbury Publishing USA
ISBN 13 :
Total Pages : 255 pages
Book Rating : 4.2/5 (16 download)

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Book Synopsis The Art of Nonfiction Movie Making by : Jeffrey Friedman

Download or read book The Art of Nonfiction Movie Making written by Jeffrey Friedman and published by Bloomsbury Publishing USA. This book was released on 2012-08-17 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past few years have featured such blockbusters as Super-Size Me, Fahrenheit 9/11, Sicko, March of the Penguins, and An Inconvenient Truth. And as news articles proclaim a new era in the history of documentary films, more and more new directors are making their first film a nonfiction one. But in addition to posing all of the usual challenges inherent to more standard filmmaking, documentaries also present unique problems that need to be understood from the outset. Where does the idea come from? How do you raise the money? How much money do you need? What visual style is best suited to the story? What are the legal issues involved? And how can a film reach that all-important milestone and find a willing distributor? Epstein, Friedman, and Wood tackle all of these important questions with examples and anecdotes from their own careers. The result is an informative and entertaining guide for those just starting out, and an enlightening read for anyone interested in a behind-the-scenes look at this newly reinvigorated field of film.

Post-Revolution Nonfiction Film

Author : Joshua Malitsky
Publisher : Indiana University Press
ISBN 13 : 0253007704
Total Pages : 230 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Post-Revolution Nonfiction Film by : Joshua Malitsky

Download or read book Post-Revolution Nonfiction Film written by Joshua Malitsky and published by Indiana University Press. This book was released on 2013-03-20 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of how the state has used documentary films to create historical and political narratives in the Soviet Union and Cuba. In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film. “A splendid and highly readable book which imbues a suggestive comparison of cinema in the early years of the Soviet and Cuban revolutions with fresh insights.” —Michael Chanan, author of Cuban Cinema “Joshua Malitsky here mines a rich seam. By closely comparing Vertov and Alvarez he uncovers “post-revolutionary nonfiction film” as a discernible entity with commonalities shared across time and cultures. The extensive—indeed vast—archive of newsreels from both filmmakers is well worth the thorough attention he gives it, suggesting a context for their better-known documentaries. And his situating of Esfir Shub’s compilations as not so much an alternative to Vertov but rather a wholesale replacement approach to agitprop is also compelling. All in all, Malitsky offers a crucial corrective to much received thinking on 20th century radical film.” —Brian Winston, University of Lincoln, UK

Documentary Film: A Very Short Introduction

Author : Patricia Aufderheide
Publisher : Oxford University Press
ISBN 13 : 0199839980
Total Pages : 176 pages
Book Rating : 4.1/5 (998 download)

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Book Synopsis Documentary Film: A Very Short Introduction by : Patricia Aufderheide

Download or read book Documentary Film: A Very Short Introduction written by Patricia Aufderheide and published by Oxford University Press. This book was released on 2007-11-28 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of "100 great documentaries" that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Documentary Display

Author : Keith Beattie
Publisher : Wallflower Press
ISBN 13 : 9781905674732
Total Pages : 0 pages
Book Rating : 4.6/5 (747 download)

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Book Synopsis Documentary Display by : Keith Beattie

Download or read book Documentary Display written by Keith Beattie and published by Wallflower Press. This book was released on 2008 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Not all documentary films and videos are sober depictions of the real world. Documentary representations can present expressive, entertaining, and spectacular images and explore modes of "showing," in which sensation is the vehicle of cognition and knowledge. This display is analyzed within the popular and prominent forms of found-footage film, "rockumentary," the city film, nonfiction surf film and video, and certain views of natural science. An accessible and informed study, its focus on entertaining, popular, spectacular, and sensational forms of nonfiction representation is an important contribution to theoretical analysis of documentary film and video

Avant-doc

Author : Scott MacDonald
Publisher : Oxford University Press, USA
ISBN 13 : 0199388717
Total Pages : 473 pages
Book Rating : 4.1/5 (993 download)

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Book Synopsis Avant-doc by : Scott MacDonald

Download or read book Avant-doc written by Scott MacDonald and published by Oxford University Press, USA. This book was released on 2015 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: With in-depth interviews of directors like Nina Davenport, Ross McElwee, Ed Pincus, and others, Avant-Doc provides a unique oral history of the hybrid genre of nonfiction film that combines the techniques of avant-garde auteurs with the more traditional methods of conventional storytelling.

100 Documentary Films

Author : Barry Keith Grant
Publisher : Bloomsbury Publishing
ISBN 13 : 1844575519
Total Pages : 272 pages
Book Rating : 4.8/5 (445 download)

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Book Synopsis 100 Documentary Films by : Barry Keith Grant

Download or read book 100 Documentary Films written by Barry Keith Grant and published by Bloomsbury Publishing. This book was released on 2017-10-07 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Documentary films constitute a major part of film history. Cinema's origins lie, arguably, more in non-fiction than fiction, and documentary represents the other - often submerged and barely visible - 'half' of cinema history. Historically, documentary cinema has always been an important point of reference for fiction cinema, and the two have often overlapped. Over the last two decades, documentary cinema has enjoyed a revival in critical and commercial success. 100 Documentary Films is the first book to offer concise and authoritative individual critical commentaries on some of the key documentary films - from the Lumière brothers and the beginnings of cinema through to recent films such as Bowling for Columbine and When the Levees Broke - and is global in perspective. Many different types of documentary are discussed, as well as films by major documentary directors, including Robert Flaherty, Humphrey Jennings, Jean Rouch, Dziga Vertov, Errol Morris, Nick Broomfield and Michael Moore. Each entry provides concise critical analysis, while frequent cross reference to other films featured helps to place films in their historical and aesthetic contexts. Barry Keith Grant is Professor of Film Studies and Popular Culture at Brock University, Ontario, Canada. He is the author of Film Genre: From Iconography to Ideology (2007), Voyages of Discovery: The Cinema of Frederick Wiseman (1992) and co-author, with Steve Blandford and Jim Hillier, of The Film Studies Dictionary (2001). Jim Hillier is Visiting Lecturer in Film at the University of Reading. He is the author of The New Hollywood (1993), the co-author of The Film Studies Dictionary (2001) and, with Alan Lovell, of Studies in Documentary (1972). His edited books include American Independent Cinema (2001) and two volumes of the English translation of the selected Cahiers du cinema (1985, 1986).

British Science Fiction Cinema

Author : I.Q. Hunter
Publisher : Routledge
ISBN 13 : 1134702760
Total Pages : 234 pages
Book Rating : 4.1/5 (347 download)

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Book Synopsis British Science Fiction Cinema by : I.Q. Hunter

Download or read book British Science Fiction Cinema written by I.Q. Hunter and published by Routledge. This book was released on 2002-01-04 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema. Through case studies of key films like The Day the Earth Caught Fire, contributors explore the unique themes and concerns of British science fiction, from the postwar boom years to more recent productions like Hardware, and examine how science fiction cinema drew on a variety of sources, from TV adaptions like Doctor Who and the Daleks, to the horror/sf crossovers produced from John Wyndham's cult novels The Day of the Triffids and The Midwich Cuckoos (filmed as Village of the Damned). How did budget restrictions encourage the use of the 'invasion narrative' in the 1950s films? And how did films such as Unearthly Stranger and Invasion reflect fears about the decline of Britain's economic and colonial power and the 'threat' of female sexuality? British Science Fiction Cinema celebrates the breadth and continuing vitality of British sf film-making, in both big-budget productions such as Brazil and Event Horizon and cult exploitation movies like Inseminoid and Lifeforce.