Violent America: the Movies, 1946-1964

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Publisher :
ISBN 13 :
Total Pages : 100 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Violent America: the Movies, 1946-1964 by : Lawrence Alloway

Download or read book Violent America: the Movies, 1946-1964 written by Lawrence Alloway and published by . This book was released on 1971 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Violent America: the Movies, 1946-1964

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Author :
Publisher :
ISBN 13 :
Total Pages : 104 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Violent America: the Movies, 1946-1964 by : Lawrence Alloway

Download or read book Violent America: the Movies, 1946-1964 written by Lawrence Alloway and published by . This book was released on 1971 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Violence and American Cinema

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Publisher : Routledge
ISBN 13 : 1135204918
Total Pages : 320 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Violence and American Cinema by : J. David Slocum

Download or read book Violence and American Cinema written by J. David Slocum and published by Routledge. This book was released on 2013-09-13 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: American cinema has always been violent, and never more so than now: exploding heads, buses that blow up if they stop, racial attacks, and general mayhem. From slapstick's comic violence to film noir, from silent cinema to Tarantino, violence has been an integral part of America on screen. This new volume in a successful series analyzes violence, examining its nature, its effects, and its cinematic and social meaning.

Lawrence Alloway

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Publisher : Getty Publications
ISBN 13 : 1606064428
Total Pages : 218 pages
Book Rating : 4.6/5 (6 download)

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Book Synopsis Lawrence Alloway by : Lucy Bradnock

Download or read book Lawrence Alloway written by Lucy Bradnock and published by Getty Publications. This book was released on 2015-07-01 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lawrence Alloway (1926–1990) was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. He is credited with coining the term pop art and with championing conceptual art and feminist artists in America. His interests as a critic and as a curator at the Solomon R. Guggenheim Museum in New York were wide-ranging, however, and included architecture, design, earthworks, film, neorealism, science fiction, and public sculpture. Early in his career he was associated with the Independent Group in London and although he was largely self-taught, he was a noted educator and lecturer. A prolific writer, Alloway sought to escape the conventions of art-historical discourse. This volume illuminates how he often shaped the field and anticipated approaches such as social art history and visual and cultural studies. Lawrence Alloway: Critic and Curator provides the first critical analysis of the multiple facets of Alloway’s life and career, exploring his formative influence on the disciplines of art history, art criticism, and museum studies. The nine essays in this volume depend on primary archival research, much of it conducted in the Lawrence Alloway Papers held by the Getty Research Institute. Each author addresses a distinct aspect of Alloway’s eclectic professional interests and endeavors.

Hollywood Bloodshed

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Publisher : SIU Press
ISBN 13 : 9780809328888
Total Pages : 276 pages
Book Rating : 4.3/5 (288 download)

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Book Synopsis Hollywood Bloodshed by : James Kendrick

Download or read book Hollywood Bloodshed written by James Kendrick and published by SIU Press. This book was released on 2009-03-30 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Hollywood Bloodshed, James Kendrick presents a fascinating look into the political and ideological instabilities of the 1980s as studied through the lens of cinema violence. Kendrick uses in-depth case studies to reveal how dramatic changes in the film industry and its treatment of cinematic bloodshed during the Reagan era reflected shifting social tides as Hollywood struggled to find a balance between the lucrative necessity of screen violence and the rising surge of conservatism. As public opinion shifted toward the right and increasing emphasis was placed on issues such as higher military spending, family values, and “money culture,” film executives were faced with an epic dilemma: the violent aspects of cinema that had been the studios’ bread and butter were now almost universally rejected by mainstream audiences. Far from eliminating screen bloodshed altogether, studios found new ways of packaging violence that would allow them to continue to attract audiences without risking public outcry, ushering in a period of major transition in the film industry. Studios began to shy away from the revolutionary directors of the 1970s—many of whom had risen to fame through ideologically challenging films characterized by a more disturbing brand of violence—while simultaneously clearing the way for a new era in film. The 1980s would see the ascent of entertainment conglomerates and powerful producers and the meteoric rise of the blockbuster—a film with no less violence than its earlier counterparts, but with action-oriented thrills rather than more troubling images of brutality. Kendrick analyzes these and other radical cinematic changes born of the conservative social climate of the 1980s, including the disavowal of horror films in the effort to present a more acceptable public image; the creation of the PG-13 rating to designate the gray area of movie violence between PG and R ratings; and the complexity of marketing the violence of war movies for audience pleasure. The result is a riveting study of an often overlooked, yet nevertheless fascinating time in cinema history. While many volumes have focused on the violent films of the New American Cinema directors of the 1970s or the rise of icons such as Woo, Tarantino, and Rodriguez in the 1990s, Kendrick’s Hollywood Bloodshed bridges a major gap in film studies.This comprehensive volume offers much-needed perspective on a decade that altered the history of Hollywood—and American culture—forever.

Film Violence

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Publisher : Columbia University Press
ISBN 13 : 0231502206
Total Pages : 223 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Film Violence by : Jim Kendrick

Download or read book Film Violence written by Jim Kendrick and published by Columbia University Press. This book was released on 2010-04-26 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: A concise and accessible introduction to the role of violence from the silent era to the present, this volume illustrates the breadth and depth of screen bloodshed in historical, cultural, and industrial contexts. After considering problems of definition, the book offers a systematic history of film violence and examines three of the most popular violent genres: western, horror, and action. It concludes with a case study on the centrality of film violence to the directors of the New American Cinema, such as Francis Ford Coppola, Martin Scorsese, and Steven Spielberg, offering a strong example of how violence, history, ideology, and genre are deeply intertwined.

American Cinema of the 1960s

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Publisher : Rutgers University Press
ISBN 13 : 0813542197
Total Pages : 298 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis American Cinema of the 1960s by : Barry Keith Grant

Download or read book American Cinema of the 1960s written by Barry Keith Grant and published by Rutgers University Press. This book was released on 2008 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines a range of films that characterized the decade, including Hollywood movies, documentaries, and the independent and experimental films.

Maximum Movies—Pulp Fictions

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Publisher : Rutgers University Press
ISBN 13 : 081355103X
Total Pages : 248 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Maximum Movies—Pulp Fictions by : Peter Stanfield

Download or read book Maximum Movies—Pulp Fictions written by Peter Stanfield and published by Rutgers University Press. This book was released on 2011-07-15 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the words of Richard Maltby . . . "Maximum Movies--Pulp Fictions describes two improbably imbricated worlds and the piece of cultural history their intersections provoked." One of these worlds comprises a clutch of noisy, garish pulp movies--Kiss Me Deadly, Shock Corridor, Fixed Bayonets!, I Walked with a Zombie, The Lineup, Terror in a Texas Town, Ride Lonesome--pumped out for the grind houses at the end of the urban exhibition chain by the studios' B-divisions and fly-by-night independents. The other is occupied by critics, intellectuals, cinephiles, and filmmakers such as Jean-Luc Godard, Manny Farber, and Lawrence Alloway, who championed the cause of these movies and incited the cultural guardians of the day by attacking a rigorously policed canon of tasteful, rarified, and ossified art objects. Against the legitimate, and in defense of the illegitimate, in an insolent and unruly manner, they agitated for the recognition of lurid sensational crime stories, war pictures, fast-paced Westerns, thrillers, and gangster melodramas were claimed as examples of the true, the real, and the authentic in contemporary culture--the foundation upon which modern film studies sits.

Film in Society

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Publisher : Transaction Publishers
ISBN 13 : 9781412823609
Total Pages : 164 pages
Book Rating : 4.8/5 (236 download)

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Book Synopsis Film in Society by : Arthur Asa Berger

Download or read book Film in Society written by Arthur Asa Berger and published by Transaction Publishers. This book was released on 1980-01-01 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reviews from Society magazine analyze the social and cultural aspects of recent films, such as Nashville, Amarcord, Barry Lyndon, and The Discreet Charm of the Bourgeoisie

Notions of Genre

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Publisher : University of Texas Press
ISBN 13 : 1477311106
Total Pages : 304 pages
Book Rating : 4.4/5 (773 download)

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Book Synopsis Notions of Genre by : Barry Keith Grant

Download or read book Notions of Genre written by Barry Keith Grant and published by University of Texas Press. This book was released on 2016-11-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much of the writing in film studies published today can be understood as genre criticism, broadly speaking. And even before film studies emerged as an academic discipline in the 1970s, cultural observers within and beyond the academy were writing about genre films and making fascinating attempts to understand their conventions and how they speak to, for, and about the culture that produces them. While this early writing on genre film was often unsystematic, impressionistic, journalistic, and judgmental, it nonetheless produced insights that remain relevant and valuable today. Notions of Genre gathers the most important early writing on film genre and genre films published between 1945 and 1969. It includes articles by such notable critics as Susan Sontag, Dwight Macdonald, Siegfried Kracauer, James Agee, André Bazin, Robert Warshow, and Claude Chabrol, as well as essays by scholars in academic disciplines such as history, sociology, and theater. Their writings address major issues in genre studies, including definition, representation, ideology, audiences, and industry practices, across genres ranging from comedy and westerns to horror, science fiction, fantasy, gangster films, and thrillers. The only single-volume source for this early writing on genre films, Notions of Genre will be an invaluable resource for scholars and students of film genre, film history, film theory, cultural studies, and popular culture.

American Studies

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Publisher : Cambridge University Press
ISBN 13 : 9780521266888
Total Pages : 224 pages
Book Rating : 4.2/5 (668 download)

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Book Synopsis American Studies by : Jack Salzman

Download or read book American Studies written by Jack Salzman and published by Cambridge University Press. This book was released on 1986-08-29 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an annotated bibliography of 20th century books through 1983, and is a reworking of American Studies: An Annotated Bibliography of Works on the Civilization of the United States, published in 1982. Seeking to provide foreign nationals with a comprehensive and authoritative list of sources of information concerning America, it focuses on books that have an important cultural framework, and does not include those which are primarily theoretical or methodological. It is organized in 11 sections: anthropology and folklore; art and architecture; history; literature; music; political science; popular culture; psychology; religion; science/technology/medicine; and sociology. Each section contains a preface introducing the reader to basic bibliographic resources in that discipline and paragraph-length, non-evaluative annotations. Includes author, title, and subject indexes. ISBN 0-521-32555-2 (set) : $150.00.

Film Genre Reader IV

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Publisher : University of Texas Press
ISBN 13 : 0292745745
Total Pages : 785 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Film Genre Reader IV by : Barry Keith Grant

Download or read book Film Genre Reader IV written by Barry Keith Grant and published by University of Texas Press. This book was released on 2012-12-01 with total page 785 pages. Available in PDF, EPUB and Kindle. Book excerpt: From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

Howard Hawks

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838716297
Total Pages : 447 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Howard Hawks by : Ian Brookes

Download or read book Howard Hawks written by Ian Brookes and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 447 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading international scholars consider the films and legacy of Howard Hawks. Diverse contributions consider Hawks' work in relation to issues of gender, genre and relationships between the sexes, discuss key films including Rio Bravo, The Big Sleep and Red River, and address Hawks' visual style and the importance of musicality in his film-making.

The Cool and the Crazy

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Publisher : Rutgers University Press
ISBN 13 : 0813573009
Total Pages : 170 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis The Cool and the Crazy by : Peter Stanfield

Download or read book The Cool and the Crazy written by Peter Stanfield and published by Rutgers University Press. This book was released on 2015-04-08 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explosive! Amazing! Terrifying! You won’t believe your eyes! Such movie taglines were common in the 1950s, as Hollywood churned out a variety of low-budget pictures that were sold on the basis of their sensational content and topicality. While a few of these movies have since become canonized by film fans and critics, a number of the era’s biggest fads have now faded into obscurity. The Cool and the Crazy examines seven of these film cycles, including short-lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950s takes on established genres like the gangster picture. Peter Stanfield reveals how Hollywood sought to capitalize upon current events, moral panics, and popular fads, making movies that were “ripped from the headlines” on everything from the Korean War to rock and roll. As he offers careful readings of several key films, he also considers the broader historical and commercial contexts in which these films were produced, marketed, and exhibited. In the process, Stanfield uncovers surprising synergies between Hollywood and other arenas of popular culture, like the ways that the fashion trend for blue jeans influenced the 1950s Western. Delivering sharp critical insights in jazzy, accessible prose, The Cool and the Crazy offers an appreciation of cinema as a “pop” medium, unabashedly derivative, faddish, and ephemeral. By studying these long-burst bubbles of 1950s “pop,” Stanfield reveals something new about what films do and the pleasures they provide.

A Companion to the Action Film

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Publisher : John Wiley & Sons
ISBN 13 : 1119100496
Total Pages : 508 pages
Book Rating : 4.1/5 (191 download)

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Book Synopsis A Companion to the Action Film by : James Kendrick

Download or read book A Companion to the Action Film written by James Kendrick and published by John Wiley & Sons. This book was released on 2019-03-26 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.

Passionate Detachments

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Publisher : SUNY Press
ISBN 13 : 1438465394
Total Pages : 210 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis Passionate Detachments by : Amy Rust

Download or read book Passionate Detachments written by Amy Rust and published by SUNY Press. This book was released on 2017-05-24 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates the cultural value of film violence. Passionate Detachments investigates the rise of graphic violence in American films of the late 1960s and early 1970s and the popular aesthetics and critical responses this violence inspired. Amy Rust examines four technologies adopted by commercial American cinema after the fall of the Hollywood Production Code: multiple-camera montage, squibs (small explosive devices) and artificial blood, freeze-frames, and zooms. Approaching these technologies as figures, as opposed to mere tools, Rust traces the encounters they mediate between perception (what one sees, hears, and feels) and representation (how those sights, sounds, and feelings make meaning). These technologies, she argues, lend shape to film violence while organizing viewers’ on- and off-screen relationships to it. The result proves meaningful for an era self-consciously and perilously preoccupied with bloodshed. The post-Code period found Americans across the political spectrum demanding visual—and increasingly violent—demonstrations of presumably “authentic” realities. Corroborating fantasies of authenticity from military to counterculture, these technologies challenge them as well, pointing, however unwittingly, to the violently classed, gendered, and racialized blind spots such fantasies harbor. More broadly, the technologies answer concerns that films control violence too much or too little. Offering neither mere discoursenor mere thrills, they recover sense and sensation for all, not some, or even most, depictions of bloodshed. As figures, the devices also remediate vision and violence for film theory, which exhibits distrust for each in spite of the complexities phenomenology and psychoanalysis have brought to cinematic perception and pleasure.

Dreams and Dead Ends

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Publisher : Oxford University Press
ISBN 13 : 9780198032632
Total Pages : 400 pages
Book Rating : 4.0/5 (326 download)

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Book Synopsis Dreams and Dead Ends by : Jack Shadoian

Download or read book Dreams and Dead Ends written by Jack Shadoian and published by Oxford University Press. This book was released on 2003-01-16 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dreams and Dead Ends provides a compelling history of the twentieth-century American gangster film. Beginning with Little Caesar (1930) and ending with Things To Do In Denver When You're Dead (1995), Jack Shadoian adroitly analyzes twenty notable examples of the crime film genre. Moving chronologically through nearly seven decades, this volume offers illuminating readings of a select group of the classic films--including The Public Enemy, D.O.A., Bonnie and Clyde, and The Godfather--that best define and represent each period in the development of the American crime film. Richly illustrated with more than seventy film stills, Dreams and Dead Ends details the evolution of the genre through insightful and precise considerations of cinematography, characterization, and narrative style. This updated edition includes new readings of three additional movies--Once Upon a Time in America, Things To Do In Denver When You're Dead, and Criss Cross--and brings this clear and lively discussion of the history of the gangster film to the end of the twentieth century.