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Venetian Opera In The Seventeenth Century
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Book Synopsis Opera in Seventeenth-Century Venice by : Ellen Rosand
Download or read book Opera in Seventeenth-Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Book Synopsis Venetian Opera in the Seventeenth Century by : Simon Towneley Worsthorne
Download or read book Venetian Opera in the Seventeenth Century written by Simon Towneley Worsthorne and published by . This book was released on 1968 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Monteverdi's Last Operas: A Venetian Trilogy by : Ellen Rosand
Download or read book Monteverdi's Last Operas: A Venetian Trilogy written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-12-03 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi (1567-1643) was the first important composer of opera. This innovative study by one of the foremost experts on Monteverdi and seventeenth-century opera examines the composer's celebrated final works—Il ritorno d'Ulisse (1640) and L'incoronazione di Poppea (1642)—from a new perspective. Ellen Rosand considers these works as not merely a pair but constituents of a trio, a Venetian trilogy that, Rosand argues, properly includes a third opera, Le nozze d'Enea (1641). Although its music has not survived, its chronological placement between the other two operas opens new prospects for better understanding all three, both in their specifically Venetian context and as the creations of an old master. A thorough review of manuscript and printed sources of Ritorno and Poppea, in conjunction with those of their erstwhile silent companion, offers new possibilities for resolving the questions of authenticity that have swirled around Monteverdi's last operas since their discovery in the late nineteenth century. Le nozze d'Enea also helps to explain the striking differences between the other two, casting new light on their contrasting moral ethos: the conflict between a world of emotional propriety and restraint and one of hedonistic abandon.
Book Synopsis Emblems of Eloquence by : Wendy Heller
Download or read book Emblems of Eloquence written by Wendy Heller and published by Univ of California Press. This book was released on 2004-01-12 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts—by Ovid, Virgil, Tacitus, and Diodorus Siculus—form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).
Book Synopsis A New Chronology of Venetian Opera and Related Genres, 1660-1760 by : Eleanor Selfridge-Field
Download or read book A New Chronology of Venetian Opera and Related Genres, 1660-1760 written by Eleanor Selfridge-Field and published by Stanford University Press. This book was released on 2007 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.
Book Synopsis Studies in Seventeenth-Century Opera by : BethL. Glixon
Download or read book Studies in Seventeenth-Century Opera written by BethL. Glixon and published by Routledge. This book was released on 2017-07-05 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past four decades have seen an explosion in research regarding seventeenth-century opera. In addition to investigations of extant scores and librettos, scholars have dealt with the associated areas of dance and scenery, as well as newer disciplines such as studies of patronage, gender, and semiotics. While most of the essays in the volume pertain to Italian opera, others concern opera production in France, England, Spain and the Germanic countries.
Book Synopsis Inventing the Business of Opera by : Beth Glixon
Download or read book Inventing the Business of Opera written by Beth Glixon and published by Oxford University Press. This book was released on 2007-12 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inventing the Business of Opera explores public opera in its infancy, bringing to life the men and women who successfully established the new genre on the stages of Venice during the seventeenth century. All of the components necessary to opera production are highlighted, from the financial backing, to the libretto and the score, to the singers, dancers, the scenery, and the costumes.
Book Synopsis Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte by : Emily Wilbourne
Download or read book Seventeenth-Century Opera and the Sound of the Commedia Dell’Arte written by Emily Wilbourne and published by University of Chicago Press. This book was released on 2016-11-21 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.
Book Synopsis Inventing the Opera House by : Eugene J. Johnson
Download or read book Inventing the Opera House written by Eugene J. Johnson and published by Cambridge University Press. This book was released on 2018-05-17 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.
Book Synopsis Dramma Per Musica by : Reinhard Strohm
Download or read book Dramma Per Musica written by Reinhard Strohm and published by Yale University Press. This book was released on 1997-01-01 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
Book Synopsis Venetian Opera in the Seventeenth Century by : Simon Towneley Worsthorne
Download or read book Venetian Opera in the Seventeenth Century written by Simon Towneley Worsthorne and published by . This book was released on 1984-01-01 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music and the Exotic from the Renaissance to Mozart by : Ralph P. Locke
Download or read book Music and the Exotic from the Renaissance to Mozart written by Ralph P. Locke and published by Cambridge University Press. This book was released on 2015-05-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
Book Synopsis Circulation of Venetian opera in the 17th century by : Dinko Fabris
Download or read book Circulation of Venetian opera in the 17th century written by Dinko Fabris and published by CMA Pietà dei Turchini. This book was released on 2005 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Passaggio in Italia by : Dinko Fabris
Download or read book Passaggio in Italia written by Dinko Fabris and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Travellers on the Grand Tour came to Italy to see antiquities as well as paintings, flora, and fortifications. They also encountered the most modern Italian music - for concertos, sonatas, operas, oratorios, and cantatas were all invited in the course of the seventeenth century. Passaggio in Italia traces the musical experiences of visitors to Italy, from a Frenchman present at the birth of monody in Florence, a Spaniard attending the public opera theatre in Venice, a Dutchman attending a Roman oratorio, to a Russian describing an organ in Padua and open-air music on the Bay of Naples. The itinerary includes a look at Barbara Strozzi singing for the men of a Venetian academy, the Dutch composer Constantin Huygens absorbing the new Italian music, and listening to Corelli in terms of late Roman Baroque architecture. Music herself travels between Italy and Spain and north to the Netherlands via performers or by print. Also inspired by the five Baroque operas and a Stradella oratorio that were presented for the Early Music Festival Utrecht in 2006, the book gives views onto the lives of the composers Francesco Lucio and Cavalli in Venice, travelling players in Venetian opera, Marazzoli's La Vita humana, and the changing nature of the oratorio in Rome."--Page 4 de la couverture.
Book Synopsis A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries by :
Download or read book A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries written by and published by BRILL. This book was released on 2020-09-25 with total page 653 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.
Book Synopsis Mapping Artistic Networks by : Tatiana Korneeva
Download or read book Mapping Artistic Networks written by Tatiana Korneeva and published by . This book was released on 2022-02-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The essays in this collection are selected and revised versions of papers first presented at the conference 'Mapping Artistic Networks of Italian Theatre and Opera Across Europe, 1600-1800' held at the Freie Universität Berlin in 11-12 April 2019"--Page 21
Book Synopsis Claudio Monteverdi’s Venetian Operas by : Ellen Rosand
Download or read book Claudio Monteverdi’s Venetian Operas written by Ellen Rosand and published by Taylor & Francis. This book was released on 2022-07-01 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi’s two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and mise-en-scène. Following an Introduction setting up the interdisciplinary agenda, the volume comprises two main parts: ‘Contexts and Sources’ deals with the historical, philosophical, and aesthetic contexts of the works - librettos and scores; 'Performance and Interpretation’ offers critical and historical insights regarding the casting, singing, reciting, staging, and conducting of the two operas. This volume will appeal to scholars and researchers in Opera Studies and Music History as well as be of interest to early music performers and all those involved with presenting opera on stage.
