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Twentieth Century Poetry And The Visual Arts
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Book Synopsis Twentieth-Century Poetry and the Visual Arts by : Elizabeth Bergmann Loizeaux
Download or read book Twentieth-Century Poetry and the Visual Arts written by Elizabeth Bergmann Loizeaux and published by Cambridge University Press. This book was released on 2011-02-17 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The emergence of photography and film in the twentieth century helped to create a shift from a culture of words to a culture of images. Since then, the question of how literature engages the visual arts has become a key question for literary studies. This extended treatment of the poetic representation of visual art examines a wide range of figures, from W. B. Yeats and Marianne Moore to Anne Sexton and Ted Hughes. Elegantly and persuasively written, the study also contains a rich sample of images that allows readers to see the same works these poets were addressing. By investigating the complex, changing relations between twentieth-century poetry, visual art and audience, it considers the way in which poetic responses to visual art place the lyric firmly within the social world. For those interested in the interplay between poetry and visual art, this will be essential reading.
Book Synopsis Visual Arts in the Twentieth Century by : Edward Lucie-Smith
Download or read book Visual Arts in the Twentieth Century written by Edward Lucie-Smith and published by ABRAMS. This book was released on 2003 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visual Arts in the Twentieth Century offers an exciting new account of the century of art so affected by Modernism. A uniquely structured view of the period and the inclusion of often-overlooked material come together to create a survey that is thorough, insightful, and fresh. Painting, sculpture, photography, the graphic arts, and architecture are treated in decade-by-decade chapters, allowing for an inclusive view of coexisting innovations and trends. Information on historical, social, and intellectual movements and events is incorporated within the text, giving insight into the cultural environment that stimulated, surrounded, and supported individual acts of creativity. The work of artists from historically underrepresented regions of the world is also included, providing new insight into the global world of art. Edward Lucie-Smith has also given us the first book of its kind that emphasizes photography - an art form both accessible and cutting-edge. In addition, the author re-evaluates Modernism by examining the diverse and important roles women have played in this still-influential movement. Finally, more than twenty "Key Work" analyses appear throughout the book. Critical and interpretive, these concise examinations concentrate on individual works of art and provide models by which other works may be approached and evaluated - a valuable touchstone for those who want to enjoy and understand modern art on their own.
Book Synopsis Women as Mythmakers by : Estella Lauter
Download or read book Women as Mythmakers written by Estella Lauter and published by Indiana University Press. This book was released on 1984-07-22 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: "... impressive work of scholarship..." -- Exceptional Human Experience
Book Synopsis Mathematics in Twentieth-Century Literature & Art by : Robert Tubbs
Download or read book Mathematics in Twentieth-Century Literature & Art written by Robert Tubbs and published by Johns Hopkins University Press+ORM. This book was released on 2014-07-03 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author of What Is a Number? examines the relationship between mathematics and art and literature of the 20th century. During the twentieth century, many artists and writers turned to abstract mathematical ideas to help them realize their aesthetic ambitions. Man Ray, Marcel Duchamp, and, perhaps most famously, Piet Mondrian used principles of mathematics in their work. Was it coincidence, or were these artists following their instincts, which were ruled by mathematical underpinnings, such as optimal solutions for filling a space? If math exists within visual art, can it be found within literary pursuits? In short, just what is the relationship between mathematics and the creative arts? In this exploration of mathematical ideas in art and literature, Robert Tubbs argues that the links are much stronger than previously imagined and exceed both coincidence and commonality of purpose. Not only does he argue that mathematical ideas guided the aesthetic visions of many twentieth-century artists and writers, Tubbs further asserts that artists and writers used math in their creative processes even though they seemed to have no affinity for mathematical thinking. In the end, Tubbs makes the case that art can be better appreciated when the math that inspired it is better understood. An insightful tour of the great masters of the last century and an argument that challenges long-held paradigms, this book will appeal to mathematicians, humanists, and artists, as well as instructors teaching the connections among math, literature, and art. “Though the content of Tubbs’s book is challenging, it is also accessible and should interest many on both sides of the perceived divide between mathematics and the arts.” —Choice
Book Synopsis Twentieth-Century American Poetry by : Christopher MacGowan
Download or read book Twentieth-Century American Poetry written by Christopher MacGowan and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a leading authority on William Carlos Williams, this book provides a wide-ranging and stimulating guide to twentieth-century American poetry. A wide-ranging and stimulating critical guide to twentieth-century American poetry. Written by a leading authority on the innovative modernist poet, William Carlos Williams. Explores the material, historical and social contexts in which twentieth-century American poetry was produced. Includes a biographical dictionary of major writers with extended entries on poets ranging from Robert Frost to Adrienne Rich. Contains a section on key texts considering major works, such as ‘The Waste Land’, ‘North & South’, ‘Howl’ and ‘Ariel’. The final section draws out key themes, such as American poetry, politics and war, and the process of anthologizing at the end of the century.
Book Synopsis Collage in Twentieth-Century Art, Literature, and Culture by : Dr Rona Cran
Download or read book Collage in Twentieth-Century Art, Literature, and Culture written by Dr Rona Cran and published by Ashgate Publishing, Ltd.. This book was released on 2014-10-28 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emphasizing the diversity of collage in the twentieth century, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan. Collage's catalytic effect, Cran argues, enabled each to overcome a crisis in representation that threatened to destabilize their work. Throughout, she shows that rigid definitions of collage severely limit our understanding of artists and writers who used it in non-traditional ways.
Book Synopsis The Cambridge Companion to Modernism by : Michael Levenson
Download or read book The Cambridge Companion to Modernism written by Michael Levenson and published by Cambridge University Press. This book was released on 1999-02-11 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation.
Book Synopsis Twentieth-Century American Art by : Erika Doss
Download or read book Twentieth-Century American Art written by Erika Doss and published by OUP Oxford. This book was released on 2002-04-26 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jackson Pollock, Georgia O'Keeffe, Andy Warhol, Julian Schnabel, and Laurie Anderson are just some of the major American artists of the twentieth century. From the 1893 Chicago World's Fair to the 2000 Whitney Biennial, a rapid succession of art movements and different styles reflected the extreme changes in American culture and society, as well as America's position within the international art world. This exciting new look at twentieth century American art explores the relationships between American art, museums, and audiences in the century that came to be called the 'American century'. Extending beyond New York, it covers the emergence of Feminist art in Los Angeles in the 1970s; the Black art movement; the expansion of galleries and art schools; and the highly political public controversies surrounding arts funding. All the key movements are fully discussed, including early American Modernism, the New Negro movement, Regionalism, Abstract Expressionism, Pop Art, and Neo-Expressionism.
Download or read book Heart to Heart written by Jan Greenberg and published by Abrams Books for Young Readers. This book was released on 2001 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compilation of poems by Americans writing about American art in the twentieth century, including such writers as Nancy Willard, Jane Yolen, and X.J. Kennedy.
Book Synopsis Native American Art in the Twentieth Century by : W. Jackson Rushing III
Download or read book Native American Art in the Twentieth Century written by W. Jackson Rushing III and published by Routledge. This book was released on 2013-09-27 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Book Synopsis Poe and the Visual Arts by : Barbara Cantalupo
Download or read book Poe and the Visual Arts written by Barbara Cantalupo and published by Penn State Press. This book was released on 2015-06-10 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Edgar Allan Poe is most often identified with stories of horror and fear, there is an unrecognized and even forgotten side to the writer. He was a self-declared lover of beauty who “from childhood’s hour . . . [had] not seen / As others saw.” Poe and the Visual Arts is the first comprehensive study of how Poe’s work relates to the visual culture of his time. It reveals his “deep worship of all beauty,” which resounded in his earliest writing and never entirely faded, despite the demands of his commercial writing career. Barbara Cantalupo examines the ways in which Poe integrated visual art into sketches, tales, and literary criticism, paying close attention to the sculptures and paintings he saw in books, magazines, and museums while living in Philadelphia and New York from 1838 until his death in 1849. She argues that Poe’s sensitivity to visual media gave his writing a distinctive “graphicality” and shows how, despite his association with the macabre, his enduring love of beauty and knowledge of the visual arts richly informed his corpus.
Book Synopsis Primitivism and Twentieth-century Art by : Jack D. Flam
Download or read book Primitivism and Twentieth-century Art written by Jack D. Flam and published by Univ of California Press. This book was released on 2003 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Book Synopsis Fashioned Texts and Painted Books by : Erin E. Edgington
Download or read book Fashioned Texts and Painted Books written by Erin E. Edgington and published by UNC Press Books. This book was released on 2017-10-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fashioned Texts and Painted Books examines the folding fan's multiple roles in fin-de-siecle and early twentieth-century French literature. Focusing on the fan's identity as a symbol of feminine sexuality, as a collectible art object, and, especially, as an alternative book form well suited to the reception of poetic texts, the study highlights the fan's suitability as a substrate for verse, deriving from its myriad associations with coquetry and sex, flight, air, and breath. Close readings of Stephane Mallarme's eventails of the 1880s and 1890s and Paul Claudel's Cent phrases pour eventails (1927) consider both text and paratext as they underscore the significant visual interest of this poetry. Works in prose and in verse by Octave Uzanne, Guy de Maupassant, and Marcel Proust, along with fan leaves by Edgar Degas, Edouard Manet, Berthe Morisot, and Paul Gauguin, serve as points of comparison that deepen our understanding of the complex interplay of text and image that characterizes this occasional subgenre. Through its interrogation of the correspondences between form and content in fan poetry, this study demonstrates that the fan was, in addition to being a ubiquitous fashion accessory, a significant literary and art historical object straddling the boundary between East and West, past and present, and high and low art.
Book Synopsis Utopia and Dissent by : Richard Candida-Smith
Download or read book Utopia and Dissent written by Richard Candida-Smith and published by Univ of California Press. This book was released on 1996-12-27 with total page 574 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The most important study of art in California, particularly in terms of avant-garde activity around mid-century, that I am aware of."--Paul Karlstrom, Smithsonian Institution
Book Synopsis The Early Avant-Garde in Twentieth-Century Literature and Art by : Willard Bohn
Download or read book The Early Avant-Garde in Twentieth-Century Literature and Art written by Willard Bohn and published by Routledge. This book was released on 2018-05-11 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book focuses on avant-garde literature and art in Europe and America during the first quarter of the twentieth century. It examines five movements that shaped our response to the demands of the modern age and contributed to the creation of a modern sensibility: Cubism, Futurism, the Metaphysical School, Dada, and Surrealism. Each of these arose in response to recent scientific, technological, and/or philosophical developments that drastically affected modern civilization. In turn, each was responsible for a major paradigm shift that altered the way in which we view—and respond to--the world around us. The final chapter is comparative in nature and studies the role of the mannequin in literature and art during the same period.
Book Synopsis Art of the 20th Century by : TASCHEN
Download or read book Art of the 20th Century written by TASCHEN and published by Taschen. This book was released on 2020-11-15 with total page 840 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explore the turbulent times and revolutionary ideas of 20th-century art. From Surrealism to Land Art, Fluxus to Bauhaus, this readable and comprehensive survey is your be-all, end-all guide to the people and works that redefined 'art' as we knew it, from 1900 to 2000. Ranging across the full spectrum of disciplines, including photography and new media, this encyclopedic masterwork does just what it says on the cover.
Book Synopsis Modern Poetry in China by : Paul Manfredi
Download or read book Modern Poetry in China written by Paul Manfredi and published by . This book was released on 2014-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is in the Cambria Sinophone World Series (general editor: Victor H. Mair). *Includes rare color images. Chinese poetry, along with many other art forms in China, underwent a highly self-conscious transformation in the first decades of the twentieth century. Poetry, perhaps more than any other art form, did so under the heavy burden of a voluminous literary precedent, a precedent which was in its very format of patterned words inscribed on scrolls--a mark of the Chinese literati tradition. Turning away from this tradition seemed necessary in the context of a political, social, and cultural reform movement (which was designed to strengthen China in the face of increasing international pressure as well as domestic breakdown). At the same time, reforming a poetic tradition which had served as a principal touchstone of aesthetic accomplishment--from its role in Confucian canon as object of contemplation for correct action, to its function as a test of candidate's qualifications to govern through the civil service examination, to its function as national past-time in all manner of social gathering--was a major challenge. The result of such a predicament for poets throughout the twentieth century has been the compulsion to discover a poetic style which resonates with the modern world and yet is rooted in Chinese cultural experience. One way in which poets have been able to accomplish this is by relying on poetry's visuality, be it in the graphic properties of the writing system itself, the visual context of the presentation of the poetic texts, or the acute image details in the poems. The history of approximately one century of modern Chinese poetry production has been addressed broadly in scholarship, but such broad strokes tend to miss important dynamics which fall outside of general narratives. The importance of Chinese visual tradition to modern Chinese poets is a good case in point. Accordingly, this book addresses specific manifestations of the nexus connecting modernity and visuality in Chinese poetry. It begins with a discussion of May Fourth poetics as exemplified in the groundbreaking work of Li Jinfa, China's first "Symbolist" poet. From there the book traces notable developments of visuality in the new form or free verse writing (called Xinshi or "New Poetry") through mid-century modernist experiments in Taiwan (focusing on Ji Xian). From there the book then explores the avant-garde poetry of Luo Qing and Xia Yu before returning to mainland Chinese developments of Misty poets Yan Li and his contemporaries. The work concludes with a wide variety of poet-artists writing and exhibiting in the twenty-first century. Looking across this period of modern Chinese poetry's development, one is able to observe how important the visual-verbal dynamic has been to the innovation of poetic style and method. From the twenty-first century on, such multi-media expressions will likely continue to grow; this is a function of a Chinese aesthetic tradition pairing word and image and will continue to manifest in new and more inventive ways. This is an important book for Asian literary and art history studies and history collections
