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Author : Ernest Chausson
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (494 download)
Download or read book Trois lettres de Ernest Chausson à Julien Hamelle, 1886, 1889 et (sans date) written by Ernest Chausson and published by . This book was released on 1886 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Maurice Hinson
Publisher : Indiana University Press
ISBN 13 : 9780253339539
Total Pages : 390 pages
Book Rating : 4.3/5 (395 download)
Download or read book Music for Piano and Orchestra written by Maurice Hinson and published by Indiana University Press. This book was released on 1993 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.
Author : Seymour de Ricci
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (18 download)
Download or read book Census of Medieval and Renaissance Manuscripts in the United States and Canada written by Seymour de Ricci and published by . This book was released on 1961 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Kathleen M. McKilligan
Publisher :
ISBN 13 :
Total Pages : 132 pages
Book Rating : 4.F/5 ( download)
Download or read book Édouard Dujardin, Les Lauriers Sont Coupés and the Interior Monologue written by Kathleen M. McKilligan and published by . This book was released on 1977 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Donna M. Di Grazia
Publisher : Routledge
ISBN 13 : 1136294090
Total Pages : 543 pages
Book Rating : 4.1/5 (362 download)
Download or read book Nineteenth-Century Choral Music written by Donna M. Di Grazia and published by Routledge. This book was released on 2013-03-05 with total page 543 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-Century Choral Music is an in-depth examination of the rich repertoire of choral music and the cultural phenomenon of choral music making throughout the period. The book is divided into three main sections. The first details the attraction to choral singing and the ways it was linked to different parts of society, and to the role of choral voices in the two principal large-scale genres of the period: the symphony and opera. A second section highlights ten choral-orchestral masterworks that are a central part of the repertoire. The final section presents overview and focus chapters covering composers, repertoire (both small and larger works), and performance life in an historical context from over a dozen regions of the world: Britain and Ireland, the Czech Republic, France, Germany, Hungary, Italy, Latin America, the Philippines, Poland, Russia, Scandinavia and Finland, Spain, and the United States. This diverse collection of essays brings together the work of 25 authors, many of whom have devoted much of their scholarly lives to the composers and music discussed, giving the reader a lively and unique perspective on this significant part of nineteenth-century musical life.
Author : William Rothenstein
Publisher :
ISBN 13 :
Total Pages : 282 pages
Book Rating : 4.F/5 ( download)
Download or read book Men and Memories written by William Rothenstein and published by . This book was released on 1978 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Jann Pasler
Publisher : Univ of California Press
ISBN 13 : 0520257405
Total Pages : 812 pages
Book Rating : 4.5/5 (22 download)
Download or read book Composing the Citizen written by Jann Pasler and published by Univ of California Press. This book was released on 2009 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967
Author : Barbara L. Kelly
Publisher : University Rochester Press
ISBN 13 : 9781580462723
Total Pages : 300 pages
Book Rating : 4.4/5 (627 download)
Download or read book French Music, Culture, and National Identity, 1870-1939 written by Barbara L. Kelly and published by University Rochester Press. This book was released on 2008 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.
Author : Mark Everist
Publisher : Univ of California Press
ISBN 13 : 0520928903
Total Pages : 350 pages
Book Rating : 4.5/5 (29 download)
Download or read book Music Drama at the Paris Odéon, 1824–1828 written by Mark Everist and published by Univ of California Press. This book was released on 2002-12-04 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Parisian theatrical, artistic, social, and political life comes alive in Mark Everist's impressive institutional history of the Paris Odéon, an opera house that flourished during the Bourbon Restoration. Everist traces the complete arc of the Odéon's short but highly successful life from ascent to triumph, decline, and closure. He outlines the role it played in expanding operatic repertoire and in changing the face of musical life in Paris. Everist reconstructs the political power structures that controlled the world of Parisian music drama, the internal administration of the theater, and its relationship with composers and librettists, and with the city of Paris itself. His rich depiction of French cultural life and the artistic contexts that allowed the Odéon to flourish highlights the benefit of close and innovative examination of society's institutions.
Author : David Tunley
Publisher : Routledge
ISBN 13 : 1351550209
Total Pages : 245 pages
Book Rating : 4.3/5 (515 download)
Download or read book Salons, Singers and Songs written by David Tunley and published by Routledge. This book was released on 2017-07-12 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music! It is the great pleasure of this city, the great occupation of the drawing-rooms, which have banished politics, and which have renounced literature, from ennui. Jules Janin, An American in Paris, 1843 Afternoon and evening entertainments in the drawing rooms of the aristocracy and upper middle classes were a staple of cultural life in nineteenth-century Paris. Music was often a feature of these occasions and private salons provided important opportunities for musicians, especially singers, to develop their careers. Such recitals included excerpts from favourite operas, but also the more traditional forms of French song, the romance and its successor the m die. Drawing on extensive research into the musical press of the period, David Tunley paints a vivid portrait of the nineteenth-century Parisien salons and the performers who sang in them. Against this colourful backdrop, he discusses the development of French romantic song, with its hallmarks of simplicity and clarity of diction. Combined with Italian influences and the impression made by Schubert's songs, the French romance developed into a form with greater complexity - the m die. Salons, Singers and Songs describes this transformation and the seeds it sowed for music by later composers such as Faur Duparc and Debussy.
Author : Chretien de Troyes
Publisher : Yale University Press
ISBN 13 : 0300038380
Total Pages : 244 pages
Book Rating : 4.3/5 ( download)
Download or read book Yvain written by Chretien de Troyes and published by Yale University Press. This book was released on 1987-09-10 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: A twelfth-century poem by the creator of the Arthurian romance describes the courageous exploits and triumphs of a brave lord who tries to win back his deserted wife's love
Author : Andrew Deruchie
Publisher : Boydell & Brewer
ISBN 13 : 1580463827
Total Pages : 308 pages
Book Rating : 4.5/5 (84 download)
Download or read book The French Symphony at the Fin de Siècle written by Andrew Deruchie and published by Boydell & Brewer. This book was released on 2013 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
Author : University of London Katharine Ellis Reader in Music Royal Holloway
Publisher : Oxford University Press, USA
ISBN 13 : 0199710856
Total Pages : 322 pages
Book Rating : 4.1/5 (997 download)
Download or read book Interpreting the Musical Past : Early Music in Nineteenth-Century France written by University of London Katharine Ellis Reader in Music Royal Holloway and published by Oxford University Press, USA. This book was released on 2005-08-24 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of the French early music revival gives us a vivid sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.
Author : Hervé Lacombe
Publisher : Univ of California Press
ISBN 13 : 9780520217195
Total Pages : 440 pages
Book Rating : 4.2/5 (171 download)
Download or read book The Keys to French Opera in the Nineteenth Century written by Hervé Lacombe and published by Univ of California Press. This book was released on 2001-01-12 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
Author : Beate Perrey
Publisher : Cambridge University Press
ISBN 13 : 1139826379
Total Pages : pages
Book Rating : 4.1/5 (398 download)
Download or read book The Cambridge Companion to Schumann written by Beate Perrey and published by Cambridge University Press. This book was released on 2007-06-28 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion is an accessible introduction to Schumann: his time, his temperament, his style and his œuvre. An international team of scholars explores the cultural context, musical and poetic fabric, sources of inspiration and interpretative reach of key works from the Schumann repertoire ranging from his famous lieder and piano pieces to chamber, orchestral and dramatic works. Additional chapters address Schumann's presence in nineteenth- and twentieth-century composition and the fascinating reception history of his late works. Tables, illustrations, a detailed chronology and advice on further reading make it an ideally informative handbook for both the Schumann connoisseur and the music lover. An excellent textbook for the university student of courses on key composers of nineteenth-century Western Classical music, it is an invaluable guide for all who are interested in the thought, aesthetics and affective power of one of the most intriguing figures of a culturally rich and formative period.
Author : Jane Fulcher
Publisher : Cambridge University Press
ISBN 13 : 9780521529433
Total Pages : 296 pages
Book Rating : 4.5/5 (294 download)
Download or read book The Nation's Image written by Jane Fulcher and published by Cambridge University Press. This book was released on 2002-08-08 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Fulcher argues that French grand opera was a subtly used tool of the state.
Author : Mary Ann Smart
Publisher : Univ of California Press
ISBN 13 : 9780520939875
Total Pages : 262 pages
Book Rating : 4.9/5 (398 download)
Download or read book Mimomania written by Mary Ann Smart and published by Univ of California Press. This book was released on 2004-03-10 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Nietzsche dubbed Richard Wagner "the most enthusiastic mimomaniac" ever to exist, he was objecting to a hollowness he felt in the music, a crowding out of any true dramatic impulse by extravagant poses and constant nervous movements. Mary Ann Smart suspects that Nietzsche may have seen and heard more than he realized. In Mimomania she takes his accusation as an invitation to listen to Wagner's music—and that of several of his near-contemporaries—for the way it serves to intensify the visible and the enacted. As Smart demonstrates, this productive fusion of music and movement often arises when music forsakes the autonomy so prized by the Romantics to function mimetically, underlining the sighs of a Bellini heroine, for instance, or the authoritarian footsteps of a Verdi baritone. Mimomania tracks such effects through readings of operas by Auber, Bellini, Meyerbeer, Verdi, and Wagner. Listening for gestural music, we find resemblance in unexpected places: between the overwrought scenes of supplication in French melodrama of the 1820s and a cluster of late Verdi arias that end with the soprano falling to her knees, or between the mute heroine of Auber’s La Muette de Portici and the solemn, almost theological pantomimic tableaux Wagner builds around characters such as Sieglinde or Kundry. Mimomania shows how attention to gesture suggests a new approach to the representation of gender in this repertoire, replacing aural analogies for voyeurism and objectification with a more specifically musical sense of how music can surround, propel, and animate the body on stage.
