Towards a Political Aesthetics of Cinema

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Publisher : Amsterdam University Press
ISBN 13 : 9048533988
Total Pages : 334 pages
Book Rating : 4.0/5 (485 download)

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Book Synopsis Towards a Political Aesthetics of Cinema by : Sulgi Lie

Download or read book Towards a Political Aesthetics of Cinema written by Sulgi Lie and published by Amsterdam University Press. This book was released on 2020-07-08 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of "suture"-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious.

Sensitive Subjects

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Publisher : Berghahn Books
ISBN 13 : 1789206316
Total Pages : 218 pages
Book Rating : 4.7/5 (892 download)

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Book Synopsis Sensitive Subjects by : Leila Mukhida

Download or read book Sensitive Subjects written by Leila Mukhida and published by Berghahn Books. This book was released on 2020-11-01 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century. Yet, as Leila Mukhida demonstrates in this innovative study, the writings of figures like Kracauer and Walter Benjamin in fact remain an undervalued tool for understanding political cinema today. Through illuminating explorations of Michael Haneke, Valeska Grisebach, Andreas Dresen, and other filmmakers of the post-reunification era, Mukhida develops an analysis centered on film aesthetics and experience, showing how medium-specific devices like lighting, sound, and mise-en-scène can help to cultivate political sensitivity in spectators.

Cinema/Politics/Philosophy

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Publisher : Columbia University Press
ISBN 13 : 0231545371
Total Pages : 239 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Cinema/Politics/Philosophy by : Nico Baumbach

Download or read book Cinema/Politics/Philosophy written by Nico Baumbach and published by Columbia University Press. This book was released on 2018-10-30 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Almost fifty years ago, Jean-Louis Comolli and Jean Narboni published the manifesto “Cinema/Ideology/Criticism,” helping to set the agenda for a generation of film theory that used cinema as a means of critiquing capitalist ideology. In recent decades, film studies has moved away from politicized theory, abandoning the productive ways in which theory understands the relationship between cinema, politics, and art. In Cinema/Politics/Philosophy, Nico Baumbach revisits the much-maligned tradition of seventies film theory to reconsider: What does it mean to call cinema political? In this concise and provocative book, Baumbach argues that we need a new philosophical approach that sees cinema as both a mode of thought and a form of politics. Through close readings of the writings on cinema by the contemporary continental philosophers Jacques Rancière, Alain Badiou, and Giorgio Agamben, he asks us to rethink both the legacy of ideology critique and Deleuzian film-philosophy. He explores how cinema can condition philosophy through its own means, challenging received ideas about what is seeable, sayable, and doable. Cinema/Politics/Philosophy offers fundamental new ways to think about cinema as thought, art, and politics.

German Film after Germany

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Publisher : University of Illinois Press
ISBN 13 : 0252091442
Total Pages : 258 pages
Book Rating : 4.2/5 (52 download)

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Book Synopsis German Film after Germany by : Randall Halle

Download or read book German Film after Germany written by Randall Halle and published by University of Illinois Press. This book was released on 2010-10-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the work of film in the age of transnational production? To answer that question, Randall Halle focuses on the film industry of Germany, one of Europe's largest film markets and one of the world's largest film-producing nations. In the 1990s Germany experienced an extreme transition from a state-subsidized mode of film production that was free of anxious concerns about profit and audience entertainment to a mode dominated by private interest and big capital. At the same time, the European Union began actively drawing together the national markets of Germany and other European nations, sublating their individual significances into a synergistic whole. This book studies these changes broadly, but also focuses on the transformations in their particular national context. It balances film politics and film aesthetics, tracing transformations in financing along with analyses of particular films to describe the effects on the film object itself. Halle concludes that we witness currently the emergence of a new transnational aesthetic, a fundamental shift in cultural production with ramifications for communal identifications, state cohesion, and national economies.

Concentrationary Cinema

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Publisher : Berghahn Books
ISBN 13 : 0857453521
Total Pages : 358 pages
Book Rating : 4.8/5 (574 download)

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Book Synopsis Concentrationary Cinema by : Griselda Pollock

Download or read book Concentrationary Cinema written by Griselda Pollock and published by Berghahn Books. This book was released on 2012-01-30 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition.

Holocaust Film

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443806803
Total Pages : 225 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Holocaust Film by : Terri Ginsberg

Download or read book Holocaust Film written by Terri Ginsberg and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This timely new monograph takes as its starting point the provocative contention that Holocaust film scholarship has been marginalized academically despite the crucial role Holocaust film has played in fostering international awareness of the Nazi genocide and scholarly understandings of cinematic power. The book suggests political and economic motivations for this seeming paradox, the ideological parameters of which are evident in debates and controversies over Holocaust films themselves, and around Holocaust culture in general. Lending particular attention to four exemplary Holocaust “art” films (Korczak [Poland, 1990], The Quarrel [Canada, 1990], Entre Nous [France, 1983], and Balagan [Germany, 1994]), this book breaks disciplinary ground by drawing critical connections between public and scholarly debates over Holocaust representation, and the often sophisticated cinematic structures lending aesthetic shape to them in today’s global arena.

Jacques Ranciere and the Politics of Art Cinema

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Publisher : Edinburgh University Press
ISBN 13 : 1474423795
Total Pages : 312 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Jacques Ranciere and the Politics of Art Cinema by : James Harvey

Download or read book Jacques Ranciere and the Politics of Art Cinema written by James Harvey and published by Edinburgh University Press. This book was released on 2018-07-02 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on case studies of films including Charlie Kaufman's Synecdoche, New York, Nuri Bilge Ceylan's Climates and John Akomfrah's The Nine Muses, this books asks to what extent is politics shaping art cinema? And, in turn, could art cinema possibly affect the political structure of the world as we know it?

Aesthetics and Politics in the Mexican Film Industry

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Publisher : Springer
ISBN 13 : 1137319348
Total Pages : 374 pages
Book Rating : 4.1/5 (373 download)

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Book Synopsis Aesthetics and Politics in the Mexican Film Industry by : M. MacLaird

Download or read book Aesthetics and Politics in the Mexican Film Industry written by M. MacLaird and published by Springer. This book was released on 2013-06-18 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Evaluating a broad selection of Mexican films produced from the early 1990s to the present, this study examines how production methods, audience demographics, and aesthetic approaches have changed throughout the past two decades and how these changes relate to the country's transitions to a democratic political system and a free-market economy.

Walter Benjamin and the Aesthetics of Film

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Publisher :
ISBN 13 : 9789462980174
Total Pages : 0 pages
Book Rating : 4.9/5 (81 download)

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Book Synopsis Walter Benjamin and the Aesthetics of Film by : Daniel Mourenza

Download or read book Walter Benjamin and the Aesthetics of Film written by Daniel Mourenza and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first monograph to thoroughly analyse Benjamin's film writings, contextualizing them within his oeuvre whilst also paying attention to the various films, actors, and directors that sparked his interest.

Philosophical Theories of Political Cinema

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Publisher : Routledge
ISBN 13 : 1000468658
Total Pages : 260 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis Philosophical Theories of Political Cinema by : Angelo Emanuele Cioffi

Download or read book Philosophical Theories of Political Cinema written by Angelo Emanuele Cioffi and published by Routledge. This book was released on 2021-10-31 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book utilizes philosophical tools to build up a framework for the classification, analysis and assessment of political cinema. The author first maps the category of political cinema, clarifying what it means for a film to be ‘political’, and then analyzes the relation between the value of a film as a political film and its value as art. Through philosophical enquiry, Angelo Emanuele Cioffi builds up a framework that could be of use in art-critical practice and that can help with the classification and assessment of political films. Grounded in analytic philosophy of art and cognitivist film theory, with insights from political science, political philosophy, epistemology and cognitive science, the book presents a unique analysis of the relation between films and the ‘political’. This theory is tested with detailed case studies, and the author uses specific films as examples of the applicability and explanatory power of this theoretical framework. As such, this book will be of interest not just to film studies, film theory and political philosophy scholars, but to anyone with an interest in political film, aesthetic practice and philosophy of art.

After Authority

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Publisher : Rutgers University Press
ISBN 13 : 1978807007
Total Pages : 180 pages
Book Rating : 4.9/5 (788 download)

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Book Synopsis After Authority by : Kalling Heck

Download or read book After Authority written by Kalling Heck and published by Rutgers University Press. This book was released on 2020-02-14 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Authority explores the tendency in art cinema to respond to political transition by turning to ambiguity, a system that ideally stems the reemergence of authoritarian logics in art and elsewhere. By comparing films from Italy, Hungary, South Korea, and the United States, this book contends that the aesthetic tradition of ambiguity in art cinema can be traced to post-authoritarian conditions and that it is in the context of a transition away from authoritarianism where art cinema aesthetics become legible. Art cinema, then, can be seen as a mode of cinematic practice that is at its core political, as its constitutive ambiguity finds its roots in the rejection of centralized and hierarchical configurations of authority. Ultimately, After Authority proposes a history of art cinema predicated on the potentials, possibilities, and politics of ambiguity.

Democracy and Difference Through the Aesthetics of Film

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Publisher :
ISBN 13 : 9780757588181
Total Pages : pages
Book Rating : 4.5/5 (881 download)

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Book Synopsis Democracy and Difference Through the Aesthetics of Film by : Richard Tahvildaran-jesswein

Download or read book Democracy and Difference Through the Aesthetics of Film written by Richard Tahvildaran-jesswein and published by . This book was released on 2011-02-10 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Pretty

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Publisher : Columbia University Press
ISBN 13 : 0231153465
Total Pages : 410 pages
Book Rating : 4.2/5 (311 download)

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Book Synopsis Pretty by : Rosalind Galt

Download or read book Pretty written by Rosalind Galt and published by Columbia University Press. This book was released on 2011-06-07 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Film culture often rejects visually rich images, valuing simplicity, austerity, or even ugliness as more provocative, political, and truly cinematic. Although cinema challenges traditional ideas of art, this opposition to the decorative continues a long-standing aesthetic antipathy to feminine cosmetics, Oriental effeminacy, and primitive ornament. Inheriting this patriarchal and colonial perspective along with the preference for fine over decorative art, filmmakers, critics, and theorists tend to denigrate cinema's colorful, picturesque, and richly patterned visions. Condemning this exclusion of the "pretty" from masculine film culture, Rosalind Galt reevaluates received ideas about the decorative impulse from early film criticism to classical and postclassical film theory. The pretty embodies lush visuality, dense mise-en-scène, painterly framing, and arabesque camera movements—styles increasingly central to world cinema. From European art house cinema to the films of Wong Kar-wai and Santosh Sivan, from handmade experimental films to the popular pleasures of Moulin Rouge! and Amelie, pretty is a vital element of contemporary cinema, using visual exuberance to communicate distinct sexual and political identities. Inverting the logic of anti-pretty thought, Galt firmly establishes the decorative image as a queer aesthetic, a singular representation of cinema's perverse pleasures and cross-cultural encounters. Creating her own critical tapestry from perspectives in art and film theory and philosophy, Galt reclaims prettiness as a radically transgressive style, woven with the threads of political agency.

Aesthetics and the Cinematic Narrative

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Publisher : Anthem Press
ISBN 13 : 1783089822
Total Pages : 176 pages
Book Rating : 4.7/5 (83 download)

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Book Synopsis Aesthetics and the Cinematic Narrative by : Michael Peter Bolus

Download or read book Aesthetics and the Cinematic Narrative written by Michael Peter Bolus and published by Anthem Press. This book was released on 2019-08-26 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of cinema in the late nineteenth century, filmmakers have employed a wide array of precursory aesthetic strategies in the conception and creation of their disparate works. The existence of these traditional antecedents have afforded filmmakers a diverse range of technical and artistic applications towards the construction of their respective cinematic narratives. Furthermore, the socio-political and cultural contexts in which films are conceived often inform the manner in which particular aesthetic sensibilities are selected and deployed. ‘Aesthetics and the Cinematic Narrative’ provides a concise historical survey of Aesthetics as a practical philosophical discipline and applies several of its underlying principles to the examination of filmic storytelling.

African Cinema

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Publisher : Indiana University Press
ISBN 13 : 9780253207074
Total Pages : 212 pages
Book Rating : 4.2/5 (7 download)

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Book Synopsis African Cinema by : Manthia Diawara

Download or read book African Cinema written by Manthia Diawara and published by Indiana University Press. This book was released on 1992-04-22 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Manthia Diawara provides an insider's account of the history and current status of African cinema. African Cinema: Politics and Culture is the first extended study in English of Sub-Saharan cinema. Employing an interdisciplinary approach which draws on history, political science, economics, and cultural studies, Diawara discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present. The book traces the growth of African cinema through the efforts of pioneer filmmakers such as Paulin Soumanou Vieyra, Oumarou Ganda, Jean-René Débrix, Jean Rouch, and Ousmane Sembène, the Pan-African Filmmakers' Organization (FEPACI), and the Ougadougou Pan-African Film Festival (FESPACO). Diwara focuses on the production and distribution histories of key films such as Ousmane Sembène's Black Girl and Mandabi (1968) and Souleymane Cissé's Fine (1982). He also examines the role of missionary films in Africa, Débrix's ideas concerning 'magic, ' the links between Yoruba theater and Nigerian cinema, and the parallels between Hindu mythologicals in India and the Yoruba-theater - inflected films in Nigeria. Diawara also looks at film and nationalism, film and popular culture, and the importance of FESPACO. African Cinema: Politics and Culture makes a major contribution to the expanding discussion of Eurocentrism, the canon, and multi-culturalism.

B Is for Bad Cinema

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Publisher : SUNY Press
ISBN 13 : 143844995X
Total Pages : 276 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis B Is for Bad Cinema by : Claire Perkins

Download or read book B Is for Bad Cinema written by Claire Perkins and published by SUNY Press. This book was released on 2014-03-01 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considers films that lurk on the boundaries of acceptability in taste, style, and politics. B Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other “low” genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of “bad”—that is, aesthetically, morally, or commercially disreputable—cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach bad cinema in terms of aesthetics, politics, and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic affect, and on to the broader moral and ethical implications of the material. As a result, B Is for Bad Cinema takes an interest in a variety of film examples—overblown Hollywood blockbusters, faux pornographic works, and European art house films—to consider those that lurk on the boundaries of acceptability.

The Politics and Poetics of Cinematic Realism

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Publisher : Columbia University Press
ISBN 13 : 0231539312
Total Pages : 276 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis The Politics and Poetics of Cinematic Realism by : Hermann Kappelhoff

Download or read book The Politics and Poetics of Cinematic Realism written by Hermann Kappelhoff and published by Columbia University Press. This book was released on 2015-08-11 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.