Theatre/Ecology/Cognition

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Publisher : Springer
ISBN 13 : 1137277920
Total Pages : 283 pages
Book Rating : 4.1/5 (372 download)

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Book Synopsis Theatre/Ecology/Cognition by : T. Paavolainen

Download or read book Theatre/Ecology/Cognition written by T. Paavolainen and published by Springer. This book was released on 2012-12-23 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is performer-object interaction enacted and perceived in the theatre? How thereby are varieties of 'meaning' also enacted and perceived? Using cognitive theory and ecological ontology, Paavolainen investigates how the interplay of actors and objects affords a degree of enjoyment and understanding, whether or not the viewer speaks the language.

Theatre Ecology

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Publisher : Cambridge University Press
ISBN 13 : 0521877164
Total Pages : 266 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis Theatre Ecology by : Baz Kershaw

Download or read book Theatre Ecology written by Baz Kershaw and published by Cambridge University Press. This book was released on 2007-12-13 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study into the relationships between performance, theatre and environmental ecology.

The Routledge Companion to Theatre, Performance and Cognitive Science

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Publisher : Routledge
ISBN 13 : 1351690361
Total Pages : 364 pages
Book Rating : 4.3/5 (516 download)

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Book Synopsis The Routledge Companion to Theatre, Performance and Cognitive Science by : Rick Kemp

Download or read book The Routledge Companion to Theatre, Performance and Cognitive Science written by Rick Kemp and published by Routledge. This book was released on 2018-09-05 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Theatre, Performance and Cognitive Science integrates key findings from the cognitive sciences (cognitive psychology, neuroscience, evolutionary studies and relevant social sciences) with insights from theatre and performance studies. This rapidly expanding interdisciplinary field dynamically advances critical and theoretical knowledge, as well as driving innovation in practice. The anthology includes 30 specially commissioned chapters, many written by authors who have been at the cutting-edge of research and practice in the field over the last 15 years. These authors offer many empirical answers to four significant questions: How can performances in theatre, dance and other media achieve more emotional and social impact? How can we become more adept teachers and learners of performance both within and outside of classrooms? What can the cognitive sciences reveal about the nature of drama and human nature in general? How can knowledge transfer, from a synthesis of science and performance, assist professionals such as nurses, care-givers, therapists and emergency workers in their jobs? A wide-ranging and authoritative guide, The Routledge Companion to Theatre, Performance and Cognitive Science is an accessible tool for not only students, but practitioners and researchers in the arts and sciences as well.

An Introduction to Theatre, Performance and the Cognitive Sciences

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 147425683X
Total Pages : 208 pages
Book Rating : 4.4/5 (742 download)

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Book Synopsis An Introduction to Theatre, Performance and the Cognitive Sciences by : John Lutterbie

Download or read book An Introduction to Theatre, Performance and the Cognitive Sciences written by John Lutterbie and published by Bloomsbury Publishing. This book was released on 2019-09-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first textbook designed for students, practitioners and scholars of the performing arts who are curious about the power of the cognitive sciences to throw light on the processes of performance. It equips readers with a clear understanding of how research in cognitive neuroscience has illuminated and expanded traditional approaches to thinking about topics such as the performer, the spectator, space and time, culture, and the text. Each chapter considers four layers of performance: conventional forms of theatre, performance art, and everyday life, offering an expansive vision of the impact of the cognitive sciences on performance in the widest sense. Written in an approachable style, An Introduction to Theatre, Performance and the Cognitive Sciences weaves together case studies of a wide range of performances with scientific evidence and post-structural theory. Artists such as Robert Wilson, Societas Raffaello Sanzio, Ariane Mnouchkine, Bertolt Brecht, and Antonin Artaud are brought into conversation with theories of Gilles Deleuze, Shaun Gallagher, Alva Noë, Tim Ingold and the science of V. S. Ramachandran, Vittorio Gallese, and Antonio Damasio. John Lutterbie offers a complex understanding of not only the act of performing but the forces that mark the place of theatre in contemporary society. In drawing on a variety of scientific articles, Lutterbie provides readers with an accessible account of significant research in areas in the field and reveals how the sciences can help us understand the experience of art.

The Cognitive Humanities

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Publisher : Springer
ISBN 13 : 1137593296
Total Pages : 265 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis The Cognitive Humanities by : Peter Garratt

Download or read book The Cognitive Humanities written by Peter Garratt and published by Springer. This book was released on 2016-11-23 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book identifies the ‘cognitive humanities’ with new approaches to literature and culture that engage with recent theories of the embodied mind in cognitive science. If cognition should be approached less as a matter of internal representation—a Cartesian inner theatre—than as a form of embodied action, how might cultural representation be rethought? What can literature and culture reveal or challenge about embodied minds? The essays in this book ask what new directions in the humanities open up when the thinking self is understood as a participant in contexts of action, even as extended beyond the skin. Building on cognitive literary studies, but engaging much more extensively with ‘4E’ cognitive science (embodied, embedded, enactive, extended) than previously, the book uses case studies from many different historical settings (such as early modern theatre and digital technologies) and in different media (narrative, art, performance) to explore the embodied mind through culture.

Theatre Symposium, Vol 27

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Publisher : Theatre Symposium
ISBN 13 : 0817370145
Total Pages : 123 pages
Book Rating : 4.8/5 (173 download)

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Book Synopsis Theatre Symposium, Vol 27 by : Sarah McCarroll

Download or read book Theatre Symposium, Vol 27 written by Sarah McCarroll and published by Theatre Symposium. This book was released on 2019-10-08 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt: A substantive exploration of bodies and embodiment in theatre Theatre is inescapably about bodies. By definition, theatre requires the live bodies of performers in the same space and at the same time as the live bodies of an audience. And, yet, it's hard to talk about bodies. We talk about characters; we talk about actors; we talk about costume and movement. But we often approach these as identities or processes layered onto bodies, rather than as inescapably entwined with them. Bodies on the theatrical stage hold the power of transformation. Theatre practitioners, scholars, and educators must think about what bodies go where onstage and what stories which bodies to tell. The essays in Theatre Symposium, Volume 27 explore a broad range of issues related to embodiment. The volume begins with Rhonda Blair's keynote essay, in which she provides an overview of the current cognitive science underpinning our understanding of what it means to be "embodied" and to talk about "embodiment." She also provides a set of goals and cautions for theatre artists engaging with the available science on embodiment, while issuing a call for the absolute necessity for that engagement, given the primacy of the body to the theatrical act. The following three essays provide examinations of historical bodies in performance. Timothy Pyles works to shift the common textual focus of Racinian scholarship to a more embodied understanding through his examination of the performances of the young female students of the Saint-Cyr academy in two of Racine's Biblical plays. Shifting forward in time by three centuries, Travis Stern's exploration of the auratic celebrity of baseball player Mike Kelly uncovers the ways in which bodies may retain the ghosts of their former selves long after physical ability and wealth are gone. Laurence D. Smith's investigation of actress Manda Björling's performances in Miss Julie provides a model for how cognitive science, in this case theories of cognitive blending, can be integrated with archival theatrical research and scholarship. From scholarship grounded in analysis of historical bodies and embodiment, the volume shifts to pedagogical concerns. Kaja Amado Dunn's essay on the ways in which careless selection of working texts can inflict embodied harm on students of color issues an imperative call for careful and intentional classroom practice in theatre training programs. Cohen Ambrose's theorization of pedagogical cognitive ecologies, in which subjects usually taught disparately (acting, theatre history, costume design, for example) could be approached collaboratively and through embodiment, speaks to ways in which this call might be answered. Tessa Carr's essay on "The Integration of Tuskegee High School" brings together ideas of historical bodies and embodiment in the academic theatrical context through an examination of the process of creating a documentary theatre production. The final piece in the volume, Bridget Sundin's exchange with the ghost of Marlene Dietrich, is an imaginative exploration of how it is possible to open the archive, to create new spaces for performance scholarship, via an interaction with the body.

Theatre, Performance and Cognition

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 147259181X
Total Pages : 256 pages
Book Rating : 4.4/5 (725 download)

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Book Synopsis Theatre, Performance and Cognition by : Rhonda Blair

Download or read book Theatre, Performance and Cognition written by Rhonda Blair and published by Bloomsbury Publishing. This book was released on 2016-03-24 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre, Performance and Cognition introduces readers to the key debates, areas of research, and applications of the cognitive sciences to the humanities, and to theatre and performance in particular. It features the most exciting work being done at the intersection of theatre and cognitive science, containing both selected scientific studies that have been influential in the field, each introduced and contextualised by the editors, together with related scholarship from the field of theatre and performance that demonstrates some of the applications of the cognitive sciences to actor training, the rehearsal room and the realm of performance more generally. The three sections consider the principal areas of research and application in this interdisciplinary field, starting with a focus on language and meaning-making in which Shakespeare's work and Tom Stoppard's Arcadia are considered. In the second part which focuses on the body, chapters consider applications for actor and dance training, while the third part focuses on dynamic ecologies, of which the body is a part.

Affective Performance and Cognitive Science

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Author :
Publisher : A&C Black
ISBN 13 : 1408193159
Total Pages : 304 pages
Book Rating : 4.4/5 (81 download)

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Book Synopsis Affective Performance and Cognitive Science by : Nicola Shaughnessy

Download or read book Affective Performance and Cognitive Science written by Nicola Shaughnessy and published by A&C Black. This book was released on 2013-12-05 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores new developments in the dialogues between science and theatre and offers an introduction to a fast-expanding area of research and practice. The cognitive revolution in the humanities is creating new insights into the audience experience, performance processes and training. Scientists are collaborating with artists to investigate how our brains and bodies engage with performance to create new understanding of perception, emotion, imagination and empathy. Divided into four parts, each introduced by an expert editorial from leading researchers in the field, this edited volume offers readers an understanding of some of the main areas of collaboration and research: 1. Dances with Science 2. Touching Texts and Embodied Performance 3. The Multimodal Actor 4. Affecting Audiences Throughout its history theatre has provided exciting and accessible stagings of science, while contemporary practitioners are increasingly working with scientific and medical material. As Honour Bayes reported in the Guardian in 2011, the relationships between theatre, science and performance are 'exciting, explosive and unexpected'. Affective Performance and Cognitive Science charts new directions in the relations between disciplines, exploring how science and theatre can impact upon each other with reference to training, drama texts, performance and spectatorship. The book assesses the current state of play in this interdisciplinary field, facilitating cross disciplinary exchange and preparing the way for future studies.

Theatre, Performance and Cognition

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Author :
Publisher : Bloomsbury Publishing
ISBN 13 : 1472591801
Total Pages : 256 pages
Book Rating : 4.4/5 (725 download)

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Book Synopsis Theatre, Performance and Cognition by : Rhonda Blair

Download or read book Theatre, Performance and Cognition written by Rhonda Blair and published by Bloomsbury Publishing. This book was released on 2016-03-24 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre, Performance and Cognition introduces readers to the key debates, areas of research, and applications of the cognitive sciences to the humanities, and to theatre and performance in particular. It features the most exciting work being done at the intersection of theatre and cognitive science, containing both selected scientific studies that have been influential in the field, each introduced and contextualised by the editors, together with related scholarship from the field of theatre and performance that demonstrates some of the applications of the cognitive sciences to actor training, the rehearsal room and the realm of performance more generally. The three sections consider the principal areas of research and application in this interdisciplinary field, starting with a focus on language and meaning-making in which Shakespeare's work and Tom Stoppard's Arcadia are considered. In the second part which focuses on the body, chapters consider applications for actor and dance training, while the third part focuses on dynamic ecologies, of which the body is a part.

Evolution, Cognition, and Performance

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Author :
Publisher : Cambridge University Press
ISBN 13 : 1316467805
Total Pages : 353 pages
Book Rating : 4.3/5 (164 download)

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Book Synopsis Evolution, Cognition, and Performance by : Bruce McConachie

Download or read book Evolution, Cognition, and Performance written by Bruce McConachie and published by Cambridge University Press. This book was released on 2015-12-15 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Culture and cognition work together dynamically every time a spectator interprets meaning during a performance. In this study, Bruce McConachie examines the biocultural basis of all performance, from its origins and the cognitive processes that facilitate it, to what keeps us coming back for more. To effect this major reorientation, McConachie works within the scientific paradigm of enaction, which explains all human activities, including performances, as the interactions of mental, bodily, and ecological networks. He goes on to use our biocultural proclivity for altruism, as revealed in performance, to explore our species' gradual ethical progress on such matters as the changing norms of religious sacrifice, slavery, and LGBT rights. Along the way, the book engages with a wide range of performances, including Richard Pryor's stand-up, the film Titanic, aerialist performances, American football, and the stage and film versions of A Streetcar Named Desire.

The Routledge Companion to Stanislavsky

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Publisher : Routledge
ISBN 13 : 1136281851
Total Pages : 369 pages
Book Rating : 4.1/5 (362 download)

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Book Synopsis The Routledge Companion to Stanislavsky by : Andrew White

Download or read book The Routledge Companion to Stanislavsky written by Andrew White and published by Routledge. This book was released on 2013-10-08 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stanislavsky’s system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century. The Routledge Companion to Stanislavsky is an essential book for students and scholars alike, providing the first overview of the field for the 21st century. An important feature of this book is the balance between Stanislavsky’s theory and practice, as international contributors present scholarly and artistic interpretations of his work. With chapters including academic essays and personal narratives, the Companion is divided into four clear parts, exploring Stanislavsky on stage, as an acting teacher, as a theorist and finally as a theatre practitioner. Bringing together a dazzling selection of original scholarship, notable contributions include Anatoly Smeliansky on Stanislavsky’s letters; William D. Gunn on staging ideology at the Moscow Art Theatre; Sharon Marie Carnicke and David Rosen on opera; Rosemary Malague on the feminist perspective of new translations; W.B. Worthen on cognitive science; Julia Listengarten on the avant-garde; David Krasner on the System in America; and Dennis Beck on Stanislavsky’s legacy in non-realistic theatre.

Evolution, Cognition, and Performance

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Publisher : Cambridge University Press
ISBN 13 : 110709139X
Total Pages : 229 pages
Book Rating : 4.1/5 (7 download)

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Book Synopsis Evolution, Cognition, and Performance by : Bruce McConachie

Download or read book Evolution, Cognition, and Performance written by Bruce McConachie and published by Cambridge University Press. This book was released on 2015-12-15 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bruce McConachie explores the biocultural basis of performance, from the cognitive processes that facilitate it, to what keeps us engaged.

The Oxford Handbook of 4E Cognition

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Publisher : Oxford University Press
ISBN 13 : 0191054364
Total Pages : 952 pages
Book Rating : 4.1/5 (91 download)

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Book Synopsis The Oxford Handbook of 4E Cognition by : Albert Newen

Download or read book The Oxford Handbook of 4E Cognition written by Albert Newen and published by Oxford University Press. This book was released on 2018-08-23 with total page 952 pages. Available in PDF, EPUB and Kindle. Book excerpt: 4E cognition (embodied, embedded, enactive, and extended) is a relatively young and thriving field of interdisciplinary research. It assumes that cognition is shaped and structured by dynamic interactions between the brain, body, and both the physical and social environments. With essays from leading scholars and researchers, The Oxford Handbook of 4E Cognition investigates this recent paradigm. It addresses the central issues of embodied cognition by focusing on recent trends, such as Bayesian inference and predictive coding, and presenting new insights, such as the development of false belief understanding. The Oxford Handbook of 4E Cognition also introduces new theoretical paradigms for understanding emotion and conceptualizing the interactions between cognition, language, and culture. With an entire section dedicated to the application of 4E cognition in disciplines such as psychiatry and robotics, and critical notes aimed at stimulating discussion, this Oxford handbook is the definitive guide to 4E cognition. Aimed at neuroscientists, psychologists, psychiatrists, and philosophers, The Oxford Handbook of 4E Cognition will be essential reading for anyone with an interest in this young and thriving field.

Cognition in the Globe

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Author :
Publisher : Palgrave Macmillan
ISBN 13 : 9780230110854
Total Pages : 0 pages
Book Rating : 4.1/5 (18 download)

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Book Synopsis Cognition in the Globe by : E. Tribble

Download or read book Cognition in the Globe written by E. Tribble and published by Palgrave Macmillan. This book was released on 2011-03-29 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early modern playing companies performed up to six different plays a week and mounted new plays frequently. This book seeks to answer a seemingly simple question: how did they do it? Drawing upon work in philosophy and the cognitive sciences, it proposes that the cognitive work of theatre is distributed across body, brain, and world.

Shakespeare Performance Studies

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Publisher : Cambridge University Press
ISBN 13 : 1139993070
Total Pages : 265 pages
Book Rating : 4.1/5 (399 download)

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Book Synopsis Shakespeare Performance Studies by : W. B. Worthen

Download or read book Shakespeare Performance Studies written by W. B. Worthen and published by Cambridge University Press. This book was released on 2014-06-26 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a 'performance studies' perspective on Shakespearean theatre, W. B. Worthen argues that the theatrical event represents less an inquiry into the presumed meanings of the text than an effort to frame performance as a vehicle of cultural critique. Using contemporary performances as test cases, Worthen explores the interfaces between the origins of Shakespeare's writing as literature and as theatre, the modes of engagement with Shakespeare's plays for readers and spectators, and the function of changing performance technologies on our knowledge of Shakespeare. This book not only provides the material for performance analysis, but places important contemporary Shakespeare productions in dialogue with three influential areas of critical discourse: texts and authorship, the function of character in cognitive theatre studies, and the representation of theatre and performing in the digital humanities. This book will be vital reading for scholars and advanced students of Shakespeare and of performance studies.

Medicine, Health and the Arts

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Publisher : Routledge
ISBN 13 : 1136161112
Total Pages : 304 pages
Book Rating : 4.1/5 (361 download)

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Book Synopsis Medicine, Health and the Arts by : Victoria Bates

Download or read book Medicine, Health and the Arts written by Victoria Bates and published by Routledge. This book was released on 2013-10-23 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent decades, both medical humanities and medical history have emerged as rich and varied sub-disciplines. Medicine, Health and the Arts is a collection of specially commissioned essays designed to bring together different approaches to these complex fields. Written by a selection of established and emerging scholars, this volume embraces a breadth and range of methodological approaches to highlight not only developments in well-established areas of debate, but also newly emerging areas of investigation, new methodological approaches to the medical humanities and the value of the humanities in medical education. Divided into five sections, this text begins by offering an overview and analysis of the British and North American context. It then addresses in-depth the historical and contemporary relationship between visual art, literature and writing, performance and music. There are three chapters on each art form, which consider how history can illuminate current challenges and potential future directions. Each section contains an introductory overview, addressing broad themes and methodological concerns; a case study of the impact of medicine, health and well-being on an art form; and a case study of the impact of that art form on medicine, health and wellbeing. The underlining theme of the book is that the relationship between medicine, health and the arts can only be understood by examining the reciprocal relationship and processes of exchange between them. This volume promises to be a welcome and refreshing addition to the developing field of medical humanities. Both informative and thought provoking, it will be important reading for students, academics and practitioners in the medical humanities and arts in health, as well as health professionals, and all scholars and practitioners interested in the questions and debates surrounding medicine, health and the arts.

Shakespeare, Objects and Phenomenology

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Author :
Publisher : Springer Nature
ISBN 13 : 3030052079
Total Pages : 248 pages
Book Rating : 4.0/5 (3 download)

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Book Synopsis Shakespeare, Objects and Phenomenology by : Susan Sachon

Download or read book Shakespeare, Objects and Phenomenology written by Susan Sachon and published by Springer Nature. This book was released on 2019-12-24 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores ways in which Shakespeare’s writing strategies shape our embodied perception of objects – both real and imaginary – in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting dialogue between the disciplines of phenomenology, cognitive studies, historicist research and modern acting techniques, in order to probe our sentient and intuitive responses to Shakespeare’s language. What happens when we encounter objects on page and stage; and how we can imagine that impact in performance? What influences might have shaped the language that created them; and what do they reveal about our response to what we see and hear? By placing objects under the phenomenological lens, and scrutinising them as vital conduits between lived experience and language, this book illuminates Shakespeare’s writing as a rich source for investigation into the way we think, feel and communicate as embodied beings.