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The Social Documentary In Latin America
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Book Synopsis The Social Documentary in Latin America by : Julianne Burton
Download or read book The Social Documentary in Latin America written by Julianne Burton and published by University of Pittsburgh Press. This book was released on 1990-09-15 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty essays by major filmmakers and critics provide the first survey of the evolution of documentary film in Latin America. While acknowledging the political and historical weight of the documentary, the contributors are also concerned with the aesthetic dimensions of the medium and how Latin American practitioners have defined the boundaries of the form.
Book Synopsis The Social Documentary in Latin America by : Julianne Burton-Carvajal
Download or read book The Social Documentary in Latin America written by Julianne Burton-Carvajal and published by University of Pittsburgh Pre. This book was released on 1990-09-15 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty essays by major filmmakers and critics provide the first survey of the evolution of documentary film in Latin America. While acknowledging the political and historical weight of the documentary, the contributors are also concerned with the aesthetic dimensions of the medium and how Latin American practitioners have defined the boundaries of the form.
Book Synopsis Cinema and Social Change in Latin America by : Julianne Burton
Download or read book Cinema and Social Change in Latin America written by Julianne Burton and published by University of Texas Press. This book was released on 2010-06-28 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1960s, films from Latin America have won widening audiences in North America and Europe. Until now, no single book has offered an introduction to the diverse personalities and practices that make up this important regional film movement. In Cinema and Social Change in Latin America, Julianne Burton presents twenty interviews with key figures of Latin American cinema, covering three decades and ranging from Argentina to Mexico. Interviews with pioneers Fernando Birri, Nelson Pereira dos Santos, and Glauber Rocha, renowned feature filmmakers Tomás Gutiérrez Alea and Carlos Diegues, prize-winning documentarists Patricio Guzmán and Helena Solberg-Ladd, among others, endeavor to balance personal achievement against the backdrop of historical, political, social, and economic circumstances that have influenced each director's career. Presented also are conversations that cast light on the related activities of acting, distribution, theory, criticism, and film-based community organizing. More than their counterparts in other regions of the world, Latin American artists and intellectuals acknowledge the degree to which culture is shaped by history and politics. Since the mid-1950s, a period of rising nationalism and regional consciousness, talented young artists and activists have sought to redefine the uses of the film medium in the Latin American context. Questioning the studio and star systems of the Hollywood industrial model, these innovators have developed new forms, content, and processes of production, distribution, and reception. The specific approaches and priorities of the New Latin American Cinema are far from monolithic. They vary from realism to expressionism, from observational documentary to elaborate fictional constructs, from "imperfect cinema" to a cinema that emulates the high production values of the developed sectors, from self-reflexive to "transparent" cinematic styles, from highly industrialized modes of production to purely artisanal ones. What does not vary is the commitment to film as a vehicle for social transformation and the expression of national and regional cultural autonomy. From early alternative cinema efforts in Argentina, Brazil, and Cuba to a contemporary perspective from within the Mexican commercial industry to the emerging cinema and video production from Central America, Cinema and Social Change in Latin America offers the most comprehensive look at Latin American film available today.
Book Synopsis Telling Migrant Stories by : Esteban E. Loustaunau
Download or read book Telling Migrant Stories written by Esteban E. Loustaunau and published by University Press of Florida. This book was released on 2021-11-02 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the media, migrants are often portrayed as criminals; they are frequently dehumanized, marginalized, and unable to share their experiences. Telling Migrant Stories explores how contemporary documentary film gives voice to Latin American immigrants whose stories would not otherwise be heard. The essays in the first part of the volume consider the documentary as a medium for Latin American immigrants to share their thoughts and experiences on migration, border crossings, displacement, and identity. Contributors analyze films including Harvest of Empire, Sin país, The Vigil, De nadie, Operation Peter Pan: Flying Back to Cuba, Abuelos, La Churona, and Which Way Home, as well as internet documentaries distributed via platforms such as Vimeo and YouTube. They examine the ways these films highlight the individual agency of immigrants as well as the global systemic conditions that lead to mass migrations from Latin American countries to the United States and Europe. The second part of the volume features transcribed interviews with documentary filmmakers, including Luis Argueta, Jenny Alexander, Tin Dirdamal, Heidi Hassan, and María Cristina Carrillo Espinosa. They discuss the issues surrounding migration, challenges they faced in the filmmaking process, the impact their films have had, and their opinions on documentary film as a force of social change. They emphasize that because the genre is grounded in fact rather than fiction, it has the ability to profoundly impact audiences in a way narrative films cannot. Documentaries prompt viewers to recognize the many worlds migrants depart from, to become immersed in the struggles portrayed, and to consider the stories of immigrants with compassion and solidarity. Contributors: Ramón Guerra | Lizardo Herrera | Jared List | Esteban Loustaunau | Manuel F. Medina | Ada Ortúzar-Young | Thomas Piñeros Shields | Juan G. Ramos | Lauren Shaw | Zaira Zarza A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L'Hoeste and Juan Carlos Rodríguez
Book Synopsis Political Documentary Cinema in Latin America by : Antonio Traverso
Download or read book Political Documentary Cinema in Latin America written by Antonio Traverso and published by Routledge. This book was released on 2016-01-08 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters in this book show the important role that political documentary cinema has played in Latin America since the 1950s. Political documentary cinema in Latin America has a long history of tracing social injustice and suffering, depicting political unrest, intervening in periods of crisis and upheaval, and reflecting upon questions about ideology, cultural identity, genocide and traumatic memory. This collection bears witness to the region's film culture's diversity, discussing documentaries about workers' strikes, riots, and military coups against elected governments; crime, poverty, homelessness, prostitution, children's work, and violence against women; urban development, progress, (under)development, capitalism, and neoliberalism; exile, diaspora and border cultures; trauma and (post)memory. The chapters focus on documentaries made in Argentina, Brazil, Chile, Cuba, Mexico, and Venezuela, as well as on the work of Latino and diasporic Latin American political documentarians. The contributors to the anthology reflect the cultural and linguistic diversity of current Latin American film scholarship, with some writing in Spanish and Portuguese from Argentina and Brazil (with their original works especially translated), and others writing in English from Australia, Europe, and the USA. This book was originally published as a special issue of Social Identities.
Book Synopsis Colonial Latin America by : Kenneth Mills
Download or read book Colonial Latin America written by Kenneth Mills and published by Rowman & Littlefield Publishers. This book was released on 2002-08-01 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: Colonial Latin America: A Documentary History is a sourcebook of primary texts and images intended for students and teachers as well as for scholars and general readers. The book centers upon people-people from different parts of the world who came together to form societies by chance and by design in the years after 1492. This text is designed to encourage a detailed exploration of the cultural development of colonial Latin America through a wide variety of documents and visual materials, most of which have been translated and presented originally for this collection. Colonial Latin America: A Documentary History is a revision of SR Books' popular Colonial Spanish America. The new edition welcomes a third co-editor and, most significantly, embraces Portuguese and Brazilian materials. Other fundamental changes include new documents from Spanish South America, the addition of some key color images, plus six reference maps, and a decision to concentrate entirely upon primary sources. The book is meant to enrich, not repeat, the work of existing texts on this period, and its use of primary sources to focus upon people makes it stand out from other books that have concentrated on the political and economic aspects. The book's illustrations and documents are accompanied by introductions which provide context and invite discussion. These sources feature social changes, puzzling developments, and the experience of living in Spanish and Portuguese American colonial societies. Religion and society are the integral themes of Colonial Latin America. Religion becomes the nexus for much of what has been treated as political, social, economic, and cultural history during this period. Society is just as inclusive, allowing students to meet a variety of individuals-not faceless social groups. While some familiar names and voices are included-conquerors, chroniclers, sculptors, and preachers-other, far less familiar points of view complement and complicate the better-known narratives of this history. In treating Iberia and America, before as well as after their meeting, apparent contradictions emerge as opportunities for understanding; different perspectives become prompts for wider discussion. Other themes include exploration and contact; religious and cultural change; slavery and society, miscegenation, and the formation, consolidation, reform, and collapse of colonial institutions of government and the Church, as well as accompanying changes in economies and labor. This sourcebook allows students and teachers to consider the thoughts and actions of a wide range of people who were making choices and decisions, pursuing ideals, misperceiving each other, experiencing disenchantment, absorbing new pressures, breaking rules as well as following them, and employing strategies of survival which might involve both reconciliation and opposition. Colonial Latin America: A Documentary History has been assembled with teaching and class discussion in mind. The book will be an excellent tool for Latin American history survey courses and for seminars on the colonial period.
Book Synopsis Digital Humanities in Latin America by : Héctor Fernández L’Hoeste
Download or read book Digital Humanities in Latin America written by Héctor Fernández L’Hoeste and published by University Press of Florida. This book was released on 2023-05-02 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: A hemispheric view of the practice of digital humanities in the Spanish- and Portuguese-speaking Americas As digital media and technologies transform the study of the humanities around the world, this volume provides the first hemispheric view of the practice of digital humanities in the Spanish- and Portuguese-speaking Americas. These essays examine how participation and research in new media have helped configure identities and collectivities in the region. Featuring case studies from throughout Latin America, including the United States Latinx community, contributors analyze documentary films, television series, and social media to show how digital technologies create hybrid virtual spaces and facilitate connections across borders. They investigate how Latinx bloggers and online activists navigate governmental restrictions in order to connect with the global online community. These essays also incorporate perspectives of race, gender, and class that challenge the assumption that technology is a democratizing force. Digital Humanities in Latin America illuminates the cultural, political, and social implications of the ways Latinx communities engage with new technologies. In doing so, it connects digital humanities research taking place in Latin America with that of the Anglophone world. Contributors: Paul Alonso | Morgan Ames | Eduard Arriaga | Anita Say Chan | Ricardo Dominguez | Orlando Luis Pardo Lazo | Héctor Fernández L’Hoeste | Jennifer M. Lozano | Ana Lígia Silva Medeiros | Gimena del Río Riande | Juan Carlos Rodríguez | Isabel Galina Russell | Angharad Valdivia | Anastasia Valecce | Cristina Venegas A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez
Book Synopsis Human Rights, Social Movements and Activism in Contemporary Latin American Cinema by : Mariana Cunha
Download or read book Human Rights, Social Movements and Activism in Contemporary Latin American Cinema written by Mariana Cunha and published by Springer. This book was released on 2018-09-11 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection explores how contemporary Latin American cinema has dealt with and represented issues of human rights, moving beyond many of the recurring topics for Latin American films. Through diverse interdisciplinary theoretical and methodological approaches, and analyses of different audiovisual media from fictional and documentary films to digitally-distributed activist films, the contributions discuss the theme of human rights in cinema in connection to various topics and concepts. Chapters in the volume explore the prison system, state violence, the Mexican dirty war, the Chilean dictatorship, debt, transnational finance, indigenous rights, social movement, urban occupation, the right to housing, intersectionality, LGBTT and women’s rights in the context of a number of Latin American countries. By so doing, it assesses the long overdue relation between cinema and human rights in the region, thus opening new avenues to aid the understanding of cinema’s role in social transformation.
Book Synopsis New Latin American Cinema by : Michael T. Martin
Download or read book New Latin American Cinema written by Michael T. Martin and published by Wayne State University Press. This book was released on 1997 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mapping the historical and cultural contexts of film practices in Latin America, this two-volume collection of programmatic statements, esays and interviews is devoted to the study of a theorized, dynamic and unfinished cinematic movement. Forged by Latin America's post-colonial environment of underdevelopment and dependency, the New Latin American Cinema movement has sought to inscribe itself in Latin America's struggles for cultural and economic autonomy. This volume comprises essays on the development of the New Latin American Cinema as a comparative national project. Essays are grouped by nation into two regions - Middle and Central America and Caribbean and South America - for comparitive study, particularly between capitalist and post-revolutionary socialist formations. The selected essays examine the relationship between cinema and nationhood and the ambiguous categories of culture, identity and nation within the socio-historical specificities of the movement's development, especially in Cuba, Brazil, Mexico, Chile and Argentina. This collection will serve as an essential reference and research tool for the study of world cinema. The collection, while celebrating the diversity and innovation of the New Latin American Cinema, explicates the historical importance of filmmaking as a cultural form and political practice in Latin America.
Book Synopsis Latin America and the United States by : Robert H. Holden
Download or read book Latin America and the United States written by Robert H. Holden and published by Oxford University Press, USA. This book was released on 2011 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brings together the most important documents on the history of the relationship between the United States and Latin America from the nineteenth century to the present. This second edition features updated selections on current trends, including key new documents on immigration, regional integration, indigenous political movements, democratization, and economic policy.
Book Synopsis Pushing Past the Human in Latin American Cinema by : Carolyn Fornoff
Download or read book Pushing Past the Human in Latin American Cinema written by Carolyn Fornoff and published by State University of New York Press. This book was released on 2021-06-01 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pushing Past the Human in Latin American Cinema brings together fourteen scholars to analyze Latin American cinema in dialogue with recent theories of posthumanism and ecocriticism. Together they grapple with how Latin American filmmakers have attempted to "push past the human," and destabilize the myth of anthropocentric exceptionalism that has historically been privileged by cinema and has led to the current climate crisis. While some chapters question the very nature of this enterprise—whether cinema should or even could actualize such a maneuver beyond the human—others signal the ways in which the category of the "human" itself is interrogated by Latin American cinema, revealed to be a fiction that excludes more than it unifies. This volume explores how the moving image reinforces or contests the division between human and nonhuman, and troubles the settler epistemic partition of culture and nature that is at the core of the climate crisis. As the first volume to specifically address how such questions are staged by Latin American cinema, this book brings together analysis of films that respond to environmental degradation, as well as those that articulate a posthumanist ethos that blurs the line between species.
Book Synopsis The Cinema of Latin America by : Alberto Elena
Download or read book The Cinema of Latin America written by Alberto Elena and published by Wallflower Press. This book was released on 2003 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation.
Book Synopsis Voices of Latin America by : Tom Gatehouse
Download or read book Voices of Latin America written by Tom Gatehouse and published by Monthly Review Press. This book was released on 2019-03-15 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: How social movements of the past and present are shaping Latin American politics today These are uncertain times in Latin America. Popular faith in democracy has been shaken; traditional political parties and institutions are stagnating, and there is a growing right-wing extremism overtaking some governments. Yet, in recent years, autonomous social movements have multiplied and thrived. This book presents voices of these movement protagonists themselves, as they describe the major issues, conflicts, and campaigns for social justice in Latin America today. Latin America Bureau, a London-based, independent organization providing news and analysis on the region, spoke to people from fourteen countries, from Mexico to the Southern Cone. The book captures the voices indigenous activists, fighting oil drilling in their homelands; mothers from favelas seeking justice for their children killed by police; opponents of large-scale mining projects; independent journalists working, at great personal risk, to expose corruption and human rights violations; women and LGBT people confronting violence and discrimination; and students demanding their right to a free, universal and high-quality education system. Though their locations and causes are disparate, these people and their movements share learning and activism, and their cooperation helps to link the movements across national borders. Voices of Latin America is essential reading for students, travelers, journalists—anyone with an interest in social justice movements in Latin America.
Book Synopsis Latin American Documentary Filmmaking by : David William Foster
Download or read book Latin American Documentary Filmmaking written by David William Foster and published by University of Arizona Press. This book was released on 2013-05-02 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latin American Documentary Filmmaking is the first volume written in English to explore Latin American documentary filmmaking with extensive and intelligent analysis. David William Foster, the leading authority on Latin American urban cultural production, provides rich, new interpretations on the production of gender, political persecution, historical conflicts, and exclusion from the mainstream in many of Latin America’s most important documentary films. Foster provides a series of detailed examinations of major texts of Latin American filmmaking, discussing their textual production and processes of meaning. His analysis delves deeply into the world of Latin American film and brings forth a discourse of structure that has previously been absent from the fields of filmmaking and Latin American studies. This volume provides perspective on diverse and methodological approaches, pulling from a wide scope of cinematic traditions. Using his own critical readings and research, Foster presents his findings in terms that are accessible to non-Spanish speakers and Latin American film enthusiasts. A much-needed contribution to the field of Latin American documentary film, Foster’s research and perspective will be a valuable source for those interested in film studies, gender studies, and culture.
Book Synopsis New Documentaries in Latin America by : Vinicius Navarro
Download or read book New Documentaries in Latin America written by Vinicius Navarro and published by Springer. This book was released on 2014-05-01 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.
Book Synopsis Transition Cinema by : Jessica L. Stites Mor
Download or read book Transition Cinema written by Jessica L. Stites Mor and published by University of Pittsburgh Press. This book was released on 2012-05-27 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Transition Cinema, Jessica Stites Mor documents the critical role filmmakers, the film industry, and state regulators played in Argentina's volatile and unfinished transition from dictatorship to democracy. She shows how, during periods of both military repression and civilian rule, the state moved to control political film production and its content, distribution, and exhibition. She also reveals the strategies that the industry, independent filmmakers, and film activists employed to comply with or circumvent these regulations. Stites Mor traces three distinct generations of transition cinema, each defined by a seminal event that shifted the political economy of national filmmaking. The first generation of filmmakers witnessed and participated in civil uprisings, such as the Cordobazo in 1969, and faced waves of repression, violence, and censorship. This generation gave rise to vibrant underground exhibitions and film clubs and eventually became symbolically linked to the Peronist Left and radical militancy. Following the 1983 return to civilian rule, a second generation of political filmmakers emerged at the center of public debates, when Buenos Aires became the locus for state-level cultural programs to address human rights and collective memory. Building on that legacy, a third generation of filmmakers explored new modes of activist and political filmmaking aided by digital technology. They pioneered new genres such as the street phenomenon of cine piquetero and introduced resistance politics and social movements into highly visible public spaces. In this captivating work, Stites Mor examines how social movements, political actors, filmmakers, and government and industry institutions, all became deeply enmeshed in the project of Argentina's transition cinema. She demonstrates how film emerged as the chronicler of political struggles in a dialogue with the past, present, and future, whose message transcended both cultural and national borders.
Book Synopsis Latin American Documentary Film in the New Millennium by : María Guadalupe Arenillas
Download or read book Latin American Documentary Film in the New Millennium written by María Guadalupe Arenillas and published by Springer. This book was released on 2016-06-23 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nearly two decades into the new millennium, Latin American documentary film is experiencing renewed vibrancy and visibility on the global stage. While elements of the combative, politicized cinema of the 1960s and 1970s remain, the region’s production has become increasingly subjective, reflexive, and experimental, though perhaps no less political. At the same time, Latin American filmmakers both respond to and shape global tendencies in the genre. This book highlights the richness and heterogeneity of Latin American documentary film, surveys a broad range of national contexts, styles, and practices, and expands current debates on the genre. Thematic sections address the “subjective turn” of the 1990s and 2000s and the move beyond it; the ethics of the encounter between the filmmaker and the subject/object of his or her gaze; and the performance of truth and memory, a particularly urgent topic as Latin American countries have transitioned from dictatorship to democracy.
