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Staging Lives In Latin American Theater
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Book Synopsis Staging Lives in Latin American Theater by : Paola Hernández
Download or read book Staging Lives in Latin American Theater written by Paola Hernández and published by Northwestern University Press. This book was released on 2021-04-15 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Lives in Latin American Theater: Bodies, Objects, Archives examines twenty‐first‐century documentary theater in Latin America, focusing on important plays by the Argentine director Vivi Tellas, the Argentine playwright and director Lola Arias, the Mexican theater collective Teatro Línea de Sombra, and the Chilean playwright and director Guillermo Calderón. Paola S. Hernández demonstrates how material objects and archives—photographs, videos, and documents such as witness reports, legal briefs, and letters—come to life onstage. Hernández argues that present-day, live performances catalog these material archives, expanding and reinterpreting the objects’ meanings. These performances produce an affective relationship between actor and audience, visualizing truths long obscured by repressive political regimes and transforming theatrical spaces into sites of witness. This process also highlights the liminality between fact and fiction, questioning the veracity of the archive. Richly detailed, nuanced, and theoretically wide-ranging, Staging Lives in Latin American Theater reveals a range of interpretations about how documentary theater can conceptualize the idea of self while also proclaiming a new mode of testimony through theatrical practices.
Book Synopsis Staging Words, Performing Worlds by : Gail A. Bulman
Download or read book Staging Words, Performing Worlds written by Gail A. Bulman and published by Bucknell University Press. This book was released on 2007 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Words presents new perspectives on Argentina, Cuba, Mexico, and Venezuela and their theater, by postulating that nation can be imagined and reconstructed through the deliberate performance of intertexts. The book shows how past artistic texts - other plays, stories, newspaper articles, songs, or paintings - can be manipulated and translated to create a new theatrical script, and that this new script can expose an innovative space for interpreting the nation. The introduction reviews theories of intertextuality, nation, and nationalism and applies them to Latin America. Each chapter studies two to three plays and shows how the intertexts open up hidden connections and border spaces within texts and between texts that the new writer and reader fill with significance, replacing the meaning of the pretext with their own. This new textual voice permits texts to be restaged, reconfigured, and imagined in a way that is purely Latin American.
Book Synopsis Encyclopedia of Latin American Theater by : Eladio Cortes
Download or read book Encyclopedia of Latin American Theater written by Eladio Cortes and published by Bloomsbury Publishing USA. This book was released on 2003-12-30 with total page 547 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements. The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume.
Book Synopsis Theatre and Cartographies of Power by : Jimmy A. Noriega
Download or read book Theatre and Cartographies of Power written by Jimmy A. Noriega and published by SIU Press. This book was released on 2018-02-09 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributors -- Index -- Series Page -- Other Titles in the Series -- Back Cover
Book Synopsis Stages of Conflict by : Diana Taylor
Download or read book Stages of Conflict written by Diana Taylor and published by University of Michigan Press. This book was released on 2008 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stages of Conflict brings together an array of dramatic texts, tracing the intersection of theater and social and political life in the Americas over the past five centuries. Historical pieces from the sixteenth century to the present highlight the encounter between indigenous tradition and colonialism, while contributions from modern playwrights such as Virgilio Pinero, Jose Triana, and Denise Stolkos take on the tumultuous political and social upheavals of the past century. The editors have added critical commentary on the origins of each play, affording scholars and students of theater, performance studies, and Latin American studies the opportunity to view the history of a continent through its rich and diverse theatrical traditions.--from publisher's statement.
Book Synopsis Fifty Key Figures in LatinX and Latin American Theatre by : Paola S. Hernández
Download or read book Fifty Key Figures in LatinX and Latin American Theatre written by Paola S. Hernández and published by Routledge. This book was released on 2022-02-25 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
Book Synopsis The Modern Stage in Latin America by : George William Woodyard
Download or read book The Modern Stage in Latin America written by George William Woodyard and published by Plume Books. This book was released on 1971 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Latina Performance by : Alicia Arrizón
Download or read book Latina Performance written by Alicia Arrizón and published by Indiana University Press. This book was released on 1999-09-22 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study exploring the role of Latina women in theater performance, literature, and criticism. Arrizón’s examination of Latina performance spans the twentieth century, beginning with oral traditions of corrido and revistas. She examines the soldadera and later theatrical personalities such as La Chata Noloesca and contemporary performance artist Carmelita Tropicana. Latina Performance considers the emergence of Latina aesthetics developed in the United States, but simultaneously linked with Latin America. As dramatists, performance artists, protagonists, and/or cultural critics, the women Arrizón examines in this book draw attention to their own divided position. They are neither Latin American nor Anglo, neither third- or first-world; they are feminists, but not quite “American style.” This in-between-ness is precisely what has created Latina performance and performance studies, and has made “Latina” an allegory for dual national and artistic identities. “Alicia Arrizón’s Latina Performance is a truly innovative and important contribution to Latino Studies as well as to theater and performance studies.” —Diana Taylor, New York University “Arrizón’s . . . important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent. . . . Valuable for anyone interested in theater history and criticism, cultural studies, gender studies, and ethnic studies with attention to Mexican American, Chicana/o, and Latina/o studies. Upper—division undergraduates through professionals.” —E. C. Ramirez, Choice
Book Synopsis Dramatists in Revolt by : Leon F. Lyday
Download or read book Dramatists in Revolt written by Leon F. Lyday and published by University of Texas Press. This book was released on 2014-08-27 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramatists in Revolt, through studies of the major playwrights, explores significant movements in Latin American theater. Playwrights discussed are those who have made outstanding contributions to Latin American theater during the post–World War II period and who have been particularly sensitive to world currents in literature and drama, while being acutely responsive to the problems of their own areas. They express concern about communication, isolation, and solitude. On a more basic level, they concern themselves with the political and socioeconomic problems that figure importantly in the Third World. The fifteen essays deal with the playwrights Antón Arrufat and José Triana (Cuba); Emilio Carballido and Luisa Josefina Hernández (Mexico); Agustín Cuzzani, Osvaldo Dragún, Griselda Gambaro, and Carlos Gorostiza (Argentina); Jorge Díaz, Egon Wolff, and Luis Alberto Heiremans (Chile); René Marqués (Puerto Rico); and Jorge Andrade, Alfredo Dias Gomes, and Plínio Marcos (Brazil). These are dramatists in revolt, sometimes in a thematic sense, not only in protesting the indignities that various systems impose on modern man, but also in a dramatic configuration. They dare to experiment with techniques in the constant search for viable theatrical forms. Each essay is written by a specialist familiar with the works of the playwright under consideration. In addition to the essays, the book includes a listing of source materials on Latin American theater.
Book Synopsis Seeking Common Ground: Latinx and Latin American Theatre and Performance by : Trevor Boffone
Download or read book Seeking Common Ground: Latinx and Latin American Theatre and Performance written by Trevor Boffone and published by Bloomsbury Publishing. This book was released on 2021-10-21 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction / Trevor Boffone, Teresa Marrero, and Chantal Rodriguez -- Section one: Traversing boundaries of gender and secuality -- Dementia / Evelina Fernandez -- Critical introduction / Chantal Rodriguez -- Full script of dementia -- Las mariposas saltan al vacio / Jose Milian -- Snapshot / Patricia Herrera -- Quemar las naves. El viaje de Emma / Rocio Carrillo Reyes -- Profile / Teresa Marrero -- Interview with Rocio Carrillo Reyes / Teresa Marrero -- Myth and sonority in Quemar las naves. El viaje de Emma: A very surreal way to create / Rocio Carrillo Reyes -- Section two: Staging transnational realities of race, ethnicity, and class -- Ropa intima (intimate apparel) / Lynn Nottage, Ebano Teatro -- Profile / Gina Sandf-Diaz -- Interview with Alicia Olivares / Gina Sandi-Diaz -- Miss Julia, an adaptation / J.Ed Araiza -- Critical introduction / Carla Della Gatta -- Full script of Miss Julia -- El Apagon (the blackout) / Rosalba Rolon, Jorge Merced, and Alvan Colon Lespier -- Snapshot / Chantal Rodriguez -- Sensory strategies: Artist panel from the encuentro de las Americas with Carmen Aguirre, Jorge Cao, Carlos Celdran, David Lozano, Alicia Olivares, Brian Quirt, Rocio Carrillo Reyes, Rosalba Rolon, Nicolas Valdez, and Jose Luis Valenzuela -- Section three: The state, politics, and lived experience -- Deferred action / David Lozano and Lee Trull -- Snpashot / Teresa Marrero -- Culture clash: An American Odyssey by Culture Clash -- Snapshot / Noe Montez -- Excerpt from Culture Clash: An American Odyssey -- 10 million / Carlos Celdran -- Critical introduction / Lillian Manzor -- Full script of 10 millioin -- La razon blindada (armored reason) / Aristides Vargas -- Snapshot / Grace Davila-Lopez -- WET: A DACAmented journey / Alex Alpharaoh -- Critical introduction / Trevor Boffone -- Interview with Alex Alpharaoh / Trevor Boffone -- Full script of WET: A DACAmented journey -- Section four: Music and autobiographical performance -- Conjunto Blues / Nicolas Valdez -- Snapshot / Marci R. McMahon -- Excerpt from Conjunto Blues --Broken Tailbone / Carmen Aguirre -- Profile / Trevor Boffone -- Latin standards / Marga Gomez -- Snapshot / Isaac Gomez -- Excerpt from Latin standards -- Conclusion: Aqui estamos, we are here / Trevor Boffone, Teresa Marrero, and Chantal Rodriguez -- Closing reflections from the Latino Theater Company.
Download or read book Zarzuela written by Janet Lynn Sturman and published by University of Illinois Press. This book was released on 2000 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the most popular form of Spanish entertainment short of the bullfight, the zarzuela boasts a long history of bridging the categories of classical and popular art. It is neither opera nor serious drama, yet it requires both trained singers and good actors. The content is neither purely folkloric nor high art; it is too popular for some and too classical for others. In Zarzuela, Janet L. Sturman assesses the political as well as the musical significance of this chameleon of music-drama. Sturman traces the zarzuela's colorful history from its seventeenth-century origins as a Spanish court entertainment to its adaptation in Spain's colonial outposts in the New World. She examines Cuba's pivotal role in transmitting the zarzuela to Latin America and the Caribbean and draws distinctions among the ways in which various Spanish-speaking communities have reformulated zarzuela, combining elements of the Spanish model with local characters, music, dances, and political perspectives. The settings Sturman considers include Argentina, Mexico, Puerto Rico, and the American cities of El Paso, Miami, and New York. Sturman also demonstrates how the zarzuela plays a role in defining American urban ethnicity. She offers a glimpse into two longstanding theaters in New York, Repertorio Espa ol and the Thalia Spanish Theatre, that have fostered the tradition of zarzuela, mounting innovative productions and cultivating audiences. Sturman constructs a profile of the audience that supports modern zarzuela and examines the extensive personal network that sustains it financially. Just as the zarzuela afforded an opportunity in the past for Spaniards to assert their individuality in the face of domination by Italian and central European musical standards, it continues to stand for a distinctive Hispanic legacy. Zarzuela provides a major advance in recognizing the enduring cultural and social significance of this resilient and adaptable genre.
Book Synopsis The State of Latino Theater in the United States by : Luis Ramos-García
Download or read book The State of Latino Theater in the United States written by Luis Ramos-García and published by Psychology Press. This book was released on 2002 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis The Theater of Revisions in the Hispanic Caribbean by : Katherine Ford
Download or read book The Theater of Revisions in the Hispanic Caribbean written by Katherine Ford and published by Springer. This book was released on 2017-08-18 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the textured process of rewriting and revising theatrical works in the Spanish-speaking Caribbean as both a material and metaphorical practice. Deftly tracing these themes through community theater groups, ancient Greek theater, religious traditions, and national historical events, Katherine Ford weaves script, performance and final product together with an eye to the social significance of revision. Ultimately, to rewrite and revise is to re-envision and re-imagine stage practices in the twentieth-century Hispanic Caribbean.
Book Synopsis Latin American Popular Theatre by : Judith A. Weiss
Download or read book Latin American Popular Theatre written by Judith A. Weiss and published by . This book was released on 1993 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Encyclopedia of Latin American Theater by : Eladio Cortes
Download or read book Encyclopedia of Latin American Theater written by Eladio Cortes and published by Greenwood. This book was released on 2003-12-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements. The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume.
Book Synopsis Staging Frontiers by : William Garrett Acree
Download or read book Staging Frontiers written by William Garrett Acree and published by University of New Mexico Press. This book was released on 2019-12-15 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Swashbuckling tales of valiant gauchos roaming Argentina and Uruguay were nineteenth-century Latin American bestsellers. But when the stories jumped from the page to the circus stage and beyond, their cultural, economic, and political influence revolutionized popular culture and daily life. In this expansive and engaging narrative William Acree guides readers through the deep history of popular entertainment before turning to circus culture and rural dramas that celebrated the countryside on stage. More than just riveting social experiences, these dramas were among the region’s most dominant attractions on the eve of the twentieth century. Staging Frontiers further explores the profound impacts this phenomenon had on the ways people interacted and on the broader culture that influenced the region. This new, modern popular culture revolved around entertainment and related products, yet it was also central to making sense of social class, ethnic identity, and race as demographic and economic transformations were reshaping everyday experiences in this rapidly urbanizing region.
Book Synopsis Chicanas/Latinas in American Theatre by : Elizabeth C. Ramírez
Download or read book Chicanas/Latinas in American Theatre written by Elizabeth C. Ramírez and published by Indiana University Press. This book was released on 2000 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Elizabeth C. Ramírez's study reveals the traditions of Chicanas/Latinas in theatre and performance, showing how Latina/Latino theatre has evolved from its pre-Columbian, Spanish, and Mexican origins to its present prominence within American theatre history. This project on women in performance serves the need for scholarship on the contributions of underrepresented groups in American theatre and education, in cultural studies and the humanities, and in American and world history.
