The Relentless Pursuit Of Tone

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The Relentless Pursuit of Tone

Author : Robert Fink
Publisher : Oxford University Press
ISBN 13 : 0199985251
Total Pages : 400 pages
Book Rating : 4.1/5 (999 download)

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Book Synopsis The Relentless Pursuit of Tone by : Robert Fink

Download or read book The Relentless Pursuit of Tone written by Robert Fink and published by Oxford University Press. This book was released on 2018-09-18 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.

RELENTLESS PURSUIT OF TONE - CW.

Author : FINK.
Publisher :
ISBN 13 : 9780190908027
Total Pages : pages
Book Rating : 4.9/5 (8 download)

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Book Synopsis RELENTLESS PURSUIT OF TONE - CW. by : FINK.

Download or read book RELENTLESS PURSUIT OF TONE - CW. written by FINK. and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Sound in Motion

Author : Enrique Encabo
Publisher : Cambridge Scholars Publishing
ISBN 13 : 1527527298
Total Pages : 223 pages
Book Rating : 4.5/5 (275 download)

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Book Synopsis Sound in Motion by : Enrique Encabo

Download or read book Sound in Motion written by Enrique Encabo and published by Cambridge Scholars Publishing. This book was released on 2019-01-29 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sound in Motion: Cinema, Videogames, Technology and Audiences is a collective volume that sheds more light on the intimate relationship between music and audiovisual culture in contemporary society. This book brings together researchers from different parts of the world, from the USA to Brazil, through Spain, Georgia, France and Austria, to understand, from different perspectives, a global phenomenon. It includes indispensable studies on music and cinema (revisited from a multicultural perspective), as well as original research on music in videogames and television, and the study of the real impact of technological development on musical and artistic production. It also gathers chapters which explore the relationship between all these processes with the configuration of new audiences of which (maybe without knowing) we are already a part.

The Body in Sound, Music and Performance

Author : Linda O Keeffe
Publisher : CRC Press
ISBN 13 : 1000620476
Total Pages : 318 pages
Book Rating : 4.0/5 (6 download)

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Book Synopsis The Body in Sound, Music and Performance by : Linda O Keeffe

Download or read book The Body in Sound, Music and Performance written by Linda O Keeffe and published by CRC Press. This book was released on 2022-07-20 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Body in Sound, Music and Performance brings together cutting-edge contributions from women working on and researching contemporary sound practice. This highly interdisciplinary book features a host of international contributors and places emphasis on developments beyond the western world, including movements growing across Latin America. Within the book, the body is situated as both the site and centre for knowledge making and creative production. Chapters explore how insightful theoretical analysis, new methods, innovative practises, and sometimes within the socio-cultural conditions of racism, sexism and classicism, the body can rise above, reshape and deconstruct understood ideas about performance practices, composition, and listening/sensing. This book will be of interest to both practitioners and researchers in the fields of sonic arts, sound design, music, acoustics and performance.

The Oxford Handbook of Timbre

Author : Emily I. Dolan
Publisher : Oxford University Press
ISBN 13 : 0190637250
Total Pages : 740 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis The Oxford Handbook of Timbre by : Emily I. Dolan

Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan and published by Oxford University Press. This book was released on 2021-09-15 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.

Nothing But Noise

Author :
Publisher : Oxford University Press
ISBN 13 : 0190495103
Total Pages : 233 pages
Book Rating : 4.1/5 (94 download)

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Book Synopsis Nothing But Noise by :

Download or read book Nothing But Noise written by and published by Oxford University Press. This book was released on 2022-01-24 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nothing but Noise: Timbre and Musical Meaning at the Edge explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, author Zachary Wallmark advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception. The contribution of timbre to musical experience is clearest in drastic situations where meaning is itself contested; that is, in polarizing contexts of reception where evaluation of musical timbre by some listeners collides headlong against a competing claim-that it is just noise. Taking this ubiquitous moment as a starting point, the book explores affect, reception, and timbre semantics through diverse cultural-historical case studies that frustrate the acoustic and perceptual boundary between musical sound and noise. Nothing but Noise includes chapters on the racial and gender politics in the reception of free jazz saxophone screaming in the late 1960s; an analysis of contested timbral ideals in the performance practices of the Japanese shakuhachi flute; and an historical examination of the overlooked role of brutal timbres in the moral panic over heavy metal in the eighties and nineties. The book closes with a discussion of the slippery social fault lines separating perceptions of musical sound from noise and the ethical stakes of encountering another's aural face.

The Bloomsbury Handbook of Music Production

Author : Simon Zagorski-Thomas
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501334034
Total Pages : 433 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis The Bloomsbury Handbook of Music Production by : Simon Zagorski-Thomas

Download or read book The Bloomsbury Handbook of Music Production written by Simon Zagorski-Thomas and published by Bloomsbury Publishing USA. This book was released on 2020-02-06 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Handbook of Music Production provides a detailed overview of current research on the production of mono and stereo recorded music. The handbook consists of 33 chapters, each written by leaders in the field of music production. Examining the technologies and places of music production as well the broad range of practices – organization, recording, desktop production, post-production and distribution – this edited collection looks at production as it has developed around the world. In addition, rather than isolating issues such as gender, race and sexuality in separate chapters, these points are threaded throughout the entire text.

Timbre

Author : Isabella Van Elferen
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501365835
Total Pages : 224 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Timbre by : Isabella Van Elferen

Download or read book Timbre written by Isabella Van Elferen and published by Bloomsbury Publishing USA. This book was released on 2020-11-12 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Timbre is among the most important and the most elusive aspects of music. Visceral and immediate in its sonic properties, yet also considered sublime and ineffable, timbre finds itself caught up in metaphors: tone “color”, “wet” acoustics, or in Schoenberg's words, “the illusory stuff of our dreams.” This multi-disciplinary approach to timbre assesses the acoustic, corporeal, performative, and aesthetic dimensions of tone color in Western music practice and philosophy. It develops a new theorization of timbre and its crucial role in the epistemology of musical materialism through a vital materialist aesthetics in which conventional binaries and dualisms are superseded by a vibrant continuum. As the aesthetic and epistemological questions foregrounded by timbre are not restricted to isolated periods in music history or individual genres, but have pervaded Western musical aesthetics since early Modernity, the book discusses musical examples taken from both “classical” and “popular” music. These range, in “classical” music, from the Middle Ages through the Baroque, the belcanto opera and electronic music to saturated music; and, in “popular” music, from indie through soul and ballad to dark industrial.

Listening Devices

Author : Jens Gerrit Papenburg
Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501346717
Total Pages : 345 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Listening Devices by : Jens Gerrit Papenburg

Download or read book Listening Devices written by Jens Gerrit Papenburg and published by Bloomsbury Publishing USA. This book was released on 2023-05-04 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term listening device. In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its other-a history of non-listening. The book proposes listening device as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.

The Oxford Handbook of Critical Concepts in Music Theory

Author : Alexander Rehding
Publisher : Oxford University Press
ISBN 13 : 0190077603
Total Pages : 849 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis The Oxford Handbook of Critical Concepts in Music Theory by : Alexander Rehding

Download or read book The Oxford Handbook of Critical Concepts in Music Theory written by Alexander Rehding and published by Oxford University Press. This book was released on 2019-11-19 with total page 849 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come.

Just Beyond Listening

Author : Michael C. Heller
Publisher : Univ of California Press
ISBN 13 : 0520350774
Total Pages : 280 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis Just Beyond Listening by : Michael C. Heller

Download or read book Just Beyond Listening written by Michael C. Heller and published by Univ of California Press. This book was released on 2023-11-14 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Just Beyond Listening asks how we might think about encounters with sound that complicate standard accounts of aurality. In a series of essays, Michael C. Heller considers how sound functions in dialogue with a range of sensory and affective modalities, including physical co-presence, textual interference, and spectral haunting. The text investigates sound that is experienced in other parts of the body, altered by cross-wirings of the senses, weaponized by the military, or mediated and changed by cultural practices and memory. Building on recent scholarship in sound studies and affect theory, Heller questions not only how sound propagates acoustically but how sonic presences temper our total experience of the world around us.

Recording Analysis

Author : William Moylan
Publisher : CRC Press
ISBN 13 : 1317207157
Total Pages : 864 pages
Book Rating : 4.3/5 (172 download)

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Book Synopsis Recording Analysis by : William Moylan

Download or read book Recording Analysis written by William Moylan and published by CRC Press. This book was released on 2020-02-14 with total page 864 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recording Analysis: How the Record Shapes the Song identifies and explains how the sounds imparted by recording processes enhance the artistry and expression of recorded songs. Moylan investigates how the process of recording a song transforms it into a richer experience and articulates how the unique elements of recorded sound provide essential substance and expression to recorded music. This book explores a broad array of records, evaluating the music, lyrics, social context, literary content and meaning, and offers detailed analyses of recording elements as they appear in a wide variety of tracks. Accompanied by a range of online resources, Recording Analysis is an essential read for students and academics, as well as practitioners, in the fields of record production, song-writing and popular music.

Audible Infrastructures

Author : Kyle Devine
Publisher : Oxford University Press, USA
ISBN 13 : 0190932635
Total Pages : 305 pages
Book Rating : 4.1/5 (99 download)

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Book Synopsis Audible Infrastructures by : Kyle Devine

Download or read book Audible Infrastructures written by Kyle Devine and published by Oxford University Press, USA. This book was released on 2021 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Music is typically encountered as a cultural surface. Songs emanate instantaneously and almost magically from our computers and phones. Tools for playing and making music, such as recordings and guitars, wait for us in stores, ready for purchase with no assembly required. And when we're done with this stuff, we can kick it to the curb, where it disappears effortlessly and without a trace. Day-to-day musical enjoyment seems so simple, so easy, so automatic. But it isn't. This book digs beneath such surface-level encounters to reveal the infrastructural dimensions of music and listening. It takes nothing for granted about the manufacture, delivery, or disposal of music's material and human bases. These infrastructural phenomena encompass the interrelated material, organizational, and ideological systems that facilitate three main phases in the social life and social death of musical commodities: (1) resources and production, (2) circulation and transmission, (3) failure and waste. The book asks how these three phases influence and respond to aesthetic conventions, material-environmental realities, and political-economic conditions in both industrializing and industrialized parts of the world. Although sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles may seem peripheral to musical culture, Audible Infrastructures shows that all these humble things and their ordinary people are actually pivotal to what music is, how it works, and why it matters. Undertaking a concerted archaeology of music's media infrastructures is thus a means of understanding society and of knowing ourselves-and it is a step toward the reorientation of our musical cultures"--

Negotiated Moments

Author : Gillian Siddall
Publisher : Duke University Press
ISBN 13 : 0822374498
Total Pages : 376 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Negotiated Moments by : Gillian Siddall

Download or read book Negotiated Moments written by Gillian Siddall and published by Duke University Press. This book was released on 2016-03-04 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies. Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong

Analytical Approaches to 20th-Century Russian Music

Author : Inessa Bazayev
Publisher : Routledge
ISBN 13 : 1000179303
Total Pages : 270 pages
Book Rating : 4.0/5 (1 download)

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Book Synopsis Analytical Approaches to 20th-Century Russian Music by : Inessa Bazayev

Download or read book Analytical Approaches to 20th-Century Russian Music written by Inessa Bazayev and published by Routledge. This book was released on 2020-09-29 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together analyses of works by thirteen Russian composers from across the twentieth century, showing how their approaches to tonality, modernism, and serialism forge forward-looking paths independent from their Western counterparts. Russian music of this era is widely performed, and much research has situated this repertoire in its historical and social context, yet few analytical studies have explored the technical aspects of these composers' styles. With a set of representative analyses by leading scholars in music theory and analysis, this book for the first time identifies large-scale compositional trends in Russian music since 1900. The chapters progress by compositional style through the century, and each addresses a single work by a different composer, covering pieces by Rachmaninoff, Myaskovsky, Prokofiev, Shostakovich, Mansurian, Roslavets, Mosolov, Lourié, Tcherepnin, Ustvolskaya, Denisov, Gubaidulina, and Schnittke. Musicians, scholars, and students will find here a starting point for research and analysis of these composers' works and gain a richer understanding of how to listen to and interpret their music.

The Selling Sound

Author : Diane Pecknold
Publisher : Duke University Press
ISBN 13 : 0822390302
Total Pages : 307 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis The Selling Sound by : Diane Pecknold

Download or read book The Selling Sound written by Diane Pecknold and published by Duke University Press. This book was released on 2007-11-07 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few expressions of popular culture have been shaped as profoundly by the relationship between commercialism and authenticity as country music has. While its apparent realism, sincerity, and frank depictions of everyday life are country’s most obvious stylistic hallmarks, Diane Pecknold demonstrates that commercialism has been just as powerful a cultural narrative in its development. Listeners have long been deeply invested in the “business side” of country. When fans complained in the mid-1950s about elite control of the mass media, or when they expressed their gratitude that the Country Music Hall of Fame served as a physical symbol of the industry’s power, they engaged directly with the commercial apparatus surrounding country music, not with particular songs or stars. In The Selling Sound, Pecknold explores how country music’s commercialism, widely acknowledged but largely unexamined, has affected the way it is produced, the way it is received by fans and critics, and the way it is valued within the American cultural hierarchy. Pecknold draws on sources as diverse as radio advertising journals, fan magazines, Hollywood films, and interviews with industry insiders. Her sweeping social history encompasses the genre’s early days as an adjunct of radio advertising in the 1920s, the friction between Billboard and more genre-oriented trade papers over generating the rankings that shaped radio play lists, the establishment of the Country Music Association, and the influence of rock ‘n’ roll on the trend toward single-genre radio stations. Tracing the rise of a large and influential network of country fan clubs, Pecknold highlights the significant promotional responsibilities assumed by club organizers until the early 1970s, when many of their tasks were taken over by professional publicists.

Digital Sound Processing for Music and Multimedia

Author : Ross Kirk
Publisher : CRC Press
ISBN 13 : 1136116389
Total Pages : 334 pages
Book Rating : 4.1/5 (361 download)

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Book Synopsis Digital Sound Processing for Music and Multimedia by : Ross Kirk

Download or read book Digital Sound Processing for Music and Multimedia written by Ross Kirk and published by CRC Press. This book was released on 2013-10-08 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides an introduction to the nature, synthesis and transformation of sound which forms the basis of digital sound processing for music and multimedia. Background information in computer techniques is included so that you can write computer algorithms to realise new processes central to your own musical and sound processing ideas. Finally, material is inlcuded to explain the way in which people contribute to the development of new kinds of performance and composition systems. Key features of the book include: · Contents structured into free-standing parts for easy navigation · `Flow lines' to suggest alternative paths through the book, depending on the primary interest of the reader. · Practical examples are contained on a supporting website. Digital Sound Processing can be used by anyone, whether from an audio engineering, musical or music technology perspective. Digital sound processing in its various spheres - music technology, studio systems and multimedia - are witnessing the dawning of a new age. The opportunities for involvement in the expansion and development of sound transformation, musical performance and composition are unprecedented. The supporting website (www.york.ac.uk/inst/mustech/dspmm.htm) contains working examples of computer techniques, music synthesis and sound processing.