The Modernist Legacy: Essays on New Music

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Publisher : Routledge
ISBN 13 : 1351542419
Total Pages : 276 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis The Modernist Legacy: Essays on New Music by : Bj Heile

Download or read book The Modernist Legacy: Essays on New Music written by Bj Heile and published by Routledge. This book was released on 2017-07-05 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays offers a historical reappraisal of what musical modernism was, and what its potential for the present and future could be. It thus moves away from the binary oppositions that have beset twentieth-century music studies in the past, such as those between modernism and postmodernism, between conceptions of musical autonomy and of cultural contingency and between formalist-analytical and cultural-historical approaches. Focussing particularly on music from the 1970s to the 1990s, the volume assembles approaches from different perspectives to new music with a particular emphasis on a critical reassessment of the meaning and function of the legacy of musical modernism. The authors include scholars, musicologists and composers who combine culturally, socially, historically and aesthetically oriented approaches with analytical methods in imaginative ways.

Musical Modernism in Global Perspective

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Publisher : Cambridge University Press
ISBN 13 : 1009491687
Total Pages : 285 pages
Book Rating : 4.0/5 (94 download)

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Book Synopsis Musical Modernism in Global Perspective by : Björn Heile

Download or read book Musical Modernism in Global Perspective written by Björn Heile and published by Cambridge University Press. This book was released on 2024-05-30 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first study of the global dimensions of musical modernism, Björn Heile proposes a novel theory according to which musical modernism is constituted by a global diasporic network of composers, musicians and institutions. In a series of historical and analytical case studies from different parts of the world, this book overcomes the respective limitations of both Eurocentric and postcolonial, revisionist accounts, focusing instead on the transnational entanglements between the West and other world regions. Key topics include migration, the transnational reception and transfer of musical works and ideas, institutions such as the International Society for Contemporary Music (ISCM) and composers who are rarely discussed in Western academia, such as the Nigerian-born Akin Euba and the Korean-German Younghi Pagh-Paan. Influenced by the interdisciplinary notion of 'entangled histories', Heile critiques established dichotomies, all the while highlighting the unequal power relations on which the existing global order is founded.

Essays on Music and Language in Modernist Literature

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Publisher : Routledge
ISBN 13 : 1351865889
Total Pages : 296 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Essays on Music and Language in Modernist Literature by : Katherine O'Callaghan

Download or read book Essays on Music and Language in Modernist Literature written by Katherine O'Callaghan and published by Routledge. This book was released on 2018-01-12 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the role of music as a source of inspiration and provocation for modernist writers. In its consideration of modernist literature within a broad political, postcolonial, and internationalist context, this book is an important intervention in the growing field of Words and Music studies. It expands the existing critical debate to include lesser-known writers alongside Joyce, Woolf, and Beckett, a wide-ranging definition of modernism, and the influence of contemporary music on modernist writers. From the rhythm of Tagore’s poetry to the influence of jazz improvisation, the tonality of traditional Irish music to the operas of Wagner, these essays reframe our sense of how music inspired Literary Modernism. Exploring the points at which the art forms of music and literature collide, repel, and combine, contributors draw on their deep musical knowledge to produce close readings of prose, poetry, and drama, confronting the concept of what makes writing "musical." In doing so, they uncover commonalities: modernist writers pursue simultaneity and polyphony, evolve the leitmotif for literary purposes, and adapt the formal innovations of twentieth-century music. The essays explore whether it is possible for literature to achieve that unity of form and subject which music enjoys, and whether literary texts can resist paraphrase, can be simply themselves. This book demonstrates how attention to the role of music in text in turn illuminates the manner in which we read literature.

Australian Music and Modernism, 1960-1975

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501348205
Total Pages : 321 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Australian Music and Modernism, 1960-1975 by : Michael Hooper

Download or read book Australian Music and Modernism, 1960-1975 written by Michael Hooper and published by Bloomsbury Publishing USA. This book was released on 2019-10-31 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.

"British Music and Modernism, 1895?960 "

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Author :
Publisher : Routledge
ISBN 13 : 1351573004
Total Pages : 463 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis "British Music and Modernism, 1895?960 " by : Matthew Riley

Download or read book "British Music and Modernism, 1895?960 " written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.

The Routledge Research Companion to Modernism in Music

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Publisher : Routledge
ISBN 13 : 131704245X
Total Pages : 518 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis The Routledge Research Companion to Modernism in Music by : Björn Heile

Download or read book The Routledge Research Companion to Modernism in Music written by Björn Heile and published by Routledge. This book was released on 2018-10-29 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.

Music and Ultra-modernism in France

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Publisher : Boydell & Brewer Ltd
ISBN 13 : 1843838109
Total Pages : 272 pages
Book Rating : 4.8/5 (438 download)

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Book Synopsis Music and Ultra-modernism in France by : Barbara L. Kelly

Download or read book Music and Ultra-modernism in France written by Barbara L. Kelly and published by Boydell & Brewer Ltd. This book was released on 2013 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.

British Music and Modernism, 1895-1960

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Publisher : Routledge
ISBN 13 : 1351573012
Total Pages : 346 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis British Music and Modernism, 1895-1960 by : Matthew Riley

Download or read book British Music and Modernism, 1895-1960 written by Matthew Riley and published by Routledge. This book was released on 2017-07-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.

Music And The Aesthetics Of Modernity

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Publisher :
ISBN 13 : 9780674017832
Total Pages : 300 pages
Book Rating : 4.0/5 (178 download)

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Book Synopsis Music And The Aesthetics Of Modernity by : Karol Berger

Download or read book Music And The Aesthetics Of Modernity written by Karol Berger and published by . This book was released on 2005-04 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: For most music historians, the modernism of the twentieth century was until recently the only appearance of the "modern" in music. The widely perceived recent decline of musical modernism makes it now possible to see the modernism of the twentieth century as a chapter in a much longer story. The principal purpose of the present book is to encourage a debate over musical modernity; a debate that would consider the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.

Modernism and Opera

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Publisher : JHU Press
ISBN 13 : 1421420627
Total Pages : 391 pages
Book Rating : 4.4/5 (214 download)

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Book Synopsis Modernism and Opera by : Richard Begam

Download or read book Modernism and Opera written by Richard Begam and published by JHU Press. This book was released on 2016-11 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

Transformations of Musical Modernism

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Publisher : Cambridge University Press
ISBN 13 : 1107127211
Total Pages : 369 pages
Book Rating : 4.1/5 (71 download)

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Book Synopsis Transformations of Musical Modernism by : Erling E. Guldbrandsen

Download or read book Transformations of Musical Modernism written by Erling E. Guldbrandsen and published by Cambridge University Press. This book was released on 2015-10-26 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

New Music and the Crises of Materiality

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Publisher : Routledge
ISBN 13 : 1000405974
Total Pages : 182 pages
Book Rating : 4.0/5 (4 download)

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Book Synopsis New Music and the Crises of Materiality by : Samuel Wilson

Download or read book New Music and the Crises of Materiality written by Samuel Wilson and published by Routledge. This book was released on 2021-07-05 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the transformation of ideas of the material in late twentieth- and early twenty-first-century musical composition. New music of this era is argued to reflect a historical moment when the idea of materiality itself is in flux. Engaging with thinkers such as Theodor Adorno, Sara Ahmed, Zygmunt Bauman, Rosi Braidotti, and Timothy Morton, the author considers music's relationship with changing material conditions, from the rise of neo-liberalisms and information technologies to new concepts of the natural world. Drawing on musicology, cultural theory, and philosophy, the author develops a critical understanding of musical bodies, objects, and the environments of their interaction. Music is grasped as something that both registers material changes in society whilst also enabling us to practice materiality differently.

British Musical Modernism

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Publisher : Cambridge University Press
ISBN 13 : 0521844487
Total Pages : 507 pages
Book Rating : 4.5/5 (218 download)

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Book Synopsis British Musical Modernism by : Philip Rupprecht

Download or read book British Musical Modernism written by Philip Rupprecht and published by Cambridge University Press. This book was released on 2015-07-09 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first in-depth historical analysis of British art music post-1945, providing a group-portrait of eleven composers ranging from avant-garde to pop.

Recomposing the Past: Representations of Early Music on Stage and Screen

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Publisher : Routledge
ISBN 13 : 135197551X
Total Pages : 260 pages
Book Rating : 4.3/5 (519 download)

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Book Synopsis Recomposing the Past: Representations of Early Music on Stage and Screen by : James Cook

Download or read book Recomposing the Past: Representations of Early Music on Stage and Screen written by James Cook and published by Routledge. This book was released on 2018-02-01 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recomposing the Past is a book concerned with the complex but important ways in which we engage with the past in modern times. Contributors examine how media on stage and screen uses music, and in particular early music, to evoke and recompose a distant past. Culture, popular and otherwise, is awash with a stylise - sometimes contradictory - musical history. And yet for all its complexities, these representations of the past through music are integral to how our contemporary and collective imaginations understand history. More importantly, they offer a valuable insight into how we understand our musical present. Such representative strategies, the book argues, cross generic boundaries, and as such it brings together a range of multimedia discussion on the subjects of film (Lord of the Rings, Dangerous Liasions), television (Game of Thrones, The Borgias), videogame (Dragon Warrior, Gauntlet), and opera (Written on Skin, Taverner, English ‘dramatick opera’). This collection constitutes a significant, and interdisciplinary, contribution to a growing literature which is unpacking our ongoing creative dialogue with the past. Divided into three complementary sections, grouped not by genre or media but by theme, it considers: ‘Authenticity, Appropriateness, and Recomposing the Past’, ‘Music, Space, and Place: Geography as History’, and ‘Presentness and the Past: Dialogues between Old and New’. Like the musical collage that is our shared multimedia historical soundscape, it is hoped that this collection is, in its eclecticism, more than the sum of its parts.

Reification and the Aesthetics of Music

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Publisher : Routledge
ISBN 13 : 1317297970
Total Pages : 186 pages
Book Rating : 4.3/5 (172 download)

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Book Synopsis Reification and the Aesthetics of Music by : Jonathan Lewis

Download or read book Reification and the Aesthetics of Music written by Jonathan Lewis and published by Routledge. This book was released on 2015-11-19 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative study re-evaluates the philosophical significance of aesthetics in the context of contemporary debates on the nature of philosophy. Lewis's main argument is that contemporary conceptions of meaning and truth have been reified, and that aesthetics is able to articulate why this is the case, with important consequences for understanding the horizons and nature of philosophical inquiry. Reification and the Aesthetics of Music challenges the most emphatic and problematic conceptions of meaning and truth in both analytic philosophy and postmodern thought by acknowledging the ontological and logical primacy of our concrete, practice-based experiences with aesthetic phenomena. By engaging with a variety of aesthetic practices, including Beethoven's symphonies and string quartets, Wagner's music dramas, Richard Strauss's Elektra, the twentieth-century avant-garde, Jamaican soundsystem culture, and punk and contemporary noise, this book demonstrates the aesthetic relevance of reification as well as the concept's applicability to contemporary debates within philosophy.

Opera After the Zero Hour

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Publisher : Oxford University Press
ISBN 13 : 0190063750
Total Pages : 304 pages
Book Rating : 4.1/5 (9 download)

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Book Synopsis Opera After the Zero Hour by : Emily Richmond Pollock

Download or read book Opera After the Zero Hour written by Emily Richmond Pollock and published by Oxford University Press. This book was released on 2019-08-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany presents opera as a site for the renegotiation of tradition in a politically fraught era of rebuilding. Though the "Zero Hour" put a rhetorical caesura between National Socialism and postwar West Germany, the postwar era was characterized by significant cultural continuity with the past. With nearly all of the major opera houses destroyed and a complex relationship to the competing ethics of modernism and restoration, opera was a richly contested art form, and the genre's reputed conservatism was remarkably multi-faceted. Author Emily Richmond Pollock explores how composers developed different strategies to make new opera "new" while still deferring to historical conventions, all of which carried cultural resonances of their own. Diverse approaches to operatic tradition are exemplified through five case studies in works by Boris Blacher, Hans Werner Henze, Carl Orff, Bernd Alois Zimmermann, and Werner Egk. Each opera alludes to a distinct cultural or musical past, from Greek tragedy to Dada, bel canto to Berg. Pollock's discussions of these pieces draw on source studies, close readings, unpublished correspondence, institutional history, and critical commentary to illuminate the politicized artistic environment that influenced these operas' creation and reception. The result is new insight into how the particular opposition between a conservative genre and the idea of the "Zero Hour" motivated the development of opera's social, aesthetic, and political value after World War II.

Coming to Terms with Our Musical Past

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Publisher : Boydell & Brewer
ISBN 13 : 1580469302
Total Pages : 223 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Coming to Terms with Our Musical Past by : Edmund Joseph Goehring

Download or read book Coming to Terms with Our Musical Past written by Edmund Joseph Goehring and published by Boydell & Brewer. This book was released on 2018 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario.