The First World Festival Of Negro Arts Dakar 1966

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The First World Festival of Negro Arts, Dakar 1966

Author : David Murphy
Publisher : Oxford University Press
ISBN 13 : 1781383162
Total Pages : 246 pages
Book Rating : 4.7/5 (813 download)

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Book Synopsis The First World Festival of Negro Arts, Dakar 1966 by : David Murphy

Download or read book The First World Festival of Negro Arts, Dakar 1966 written by David Murphy and published by Oxford University Press. This book was released on 2016 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.

Dix Artistes Nègres Des États-Unis; Premier Festival Mondial Des Arts Nègres, Dakar, Sénégal, 1966. Ten Negro Artists from the United States; First World Festival of Negro Arts, Dakar, Senegal, 1966

Download Dix Artistes Nègres Des États-Unis; Premier Festival Mondial Des Arts Nègres, Dakar, Sénégal, 1966. Ten Negro Artists from the United States; First World Festival of Negro Arts, Dakar, Senegal, 1966 PDF Online Free

Author : United States Committee for the First World Festival of Negro Arts
Publisher :
ISBN 13 :
Total Pages : 44 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis Dix Artistes Nègres Des États-Unis; Premier Festival Mondial Des Arts Nègres, Dakar, Sénégal, 1966. Ten Negro Artists from the United States; First World Festival of Negro Arts, Dakar, Senegal, 1966 by : United States Committee for the First World Festival of Negro Arts

Download or read book Dix Artistes Nègres Des États-Unis; Premier Festival Mondial Des Arts Nègres, Dakar, Sénégal, 1966. Ten Negro Artists from the United States; First World Festival of Negro Arts, Dakar, Senegal, 1966 written by United States Committee for the First World Festival of Negro Arts and published by . This book was released on 1966 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:

In Senghor's Shadow

Author : Elizabeth Harney
Publisher : Duke University Press
ISBN 13 : 9780822333951
Total Pages : 356 pages
Book Rating : 4.3/5 (339 download)

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Book Synopsis In Senghor's Shadow by : Elizabeth Harney

Download or read book In Senghor's Shadow written by Elizabeth Harney and published by Duke University Press. This book was released on 2004-11-23 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVA study of art in post-independence Senegal./div

The First World Festival of Negro Arts, Dakar 1966

Author : David Murphy
Publisher : Postcolonialism Across the Disciplines
ISBN 13 : 9781800349247
Total Pages : 272 pages
Book Rating : 4.3/5 (492 download)

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Book Synopsis The First World Festival of Negro Arts, Dakar 1966 by : David Murphy

Download or read book The First World Festival of Negro Arts, Dakar 1966 written by David Murphy and published by Postcolonialism Across the Disciplines. This book was released on 2021-03 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In April 1966, thousands of artists, musicians, performers and writers from across Africa and its diaspora gathered in the Senegalese capital, Dakar, to take part in the First World Festival of Negro Arts (Premier Festival Mondial des arts nègres). The international forum provided by the Dakar Festival showcased a wide array of arts and was attended by such celebrated luminaries as Duke Ellington, Josephine Baker, Aimé Césaire, André Malraux and Wole Soyinka. Described by Senegalese President Léopold Sédar Senghor, as 'the elaboration of a new humanism which this time will include all of humanity on the whole of our planet earth', the festival constituted a highly symbolic moment in the era of decolonization and the push for civil rights for black people in the United States. In essence, the festival sought to perform an emerging Pan-African culture, that is, to give concrete cultural expression to the ties that would bind the newly liberated African 'homeland' to black people in the diaspora. This volume is the first sustained attempt to provide not only an overview of the festival itself but also of its multiple legacies, which will help us better to understand the 'festivalization' of Africa that has occurred in recent decades with most African countries now hosting a number of festivals as part of a national tourism and cultural development strategy.

Archiving the First World Festival of Negro Arts (Dakar 1966)

Author : David Murphy
Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (19 download)

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Book Synopsis Archiving the First World Festival of Negro Arts (Dakar 1966) by : David Murphy

Download or read book Archiving the First World Festival of Negro Arts (Dakar 1966) written by David Murphy and published by . This book was released on 2016 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Art World City

Author : Joanna Grabski
Publisher : Indiana University Press
ISBN 13 : 0253026229
Total Pages : 329 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis Art World City by : Joanna Grabski

Download or read book Art World City written by Joanna Grabski and published by Indiana University Press. This book was released on 2017-07-10 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Insightful . . . should be on the bookshelf of anyone interested in contemporary art on the continent of Africa, its politics, its display, its economics.” —African Arts Art World City focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city’s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar’s creative economy and the city’s urban vibe into an “art world city.” “In her fine-grained analysis, Joanna Grabski demonstrates the ways that the urban environment and the sites of art production, exhibition, and sale imbricate one another to constitute Dakar as an Art World City.” —Mary Jo Arnoldi, Curator, Anthropology, National Museum of Natural History, Smithsonian “A valuable addition to the anthropology of cities and of art worlds. It stretches and revises the notion of art world to include multiple scales, and illustrates how the city enables simultaneous engagement for artists with local, national, Pan-African, and global discourses and platforms.” —City & Society “A beautiful book. The photographs, most of which are by the author, are stunning.” —College Art Association Reviews

Duke Ellington Studies

Author : John Howland
Publisher : Cambridge University Press
ISBN 13 : 1108239072
Total Pages : 333 pages
Book Rating : 4.1/5 (82 download)

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Book Synopsis Duke Ellington Studies by : John Howland

Download or read book Duke Ellington Studies written by John Howland and published by Cambridge University Press. This book was released on 2017-05-11 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies.

Freedom Sounds

Author : Ingrid Monson
Publisher : Oxford University Press
ISBN 13 : 9780198029403
Total Pages : 416 pages
Book Rating : 4.0/5 (294 download)

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Book Synopsis Freedom Sounds by : Ingrid Monson

Download or read book Freedom Sounds written by Ingrid Monson and published by Oxford University Press. This book was released on 2007-10-18 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians' quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robeson's interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians' aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music.

William Greaves

Author : Scott MacDonald
Publisher : Columbia University Press
ISBN 13 : 0231553196
Total Pages : 387 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis William Greaves by : Scott MacDonald

Download or read book William Greaves written by Scott MacDonald and published by Columbia University Press. This book was released on 2021-06-01 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: William Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics. This volume provides the first comprehensive overview of Greaves’s remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves’s own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves’s mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves’s work and his influence on independent cinema and African-American culture.

Black Artists in British Art

Author : Eddie Chambers
Publisher : Bloomsbury Publishing
ISBN 13 : 0857736086
Total Pages : 294 pages
Book Rating : 4.8/5 (577 download)

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Book Synopsis Black Artists in British Art by : Eddie Chambers

Download or read book Black Artists in British Art written by Eddie Chambers and published by Bloomsbury Publishing. This book was released on 2014-07-29 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.

Global Black Consciousness

Author : Margo Natalie Crawford
Publisher :
ISBN 13 : 9781478000976
Total Pages : 0 pages
Book Rating : 4.0/5 (9 download)

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Book Synopsis Global Black Consciousness by : Margo Natalie Crawford

Download or read book Global Black Consciousness written by Margo Natalie Crawford and published by . This book was released on 2018-05-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributors to this issue of Nka complicate the key paradigms that have shaped the theories and cultural productions of the African diaspora by offering a critical and nuanced analysis of global black consciousness. Literary scholars, historians, visual art critics, and diaspora theorists explore the confluence between theories of African diaspora and theories of decolonization. They examine the intersections of visual art, literature, film, and other cultural productions alongside the crosscurrents that shaped the transnational flow of black consciousness. The contributors revisit major black and Pan-African intellectual movements and festivals in the 1960s and 1970s, including the Dakar Festival of World Negro Arts held in Dakar in 1966, the Pan-African Cultural Festival in 1969 in Algiers, and FESTAC 1977 in Lagos, Nigeria. Throughout this issue, the contributors examine both the problem and promise of mobilizing "blackness" as a unifying concept. Contributors: Hisham Aidi, Souleymane Bachir Diagne, Ahmed Bedjaoui, Margo Natalie Crawford, Romi Crawford, Lydie Diakhaté, Manthia Diawara, Amanda Gilvin, Salah M. Hassan, Shannen Hill, Tsitsi Jaji, Barbara Murray, Zita Nunes, Ugochukwu-Smooth C. Nzewi, Richard J. Powell, Holiday Powers, Shana L. Redmond, Penny M. Von Eschen, Dagmawi Woubshet

The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas

Author : Alisa LaGamma
Publisher : Metropolitan Museum of Art
ISBN 13 :
Total Pages : 52 pages
Book Rating : 4./5 ( download)

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Book Synopsis The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas by : Alisa LaGamma

Download or read book The Nelson A. Rockefeller Vision: Arts of Africa, Oceania, and the Americas written by Alisa LaGamma and published by Metropolitan Museum of Art. This book was released on 2014-08-01 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.

Picasso's Demoiselles

Author : Suzanne Preston Blier
Publisher : Duke University Press
ISBN 13 : 1478002042
Total Pages : 625 pages
Book Rating : 4.4/5 (78 download)

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Book Synopsis Picasso's Demoiselles by : Suzanne Preston Blier

Download or read book Picasso's Demoiselles written by Suzanne Preston Blier and published by Duke University Press. This book was released on 2019-12-13 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.

A Ballad of Remembrance

Author : Robert Earl Hayden
Publisher :
ISBN 13 :
Total Pages : 80 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis A Ballad of Remembrance by : Robert Earl Hayden

Download or read book A Ballad of Remembrance written by Robert Earl Hayden and published by . This book was released on 1962 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Pan-African Nation

Author : Andrew Apter
Publisher : University of Chicago Press
ISBN 13 : 0226023567
Total Pages : 345 pages
Book Rating : 4.2/5 (26 download)

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Book Synopsis The Pan-African Nation by : Andrew Apter

Download or read book The Pan-African Nation written by Andrew Apter and published by University of Chicago Press. This book was released on 2008-10-01 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.

Visualizing Haiti in U.S. Culture, 1910–1950

Author : Lindsay J Twa
Publisher : Ashgate Publishing, Ltd.
ISBN 13 : 1409446727
Total Pages : 307 pages
Book Rating : 4.4/5 (94 download)

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Book Synopsis Visualizing Haiti in U.S. Culture, 1910–1950 by : Lindsay J Twa

Download or read book Visualizing Haiti in U.S. Culture, 1910–1950 written by Lindsay J Twa and published by Ashgate Publishing, Ltd.. This book was released on 2014-05-28 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the 1910s until the 1950s the Caribbean nation of Haiti drew the attention of many U.S. literary and artistic luminaries, yet while significant studies have been published on Haiti's history, none analyze visual representations with any depth. This book argues that choosing Haiti as subject matter was a highly charged decision by American artists to use their artwork to engage racial, social, and political issues. Twa scrutinizes photographs, illustrations, paintings, and theatre as well as textual and archival sources.

The Radio and Other Stories

Author : Gil Ndi-Shang
Publisher : Spears Media Press
ISBN 13 :
Total Pages : 270 pages
Book Rating : 4./5 ( download)

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Book Synopsis The Radio and Other Stories by : Gil Ndi-Shang

Download or read book The Radio and Other Stories written by Gil Ndi-Shang and published by Spears Media Press. This book was released on 2021-04-03 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: On moving into a new apartment abroad in his Bavarian hometown, the narrator realises that some of his possessions and elements of his new neighbourhood open a window into a flurry of memories, serving as allegorical threads to his childhood, self-consciousness and discovery of the world. What begins as a personal narrative quickly cedes to a social archaeology, inviting the reader/listener on a homegoing journey in the backdrop of Cameroon’s tottering democratic trajectory. Modulated with poetry and music, The Radio tunes in to diaspora, home, nation, education, existence, religion as well as Mbum popular culture, showcasing creative re-appropriation and re-mixing of global trends and icons in specific communities.