The Cold War in Science Fiction: Soviet and American Science Fiction Films in the 1950s

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Publisher : Anchor Academic Publishing (aap_verlag)
ISBN 13 : 3954895587
Total Pages : 42 pages
Book Rating : 4.9/5 (548 download)

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Book Synopsis The Cold War in Science Fiction: Soviet and American Science Fiction Films in the 1950s by : Natalia Voinova

Download or read book The Cold War in Science Fiction: Soviet and American Science Fiction Films in the 1950s written by Natalia Voinova and published by Anchor Academic Publishing (aap_verlag). This book was released on 2013-06-01 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study will compare the USSR and the United States according to their cinematic use of science fiction in the late 1950s and 1960s in order to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. The genre provides an opportunity to express the two powers' scientific stand-off through fiction, and serves as a vehicle for the dissemination of ideas and propaganda. Post-1956 marks the time when the period of de-Stalinisation officially began and science fiction saw a carefully crafted rebirth for it served as a tool that could reflect the socialist ideal and quasi-religious faith in science that was promoted by the party. Science fiction uniquely demands for an imaginative view of the future, and therefore, corresponds with the Marxist- Leninist future-oriented ideology. For this period, the themes for American science fiction are hyperbolised monsters and invasion, and reflect the fear of the otherness of the Soviet Union, and its threat on domestic ideals. These themes are reflected in movies as 'Angry Red Planet', and 'Them!'. On the other hand, Soviet science fiction movies focus on the heroic Soviet man who frequently receives calls for help from outer space, and overcomes great trials to save those not living in utopia. This storyline is represented in 'Towards a Dream', and 'The Sky is calling'. The author gives special attention to the Soviet movie 'The Sky is calling' and the subsequent redubbed American version 'Battle beyond the Sun'. Further, she addresses alterations or plot, and subtle propaganda messages in the Soviet movies 'Planet of Storms', and the Hollywood remake 'Journey to the Prehistoric Planet'.

Imagining the Future

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Publisher :
ISBN 13 : 9783656322689
Total Pages : 46 pages
Book Rating : 4.3/5 (226 download)

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Book Synopsis Imagining the Future by : Natalia Voinova

Download or read book Imagining the Future written by Natalia Voinova and published by . This book was released on 2013-09 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bachelor Thesis from the year 2012 in the subject Art - History of Art, grade: 2.1, - (University College London), language: English, abstract: Science fiction is always political as it has the power to stage contemporary problems through the lens of impossible events, it imagines theoretical futures out of present issues. The essay will compare the use of science fiction in cinema in the USSR and the United States of the late 1950s and 1960s to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. The genre provides an opportunity to express the scientific stand-off between the two powers through fiction, it is also a vehicle for dissemination of ideas and propaganda. Post-1956, when the period of de-Stalinisation officially began, science fiction saw a carefully crafted rebirth as a tool to reflect the socialist ideal and quasi-religious faith in science promoted by the Party. Science fiction uniquely demands for an imaginative view of the future, which corresponds with the Marxist- Leninist future-oriented ideology. The fear of external influence from the enemy for both countries results in heavily ideological cinema, especially in the sci-fi genre as an imagined reflection of contemporary issues onto a fictional future. The themes for American science fiction of this period are hyperbolised monsters and invasion, which reflect the fear of the otherness of the Soviet Union and its threat on domestic ideals. Soviet science fiction films focus on the heroic Soviet man, who frequently receives calls for help from outer space and overcomes great trials to save those not living in utopia.

Science Fiction Film

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Publisher : Berg
ISBN 13 : 0857850563
Total Pages : 193 pages
Book Rating : 4.8/5 (578 download)

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Book Synopsis Science Fiction Film by : Keith M. Johnston

Download or read book Science Fiction Film written by Keith M. Johnston and published by Berg. This book was released on 2013-05-09 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.

Science Fiction Cinema and 1950s Britain

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501322567
Total Pages : 241 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis Science Fiction Cinema and 1950s Britain by : Matthew Jones

Download or read book Science Fiction Cinema and 1950s Britain written by Matthew Jones and published by Bloomsbury Publishing USA. This book was released on 2017-11-30 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons.

Monsters, Mushroom Clouds, and the Cold War

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313073627
Total Pages : 206 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis Monsters, Mushroom Clouds, and the Cold War by : M. Keith Booker

Download or read book Monsters, Mushroom Clouds, and the Cold War written by M. Keith Booker and published by Bloomsbury Publishing USA. This book was released on 2001-05-30 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1950s are widely regarded as the golden age of American science fiction. This book surveys a wide range of major science fiction novels and films from the long 1950s--the period from 1946 to 1964--when the tensions of the Cold War were at their peak. The American science fiction novels and films of this period clearly reflect Cold War anxieties and tensions through their focus on such themes as alien invasion and nuclear holocaust. In this sense, they resemble the observations of social and cultural critics during the same period. Meanwhile, American science fiction of the long 1950s also engages its historical and political contexts through an interrogation of phenomena, such as alienation and routinization, that can be seen as consequences of the development of American capitalism during this period. This economic trend is part of the rise of the global phenomenon that Marxist theorists have called late capitalism. Thus, American science fiction during this period reflects the rise of late capitalism and participates in the beginnings of postmodernism, described by Frederic Jameson as the cultural logic of late capitalism.

1950s Science Fiction Films and 9/11

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Publisher : Algora Publishing
ISBN 13 : 0875864996
Total Pages : 180 pages
Book Rating : 4.8/5 (758 download)

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Book Synopsis 1950s Science Fiction Films and 9/11 by : Melvin E. Matthews

Download or read book 1950s Science Fiction Films and 9/11 written by Melvin E. Matthews and published by Algora Publishing. This book was released on 2007 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1950s Cold War-era monsters meet 21st century terrorists: this exploration of sci-fi movies examines the similarities and differences between the political environment and popular culture of two eras. This examination and appreciation of 1950s science fiction films includes behind-the-scenes tales about their production and many quotes from those who produced and starred in the films. The author draws parallels between the Cold War fears of the 1950s and 60s and the constant "terrorism alerts" of the September 11th era, exploring how the politics and the psychological climate of the times influences and is reflected in this vehicle of popular culture. This book is the first of its kind, studying the pop culture genre in the wake of the September 11th tragedy. It shows that, whatever the era and whatever the challenges and crises confronting America, many entertainment themes remain the same, reflecting their respective times and the relevant issues. For instance, Godzilla, the only Fifties-era monster to remain a "movie star" beyond that era, could be fashioned to reflect whatever issues dominate the times, be they nuclear war in the Fifties when Godzilla originated to a Seventies Godzilla film about environmental pollution. Conceivably a Godzilla for the age of terrorism is possible. "Them"! the 1954 atomic mutation classic, is the spiritual ancestor of the 2002 film "Eight Legged Freaks." The alien invaders of the Fifties signified a Russian invasion of America, while other films of the genre, such as "Invaders from Mars," depicted aliens utilizing mind control to manipulate humans to commit acts of sabotage, signifying Communist enslavement. If such a film were made now, such invaders could be seen as terrorist masterminds using human slaves to commit terrorist acts. Finally, several Fifties films depicted the end of the world at a time when Americans expected a nuclear war with Russia. The immediate pre-September 11th era witnessed films presenting galactic threats to mankind's existence ("Independence Day," "Deep Impact," "Armageddon"), while the early 2000s witnessed the popularity of the "Left Behind" Christian films dramatizing the Tribulation period in the Book of Revelation.

Monsters in the Machine

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Publisher : Univ. Press of Mississippi
ISBN 13 : 1496805682
Total Pages : 243 pages
Book Rating : 4.4/5 (968 download)

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Book Synopsis Monsters in the Machine by : Steffen Hantke

Download or read book Monsters in the Machine written by Steffen Hantke and published by Univ. Press of Mississippi. This book was released on 2016-06-20 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction--from alien invasions to biological mutation and space travel--the vast majority of these films subscribed to the effects and aesthetics of horror film, anticipating the dystopian turn of many science fiction films to come. Departing from projections of American technological awe and optimism, these films often evinced paranoia, unease, fear, shock, and disgust. Not only did these movies address technophobia and its psychological, social, and cultural corollaries; they also returned persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the US military comes across as an inescapable presence in American life. Regardless of their genre, Steffen Hantke argues that these films have long been understood as allegories of the Cold War. They register anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, as well as communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, Hantke follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war compared to America's involvement in postcolonial conflicts around the globe.

American Science Fiction Film and Television

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Publisher : Berg
ISBN 13 : 0857850768
Total Pages : 124 pages
Book Rating : 4.8/5 (578 download)

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Book Synopsis American Science Fiction Film and Television by : Lincoln Geraghty

Download or read book American Science Fiction Film and Television written by Lincoln Geraghty and published by Berg. This book was released on 2009-10-01 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Science Fiction Film and Television presents a critical history of late 20th Century SF together with an analysis of the cultural and thematic concerns of this popular genre. Science fiction film and television were initially inspired by the classic literature of HG Wells and Jules Verne. The potential and fears born with the Atomic age fuelled the popularity of the genre, upping the stakes for both technology and apocalypse. From the Cold War through to America's current War on Terror, science fiction has proved a subtle vehicle for the hopes, fears and preoccupations of a nation at war. The definitive introduction to American science fiction, this is also the first study to analyse SF across both film and TV. Throughout, the discussion is illustrated with critical case studies of key films and television series, including The Day the Earth Stood Still, Planet of the Apes, Star Trek: The Next Generation, The X-Files, and Battlestar Galactica.

American Science Fiction

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Publisher : National Geographic Books
ISBN 13 : 1598531573
Total Pages : 0 pages
Book Rating : 4.5/5 (985 download)

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Book Synopsis American Science Fiction by : Various

Download or read book American Science Fiction written by Various and published by National Geographic Books. This book was released on 2012-09-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Collects nine classic science fiction novels from 1953 to 1958.

Soviet Science Fiction Cinema and the Space Age

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Publisher : Rowman & Littlefield
ISBN 13 : 1793609322
Total Pages : 257 pages
Book Rating : 4.7/5 (936 download)

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Book Synopsis Soviet Science Fiction Cinema and the Space Age by : Natalija Majsova

Download or read book Soviet Science Fiction Cinema and the Space Age written by Natalija Majsova and published by Rowman & Littlefield. This book was released on 2021-04-28 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. Once an enthusiastic projection, then a promising and uncanny present, and eventually an assemblage of nostalgic signifiers, in the history of world cinema, this space age has been linked primarily to the genre of science fiction. Here, aspects of the space age such as humanity’s imminent expansion to space, interplanetary travel, contact with extraterrestrial intelligence, and intergalactic governance and economy were both celebrated and critically interrogated as cosmopolitan ideals and nation-branding strategies. This book presents the contemporary relevance of this genre as heritage and legacy, archive and canon, and a nest of forgotten ideals and warnings, as well as nostalgic anchoring points. The author analyzes over 30 Soviet science fiction films, foregrounding their structures of utopia and their evolution over time, in order to trace both their transnational positionalities, transmedial resonance, and impact on post-Soviet Russian films about the space age. Concepts, crucial to the understanding of space futures of the past, such as utopianism, otherness, liminality, and no(w)stalgia are activated to draw out the fictional tenants of the memory of the Soviet space age, and to establish the limits and potentialities of Soviet (exra)terraformative ambitions.

The "Disguised" Political Film in Contemporary Hollywood

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1501341839
Total Pages : 213 pages
Book Rating : 4.5/5 (13 download)

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Book Synopsis The "Disguised" Political Film in Contemporary Hollywood by : Betty Kaklamanidou

Download or read book The "Disguised" Political Film in Contemporary Hollywood written by Betty Kaklamanidou and published by Bloomsbury Publishing USA. This book was released on 2018-04-19 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: With strict guidelines on methodology and time frame -- films produced after September 2001, and a socio-semiotic theoretical framework -- Betty Kaklamanidou unpacks the problematic terms and ideas that go along with defining a new genre. Kaklamanidou considers a different sub-genre per chapter, placing each group of films in their socio-historical context to reach conclusions about the production of political films in millennial Hollywood. In shifting the terms of the debate, The "Disguised" Political Film in Contemporary Hollywood offers a fresh, new approach to the subject of the political film. The political film is not a clearly delineated object but rather an elusive one and resistant to clear boundaries. So, what is a political film? Can The Hunger Games (2012) belong to the same category as Lincoln (2012)? Is Jarhead (2005) a political movie simply because it is set during the Gulf War but with no reference to the motives of the conflict and/or American and Arab relations, and thus in the same group of war films such as The Three Kings (1999), another narrative that focuses on the same military conflict but includes direct commentary to governmental and military strategies? Are historical films by definition political since the majority deals with significant events and/or people in a specific socio-cultural landscape?

Teaching History with Science Fiction Films

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Publisher : Rowman & Littlefield
ISBN 13 : 1442278498
Total Pages : 161 pages
Book Rating : 4.4/5 (422 download)

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Book Synopsis Teaching History with Science Fiction Films by : A. Bowdoin Van Riper

Download or read book Teaching History with Science Fiction Films written by A. Bowdoin Van Riper and published by Rowman & Littlefield. This book was released on 2017-02-07 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular media has become a common means by which students understand both the present and the past. Consequently, more teachers are using various forms of popular culture as pedagogical tools in the history classroom. Science fiction is one of the most popular genres of contemporary film, a genre that permeates much of the current culture. In order to facilitate the use of science fiction films as learning tools, teachers of history need a dependable resource. Teaching History with Science Fiction Films is a guide for teaching U.S. and world history. In addition to covering key themes and concepts, the volume provides • an era-by-era overview of significant issues and related films, • a tutorial in using film in historical methodology, • user guides for 10 key science fiction films, and • sample exercises and assignments for direct classroom use. Among the films covered in this book are staples of American cultural literacy, including Things to Come, The Day the Earth Stood Still, Soylent Green, and Independence Day. Covering conceptual topics such as geopolitics, environmental consciousness, imperialism, immigration, gender roles, and technological innovation across the decades, Teaching History with Science Fiction Films will enable classroom teachers to effectively use movies to examine key social and cultural issues, concepts, and influences in their historical context. With a list of more than 90 recommended films, this volume will be an invaluable asset to any teacher of history.

The Cinematography of Roger Corman

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443810061
Total Pages : 215 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis The Cinematography of Roger Corman by : Pawel Aleksandrowicz

Download or read book The Cinematography of Roger Corman written by Pawel Aleksandrowicz and published by Cambridge Scholars Publishing. This book was released on 2016-09-23 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roger Corman is an ambiguous artistic figure. On the one hand, he is notorious for shooting and producing his films quickly, cheaply and with blatant disregard for safety measures, which, together with his ability to issue a dozen new films every year and his impressive filmography, have earned him the titles of “shlockmeister” and “the King of the B’s” among film journalists. On the other hand, he became the youngest American director to be given a film retrospective at the prestigious Cinématèque Française in Paris, one of his directorial efforts – House of Usher – was selected for preservation in the National Film Registry by the Library of Congress, and the Academy of Motion Picture Arts and Sciences awarded him with an Academy Honorary Award “for his rich engendering of films and filmmakers.” This book investigates this duality and explores whether Corman is indeed a shlockmeister or an artist whose works are worthy of the highest cinema awards. The scope of analysis is limited to his directorial efforts “only” – still encompassing 50 features – excluding the 400 films he produced. The methodology adopted here is based on the auteur theory in its structuralist version by Geoffrey Nowell-Smith and Peter Wollen, and focuses on three areas of interest: work ethic – personal elements in the films, personal control over and commitment to the production process outside direction; themes – topics and concerns common for many of the films regardless of the genre; and style – recurring stylistic motifs and elements in the camerawork, editing, and framing.

Liquid Metal

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Publisher : Columbia University Press
ISBN 13 : 0231501846
Total Pages : 369 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis Liquid Metal by : Sean Redmond

Download or read book Liquid Metal written by Sean Redmond and published by Columbia University Press. This book was released on 2005-01-19 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Liquid Metal brings together 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. Eight distinct sections cover such topics as the cyborg in science fiction; the science fiction city; time travel and the primal scene; science fiction fandom; and the 1950s invasion narratives. Important writings by Susan Sontag, Vivian Sobchack, Steve Neale, J.P. Telotte, Peter Biskind and Constance Penley are included.

American Science Fiction and the Cold War

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Publisher : Routledge
ISBN 13 : 1135953821
Total Pages : 225 pages
Book Rating : 4.1/5 (359 download)

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Book Synopsis American Science Fiction and the Cold War by : David Seed

Download or read book American Science Fiction and the Cold War written by David Seed and published by Routledge. This book was released on 2013-10-31 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

From Box Office to Ballot Box

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 0313082146
Total Pages : 241 pages
Book Rating : 4.3/5 (13 download)

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Book Synopsis From Box Office to Ballot Box by : M. Keith Booker

Download or read book From Box Office to Ballot Box written by M. Keith Booker and published by Bloomsbury Publishing USA. This book was released on 2007-02-28 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Given the complexity and expense of making and distributing a film, the process of filmmaking is by its very nature a political process. Moreover, given the power and persuasiveness of the cinema as a medium, film can be a powerful political tool. It should thus come as no surprise that film has had a long and extensive engagement with a variety of political topics, ranging from the actual mechanics of governance to electoral politics, to any number of specific political issues. Through a film-by-film examination of the movies explicitly concerned with American politics and American political issues, From Box Office to Ballot Box provides valuable new insights into our culture's perceptions of various political environments and serves as a witness to the cinema's own complex contribution to the media's coverage of, and relationship to, American politics at large. From Box Office to Ballot Box takes as its subject films exploring the electoral process, the process of governing, and the involvement of the media in both. Separate chapters also deal with films related to specific political issues or phenomena that are particularly relevant to the above three categories, including labor and class, the Cold War, the Vietnam War, and the other recent conflicts in which the media has played such a large role. Specific films discussed include: Citizen Kane, All the King's Men, The Manchurian Candidate, All the Presidents' Men, The Front, M*A*S*H*, JFK, Nixon, Wag the Dog, Three Kings, Black Hawk Down, The Quiet American, The Contender, and many more.

Cold War II

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Publisher : Univ. Press of Mississippi
ISBN 13 : 1496831136
Total Pages : 264 pages
Book Rating : 4.4/5 (968 download)

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Book Synopsis Cold War II by : Tatiana Prorokova-Konrad

Download or read book Cold War II written by Tatiana Prorokova-Konrad and published by Univ. Press of Mississippi. This book was released on 2020-12-15 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.