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The Chamber Musician In The Twenty First Century
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Book Synopsis The Chamber Musician in the Twenty-First Century by : Mine Doğantan-DacK
Download or read book The Chamber Musician in the Twenty-First Century written by Mine Doğantan-DacK and published by MDPI. This book was released on 2022-07-07 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices.
Book Synopsis The Chamber Musician in the Twenty-First Century by : Mine Doğantan-Dack
Download or read book The Chamber Musician in the Twenty-First Century written by Mine Doğantan-Dack and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices.
Book Synopsis The Social Worlds of Nineteenth-Century Chamber Music by : Marie Sumner Lott
Download or read book The Social Worlds of Nineteenth-Century Chamber Music written by Marie Sumner Lott and published by University of Illinois Press. This book was released on 2015-06-15 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvorák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.
Download or read book At the Piano written by Caroline Benser and published by Scarecrow Press. This book was released on 2012 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Benser explores the kaleidoscopic world of twenty-first-century pianism through a series of extended interviews with eight major pianists. Interviewees talk with Benser about such matters as their first experiences at the piano, the meaning of musicianship to them, and the joys and difficulties of a professional career doing what they love.
Book Synopsis Byrd Studies in the Twenty-First Century by : Samantha Bassler
Download or read book Byrd Studies in the Twenty-First Century written by Samantha Bassler and published by Liverpool University Press. This book was released on 2023-11-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2023 marks 400 years since the death of English renaissance composer, William Byrd. Byrd's rich musical oeuvre and storied career has long captured the attention of audiences and scholars alike. This all-new collected edition marks his anniversary with thirteen brand-new essays from leading scholars on Byrd's musical life and legacy.
Book Synopsis So You Want to Sing Chamber Music by : Susan Hochmiller
Download or read book So You Want to Sing Chamber Music written by Susan Hochmiller and published by Rowman & Littlefield. This book was released on 2018-12-21 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a comprehensive guide to learning, rehearsing, and performing vocal chamber music, this volume explores such critical skills as choosing repertoire appropriate for one’s voice type, communicating with your ensemble, performance style, preparing for a successful rehearsal, staging considerations, and recital programming.
Book Synopsis Brass Chamber Music in Lyceum and Chautauqua by : Raymond David Burkhart
Download or read book Brass Chamber Music in Lyceum and Chautauqua written by Raymond David Burkhart and published by Lulu.com. This book was released on with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis A Friend's Guide to Chamber Music World Trends Since 1900 by : Nancy Monsman
Download or read book A Friend's Guide to Chamber Music World Trends Since 1900 written by Nancy Monsman and published by . This book was released on 2021-11-15 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A Friend's Guide to Chamber Music: World Trends Since 1900" offers a survey of works created for three or more concert instruments and charts their international developments through the twentieth and early twenty-first centuries. It can be used either as a reference or as an overview of cultural history viewed through the lens of chamber music -- a multi-faceted genre that reveals many fascinating narratives.
Book Synopsis The Classical Revolution by : John Borstlap
Download or read book The Classical Revolution written by John Borstlap and published by Courier Dover Publications. This book was released on 2017-06-15 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.
Book Synopsis Towards a Twenty-First-Century Feminist Politics of Music by : Sally Macarthur
Download or read book Towards a Twenty-First-Century Feminist Politics of Music written by Sally Macarthur and published by Routledge. This book was released on 2016-02-24 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.
Book Synopsis Towards a Twenty-First-Century Feminist Politics of Music by : Dr Sally Macarthur
Download or read book Towards a Twenty-First-Century Feminist Politics of Music written by Dr Sally Macarthur and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Towards a Twenty-First-Century Feminist Politics of Music opens up a new way of thinking about the absence of women's music. It does not aim to find 'a solution' in a liberal feminist sense, but to discover new potentialities, new possibilities for thought and action. Sally Macarthur encourages us, with the assistance of Deleuze, and feminist-Deleuzian work, to begin the important work of imagining what else might be possible, not in order to provide answers but to open up the as yet unknown. The power of thought - or what Deleuze calls the 'virtual' - opens up new possibilities. Macarthur suggests that the future for women's 'new' music is not tied to the predictable and known but to futures beyond the already-known. Previous research concludes that women's music is virtually absent from the concert hall, and yet fails to find a way of changing this situation. Macarthur finds that the flaw in the recommendations flowing from past research is that it envisages the future from the standpoint of the present, and it relies on a set of pre-determined goals. It thus replicates the present reality, so reinforcing rather than changing the status quo. Macarthur challenges this thinking, and argues that this repetitive way of thinking is stuck in the present, unable to move forward. Macarthur situates her argument in the context of current dominant neoliberal thought and practice. She argues that women have generally not thrived in the neoliberal model of the composer, which envisages the composer as an individual, autonomous creator and entrepreneur. Successful female composers must work with this dominant, modernist aesthetic and exploit the image of the neo-romantic, entrepreneurial creator. This book sets out in contrast to develop a new conception of subjectivity that sows the seeds of a twenty-first-century feminist politics of music.
Book Synopsis Music and Identity in Twentieth-Century Literature from Our America by : Marco Katz Montiel
Download or read book Music and Identity in Twentieth-Century Literature from Our America written by Marco Katz Montiel and published by Springer. This book was released on 2014-08-19 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a one-of-a-kind approach to music and literature of the Americas, this book examines the relationships between musical protagonists from Colombia, Cuba, and the United States in novels by writers such as Gabriel García Márquez, Alejo Carpentier, Zora Neale Hurston, and John Okada.
Book Synopsis Composing Capital by : Marianna Ritchey
Download or read book Composing Capital written by Marianna Ritchey and published by University of Chicago Press. This book was released on 2019-08-05 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The familiar old world of classical music, with its wealthy donors and ornate concert halls, is changing. The patronage of a wealthy few is being replaced by that of corporations, leading to new unions of classical music and contemporary capitalism. In Composing Capital, Marianna Ritchey lays bare the appropriation of classical music by the current neoliberal regime, arguing that artists, critics, and institutions have aligned themselves—and, by extension, classical music itself—with free-market ideology. More specifically, she demonstrates how classical music has lent its cachet to marketing schemes, tech firm-sponsored performances, and global corporate partnerships. As Ritchey shows, the neoliberalization of classical music has put music at the service of contemporary capitalism, blurring the line between creativity and entrepreneurship, and challenging us to imagine how a noncommodified musical practice might be possible in today’s world.
Book Synopsis Vocal Repertoire for the Twenty-First Century, Volume 2 by : Jane Manning
Download or read book Vocal Repertoire for the Twenty-First Century, Volume 2 written by Jane Manning and published by Oxford University Press. This book was released on 2020-09-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Described as the "life and soul of British contemporary music", Jane Manning is an internationally celebrated English concert and opera soprano. In this new follow-up to her highly regarded New Vocal Repertory, Volumes I and II, she provides a seasoned expert's guidance and insight into the vocal genre she calls home. Vocal Repertoire for the Twenty-First Century spans the late middle-20th century through the second decade of the 21st. Manning's comprehensive selection of contemporary art songs ranges from the avant-garde to the more easily accessible, including substantial song cycles, shorter encore pieces, and songs suitable for auditions and competitions. The two-volume guide presents expertly-informed selections tailored to particular voice types. Each of the 160 selections is accompanied by a highly detailed performance guide, music examples, levels of difficulty, and a brief encapsulation of vocal characteristics or challenges contained in the piece. A supplemental companion website provides composer biographies and an up-to-date list of recommended recordings. With a focus on younger composers in addition to prominent figures, Manning encourages singers to refresh and expand their recital repertoire into less familiar territory, and discover the rewards therein. Volume 2 features works written from 2000 onwards, including pieces from contemporary composers Mohammed Fairouz ("Annabel Lee"), Missy Mazzoli ("As Long as We Live"), Judith Weir ("The Voice of Desire"), and Raymond Yiu ("The Earth and Every Common Sight").
Book Synopsis Twentieth-Century Chamber Music by : James McCalla
Download or read book Twentieth-Century Chamber Music written by James McCalla and published by Routledge. This book was released on 2004-03-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Paris in the Twenty-First Century and Other Stories by : Nader Elhefnawy
Download or read book Paris in the Twenty-First Century and Other Stories written by Nader Elhefnawy and published by Nader Elhefnawy. This book was released on 2012-01-01 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nader Elhefnawy's PARIS IN THE TWENTY-FIRST CENTURY AND OTHER STORIES presents ten pieces of his short fiction set in the same shared universe. Contents: "Tales From the Singularity"; "Paris in the Twenty-First Century"; "The Imprinter"; "Barney"; "Echoes"; "Ghosts"; "Master of the Universe"; "New Century"; "Games"; and "Crossroads."
Book Synopsis British Women Composers and Instrumental Chamber Music in the Early Twentieth Century by : Dr Laura Seddon
Download or read book British Women Composers and Instrumental Chamber Music in the Early Twentieth Century written by Dr Laura Seddon and published by Ashgate Publishing, Ltd.. This book was released on 2013-10-28 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first full-length study of British women's instrumental chamber music in the early twentieth century. Laura Seddon argues that the Cobbett competitions, instigated by Walter Willson Cobbett in 1905, and the formation of the Society of Women Musicians in 1911 contributed to the explosion of instrumental music written by women in this period and highlighted women's place in British musical society in the years leading up to and during the First World War. Seddon investigates the relationship between Cobbett, the Society of Women Musicians and women composers themselves. The book’s six case studies - of Adela Maddison (1866-1929), Ethel Smyth (1858-1944), Morfydd Owen (1891-1918), Ethel Barns (1880-1948), Alice Verne-Bredt (1868-1958) and Susan Spain-Dunk (1880-1962) - offer valuable insight into the women’s musical education and compositional careers. Seddon’s discussion of their chamber works for differing instrumental combinations includes an exploration of formal procedures, an issue much discussed by contemporary sources. The individual composers' reactions to the debate instigated by the Society of Women Musicians, on the future of women's music, is considered in relation to their lives, careers and the chamber music itself. As the composers in this study were not a cohesive group, creatively or ideologically, the book draws on primary sources, as well as the writings of contemporary commentators, to assess the legacy of the chamber works produced.
