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The Authors Voice In Classical And Late Antiquity
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Book Synopsis The Author's Voice in Classical and Late Antiquity by : Anna Marmodoro
Download or read book The Author's Voice in Classical and Late Antiquity written by Anna Marmodoro and published by Oxford University Press. This book was released on 2013-10 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the persona of the author in classical Greek and Latin authors from a range of disciplines and considers authority and ascription in relation to the authorial voice.
Book Synopsis The Author's Voice in Classical and Late Antiquity by : Anna Marmodoro
Download or read book The Author's Voice in Classical and Late Antiquity written by Anna Marmodoro and published by OUP Oxford. This book was released on 2013-10-04 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: What significance does the voice or projected persona in which a text is written have for our understanding of the meaning of that text? This volume explores the persona of the author in antiquity, from Homer to late antiquity, taking into account both Latin and Greek authors from a range of disciplines. The thirteen chapters are divided into two main sections, the first of which focuses on the diverse forms of writing adopted by various ancient authors, and the different ways these forms were used to present and project an authorial voice. The second part of the volume considers questions regarding authority and ascription in relation to the authorial voice. In particular, it looks at how later readers - and later authors - may understand the authority of a text's author or supposed author. The volume contains chapters on pseudo-epigraphy and fictional letters, as well as the use of texts as authoritative in philosophical schools, and the ancient ascription of authorship to works of art.
Book Synopsis Tenue est mendacium by : Klaus Lennartz
Download or read book Tenue est mendacium written by Klaus Lennartz and published by Barkhuis. This book was released on 2022-05-31 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries, and questions of authenticity. The result is this volume, in which our aim is to display some of the many possibilities available to scholarship. The exposure of fraud and the pursuit of truth may still be valid scholarly goals, but they implicitly demand that we confront the status of any text as a focal point for matters of belief and conviction. Recent approaches to forgery have begun to ask new questions, some intended purely for the sake of debate: Ought we to consider any author to have some inherent authenticity that precludes the possibility of a forger's successful parody? If every fake text has a real context, what can be learned about the cultural circumstances which give rise to forgeries? If every real text can potentially engender a parallel history of fakes, what can this alternative narrative teach us? What epistemological prejudices can lead us to swear a fake is genuine, or dismiss the real thing as inauthentic? Following Splendide Mendax and Animo Decipiendi?, this is the latest installment of an ongoing inquiry, conducted by scholars in numerous countries, into how the ancient world - its literature and culture, its history and art - appears when viewed through the lens of fakes and forgeries, sincerities and authenticities, genuine signatures and pseudepigrapha. How does scholarship tell the truth if evidence doesn't? But fabula docet: The falsum does not simply make the great, annoying stone before the door of the truth (otherwise this here would really be a "council of antiquarians and paleographers"). The falsum makes a delicate, fine tissue. It allows the verum to shine through, in nuances and reliefs that were less noticeable without its counterpart, really tied at the head. And, treated differentiated, it becomes even itself perlucidum, shines out with "hidden values."
Book Synopsis Divine Powers in Late Antiquity by : Anna Marmodoro
Download or read book Divine Powers in Late Antiquity written by Anna Marmodoro and published by Oxford University Press. This book was released on 2017-01-26 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is power the essence of divinity, or are divine powers distinct from divine essence? Are they divine hypostases or are they divine attributes? Are powers such as omnipotence, omniscience, etc. modes of divine activity? How do they manifest? In which way can we apprehend them? Is there a multiplicity of gods whose powers fill the cosmos or is there only one God from whom all power(s) derive(s) and whose power(s) permeate(s) everything? These are questions that become central to philosophical and theological debates in Late Antiquity (roughly corresponding to the period 2nd to the 6th centuries). On the one hand, the Pagan Neoplatonic thinkers of this era postulate a complex hierarchy of gods, whose powers express the unlimited power of the ineffable One. On the other hand, Christians proclaim the existence of only one God, one divine power or one 'Lord of all powers'. Divided into two main sections, the first part of Divine Powers in Late Antiquity examines aspects of the notion of divine power as developed by the four major figures of Neoplatonism: Plotinus (c. 204-270), Porphyry (c. 234-305), Iamblichus (c.245-325), and Proclus (412-485). It focuses on an aspect of the notion of divine power that has been so far relatively neglected in the literature. Part two investigates the notion of divine power in early Christian authors, from the New Testament to the Alexandrian school (Clement of Alexandria, Origen, Athanasius the Great) and, further, to the Cappadocian Fathers (Basil the Great, Gregory of Nyssa), as well as in some of these authors' sources (the Septuagint, Philo of Alexandria). The traditional view tends to overlook the fact that the Bible, particularly the New Testament, was at least as important as Platonic philosophical texts in the shaping of the early Christian thinking about the Church's doctrines. Whilst challenging the received interpretation by redressing the balance between the Bible and Greek philosophical texts, the essays in the second section of this book nevertheless argue for the philosophical value of early Christian reflections on the notion of divine power. The two groups of thinkers that each of the sections deal with (the Platonic-Pagan and the Christian one) share largely the same intellectual and cultural heritage; they are concerned with the same fundamental questions; and they often engage in more or less public philosophical and theological dialogue, directly influencing one another.
Book Synopsis Inscribing Faith in Late Antiquity by : Sean V. Leatherbury
Download or read book Inscribing Faith in Late Antiquity written by Sean V. Leatherbury and published by Routledge. This book was released on 2019-07-26 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.
Book Synopsis Causation and Creation in Late Antiquity by : Anna Marmodoro
Download or read book Causation and Creation in Late Antiquity written by Anna Marmodoro and published by Cambridge University Press. This book was released on 2015-02-26 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores ancient thinking about causation and creation, considering the perspectives of key Christian and pagan thinkers.
Download or read book Author Unknown written by Tom Geue and published by . This book was released on 2019 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical scholarship tends to treat anonymous authorship as a problem or game--a defect to be repaired or mystery to be solved. But anonymity can be a source of meaning unto itself, rather than a gap that needs filling. Tom Geue's close readings of Latin texts show what the suppression or loss of a name can do for literature.
Book Synopsis Strategies of Ambiguity in Ancient Literature by : Martin Vöhler
Download or read book Strategies of Ambiguity in Ancient Literature written by Martin Vöhler and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-02-22 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity? The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.
Download or read book Arguing it Out written by Averil Cameron and published by Central European University Press. This book was released on 2016-01-01 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: The long twelfth century, from the seizure of the throne by Alexius I Comnenus in 1081, to the sack of Constantinople by the Fourth Crusade in 1204, is a period recognized as fostering the most brilliant cultural development in Byzantine history, especially in its literary production. It was a time of intense creativity as well as of rising tensions, and one for which literary approaches are a lively area in current scholarship. This study focuses on the prose dialogues in Greek from this period—of very varying kinds—and on what they can tell us about the society and culture of an era when western Europe was itself developing a new culture of schools, universities, and scholars. Yet it was also the period in which Byzantium felt the fateful impact of the Crusades, which ended with the momentous sack of Constantinople in 1204. Despite revisionist attempts to play down the extent of this disaster, it was a blow from which, arguably, the Byzantines never fully recovered.
Book Synopsis Epistolary Fiction in Ancient Greek Literature by : Émeline Marquis
Download or read book Epistolary Fiction in Ancient Greek Literature written by Émeline Marquis and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-04-26 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Der Philologus, eine der ältesten und angesehensten Zeitschriften auf dem Gebiet der klassischen Altertumswissenschaft, versteht sich als Forum für den Austausch unterschiedlicher methodischer Ansätze, die einer weiterführenden Interpretation der antiken Texte und ihrer Rezeption dienen. Dazu gehören philologische, literaturwissenschaftliche und mit interdisziplinären Perspektiven arbeitende Beiträge. Besonderer Wert wird auf die internationale Ausrichtung der Zeitschrift gelegt. Publikationssprachen sind Deutsch, Englisch, Italienisch, Französisch. Neben der Zeitschrift erscheinen ab 2014 Supplementbände. In der Reihe Philologus. Supplemente / Philologus. Supplementary Volumes werden Monographien und Sammelbände zu allen Themen der Klassischen Philologie und ihrer Rezeption veröffentlicht. Der Fokus soll hier insbesondere auf neueren Ansätzen der Literatur- und Kulturwissenschaft in einer interdisziplinären Perspektive liegen. Geschäftsführender Herausgeber: Christoph Schubert (Erlangen-Nürnberg)
Book Synopsis ›res vera, res ficta‹: Fictionality in Ancient Epistolography by : Janja Soldo
Download or read book ›res vera, res ficta‹: Fictionality in Ancient Epistolography written by Janja Soldo and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-09-18 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Letters are famously easy to recognise, notoriously hard to define. Both real and fictitious letters can look identical to the point that there are no formal criteria which can distinguish one from the other. This has long been a point of anxiety in scholarship which has considered the value of an ancient letter to be determined by its authenticity, necessitating a strict binary opposition of genuine as opposed to fake letters. This volume challenges this dichotomy directly. Rather than defining epistolary fiction as a literary genre in opposition to ‘genuine’ letters or reducing it down to fixed rhetorical features, it argues that fiction is an inherent and fluid property of letters which ancient writers recognised and exploited. This volume contributes to wider scholarship on ancient fiction by demonstrating through the multiplicity of genres, contexts, and time periods discussed how complex and multifaceted ancient awareness of fictionality was. As such, this volume shows that letters are uniquely well-placed to unsettle disciplinary boundaries of fact and fiction, authentic and spurious, and that this allows for a deeper understanding of how ancient writers conceptualised and manipulated the fictional potential of letters.
Book Synopsis The Gendered ‘I’ in Ancient Literature by : Lisa Cordes
Download or read book The Gendered ‘I’ in Ancient Literature written by Lisa Cordes and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-10-24 with total page 551 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech, be it that the speaker is (represented as) the author of a work, be it that they feature as characters in the work, narrating their own story or that of others. In doing so, they do not only offer new insights into the rhetorical strategies and literary techniques used to construct a gendered ‘I’ in ancient literature. They also address the form and function of first-person discourse in classical literature in general, touching on fields of research that have increasingly come into focus in recent years, such as authorship studies, studies concerning the ancient notion(s) of the literary persona, as well as a historical narratology that discusses concepts such as the narrator or the literary character in ancient literary theory and practice.
Book Synopsis The Dynamics of Intertextuality in Plutarch by :
Download or read book The Dynamics of Intertextuality in Plutarch written by and published by BRILL. This book was released on 2020-05-11 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Dynamics of Intertextuality in Plutarch explores the numerous aspects and functions of intertextual links both within the Plutarchan corpus itself (intratextuality) and in relation with other authors, works, genres or discourses of Ancient Greek literature (interdiscursivity, intergenericity, intermateriality).
Book Synopsis Popular Culture in the Ancient World by : Lucy Grig
Download or read book Popular Culture in the Ancient World written by Lucy Grig and published by Cambridge University Press. This book was released on 2017 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book adopts a new approach to the classical world by focusing on ancient popular culture.
Book Synopsis Theatre and Autocracy in the Ancient World by : Eric Csapo
Download or read book Theatre and Autocracy in the Ancient World written by Eric Csapo and published by Walter de Gruyter GmbH & Co KG. This book was released on 2022-10-24 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.
Book Synopsis Twelve Voices from Greece and Rome by : C. B. R. Pelling
Download or read book Twelve Voices from Greece and Rome written by C. B. R. Pelling and published by Oxford University Press, USA. This book was released on 2014 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction to twelve authors from classical antiquity, whose works still address some of our most fundamental concerns in the world today.
Book Synopsis A Companion to Ancient Aesthetics by : Pierre Destrée
Download or read book A Companion to Ancient Aesthetics written by Pierre Destrée and published by John Wiley & Sons. This book was released on 2015-04-28 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society
