The 12th Hong Kong International Film Festival

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Publisher :
ISBN 13 :
Total Pages : 126 pages
Book Rating : 4.:/5 (11 download)

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Book Synopsis The 12th Hong Kong International Film Festival by :

Download or read book The 12th Hong Kong International Film Festival written by and published by . This book was released on 1988* with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Japanese and Hong Kong Film Industries

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Publisher : Routledge
ISBN 13 : 1135219478
Total Pages : 283 pages
Book Rating : 4.1/5 (352 download)

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Book Synopsis Japanese and Hong Kong Film Industries by : Shuk-ting, Kinnia Yau

Download or read book Japanese and Hong Kong Film Industries written by Shuk-ting, Kinnia Yau and published by Routledge. This book was released on 2009-09-11 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation Focuses on the cooperation between Hong Kong and Japanese cinema from the Sino-Japanese War, which broke out in the 1930s, up until the early 1970s, to re-evaluate the significance of this event in the context of Asian film history.

New Chinese Cinemas

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Publisher : Cambridge University Press
ISBN 13 : 9780521448772
Total Pages : 280 pages
Book Rating : 4.4/5 (487 download)

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Book Synopsis New Chinese Cinemas by : Nick Browne

Download or read book New Chinese Cinemas written by Nick Browne and published by Cambridge University Press. This book was released on 1994 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution.

Filming Margins

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Publisher : Hong Kong University Press
ISBN 13 : 9789622096899
Total Pages : 316 pages
Book Rating : 4.0/5 (968 download)

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Book Synopsis Filming Margins by : Ching Yau

Download or read book Filming Margins written by Ching Yau and published by Hong Kong University Press. This book was released on 2004-09-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the work of filmmaker Tang Shu Shuen in Hong Kong in the 1960s and 1970s. It raises issues regarding the applicability of paradigms of Western auteurism and feminist authorship in studying Tang's work and also examines the reasons why Tang Shu Shuen's work has been so underrecognised and underdiscussed historically. Through examining the production and reception structures of Tang Shu Shuen's work, this publication attempts to shed light on the development of Hong Kong's film industry and the evolution and problems of Hong Kong's cultural identity in the 1960s and 1970s. Yau Ching is currently Assistant Professor at the School of Design of the Hong Kong Polytechnic University. She teaches courses in areas including media production, cinema studies and cultural studies. She is also a filmmaker, media artist and writer. Her publications include Building a New Stove, Stripping Pants and Skirts, The Impossible Home, and Ho Yuk. Her films and videos include Flow, The Ideal/Na(rra)tion, Video Letters 1–3, Diasporama: Dead Air, Finding Oneself, and Ho Yuk (Let's Love Hong Kong).

Hong Kong Dark Cinema

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Publisher : Springer Nature
ISBN 13 : 3030282937
Total Pages : 241 pages
Book Rating : 4.0/5 (32 download)

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Book Synopsis Hong Kong Dark Cinema by : Kim-Mui E. Elaine Chan

Download or read book Hong Kong Dark Cinema written by Kim-Mui E. Elaine Chan and published by Springer Nature. This book was released on 2019-11-27 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a scholarly investigation of the historical development and contemporary transformation of film noir in today’s Hong Kong. Focusing on the evolvement of cinematic narratives, aesthetics, and techniques, the author balances a deep reading of the multiple filmic plots with a discussion of the cinematic portrayals of gender, romance, identities and power relations. Nuancing the prototypical cinematic form and tragic sense of classical film noir, the recent Hong Kong cinema turns around the classical generic role of film noir at the turn of the century to convey very different messages—joy, hope or love. This book examines how the mainstream cinema, or pre-and-post-Hong Kong cinema in particular, applies a peculiar strategy that makes rooms for the audience to enjoy a pleasure-giving process of reflexivity and also critique the mainstream ideology. With new analytical approaches and angles, this book breaks new ground in offering transcultural and cross-genre analyses on the cinema and its impact in local and international markets. This book is the first major scholarly investigation of the historical development and contemporary transformation of film noir in today’s Hong Kong. Focusing on the evolvement of cinematic narratives, aesthetics, and techniques, the author balances a deep reading of the multiple filmic plots with a refreshing discussion of the cinematic portrayals of gender, romance, identities and power relations. This book also revisits conceptual categories developed by Foucault, Lacan, Derrida and Butler.

A Companion to Hong Kong Cinema

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Publisher : John Wiley & Sons
ISBN 13 : 0470659289
Total Pages : 639 pages
Book Rating : 4.4/5 (76 download)

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Book Synopsis A Companion to Hong Kong Cinema by : Esther M. K. Cheung

Download or read book A Companion to Hong Kong Cinema written by Esther M. K. Cheung and published by John Wiley & Sons. This book was released on 2015-08-17 with total page 639 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Hong Kong Cinema provides the first comprehensive scholarly exploration of this unique global cinema. By embracing the interdisciplinary approach of contemporary film and cultural studies, this collection navigates theoretical debates while charting a new course for future research in Hong Kong film. Examines Hong Kong cinema within an interdisciplinary context, drawing connections between media, gender, and Asian studies, Asian regional studies, Chinese language and cultural studies, global studies, and critical theory Highlights the often contentious debates that shape current thinking about film as a medium and its possible future Investigates how changing research on gender, the body, and sexual orientation alter the ways in which we analyze sexual difference in Hong Kong cinema Charts how developments in theories of colonialism, postcolonialism, globalization, neoliberalism, Orientalism, and nationalism transform our understanding of the economics and politics of the Hong Kong film industry Explores how the concepts of diaspora, nostalgia, exile, and trauma offer opportunities to rethink accepted ways of understanding Hong Kong’s popular cinematic genres and stars

The Cinema of Hong Kong

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Publisher : Cambridge University Press
ISBN 13 : 9780521776028
Total Pages : 356 pages
Book Rating : 4.7/5 (76 download)

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Book Synopsis The Cinema of Hong Kong by : Poshek Fu

Download or read book The Cinema of Hong Kong written by Poshek Fu and published by Cambridge University Press. This book was released on 2002-03-25 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines Hong Kong cinema in transnational, historical, and artistic contexts.

Hong Kong Popular Culture

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Publisher : Springer Nature
ISBN 13 : 9811388172
Total Pages : 539 pages
Book Rating : 4.8/5 (113 download)

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Book Synopsis Hong Kong Popular Culture by : Klavier J. Wang

Download or read book Hong Kong Popular Culture written by Klavier J. Wang and published by Springer Nature. This book was released on 2020-01-07 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the evolution of the Hong Kong’s popular culture, namely film, television and popular music (also known as Cantopop), which is knotted with the city’s geo-political, economic and social transformations. Under various historical contingencies and due to the city’s special geo-politics, these three major popular cultural forms have experienced various worlding processes and have generated border-crossing impact culturally and socially. The worlding processes are greatly associated the city’s nature as a reception and departure port to Sinophone migrants and populations of multiethnic and multicultural. Reaching beyond the “golden age” (1980s) of Hong Kong popular culture and afar from a film-centric cultural narration, this book, delineating from the dawn of the 20th century and following a chronological order, untangles how the nowadays popular “Hong Kong film”, “Hong Kong TV” and “Cantopop” are derived from early-age Sinophone cultural heritage, re-shaped through cross-cultural hybridization and influenced by multiple political forces. Review of archives, existing literatures and corporation documents are supplemented with policy analysis and in-depth interviews to explore the centennial development of Hong Kong popular culture, which is by no means demise but at the juncture of critical transition.

Chow Yun-fat and Territories of Hong Kong Stardom

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Publisher : Edinburgh University Press
ISBN 13 : 1474405908
Total Pages : 192 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis Chow Yun-fat and Territories of Hong Kong Stardom by : Lin Feng

Download or read book Chow Yun-fat and Territories of Hong Kong Stardom written by Lin Feng and published by Edinburgh University Press. This book was released on 2017-02-03 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: As one of the most popular and versatile Hong Kong film stars, Chow Yun-fat has enjoyed international success over the last four decades. Using Chow's transnational and trans-regional star persona as a case study, Lin Feng investigates stardom as an agent for mediating the sociocultural construction of Hong Kong and Chinese identities. Through the analysis of Chow's on- and off-screen star image, the book recognises that a star's image is unstable and fragmented across distinct historical junctures, geographic borders and media platforms. Following Chow's career move from Hong Kong to Hollywood, and then to transnational Chinese cinema, Chow Yun-fat and Territories of Hong Kong Stardom highlights the complex redefinitions of local and global, traditional and modern, and East and West, that Chow's image has undergone, exploring the nature of Chinese and transnational stardom, the East Asian film industry, and Asian male stardom beyond martial arts and action cinema.

Hong Kong’s Transitions, 1842–1997

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Publisher : Springer
ISBN 13 : 1349254991
Total Pages : 228 pages
Book Rating : 4.3/5 (492 download)

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Book Synopsis Hong Kong’s Transitions, 1842–1997 by : Judith M. Brown

Download or read book Hong Kong’s Transitions, 1842–1997 written by Judith M. Brown and published by Springer. This book was released on 1997-06-12 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The reversion of Hong Kong to China on 1 July 1997 is an event of major historical significance. This volume examines this dramatic event from a long-term perspective against the background of earlier turning points in Hong Kong's political, economic and social history. It also explores Hong Kong's links with China and Britain in this troubled last decade of colonial rule, and offers a basis for assessing the territory's possible future as a part of the Chinese state.

New Hong Kong Cinema

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Publisher : Berghahn Books
ISBN 13 : 1782387048
Total Pages : 288 pages
Book Rating : 4.7/5 (823 download)

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Book Synopsis New Hong Kong Cinema by : Ruby Cheung

Download or read book New Hong Kong Cinema written by Ruby Cheung and published by Berghahn Books. This book was released on 2015-11-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.

Film Festivals

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Publisher : Rutgers University Press
ISBN 13 : 0813551218
Total Pages : 333 pages
Book Rating : 4.8/5 (135 download)

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Book Synopsis Film Festivals by : Cindy H. Wong

Download or read book Film Festivals written by Cindy H. Wong and published by Rutgers University Press. This book was released on 2011 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Movies, stars, auteurs, and critics come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we understand the forces and meanings that these events embody? This work offers an overview of the history, people, films, and functions of the festival world.

Wong Kar-wai's Ashes of Time

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Publisher : Hong Kong University Press
ISBN 13 : 9622095844
Total Pages : 197 pages
Book Rating : 4.6/5 (22 download)

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Book Synopsis Wong Kar-wai's Ashes of Time by : Wimal Dissanayake

Download or read book Wong Kar-wai's Ashes of Time written by Wimal Dissanayake and published by Hong Kong University Press. This book was released on 2003-06-01 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ashes of Time, by the internationally acclaimed director Wong Kar-wai, has been considered to be one of the most complex and self-reflexive of Hong Kong films. Loosely based on the stories by renowned martial arts novelist Jin Yong, Wong Kar-wai has created a very different kind of martial arts film, which invites close and sustained study.This book presents the nature and significance of Ashes of Time, and the reasons for its being regarded as a landmark in Hong Kong cinema. Placing the film in historical and cultural context, Dissanayake discusses its vision, imagery, visual style, and narrative structure. In particular, he focuses on the themes of mourning, confession, fantasy, and kung fu movies, which enable the reader to gain a deeper and more comprehensive understanding of the film.

The Pusan International Film Festival, South Korean Cinema and Globalization

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Publisher : Hong Kong University Press
ISBN 13 : 9888083589
Total Pages : 231 pages
Book Rating : 4.8/5 (88 download)

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Book Synopsis The Pusan International Film Festival, South Korean Cinema and Globalization by : SooJeong Ahn 安秀晶

Download or read book The Pusan International Film Festival, South Korean Cinema and Globalization written by SooJeong Ahn 安秀晶 and published by Hong Kong University Press. This book was released on 2011-11-01 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a political and cultural exploration of the Pusan International Film Festival in South Korea since its inception in 1996. By paying a particular attention to the organizers' use of an Asian regionalization strategy, SooJeong Ahn reveals how the festival staked out a unique and influential position within a rapidly changing global landscape. Very little primary empirical research has been conducted to date on non-Western film festivals, though PIFF and Tokyo and Hong Kong have swiftly grown more exciting and influential as testing grounds for global cinema innovations. The initiation, development and growth of PIFF should be understood as resulting from productive tensions in the festival's efforts to serve local, regional and national constituencies. The book also reflects the complexities of rapid transformation in the South Korean film industry as it has reached out to the global market since the late 1990s. SooJeong Ahn worked for the Pusan International Film Festival between 1998 and 2002 and has completed a Ph.D. on film festivals at the University of Nottingham. Her recent publications include "Re-imagining the Past: Programming South Korean Retrospectives at PIFF," in Film International (Vol. 6, 2008), "Placing South Korean Cinema into Pusan International Film Festival: Programming Strategy in the Global/Local Context," in What a Difference a Region Makes: Cultural Studies and Cultural Industries in North-East Asia (2009); "Re-mapping Asian Cinema: The Tenth Anniversary of PIFF in 2005" in Cinemas, Identities and Beyond (2010).

Hong Kong Documentary Film

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Publisher : Edinburgh University Press
ISBN 13 : 0748664726
Total Pages : 248 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Hong Kong Documentary Film by : Ian Aitken

Download or read book Hong Kong Documentary Film written by Ian Aitken and published by Edinburgh University Press. This book was released on 2014-03-17 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive study of the lost genre of Hong Kong documentary film

Fruit Chan's Durian Durian

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Publisher : Hong Kong University Press
ISBN 13 : 9789622097438
Total Pages : 134 pages
Book Rating : 4.0/5 (974 download)

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Book Synopsis Fruit Chan's Durian Durian by : Wendy Gan

Download or read book Fruit Chan's Durian Durian written by Wendy Gan and published by Hong Kong University Press. This book was released on 2005-05-01 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how Fruit Chan's Durian Durian sensitively portrays the unsettling seismic shifts affecting the inhabitants of both China and Hong Kong in a post-1997 context. The study covers different aspects of Durian Durian: its relation to the Hong Kong independent film sector and traditions of Hong Kong social realism; its representations of mainland Chinese women; and its representations of cross-border relations and issues of post-1997 identity for both inhabitants of Hong Kong and China. Gan argues that Durian Durian is an attempt to re-think Hong Kong and China as a single entity, a single imagined community in a post-1997 era. The film is an exploration of "one country, two systems" not just in political but in spatial and affective terms. This is one of the first studies of Fruit Chan's work and presents him as one of Hong Kong's key filmmakers, worthy of serious critical study. Durian Durian is one of Chan's masterpieces and its study is of interest to anyone who is concerned with post-1997 realities in Hong Kong and China as visualized on film.

Cinema and the Cultural Cold War

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Publisher : Cornell University Press
ISBN 13 : 1501752332
Total Pages : 331 pages
Book Rating : 4.5/5 (17 download)

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Book Synopsis Cinema and the Cultural Cold War by : Sangjoon Lee

Download or read book Cinema and the Cultural Cold War written by Sangjoon Lee and published by Cornell University Press. This book was released on 2020-12-15 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia.