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Author : Bertram Turetzky
Publisher :
ISBN 13 :
Total Pages : 32 pages
Book Rating : 4.:/5 (318 download)
Download or read book Six timbral studies written by Bertram Turetzky and published by . This book was released on 1975 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Emily I. Dolan
Publisher : Oxford University Press
ISBN 13 : 0190637250
Total Pages : 740 pages
Book Rating : 4.1/5 (96 download)
Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan and published by Oxford University Press. This book was released on 2021-09-15 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite its importance as a central feature of musical sounds, timbre has rarely stood in the limelight. First defined in the eighteenth century, denigrated during the nineteenth, the concept of timbre came into its own during the twentieth century and its fascination with synthesizers and electronic music-or so the story goes. But in fact, timbre cuts across all the boundaries that make up musical thought-combining scientific and artistic approaches to music, material and philosophical aspects, and historical and theoretical perspectives. Timbre challenges us to fundamentally reorganize the way we think about music. The twenty-five essays that make up this collection offer a variety of engagements with music from the perspective of timbre. The boundaries are set as broad as possible: from ancient Homeric sounds to contemporary sound installations, from birdsong to cochlear implants, from Tuvan overtone singing to the tv show The Voice, from violin mutes to Moog synthesizers. What unifies the essays across this vast diversity is the material starting point of the sounding object. This focus on the listening experience is radical departure from the musical work that has traditionally dominated musical discourse since its academic inception in late-nineteenth-century Europe. Timbre remains a slippery concept that has continuously demanded more, be it more precise vocabulary, a more systematic theory, or more rigorous analysis. Rooted in the psychology of listening, timbre consistently resists pinning complete down. This collection of essays provides an invitation for further engagement with the range of fascinating questions that timbre opens up.
Author : William A. Sethares
Publisher : Springer Science & Business Media
ISBN 13 : 1447141776
Total Pages : 346 pages
Book Rating : 4.4/5 (471 download)
Download or read book Tuning, Timbre, Spectrum, Scale written by William A. Sethares and published by Springer Science & Business Media. This book was released on 2013-06-05 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tuning, Timbre, Spectrum, Scale focuses on perceptions of consonance and dissonance, and how these are dependent on timbre. This also relates to musical scale: certain timbres sound more consonant in some scales than others. Sensory consonance and the ability to measure it have important implications for the design of audio devices and for musical theory and analysis. Applications include methods of adapting sounds for arbitrary scales, ways to specify scales for nonharmonic sounds, and techniques of sound manipulation based on maximizing (or minimizing) consonance. Special consideration is given here to a new method of adaptive tuning that can automatically adjust the tuning of a piece based its timbral character so as to minimize dissonance. Audio examples illustrating the ideas presented are provided on an accompanying CD. This unique analysis of sound and scale will be of interest to physicists and engineers working in acoustics, as well as to musicians and psychologists.
Author : Kai Siedenburg
Publisher : Springer
ISBN 13 : 3030148327
Total Pages : 392 pages
Book Rating : 4.0/5 (31 download)
Download or read book Timbre: Acoustics, Perception, and Cognition written by Kai Siedenburg and published by Springer. This book was released on 2019-05-07 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Roughly defined as any property other than pitch, duration, and loudness that allows two sounds to be distinguished, timbre is a foundational aspect of hearing. The remarkable ability of humans to recognize sound sources and events (e.g., glass breaking, a friend’s voice, a tone from a piano) stems primarily from a capacity to perceive and process differences in the timbre of sounds. Timbre raises many important issues in psychology and the cognitive sciences, musical acoustics, speech processing, medical engineering, and artificial intelligence. Current research on timbre perception unfolds along three main fronts: On the one hand, researchers explore the principal perceptual processes that orchestrate timbre processing, such as the structure of its perceptual representation, sound categorization and recognition, memory for timbre, and its ability to elicit rich semantic associations, as well as the underlying neural mechanisms. On the other hand, timbre is studied as part of specific scenarios, including the perception of the human voice, as a structuring force in music, as perceived with cochlear implants, and through its role in affecting sound quality and sound design. Finally, computational acoustic models are sought through prediction of psychophysical data, physiologically inspired representations, and audio analysis-synthesis techniques. Along these three scientific fronts, significant breakthroughs have been achieved during the last decade. This volume will be the first book dedicated to a comprehensive and authoritative presentation of timbre perception and cognition research and the acoustic modeling of timbre. The volume will serve as a natural complement to the SHAR volumes on the basic auditory parameters of Pitch edited by Plack, Oxenham, Popper, and Fay, and Loudness by Florentine, Popper, and Fay. Moreover, through the integration of complementary scientific methods ranging from signal processing to brain imaging, the book has the potential to leverage new interdisciplinary synergies in hearing science. For these reasons, the volume will be exceptionally valuable to various subfields of hearing science, including cognitive auditory neuroscience, psychoacoustics, music perception and cognition, but may even exert significant influence on fields such as musical acoustics, music information retrieval, and acoustic signal processing. It is expected that the volume will have broad appeal to psychologists, neuroscientists, and acousticians involved in research on auditory perception and cognition. Specifically, this book will have a strong impact on hearing researchers with interest in timbre and will serve as the key publication and up-to-date reference on timbre for graduate students, postdoctoral researchers, as well as established scholars.
Author : Susan Hallam
Publisher : Oxford University Press
ISBN 13 : 0191034452
Total Pages : 985 pages
Book Rating : 4.1/5 (91 download)
Download or read book The Oxford Handbook of Music Psychology written by Susan Hallam and published by Oxford University Press. This book was released on 2016-01-14 with total page 985 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second edition of The Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast-growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future. The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, and points the direction for further development in the field. With contributions from internationally recognised experts across 55 chapters, it is an essential resource for students and researchers in psychology and musicology.
Author : Robert Fink
Publisher : Oxford University Press
ISBN 13 : 0190908017
Total Pages : 410 pages
Book Rating : 4.1/5 (99 download)
Download or read book The Relentless Pursuit of Tone written by Robert Fink and published by Oxford University Press. This book was released on 2018-09-18 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.
Author : Makis Solomos
Publisher : Routledge
ISBN 13 : 0429575017
Total Pages : 235 pages
Book Rating : 4.4/5 (295 download)
Download or read book From Music to Sound written by Makis Solomos and published by Routledge. This book was released on 2019-10-28 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable. The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts. Supporting musical examples can be accessed via the online Routledge Music Research Portal.
Author : Emily I. Dolan
Publisher : Cambridge University Press
ISBN 13 : 1107028256
Total Pages : 305 pages
Book Rating : 4.1/5 (7 download)
Download or read book The Orchestral Revolution written by Emily I. Dolan and published by Cambridge University Press. This book was released on 2013-01-17 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the relationship between the history of orchestration and the development of modern musical aesthetics in the Enlightenment. Using Haydn as a focal point, it examines how the consolidation of the modern orchestra radically altered how people listened to and thought about the expressive capacity of instruments.
Author : Emily I. Dolan
Publisher : Oxford University Press
ISBN 13 : 0190637226
Total Pages : 740 pages
Book Rating : 4.1/5 (96 download)
Download or read book The Oxford Handbook of Timbre written by Emily I. Dolan and published by Oxford University Press. This book was released on 2021 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: "With essays covering an array of topics including ancient Homeric texts, contemporary sound installations, violin mutes, birdsong, and cochlear implants, this volume reveals the richness of what it means to think and talk about timbre and the materiality of the experience of sound"--
Author : Leonid Perlovsky
Publisher : Frontiers Media SA
ISBN 13 : 2889662861
Total Pages : 306 pages
Book Rating : 4.8/5 (896 download)
Download or read book The Evolution of Music written by Leonid Perlovsky and published by Frontiers Media SA. This book was released on 2020-12-28 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.
Author : Arnie Cox
Publisher : Indiana University Press
ISBN 13 : 0253021677
Total Pages : 300 pages
Book Rating : 4.2/5 (53 download)
Download or read book Music and Embodied Cognition written by Arnie Cox and published by Indiana University Press. This book was released on 2016-09-06 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
Author : Pierre Schaeffer
Publisher : Univ of California Press
ISBN 13 : 0520967461
Total Pages : 614 pages
Book Rating : 4.5/5 (29 download)
Download or read book Treatise on Musical Objects written by Pierre Schaeffer and published by Univ of California Press. This book was released on 2017-07-25 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practical work in music composition. Translators Christine North and John Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music.
Author : Albert S. Bregman
Publisher : MIT Press
ISBN 13 : 9780262521956
Total Pages : 800 pages
Book Rating : 4.5/5 (219 download)
Download or read book Auditory Scene Analysis written by Albert S. Bregman and published by MIT Press. This book was released on 1994-09-29 with total page 800 pages. Available in PDF, EPUB and Kindle. Book excerpt: Auditory Scene Analysis addresses the problem of hearing complex auditory environments, using a series of creative analogies to describe the process required of the human auditory system as it analyzes mixtures of sounds to recover descriptions of individual sounds. In a unified and comprehensive way, Bregman establishes a theoretical framework that integrates his findings with an unusually wide range of previous research in psychoacoustics, speech perception, music theory and composition, and computer modeling.
Author : Richard Ashley
Publisher : Routledge
ISBN 13 : 1351761935
Total Pages : 718 pages
Book Rating : 4.3/5 (517 download)
Download or read book The Routledge Companion to Music Cognition written by Richard Ashley and published by Routledge. This book was released on 2017-06-26 with total page 718 pages. Available in PDF, EPUB and Kindle. Book excerpt: WINNER OF THE SOCIETY OF MUSIC THEORY’S 2019 CITATION OF SPECIAL MERIT FOR MULTI-AUTHORED VOLUMES The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication. A diverse range of global scholars—music theorists, musicologists, pedagogues, neuroscientists, and psychologists—address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include: Music’s impact on physical and emotional health Music cognition in various genres Music cognition in diverse populations, including people with amusia and hearing impairment The relationship of music to learning and accomplishment in academics, sport, and recreation The broader sociological and anthropological uses of music Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music’s meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives.
Author : Stefano Papetti
Publisher : Springer
ISBN 13 : 3319583166
Total Pages : 290 pages
Book Rating : 4.3/5 (195 download)
Download or read book Musical Haptics written by Stefano Papetti and published by Springer. This book was released on 2018-05-02 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
Author : Robert Erickson
Publisher : Univ of California Press
ISBN 13 : 9780520023765
Total Pages : 232 pages
Book Rating : 4.0/5 (237 download)
Download or read book Sound Structure in Music written by Robert Erickson and published by Univ of California Press. This book was released on 1975-01-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author : Simon Emmerson
Publisher : Routledge
ISBN 13 : 1134358776
Total Pages : 270 pages
Book Rating : 4.1/5 (343 download)
Download or read book Timbre Composition in Electroacoustic Music written by Simon Emmerson and published by Routledge. This book was released on 2019-07-23 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1994. The contributions to this collection have been selected to define a range of interests from the technical, aesthetic, cognitive and compositional spheres. The book addresses the continuing need for musicologists, psychologists, composers and listeners to enter into a creative dialogue with designers and builders, who are usually programmers in the contemporary world. The collection as a whole will help to demonstrate the great potential for exchange between the multidisciplinary approaches to music.
