Read Books Online and Download eBooks, EPub, PDF, Mobi, Kindle, Text Full Free.
Shakespeares Noise
Download Shakespeares Noise full books in PDF, epub, and Kindle. Read online Shakespeares Noise ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Book Synopsis Shakespeare's Noise by : Kenneth Gross
Download or read book Shakespeare's Noise written by Kenneth Gross and published by University of Chicago Press. This book was released on 2001-04 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gross explores the playright's fascination with dangerous and disorderly forms of utterance -- rumor, slander, insult, vituperation, and curse -- and how this generates an immense verbal energy in the poetry and on the stage. More broadly, it also reflects a cultural obsession with the power of defamation in Renaissance England.
Book Synopsis The Anatomy of Insults in Shakespeare’s World by : Nathalie Vienne-Guerrin
Download or read book The Anatomy of Insults in Shakespeare’s World written by Nathalie Vienne-Guerrin and published by Bloomsbury Publishing. This book was released on 2022-05-19 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Anatomy of Insults in Shakespeare's World explores Shakespeare's complex art of insults and shows how the playwright set abusive words at the heart of many of his plays. It provides valuable insights on a key aspect of Shakespeare's work that has been little explored to date. Focusing on the most memorable scenes of insult, abusive characters and insulting effects in the plays, the volume shifts how readers understand and read Shakespeare's insults. Chapters analyze the spectacular rhetoric of insult in Henry IV, Troilus and Cressida and Timon of Athens; the 'skirmishes of wit' in Much Ado about Nothing and A Midsummer Night's Dream; insult and duelling codes in Romeo and Juliet, As You Like It and Twelfth Night, the complex relationships between slander and insult in Much Ado about Nothing and Measure for Measure; the taming of the tongue in Richard III and The Taming of the Shrew, the trauma of insults in Othello, The Merchant of Venice and Cymbeline and insult beyond words in Henry V and King lear. Grasping insult as a specific speech act, the volume explores the issues of verbal violence and verbal shields and the importance of reception and interpretation in matters of insult. It offers a panorama of the Elizabethan politics of insult and redefines Shakespeare's drama as a theatre of insults.
Author :Nathalie Vienne-Guerrin (éd.) Publisher :Presses universitaires de Rouen et du Havre ISBN 13 :9782877758437 Total Pages :280 pages Book Rating :4.7/5 (584 download)
Book Synopsis Shakespeare on screen : a midsummer night's dream by : Nathalie Vienne-Guerrin (éd.)
Download or read book Shakespeare on screen : a midsummer night's dream written by Nathalie Vienne-Guerrin (éd.) and published by Presses universitaires de Rouen et du Havre. This book was released on with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ce livre a pour objet l’étude des représentations du Songe d’une nuit d’été à l’écran, la pièce ayant fait l’objet d’un colloque qui s’est tenu à Rouen sous les auspices de la Société française Shakespeare. Les plus grands spécialistes de Shakespeare et de Shakespeare au cinéma ont contribué à l’ouvrage. Monolingue anglais, le livre contient en outre une bibliographie exhaustive sur le sujet.
Book Synopsis Crowd and Rumour in Shakespeare by : Kai Wiegandt
Download or read book Crowd and Rumour in Shakespeare written by Kai Wiegandt and published by Routledge. This book was released on 2016-04-22 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study, the author offers new interpretations of Shakespeare's works in the context of two major contemporary notions of collectivity: the crowd and rumour. The plays illustrate that rumour and crowd are mutually dependent; they also betray a fascination with the fact that crowd and rumour make individuality disappear. Shakespeare dramatizes these mechanisms, relating the crowd to class conflict, to rhetoric, to the theatre and to the organization of the state; and linking rumour to fear, to fame and to philosophical doubt. Paying attention to all levels of collectivity, Wiegandt emphasizes the close relationship between the crowd onstage and the Elizabethan audience. He argues that there was a significant - and sometimes precarious - metatheatrical blurring between the crowd on the stage and the crowd around the stage in performances of crowd scenes. The book's focus on crowd and rumour provides fresh insights on the central problems of some of Shakespeare's most contentiously debated plays, and offers an alternative to the dominant tradition of celebrating Shakespeare as the origin of modern individualism.
Book Synopsis Shakespeare Studies by : Leeds Barroll
Download or read book Shakespeare Studies written by Leeds Barroll and published by Fairleigh Dickinson Univ Press. This book was released on 2002-11 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare Studies is an international volume published every year in hardcover, containing more than three hundred pages of essays and studies by critics from both hemispheres.
Book Synopsis The Palgrave Handbook of Shakespeare's Queens by : Kavita Mudan Finn
Download or read book The Palgrave Handbook of Shakespeare's Queens written by Kavita Mudan Finn and published by Springer. This book was released on 2018-07-20 with total page 523 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of Shakespeare’s thirty-seven plays, fifteen include queens. This collection gives these characters their due as powerful early modern women and agents of change, bringing together new perspectives from scholars of literature, history, theater, and the fine arts. Essays span Shakespeare’s career and cover a range of famous and lesser-known queens, from the furious Margaret of Anjou in the Henry VI plays to the quietly powerful Hermione in The Winter’s Tale; from vengeful Tamora in Titus Andronicus to Lady Macbeth. Early chapters situate readers in the critical concerns underpinning any discussion of Shakespeare and queenship: the ambiguous figure of Elizabeth I, and the knotty issue of gender presentation. The focus then moves to analysis of issues such as motherhood, intertextuality, and contemporary political contexts; close readings of individual plays; and investigations of rhetoric and theatricality. Featuring twenty-five chapters with a rich variety of themes and methodologies, this handbook is an invaluable reference for students and scholars, and a unique addition to the fields of Shakespeare and queenship studies. Winner of the 2020 Royal Studies Journal book prize
Book Synopsis Shakespeare’s Auditory Worlds by : Laury Magnus
Download or read book Shakespeare’s Auditory Worlds written by Laury Magnus and published by Rowman & Littlefield. This book was released on 2020-10-27 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare’s stages, Shakespeare’s Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides. It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, nonverbal or metaverbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a concluding “Virtual Roundtable” section, six seasoned repertory actors of the American Shakespeare Center as well, who discuss their nuanced hearing experiences on stage. Their “hearing” invites us to understand the multiple dimensions of Shakespeare’s auditory world from the vantage point of actors who are listening “in the round” to what they hear from their onstage interlocutors, from offstage and backstage cues, from the musicians’ galleries, and often most interestingly, from their audiences.
Book Synopsis Reverberating Song in Shakespeare and Milton by : Erin Minear
Download or read book Reverberating Song in Shakespeare and Milton written by Erin Minear and published by Routledge. This book was released on 2016-04-08 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Book Synopsis A General Glossary to Shakespeare's Works by : Alexander Dyce
Download or read book A General Glossary to Shakespeare's Works written by Alexander Dyce and published by . This book was released on 1904 with total page 920 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare, Music and Performance by : Bill Barclay
Download or read book Shakespeare, Music and Performance written by Bill Barclay and published by Cambridge University Press. This book was released on 2017-04-13 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume traces the uses of music in Shakespearean performance from the first Globe and Blackfriars to contemporary, global productions.
Book Synopsis Shakespeare's Comedies by : Emma Smith
Download or read book Shakespeare's Comedies written by Emma Smith and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Guide introduces students to critical writing on Shakespeare’s comedies over the last four centuries. Guides students through four centuries of critical writing on Shakespeare’s history plays. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.
Book Synopsis Shakespeare's Political and Economic Language by : Vivian Thomas
Download or read book Shakespeare's Political and Economic Language written by Vivian Thomas and published by Bloomsbury Publishing. This book was released on 2015-03-26 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's plays are pervaded by political and economic words and concepts, not only in the histories and tragedies but also in the comedies and romances. The lexicon of political and economic language in Shakespeare does not consist merely of arcane terms whose shifting meanings require exposition, but includes an enormous number of relatively simple words which possess a structural significance in the configuration of meanings. Often operating by such means as puns, they open up a surprising number of possibilities. The dictionary reveals the conceptual nucleus of each term and explores the contexts in which it is embedded. The overlap between the political and economic dimensions of a word in Shakespeare's drama is particularly exciting as he is highly attuned to the interactions of these two spheres of human activity and their centrality in human affairs.
Book Synopsis Shakespeare's Histories by : Emma Smith
Download or read book Shakespeare's Histories written by Emma Smith and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Guide steers students through four centuries of critical writing on Shakespeare’s history plays, enhancing their enjoyment and broadening their critical repertoire. Guides students through four centuries of critical writing on Shakespeare’s history plays. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.
Book Synopsis Shakespeare and the Law by : Gary Watt
Download or read book Shakespeare and the Law written by Gary Watt and published by Oxford University Press. This book was released on 2024-10-24 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare and the Law appreciates Shakespeare and his works as expressions of an English early modern culture in which the shared rhetorical practices of dramatists and lawyers were informed by the renaissance of classical practice. It argues that Shakespeare was not primarily concerned with the technical accuracy of law, legal ideas, and legal performances, but with their capacity to generate dramatic interest through dispute, trial, the breaking of bonds, and the bending of rules. It follows that all Shakespeare's plays are in a sense “law plays”. Rhetorical practices can emerge as performances of power, but in Shakespeare's works they show more as instances of the human instinct to challenge power by playing with rules. Shakespeare employs the special magic of legal language, actions, and materials to conjure playgoers to act as a critical jury to events transacted on stage. This calls for close attention to Shakespeare's poetic sound effects and the ways they prompt audiences to confer a fair hearing.
Book Synopsis Shakespearean Sensations by : Katharine A. Craik
Download or read book Shakespearean Sensations written by Katharine A. Craik and published by Cambridge University Press. This book was released on 2013-02-07 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespearean Sensations explores the ways Shakespeare and his contemporaries imagined literature affecting audiences' bodies, minds and emotions.
Book Synopsis Who Hears in Shakespeare? by : Laury Magnus
Download or read book Who Hears in Shakespeare? written by Laury Magnus and published by Lexington Books. This book was released on 2012 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, examining the ways in which Shakespeare's plays are designed for hearers as well as spectators, has been prompted by recent explorations of the auditory dimension of early modern drama by such scholars as Andrew Gurr, Bruce Smith, and James Hirsh. To look at the dynamics of hearing in Shakespeare's plays involves a paradigm shift that changes how we understand virtually everything about them, from the architecture of the buildings, to playing spaces, to blocking, and to larger interpretative issues, including our understanding of character based on players' responses to what they hear, mishear, or refuse to hear. Who Hears in Shakespeare? Auditory Worlds on Stage and Screen is comprised of three sections on Shakespeare's texts and performance history: "The Poetics of Hearing and the Early Modern Stage"; "Metahearing: Hearing, Knowing, and Audiences, Onstage and Off"; and "Transhearing: Hearing, Whispering, Overhearing, and Eavesdropping in Film and Other Media." Chapters by noted scholars explore the complex reactions and interactions of onstage and offstage audiences and show how Shakespearean stagecraft, actualized on stage and adapted on screen, revolves around various situations and conventions of hearing--soliloquies, asides, avesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. The volume ends with Stephen Booth's afterword, his inspiring meditation on hearing that considers Shakespearean "audiences" and their responses to what they hear--or don't hear--in Shakespeare's plays.
Book Synopsis The Sound of Shakespeare by : Wes Folkerth
Download or read book The Sound of Shakespeare written by Wes Folkerth and published by Routledge. This book was released on 2014-06-03 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'Sound of Shakespeare' reveals the surprising extent to which Shakespeare's art is informed by the various attitudes, beliefs, practices and discourses that pertained to sound and hearing in his culture. In this engaging study, Wes Folkerth develops listening as a critical practice, attending to the ways in which Shakespeare's plays express their author's awareness of early modern associations between sound and particular forms of ethical and aesthetic experience. Through readings of the acoustic representation of deep subjectivity in Richard III, of the 'public ear' in Antony and Cleopatra, the receptive ear in Coriolanus, the grotesque ear in A Midsummer Night's Dream, the 'greedy ear' in Othello, and the 'willing ear' in Measure for Measure, Folkerth demonstrates that by listening to Shakespeare himself listening, we derive a fuller understanding of why his works continue to resonate so strongly with is today.