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Shakespeare And The Force Of Modern Performance
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Book Synopsis Shakespeare and the Force of Modern Performance by : William B. Worthen
Download or read book Shakespeare and the Force of Modern Performance written by William B. Worthen and published by . This book was released on 2003 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book includes detailed discussions of recent films and stage productions, and sets Shakespeare performances alongside other works of contemporary drama an theatre."--Jacket.
Book Synopsis Shakespeare and the Force of Modern Performance by : William B. Worthen
Download or read book Shakespeare and the Force of Modern Performance written by William B. Worthen and published by Cambridge University Press. This book was released on 2003-01-30 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses how Shakespeare is recreated in historical performance.
Book Synopsis Shakespeare Performance Studies by : W. B. Worthen
Download or read book Shakespeare Performance Studies written by W. B. Worthen and published by Cambridge University Press. This book was released on 2014-06-26 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at Shakespeare through performance, capturing the dialogue between performance, Shakespeare, and contemporary concerns in the humanities.
Book Synopsis The Arden Research Handbook of Shakespeare and Contemporary Performance by : Peter Kirwan
Download or read book The Arden Research Handbook of Shakespeare and Contemporary Performance written by Peter Kirwan and published by Bloomsbury Publishing. This book was released on 2021-03-25 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.
Book Synopsis Shakespeare’s Culture in Modern Performance by : M. Jones
Download or read book Shakespeare’s Culture in Modern Performance written by M. Jones and published by Springer. This book was released on 2003-10-23 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's Culture in Modern Performance is an original study at the interface of a historicizing literary criticism and the study of modern performance. In a critical climate that views the cultural object of performance as authentic in itself, is there any point in exploring a script's original history? The writer argues for a dialogic understanding of Shakespeare's plays in performance relative to unresolved issues of modernity, in a study of modern productions on stage and screen.
Book Synopsis Shakespeare and the Cultures of Performance by : Paul Edward Yachnin
Download or read book Shakespeare and the Cultures of Performance written by Paul Edward Yachnin and published by Ashgate Publishing, Ltd.. This book was released on 2008 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using the tools of theatre history in their investigation into the phenomenology of the performance experience, the essays here also consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. The contributors strive to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.
Book Synopsis Shakespeare and Modern Theatre by : Michael Bristol
Download or read book Shakespeare and Modern Theatre written by Michael Bristol and published by Routledge. This book was released on 2005-07-08 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Book Synopsis Shakespeare, Trauma and Contemporary Performance by : Catherine Silverstone
Download or read book Shakespeare, Trauma and Contemporary Performance written by Catherine Silverstone and published by Routledge. This book was released on 2012-02-06 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Trauma and Contemporary Performance examines how contemporary performances of Shakespeare’s texts on stage and screen engage with violent events and histories. The book attempts to account for – but not to rationalize – the ongoing and pernicious effects of various forms of violence as they have emerged in selected contemporary performances of Shakespeare’s texts, especially as that violence relates to apartheid, colonization, racism, homophobia and war. Through a series of wide-ranging case studies, which are informed by debates in Shakespeare, trauma and performance studies and developed from extensive archival research, the book examines how performances and their documentary traces work variously to memorialize, remember and witness violent events and histories. In the process, Silverstone considers the ethical and political implications of attempts to represent trauma in performance, especially in relation to performing, spectatorship and community formation. Ranging from the mainstream to the fringe, key performances discussed include Gregory Doran’s Titus Andronicus (1995) for Johannesburg’s Market Theatre; Don C. Selwyn’s New Zealand-made film, The Maori Merchant of Venice (2001); Philip Osment’s appropriation of The Tempest in This Island’s Mine for London’s Gay Sweatshop (1988); and Nicholas Hytner’s Henry V (2003) for the National Theatre in London.
Book Synopsis Shakespeare, Technicity, Theatre by : William B. Worthen
Download or read book Shakespeare, Technicity, Theatre written by William B. Worthen and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Worthen uses contemporary Shakespeare performance to explore the technicity of theatre: its changing work as an intermedial technology.
Book Synopsis A Companion to Shakespeare and Performance by : Barbara Hodgdon
Download or read book A Companion to Shakespeare and Performance written by Barbara Hodgdon and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Shakespeare and Performance provides astate-of-the-art engagement with the rapidly developing field ofShakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print,in the classroom, in the theatre, in film, on television and video,in multimedia and digital forms. Introduces important terms and contemporary areas of enquiry inShakespeare and performance. Raises questions about the dynamic interplay betweenShakespearean writing and the practices of contemporary performanceand performance studies. Written by an international group of major scholars, teachers,and professional theatre makers.
Book Synopsis Shakespeare Without Boundaries by : Dieter Mehl
Download or read book Shakespeare Without Boundaries written by Dieter Mehl and published by Government Institutes. This book was released on 2011 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare without Boundaries: Essays in Honor of Dieter Mehl offers a wide-ranging collection of essays written by an international team of distinguished scholars who attempt to define, to challenge, and to erode boundaries that currently inhibitunderstanding of Shakespeare, and to exemplify how approaches that defy traditional bounds of study and criticism may enhance understanding and enjoyment of a dramatist who acknowledged no boundaries in art. The Volume is published in tribute to Professor Dieter Mehl, whose critical and scholarly work on authors from Chaucer through Shakespeare to D. H. Lawrence has transcended temporal and national boundaries in its range and scope, and who, as Ann Jennalie Cook writes, has contributed significantly tothe erasure of political boundaries that have endangered the unity of German literary scholarship and, more broadly, through his work for the International Shakespeare Association, to the globalization of Shakespeare studies.
Book Synopsis Shakespeare/adaptation/modern Drama by : Randall Martin
Download or read book Shakespeare/adaptation/modern Drama written by Randall Martin and published by University of Toronto Press. This book was released on 2011-01-01 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between modern drama and Shakespeare remains intense and fruitful, as Shakespearian themes continue to permeate contemporary plays, films, and other art-forms. Shakespeare/Adaptation/Modern Drama is the first book-length international study to examine the critical and theatrical connections among these fields, including the motivations, methods, and limits of adaptation in modern performance media. Top scholars including Peter Holland, Alexander Leggatt, Brian Parker, and Stanley Wells examine such topics as the relationship between Shakespeare and modern drama in the context of current literary theories and historical accounts of adaptive and appropriative practices. Among the diverse and intriguing examples studied are the authorial self-adaptations of Tom Stoppard and Tennessee Williams, and the generic and political appropriations of Shakespeare's texts in television, musical theatre, and memoir. This illuminating and theoretically astute tribute to Renaissance and modern drama scholar Jill Levenson will stimulate further research on the evolving adaptive and intertextual relationships between influential literary works and periods.
Book Synopsis Shakespeare, Spectatorship and the Technologies of Performance by : Pascale Aebischer
Download or read book Shakespeare, Spectatorship and the Technologies of Performance written by Pascale Aebischer and published by Cambridge University Press. This book was released on 2020-04-30 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare, Spectatorship and the Technologies of Performance examines how rapid changes in performance technologies affect modes of spectatorship for early modern drama. It argues that seemingly disparate developments – such as the revival of early modern architectural and lighting technologies, digital performance technologies and the hybrid medium of theatre broadcast – are fundamentally related. How spectators experience performances is not only affected in medium-specific ways by particular technologies, but is also connected to the plays' roots in early modern performance environments. Aebischer's examples range from the use of candlelight and re-imagined early modern architecture, to set design, performance capture technologies, digital video, social media, hologram projection, biotechnologies and theatre broadcasts. This book argues that digital and analogue performance technologies alike activate modes of ethical spectatorship, requiring audiences to adopt an ethical standpoint as they decide how to look, where to look, what medium to look through, and how to take responsibility for looking.
Book Synopsis The Routledge Guide to William Shakespeare by : Robert Shaughnessy
Download or read book The Routledge Guide to William Shakespeare written by Robert Shaughnessy and published by Routledge. This book was released on 2013-05-13 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienced Shakespeareans. In this friendly, structured guide, Robert Shaughnessy: introduces Shakespeare’s life and works in context, providing crucial historical background looks at each of Shakespeare’s plays in turn, considering issues of historical context, contemporary criticism and performance history provides detailed discussion of twentieth-century Shakespearean criticism, exploring the theories, debates and discoveries that shape our understanding of Shakespeare today looks at contemporary performances of Shakespeare on stage and screen provides further critical reading by play outlines detailed chronologies of Shakespeare’s life and works and also of twentieth-century criticism The companion website at www.routledge.com/textbooks/shaughnessy contains student-focused materials and resources, including an interactive timeline and annotated weblinks.
Book Synopsis Shakespeare, Memory and Performance by : Peter Holland
Download or read book Shakespeare, Memory and Performance written by Peter Holland and published by Cambridge University Press. This book was released on 2006-11-02 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection by leading Shakespeare scholars, first published in 2006, brings together memory and performance.
Book Synopsis Medieval and Renaissance Drama in England by : S. P. Cerasano
Download or read book Medieval and Renaissance Drama in England written by S. P. Cerasano and published by Fairleigh Dickinson Univ Press. This book was released on 2005-10 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. This volume addresses the conditions of theatrical ownership and dramatic competitionto those exploring stage movement and theatrical space.
Book Synopsis Studying Shakespeare in Performance by : John Russell-Brown
Download or read book Studying Shakespeare in Performance written by John Russell-Brown and published by Bloomsbury Publishing. This book was released on 2011-07-14 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Russell Brown is arguably the most influential scholar in the field of Shakespeare in performance. This collection brings together and makes accessible his most important writings across the past half-century or so. Ranging across space, words, audiences, directors and themes, the book maps John Russell Brown's search for a fuller understanding of Shakespeare's plays in performance. New introductory notes for each chapter give a fascinating insight into his critical and scholarly journey. Together the essays provide an authoritative and engaging account of how to study Shakespeare's plays as texts for performance. Drawing readers into a wide variety of approaches and debates, this book will be important and provocative reading for anyone studying Shakespeare or staging one of his plays.
