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Shakespeare And The Confines Of Art
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Book Synopsis Shakespeare and the Confines of Art by : Philip Edwards
Download or read book Shakespeare and the Confines of Art written by Philip Edwards and published by Routledge. This book was released on 2013-10-11 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1968. By selective study of certain of the comedies, tragedies and sonnets, Philip Edwards views Shakespeare's work as a whole and explains why his art developed as it did. The work which the author sees Shakespeare striving to create is the perfect fusion of comedy and tragedy and he suggests that we are watching the progress of a mind as acutely conscious as anyone today of the disorder and lack of meaning in the world. Nevertheless, it remains faithful to the possibility that within the imaginable forms of drama there exists that play which will satisfy the basic human need for reassurance, order and control.
Book Synopsis Shakespeare and the Confines of Art by : Philip W. EDWARDS
Download or read book Shakespeare and the Confines of Art written by Philip W. EDWARDS and published by . This book was released on 1968 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare's Pluralistic Concepts of Character by : Imtiaz H. Habib
Download or read book Shakespeare's Pluralistic Concepts of Character written by Imtiaz H. Habib and published by Susquehanna University Press. This book was released on 1993 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.
Book Synopsis Shakespeare's Theory of Drama by : Pauline Kiernan
Download or read book Shakespeare's Theory of Drama written by Pauline Kiernan and published by Cambridge University Press. This book was released on 1998-07-23 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did Shakespeare write drama? Did he have specific reasons for his choice of this art form? Did he have clearly defined aesthetic aims in what he wanted drama to do - and why? Pauline Kiernan opens up a new area of debate for Shakespearean criticism in showing that a radical, complex defence of drama which challenged the Renaissance orthodox view of poetry, history and art can be traced in Shakespeare's plays and poems. This study, first published in 1996, examines different stages in the canon to show that far from being restricted by the 'limitations' of drama, Shakespeare consciously exploits its capacity to accommodate temporality and change, and its reliance on the physical presence of the actor. This lively, readable book offers an original and scholarly insight into what Shakespeare wanted his drama to do and why.
Book Synopsis Shakespearean Metadrama by : James L. Calderwood
Download or read book Shakespearean Metadrama written by James L. Calderwood and published by U of Minnesota Press. This book was released on 1971-03-10 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespearean Metadrama was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In a new approach to Shakespeare criticism, the author interprets five of Shakespeare's early plays as metadramas, dramas that are not only about the various moral, social, political, and other thematic issues with which critics have so long been concerned but also about the plays themselves. Professor Calderwood demonstrates that in these five plays Shakespeare writes about his dramatic art -- its nature, its media of language and theater, its generic forms and conventions, its relationship to truth and the social order. In an introductory chapter the author explains his theory of metadrama, placing it in a general critical context as well as in the specific framework of Shakespeare's plays. He distinguishes between the meaning of metadrama and the similar terms "metaplay" and "metatheare." He points out that the dominant metadramatic aspect of the five plays under study is the interplay of language and action in drama. A separate chapter is devoted to the interpretation of each of the plays. Professor Calderwood is aware that in presenting his critical theory and interpretations he may be met with skepticism by other scholars and critics. He anticipates such a situation in the introduction: "To the critic trying on introductory styles for a book on Shakespearean metadrama," he writes, "the plight of Falstaff at the Boar's Head Tavern comes all to readily to mind. 'What trick," he must ask himself, 'what device, what starting-hole, canst thou now find out to hide thee from this open and apparent shame?'"
Book Synopsis Shakespeare's Comedy of Love by : Alexander Leggatt
Download or read book Shakespeare's Comedy of Love written by Alexander Leggatt and published by Routledge. This book was released on 2013-10-11 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1987. This study removes some of the critical puzzles that Shakespeare's comedies of love have posed in the past. The author shows that what distinguishes the comedies is not their similarity but their variety - the way in which each play is a new combination of essentially similar ingredients, so that, for example, the boy/girl changes in The Merchant of Venice are seen to have a quite different significance from those in As You Like It.
Book Synopsis Four Plays Ascribed to Shakespeare by : G. Harold Metz
Download or read book Four Plays Ascribed to Shakespeare written by G. Harold Metz and published by Routledge. This book was released on 2019-05-29 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1982, this volume responds to the attribution of numerous plays to Shakespeare which were not his own and selects four plays which have been ascribed in whole or in part to Shakespeare by responsible, talented scholars: The Reign of King Edward III, Sir Thomas More, The History of Cardenio and The Two Noble Kinsmen. Included in the bibliography are all the books, chapters and appendices of books, articles, review articles, reviews and notices of stage productions and a limited number of the more substantial discussions dealing with the four plays and published since 1930. The bibliography is organized by play with an initial section listing items dealing with two or more plays.
Book Synopsis Shakespeare's Romance of the Word by : Maurice Hunt
Download or read book Shakespeare's Romance of the Word written by Maurice Hunt and published by Bucknell University Press. This book was released on 1990 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work is a critical study of Pericles, Cymbeline, The Winter's Tale, and The Tempest, with a focus on Shakespeare's exploration of language in its destructive potentialities and its redemptive workings.
Book Synopsis Shakespeare's Agonistic Comedy by : G. Beiner
Download or read book Shakespeare's Agonistic Comedy written by G. Beiner and published by Fairleigh Dickinson Univ Press. This book was released on 1993 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: "As the poetics is based on the texts (not derived by deduction or theoretical extension from some principle of poetics), so it is applied as a tool of analysis to the texts and used in conjunction with evaluation. The underlying assumption is that the task of poetics is instrumental, and that its usefulness has to be demonstrated and verified in practice. Hence, the division of the book into two parts. As Part I formulates a poetics on the basis of the texts, so Part II applies the poetics to the major texts - always within the dynamics of the multiple-plot and multi-layered perspective on a play. Part II focuses in detail on The Merry Wives of Windsor, The Merchant of Venice, and Twelfth Night, analyzing the agons and placing them in relation to the comedy of love and the perspective of folly."--Jacket.
Book Synopsis Shakespearean Motives by : Derek Cohen
Download or read book Shakespearean Motives written by Derek Cohen and published by Springer. This book was released on 1987-12-17 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Commentary on Shakespeare's Richard III by : Wolfgang Clemen
Download or read book Commentary on Shakespeare's Richard III written by Wolfgang Clemen and published by Routledge. This book was released on 2013-10-11 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1968. Providing a detailed and rigorous analysis of Richard III, this Commentary reveals every nuance of meaning whilst maintaining a firm grasp on the structure of the play. The result is an outstanding lesson in the methodology of Shakespearian criticism as well as an essential study for students of the early plays of Shakespeare.
Book Synopsis Shakespeare, Spenser, Donne by : Frank Kermode
Download or read book Shakespeare, Spenser, Donne written by Frank Kermode and published by Psychology Press. This book was released on 2005 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays discusses some of the central works and areas of literature in the Renaissance period of cultural history.
Book Synopsis Themes and Variations in Shakespeare's Sonnets by : J B Leishman
Download or read book Themes and Variations in Shakespeare's Sonnets written by J B Leishman and published by Routledge. This book was released on 2013-04-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1961. This study analyses Shakespeare's treatment of the universal themes of Beauty, Love and Time. He compares Shakespeare with other great poets and sonnet writers - Pindar, Horace and Ovid, with Petrarch, Tasso and Ronsart, with Shakespeare's own English predecessors and contemporaries, notably Spenser, Daniel and Drayton and with John Donne. By discussing their resemblances and differences, a not altogether orthodox picture of Shakespeare's attitude to life is presented, which suggests that he was not as phlegmatic and equable a person as critics have often supposed.
Book Synopsis Shakespeare and the Classical Tradition by : Lewis Walker
Download or read book Shakespeare and the Classical Tradition written by Lewis Walker and published by Routledge. This book was released on 2019-05-24 with total page 920 pages. Available in PDF, EPUB and Kindle. Book excerpt: This bibliography will give comprehensive coverage to published commentary in English on Shakespeare and the Classical Tradition during the period from 1961-1985. Doctoral dissertations will also be included. Each entry will provide a clear and detailed summary of an item's contents. For pomes and plays based directly on classical sources like Antony and Cleopatra and The Rape of Lucrece, virtually all significant scholarly work during the period covered will be annotated. For other works such as Hamlet, any scholarship that deals with classical connotations will be annotated. Any other bibliographies used in the compiling of this volume will be described with emphasis on their value to a student of Shakespeare and the Classics.
Book Synopsis English Drama 1586-1642 by : G. K. Hunter
Download or read book English Drama 1586-1642 written by G. K. Hunter and published by Oxford University Press. This book was released on 1997 with total page 652 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare is usually set apart from his contemporaries, in kind no less than quality. This book, the long-awaited final volume in the Oxford History of English Literature, sees Elizabethan drama as drawn together by a shared need to deal with contradictory pressures from heterogeneous audiences, censorious authorities, profit driven managers, and authors looking for classic status and social esteem. Hunter follows the compromises and contradictions of the Elizabethan repertory, examining how Shakespeare and his fellow dramatists were able to move easily from vulgar realism to poetic transcendence.
Book Synopsis Mapping the Catholic Cultural Landscape by : Paula Jean Miller
Download or read book Mapping the Catholic Cultural Landscape written by Paula Jean Miller and published by Rowman & Littlefield. This book was released on 2004 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mapping the Catholic Cultural Landscape explores the intersection of Catholicism with cultural expressions of literature and art, holiness and personal devotion, faith and secular society. With essays selected from the world's first International Conference of Catholic Studies, this volume is a primary resource for Catholic Studies directors in curriculum development and for students in the classroom. This text emerges as an objective way of studying the relationship between religion, history, and culture.
Book Synopsis The Scandal of Images by : Marguerite A. Tassi
Download or read book The Scandal of Images written by Marguerite A. Tassi and published by Susquehanna University Press. This book was released on 2005 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making.
