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Seventeen Technical Studies For Timpani
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Book Synopsis Seventeen Technical Studies for Timpani by : Stanley Leonard
Download or read book Seventeen Technical Studies for Timpani written by Stanley Leonard and published by Alfred Music. This book was released on 2014-07-21 with total page 18 pages. Available in PDF, EPUB and Kindle. Book excerpt: The studies in this book are musical explorations in varied settings. They are designed to develop technical and musical skill in timpani performance.
Download or read book Primary Handbook for Timpani written by and published by Hal Leonard Corporation. This book was released on 2000-03-01 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Meredith Music Percussion). All of the fundamental elements of timpani playing are presented and illustrated. Tuning studies are developed in a unique easy to understand manner. The most complete beginning method available. (a href="http://youtu.be/2joJAd2ajsw" target="_blank")Click here for a YouTube video on Primary Handbook for Timpani(/a)
Book Synopsis The Well-tempered Timpanist by : Charles Dowd
Download or read book The Well-tempered Timpanist written by Charles Dowd and published by . This book was released on 1981 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Teaching Percussion written by Gary Cook and published by Schirmer. This book was released on 1997 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed as a core text for college level courses in percussion methods and pedagogy, Teaching Percussion is a comprehensive, up-to-date introduction to teaching methodology and performance techniques. Now updated, Teaching Percussion helps students and performers develop musical understanding and performance skills on some fifty percussion instruments. The Second Edition includes coverage of new developments in world music instruments and performance. In addition, Norman Weinberg, cofounder of the PAS World Percussion Network, has contributed a discussion of electronic percussion and new technology. The outstanding exercises, musical examples, photographs, illustrations, practical advice, and bibliographies - popular features in the first edition - have been retained and enhanced. Teaching Percussion, Second Edition, is an invaluable resource for students, faculty, and performers alike.
Book Synopsis Bulletin by : Texas Education Agency
Download or read book Bulletin written by Texas Education Agency and published by . This book was released on 1975 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The School Musician Director and Teacher by :
Download or read book The School Musician Director and Teacher written by and published by . This book was released on 1970 with total page 756 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Fundamental Method for Timpani by : Mitchell Peters
Download or read book Fundamental Method for Timpani written by Mitchell Peters and published by Alfred Music. This book was released on with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expertly written by timpanist/percussionist Mitchell Peters (Los Angeles Philharmonic), Fundamental Method for Timpani teaches the basics of timpani playing in a practical and musical way with numerous sticking, tuning and ear training exercises, plus over 60 musical etudes in a variety of styles. The book is organized into four chapters that may be used simultaneously: "General Information," "Basic Technique," "Etudes for Two Timpani" and "Etudes for Three and Four Timpani."
Book Synopsis Biographical Essays on Twentieth-century Percussionists by : Geary Larrick
Download or read book Biographical Essays on Twentieth-century Percussionists written by Geary Larrick and published by Lewiston, N.Y. : E. Mellen Press. This book was released on 1992 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This biography in the discipline of percussion music research, contains a considerable amount of contemporary detail regarding the professional careers of many important percussionists who have held leading positions since the early-20th century. It also includes information in the areas of symphonic and jazz music, including major composers and timpanists. The text is written in an accessible style by a percussionist who is acquainted with a considerable number of the biographical subjects. Among subjects included are Vida Chenoweth, Lionel Hampton, William Ludwig, Jan Pustjens, and 76 others.
Book Synopsis Luxury Arts of the Renaissance by : Marina Belozerskaya
Download or read book Luxury Arts of the Renaissance written by Marina Belozerskaya and published by Getty Publications. This book was released on 2005-10-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Download or read book The Popol Vuh written by Lewis Spence and published by New York : AMS Press. This book was released on 1908 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Complete Timpani Method by : Alfred Friese
Download or read book The Complete Timpani Method written by Alfred Friese and published by Alfred Music Publishing. This book was released on 1985-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a complete and extensive method for timpani. Each essential skill is covered: basic theory (the building blocks of all music) * technique and facts (from sticking, muffling, and rolls to instrument care) * intonation (tuning of intervals, scales, glissandos, three and four timpani exercises) and a large selection of standard symphonic timpani repertoire (from the classics of Beethoven, Brahms, Rachmaninoff, Shostakovich, R. Strauss, Tschaikowsky, Wagner, and more).
Book Synopsis Opera in Seventeenth-Century Venice by : Ellen Rosand
Download or read book Opera in Seventeenth-Century Venice written by Ellen Rosand and published by Univ of California Press. This book was released on 2007-10-09 with total page 712 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Book Synopsis Harrison Birtwistle Studies by : David Beard
Download or read book Harrison Birtwistle Studies written by David Beard and published by Cambridge University Press. This book was released on 2015-04-09 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection represents current research on Birtwistle's music, reflecting the diversity of his work through a wide range of perspectives.
Download or read book Seventeen written by and published by . This book was released on 1963 with total page 1314 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The John Ireland Companion by : Lewis Foreman
Download or read book The John Ireland Companion written by Lewis Foreman and published by Boydell & Brewer Ltd. This book was released on 2011 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs, piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT
Book Synopsis Choral Repertoire by : Dennis Shrock
Download or read book Choral Repertoire written by Dennis Shrock and published by Oxford University Press. This book was released on 2022 with total page 929 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Choral Repertoire is the definitive and comprehensive one-volume presentation of the most significant composers and compositions of choral music from the Western Hemisphere throughout recorded history. The book is designed for multiple uses-as a programming guide for practicing conductors, instructional resource for students and teachers of choral music, historic and stylistic reference for choral singers, and source of information about composers and compositions for choral enthusiasts-and as such, the book intends to further and make accessible important information relevant to the vast scope of choral music. Organized by era (Medieval, Renaissance, Baroque, Classical, and Modern), Choral Repertoire covers general characteristics of each historical era, trends and styles unique to various countries, biographical sketches of more than six hundred composers, and performance annotations of more than five thousand individual works. Of the composers, there is substantive coverage of women and composers of color, and of the repertoire, there is inclusion of lesser-known works as well as those works that are considered standard"--
Book Synopsis The Collected Writings of Franz Liszt by :
Download or read book The Collected Writings of Franz Liszt written by and published by Scarecrow Press. This book was released on 2013-12-19 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers and Performers, the third volume in Janita R. Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt heralds his admiration for early nineteenth-century opera and musical stage works. He honors Gluck, the musical prophet, as the cultivator of dramatic truth in the Romantic opera Orpheus, expounds on Beethoven’s harmonic inventions and innovative treatment of form in Fidelio, and argues for the latter’s incidental music to Goethe’s Egmont as the epitome of music organicism, a complete unity of words and tone. He also comments on Weber’s Euryanthe as offering the most progressive musical characterizations and declamation—even more so than his popular work Der Freischütz—and on how both works prefigure Wagner’s music dramas; awards Mendelssohn, whose genius Liszt ranks only slightly less than Beethoven’s, top honors for creating in Midsummer’s Night Dream the highest standards of music poetry; suggests how Scribe and Meyerbeer’s Robert the Devil paints a mental image of art’s eternal flames, where poet and musician share equal space in the development of music tragedy; reveals how the poetic deficiencies in the libretto to Schubert’s Alfonso and Estrella are too easily overlooked because of the music’s melodic and lyrical supremacy; and offers in contrast Auber’s Mute from Portici, a remarkable text by many historically picturesque musical motives that are universal and nationalistic at the same time. Finally Liszt offers an early gender study in music in his essay about Bellini’s Montague and Capulet (as well as its impact on nineteenth-century audiences), a look at Boieldieu’s White Lady as a sublime depiction of literary music, and Donizetti’s Favorite as colored with a special type of imagery, a laterna magica, in Liszt’s hand. The beloved soprano Pauline Viardot-Garcia receives special attention in an essay devoted entirely to her, and Liszt proffers a critique of entr’acte music as a pointless tradition that dethrones music and insults the artist and composer by making music a “palate cleanser.” This volume includes a detailed discussion about what it meant to be patronized by Liszt and how his support—financial, literary, and musical—helped shape many a music career. It also offers commentary on how gender in opera was sometimes obscured not only for dramatic interest but also as part of the process of outlining a nation’s identity,as well as a thorough study of Liszt’s concepts of Gestalt theory, the Archetype, and his musical Weltanschauung (his musical "world view"), all revealing his contribution to 19th-century music philosophy as it relates to opera. Finally, a historical review of entr’acte music is presented—how it began and how it developed—to clarify Liszt’s stance against it, making this volume a necessary read for music historians, serious musicians, and music connoisseurs alike.
