Russian And Soviet Views Of Modern Western Art 1890s To Mid 1930s

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Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s

Author : Ilia Dorontchenkov
Publisher : Univ of California Press
ISBN 13 : 0520253728
Total Pages : 364 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s by : Ilia Dorontchenkov

Download or read book Russian and Soviet Views of Modern Western Art, 1890s to Mid-1930s written by Ilia Dorontchenkov and published by Univ of California Press. This book was released on 2009-06-10 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the first Modernist exhibitions in the late 1890s to the Soviet rupture with the West in the mid-1930s, Russian artists and writers came into wide contact with modern European art and ideas. Introducing a wealth of little-known material set in an illuminating interpretive context, this sourcebook presents Russian and Soviet views of Western art during this critical period of cultural transformation. The writings document complex responses to these works and ideas before the Russians lost contact with them almost entirely. Many of these writings have been unavailable to foreign readers and, until recently, were not widely known even to Russian scholars. Both an important reference and a valuable resource for classrooms, the book includes an introductory essay and shorter introductions to the individual sections.

Russian and Soviet Views of Modern Western Art

Author : Ilia Dorontchenkov
Publisher :
ISBN 13 : 9780520353763
Total Pages : 0 pages
Book Rating : 4.3/5 (537 download)

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Book Synopsis Russian and Soviet Views of Modern Western Art by : Ilia Dorontchenkov

Download or read book Russian and Soviet Views of Modern Western Art written by Ilia Dorontchenkov and published by . This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

100 Years On: Revisiting the First Russian Art Exhibition of 1922

Author : Isabel Wünsche
Publisher : Böhlau Köln
ISBN 13 : 3412525650
Total Pages : 277 pages
Book Rating : 4.4/5 (125 download)

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Book Synopsis 100 Years On: Revisiting the First Russian Art Exhibition of 1922 by : Isabel Wünsche

Download or read book 100 Years On: Revisiting the First Russian Art Exhibition of 1922 written by Isabel Wünsche and published by Böhlau Köln. This book was released on 2022-12-12 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.

The Oxford Handbook of Russian Religious Thought

Author : George Pattison
Publisher : Oxford University Press, USA
ISBN 13 : 0198796447
Total Pages : 753 pages
Book Rating : 4.1/5 (987 download)

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Book Synopsis The Oxford Handbook of Russian Religious Thought by : George Pattison

Download or read book The Oxford Handbook of Russian Religious Thought written by George Pattison and published by Oxford University Press, USA. This book was released on 2020-06-13 with total page 753 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Russian Religious Thought is an authoritative new reference and interpretive volume detailing the origins, development, and influence of one of the richest aspects of Russian cultural and intellectual life - its religious ideas. After setting the historical background and context, the Handbook follows the leading figures and movements in modern Russian religious thought through a period of immense historical upheavals, including seventy years of officially atheist communist rule and the growth of an exiled diaspora with, e.g., its journal The Way. Therefore the shape of Russian religious thought cannot be separated from long-running debates with nihilism and atheism. Important thinkers such as Losev and Bakhtin had to guard their words in an environment of religious persecution, whilst some views were shaped by prison experiences. Before the Soviet period, Russian national identity was closely linked with religion - linkages which again are being forged in the new Russia. Relevant in this connection are complex relationships with Judaism. In addition to religious thinkers such as Philaret, Chaadaev, Khomiakov, Kireevsky, Soloviev, Florensky, Bulgakov, Berdyaev, Shestov, Frank, Karsavin, and Alexander Men, the Handbook also looks at the role of religion in aesthetics, music, poetry, art, film, and the novelists Dostoevsky and Tolstoy. Ideas, institutions, and movements discussed include the Church academies, Slavophilism and Westernism, theosis, the name-glorifying (imiaslavie) controversy, the God-seekers and God-builders, Russian religious idealism and liberalism, and the Neopatristic school. Occultism is considered, as is the role of tradition and the influence of Russian religious thought in the West.

Russian Orientalism in a global context

Author : Maria Taroutina
Publisher : Manchester University Press
ISBN 13 : 1526166224
Total Pages : 301 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Russian Orientalism in a global context by : Maria Taroutina

Download or read book Russian Orientalism in a global context written by Maria Taroutina and published by Manchester University Press. This book was released on 2023-06-27 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume features new research on Russia’s historic relationship with Asia and the ways it was mediated and represented in the fine, decorative and performing arts and architecture from the mid-eighteenth century to the first two decades of Soviet rule. It interrogates how Russia’s perception of its position on the periphery of the west and its simultaneous self-consciousness as a colonial power shaped its artistic, cultural and national identity as a heterogenous, multi-ethnic empire. It also explores the extent to which cultural practitioners participated in the discursive matrices that advanced Russia’s colonial machinery on the one hand and critiqued and challenged it on the other, especially in territories that were themselves on the fault lines between the east and the west.

2015

Author : Günter Berghaus
Publisher : Walter de Gruyter GmbH & Co KG
ISBN 13 : 3110422816
Total Pages : 698 pages
Book Rating : 4.1/5 (14 download)

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Book Synopsis 2015 by : Günter Berghaus

Download or read book 2015 written by Günter Berghaus and published by Walter de Gruyter GmbH & Co KG. This book was released on 2015-07-01 with total page 698 pages. Available in PDF, EPUB and Kindle. Book excerpt: The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its innovatory roles in the social and intellectual spheres. Most of the artists covered in Volume 5 (2015) are far from straightforward cases, but exactly because of this they can offer genuinely new insights into a still largely under-researched domain of twentieth-century art and literature. Guiding questions for these investigations are: How did these women come into contact with Futurist ideas? Was it first-hand knowledge (poems, paintings, manifestos etc) or second-hand knowledge (usually newspaper reports or personal conversions with artists who had been in contact with Futurism)? How did the women respond to the (positive or negative) reports? How did this show up in their œuvre? How did it influence their subsequent, often non-Futurist, career?

State Construction and Art in East Central Europe, 1918-2018

Author : Agnieszka Chmielewska
Publisher : Taylor & Francis
ISBN 13 : 100065561X
Total Pages : 317 pages
Book Rating : 4.0/5 (6 download)

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Book Synopsis State Construction and Art in East Central Europe, 1918-2018 by : Agnieszka Chmielewska

Download or read book State Construction and Art in East Central Europe, 1918-2018 written by Agnieszka Chmielewska and published by Taylor & Francis. This book was released on 2022-09-19 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a comprehensive perspective on the relationship between the art scene and agencies of the state in countries of the region, throughout four consecutive yet highly diverse historical periods: from the period of state integration after World War I, through the communist era post 1945 and the time of political transformation after 1989, to the present-day globalisation (including counter-reactions to westernisation and cultural homogenisation). With twenty-three theoretically and/or empirically oriented articles by authors from sixteen countries (East Central Europe and beyond, including the United States and Australia), the book discusses interconnections between state policies and artistic institutions, trends and the art market from diverse research perspectives. The contributors explore subjects such as the impact of war on the formation of national identities, the role of artists in image-building for the new national states emerging after 1918, the impact of political systems on artists’ attitudes, the discourses of art history, museum studies, monument conservation and exhibition practices. The book will be of interest to scholars working in art history, cultural politics, cultural history, and East Central European studies and history.

Modernism and the Spiritual in Russian Art

Author : Louise Hardiman
Publisher : Open Book Publishers
ISBN 13 : 1783743417
Total Pages : 320 pages
Book Rating : 4.7/5 (837 download)

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Book Synopsis Modernism and the Spiritual in Russian Art by : Louise Hardiman

Download or read book Modernism and the Spiritual in Russian Art written by Louise Hardiman and published by Open Book Publishers. This book was released on 2017-11-13 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.

Classics for the Masses

Author : Pauline Fairclough
Publisher : Yale University Press
ISBN 13 : 0300217196
Total Pages : 297 pages
Book Rating : 4.3/5 (2 download)

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Book Synopsis Classics for the Masses by : Pauline Fairclough

Download or read book Classics for the Masses written by Pauline Fairclough and published by Yale University Press. This book was released on 2016-01-01 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.

Vogue for Russia

Author : Caroline Maclean
Publisher : Edinburgh University Press
ISBN 13 : 0748647309
Total Pages : 240 pages
Book Rating : 4.7/5 (486 download)

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Book Synopsis Vogue for Russia by : Caroline Maclean

Download or read book Vogue for Russia written by Caroline Maclean and published by Edinburgh University Press. This book was released on 2015-01-20 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the influence of Russian aesthetics on British modernistsIn what ways was the British fascination with Russian arts, politics and people linked to a renewed interest in the unseen? How did ideas of Russianness and 'the Russian soul' - prompted by the arrival of the Ballets Russes and the rise of revolutionary ideals - attach themselves to the existing British fashion for theosophy, vitalism and occultism? In answering these questions, this study is the first to explore the overlap between Slavophilia and mysticism between 1900 and 1930 in Britain. The main Russian characters that emerge are Fedor Dostoevsky, Boris Anrep, Vasily Kandinsky, Petr Ouspensky and Sergei Eisenstein. The British modernists include Roger Fry, Virginia Woolf, Mary Butts, John Middleton Murry, Michael Sadleir and Katherine Mansfield. Key Features: Draws on unpublished archive material as well as on periodicals, exhibition catalogues, reviews, diaries, fiction and the visual artsAddresses the omission in modernist studies of the importance of Russian aesthetics and Russian discourses of the occult to British modernismChallenges the dominant Western European and transatlantic focus in modernist studies and provides an original contribution to our understanding of new global modernismsCombines literary studies with aesthetics, modernist history, the history of modern esotericism, film history, periodical studies and science studies

Mikhail Larionov and the Cultural Politics of Late Imperial Russia

Author : Sarah Warren
Publisher : Routledge
ISBN 13 : 1351558218
Total Pages : 313 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Mikhail Larionov and the Cultural Politics of Late Imperial Russia by : Sarah Warren

Download or read book Mikhail Larionov and the Cultural Politics of Late Imperial Russia written by Sarah Warren and published by Routledge. This book was released on 2017-07-05 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the turbulent atmosphere of early twentieth-century Tsarist Russia, avant-garde artists took advantage of a newly pluralistic culture in order to challenge orthodoxies of form as well as social prohibitions. Very few did this as effectively, or to as broad an audience, as Mikhail Larionov. This groundbreaking study examines the complete range of his work (painting, book illustration, performance, and curatorial work), and demonstrates that Larionov was taking part in a broader cultural conversation that arose out of fundamental challenges to autocratic rule. Sarah Warren brings the culture of late Imperial Russia out of obscurity, highlighting Larionov's specific interventions into conversations about nationality and empire, democracy and autocracy, and people and intelligentsia that colonized all areas of cultural production. Rather than analyzing Larionov's works within the same interpretive frameworks as those of his contemporaries in France or Germany-such as Matisse or Kirchner-Warren explores the Russian's negotiations with both nationalism and modernism. Further, this study shows that Larionov's group exhibitions, public debates, and face-painting performances were more than a derivative repetition of the techniques of the Italian Futurists. Rather, these activities were the culmination of his attempt to create a radical primitivism, one that exploited the widespread Russian desire for an authentic collective identity, while resisting imperial efforts to appropriate this revivalism to its own ends.

Acrobatic Modernism from the Avant-Garde to Prehistory

Author : Jed Rasula
Publisher : Oxford University Press
ISBN 13 : 0192570722
Total Pages : 473 pages
Book Rating : 4.1/5 (925 download)

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Book Synopsis Acrobatic Modernism from the Avant-Garde to Prehistory by : Jed Rasula

Download or read book Acrobatic Modernism from the Avant-Garde to Prehistory written by Jed Rasula and published by Oxford University Press. This book was released on 2020-02-27 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.

Modern Sculpture

Author : Douglas Dreishpoon
Publisher : Univ of California Press
ISBN 13 : 0520297490
Total Pages : 435 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Modern Sculpture by : Douglas Dreishpoon

Download or read book Modern Sculpture written by Douglas Dreishpoon and published by Univ of California Press. This book was released on 2022-10-25 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Artists of any ilk can be extremely opinionated when it comes to what they do, how they do it, and what it might mean. Sculptors are no exception. Modern Sculpture: Artists in Their Own Words presents a selection of manifestos, documents, statements, articles, and interviews from more than ninety subjects, including an ample selection of contemporary sculptors. With this book, editor Douglas Dreishpoon defers to sculptors, whose varied points of view illuminate the medium's perpetual transformation-from object to action, concept to phenomenon-over the course of two centuries. Each chapter progresses in chronological sequence to highlight the dominant stylistic, philosophical, and thematic threads that unite each kindred group. The result is a distinctive, artist-centric history and survey of sculpture that showcases the expansive dimensions and malleability of the medium"--

Solar Dance

Author : Modris Eksteins
Publisher : Harvard University Press
ISBN 13 : 0674069544
Total Pages : 408 pages
Book Rating : 4.6/5 (74 download)

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Book Synopsis Solar Dance by : Modris Eksteins

Download or read book Solar Dance written by Modris Eksteins and published by Harvard University Press. This book was released on 2012-04-17 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Modris Eksteins’s hands, the interlocking stories of Vincent van Gogh and art dealer Otto Wacker reveal the origins of the fundamental uncertainty that is the hallmark of the modern era. Through the lens of Wacker’s sensational 1932 trial in Berlin for selling fake Van Goghs, Eksteins offers a unique narrative of Weimar Germany, the rise of Hitler, and the replacement of nineteenth-century certitude with twentieth-century doubt. Berlin after the Great War was a magnet for art and transgression. Among those it attracted was Otto Wacker, a young gay dancer turned art impresario. His sale of thirty-three forged Van Goghs and the ensuing scandal gave Van Gogh’s work unprecedented commercial value. It also called into question a world of defined values and standards that had already begun to erode during the war. Van Gogh emerged posthumously as a hero who rejected organized religion and other suspect sources of authority in favor of art. Self-pitying Germans saw in his biography a series of triumphs—over defeat, poverty, and meaninglessness—that spoke to them directly. Eksteins shows how the collapsing Weimar Republic that made Van Gogh famous and gave Wacker an opportunity for reinvention propelled a third misfit into the spotlight. Taking advantage of the void left by a gutted belief system, Hitler gained power by fashioning myths of mastery. Filled with characters who delight and frighten, Solar Dance merges cultural and political history to show how upheavals of the early twentieth century gave rise to a search for authenticity and purpose.

Explodity

Author : Nancy Perloff
Publisher : Getty Publications
ISBN 13 : 1606065084
Total Pages : 210 pages
Book Rating : 4.6/5 (6 download)

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Book Synopsis Explodity by : Nancy Perloff

Download or read book Explodity written by Nancy Perloff and published by Getty Publications. This book was released on 2017-01-21 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: The artists’ books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets—including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky— collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning “beyond the mind”), which was distinctive in its emphasis on “sound as such” and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval’ (Explodity). In addition, Nancy Perloff examines the profound differences between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist’s book. Sound recordings of zaum poems featured in the book are available at www.getty.edu.

The Oxford Critical and Cultural History of Modernist Magazines

Author : Peter Brooker
Publisher : Oxford Critical Cultural Histo
ISBN 13 : 0199659583
Total Pages : 1527 pages
Book Rating : 4.1/5 (996 download)

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Book Synopsis The Oxford Critical and Cultural History of Modernist Magazines by : Peter Brooker

Download or read book The Oxford Critical and Cultural History of Modernist Magazines written by Peter Brooker and published by Oxford Critical Cultural Histo. This book was released on 2009 with total page 1527 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.

Malevich and Interwar Modernism

Author : Éva Forgács
Publisher : Bloomsbury Publishing
ISBN 13 : 1350204196
Total Pages : 329 pages
Book Rating : 4.3/5 (52 download)

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Book Synopsis Malevich and Interwar Modernism by : Éva Forgács

Download or read book Malevich and Interwar Modernism written by Éva Forgács and published by Bloomsbury Publishing. This book was released on 2022-01-13 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968.