Robert Paul And The Origins Of British Cinema

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Robert Paul and the Origins of British Cinema

Author : Ian Christie
Publisher : University of Chicago Press
ISBN 13 : 022661011X
Total Pages : 355 pages
Book Rating : 4.2/5 (266 download)

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Book Synopsis Robert Paul and the Origins of British Cinema by : Ian Christie

Download or read book Robert Paul and the Origins of British Cinema written by Ian Christie and published by University of Chicago Press. This book was released on 2019-12-09 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.

Robert Paul and the Origins of British Cinema

Author : Ian Christie
Publisher : University of Chicago Press
ISBN 13 : 0226105636
Total Pages : 355 pages
Book Rating : 4.2/5 (261 download)

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Book Synopsis Robert Paul and the Origins of British Cinema by : Ian Christie

The Kinetoscope

Author : Richard Brown
Publisher : Indiana University Press
ISBN 13 : 0861969316
Total Pages : 249 pages
Book Rating : 4.8/5 (619 download)

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Book Synopsis The Kinetoscope by : Richard Brown

Download or read book The Kinetoscope written by Richard Brown and published by Indiana University Press. This book was released on 2017-10-01 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of how the motion-picture device was developed, and its role in Victorian society and early cinema. The position of the kinetoscope in film history is central and undisputed; indicative of its importance is the detailed attention American scholars have given to examining its history. However, the Kinetoscope’s development in Britain has not been well documented and much current information about it is incomplete and out of date. This book, for the first time, presents a comprehensive account of the unauthorized and often colorful development of British kinetoscopes, using many previously unpublished sources. The commercial and technical backgrounds of the kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device’s place in the wider world of Victorian popular entertainment examined. In addition, a unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed.

British art cinema

Author : Paul Newland
Publisher : Manchester University Press
ISBN 13 : 1526133148
Total Pages : 433 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis British art cinema by : Paul Newland

Download or read book British art cinema written by Paul Newland and published by Manchester University Press. This book was released on 2019-07-23 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide a direct and comprehensive account of British art cinema. Film history has tended to view British filmmakers as aesthetically conservative, but the truth is they have a long tradition of experiment and artistry, both within and beyond the mainstream. Beginning with the silent period and running up to the 2010s, the book draws attention to this tradition while acknowledging that art cinema in Britain is a complex and fluid concept that needs to be considered within broader concerns. It will be of particular interest to scholars and students of British cinema history, film genre, experimental filmmaking, and British cultural history.

A Companion to British and Irish Cinema

Author : John Hill
Publisher : John Wiley & Sons
ISBN 13 : 1118482905
Total Pages : 608 pages
Book Rating : 4.1/5 (184 download)

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Book Synopsis A Companion to British and Irish Cinema by : John Hill

Download or read book A Companion to British and Irish Cinema written by John Hill and published by John Wiley & Sons. This book was released on 2019-05-07 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

The British 'B' Film

Author : Steve Chibnall
Publisher : Bloomsbury Publishing
ISBN 13 : 183871863X
Total Pages : 521 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis The British 'B' Film by : Steve Chibnall

Download or read book The British 'B' Film written by Steve Chibnall and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.

Seventies British Cinema

Author : Robert Shail
Publisher : Bloomsbury Publishing
ISBN 13 : 1838718052
Total Pages : 401 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Seventies British Cinema by : Robert Shail

Download or read book Seventies British Cinema written by Robert Shail and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seventies British Cinema provides a comprehensive re-evaluation of British film in the 1970s. The decade has long been written off in critical discussions as a 'doldrums' period in British cinema, perhaps because the industry, facing near economic collapse, turned to 'unacceptable' low culture genres such as sexploitation comedies or extreme horror. The contributors to this new collection argue that 1970s cinema is ripe for reappraisal: giving serious critical attention to populist genre films, they also consider the development of a British art cinema in the work of Derek Jarman and Peter Greenaway, and the beginnings of an independent sector fostered by the BFI Production Board and producers like Don Boyd. A host of highly individual directors managed to produce interesting and cinematically innovative work against the odds, from Nicolas Roeg to Ken Russell to Mike Hodges. As well as providing a historical and cinematic context for understanding Seventies cinema, the volume also features chapters addressing Hammer horror, the Carry On films, Bond films of the Roger Moore period, Jubilee and other films that responded to Punk rock; heritage cinema and case studies of key seventies films such as The Wicker Man and Straw Dogs. In all, the book provides the final missing piece in the rediscovery of British cinema's complex and protean history. Contributors: Ruth Barton, James Chapman, Ian Conrich, Wheeler Winston Dixon, Christophe Dupin, Steve Gerrard, Sheldon Hall I. Q. Hunter, James Leggott, Claire Monk, Paul Newland, Dan North, Robert Shail, Justin Smith and Sarah Street.

Memory and Popular Film

Author : Paul Grainge
Publisher : Manchester University Press
ISBN 13 : 9780719063756
Total Pages : 278 pages
Book Rating : 4.0/5 (637 download)

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Book Synopsis Memory and Popular Film by : Paul Grainge

Download or read book Memory and Popular Film written by Paul Grainge and published by Manchester University Press. This book was released on 2003-09-06 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking Hollywood as its focus, this timely book provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present. Considering the relationship between official and popular memory, the politics of memory, and the technological and representational shifts that have come to effect memory's contemporary mediation, the book contributes to the growing debate on the status and function of the past in cultural life and discourse. By gathering key critics from film studies, American studies and cultural studies, Memory and Popular Film establishes a framework for discussing issues of memory in film and of film as memory. Together with essays on the remembered past in early film marketing, within popular reminiscence, and at film festivals, the book considers memory films such as Forrest Gump, Lone Star, Pleasantville, Rosewood and Jackie Brown.

Living Pictures

Author : Deac Rossell
Publisher : SUNY Press
ISBN 13 : 9780791437674
Total Pages : 206 pages
Book Rating : 4.4/5 (376 download)

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Book Synopsis Living Pictures by : Deac Rossell

Download or read book Living Pictures written by Deac Rossell and published by SUNY Press. This book was released on 1998-01-01 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the near-simultaneous emergence of moving pictures in several countries in the mid-1890s and a thorough reevaluation of the development of the technology.CHOICE Outstanding Academic Book 1999

British cinema of the 1950s

Author : Ian Mackillop
Publisher : Manchester University Press
ISBN 13 : 1526137275
Total Pages : 249 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis British cinema of the 1950s by : Ian Mackillop

Download or read book British cinema of the 1950s written by Ian Mackillop and published by Manchester University Press. This book was released on 2018-07-30 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Offers a startling re-evaluation of what has until now been seen as the most critically lacklustre period of the British film history. Covers a variety of genres, such as B-movies, war films, women's pictures and theatrical adaptations; as well as social issues which affect film-making, such as censorship. Includes fresh assessment of maverick directors; Pat Jackson, Robert Hamer and Joseph Losey, and even of a maverick critic Raymond Durgnat. Features personal insights from those inidividually implicated in 1950s cinema; Corin Redgrave on Michael Redgrave, Isabel Quigly on film reviewing, and Bryony Dixon of the BFI on archiving and preservation. Presents a provocative challenge to conventional wisdom about 1950s film and rediscovers the Festival of Britain decade.

The Shadow and Its Shadow

Author : Paul Hammond
Publisher : City Lights Books
ISBN 13 : 9780872863767
Total Pages : 238 pages
Book Rating : 4.8/5 (637 download)

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Book Synopsis The Shadow and Its Shadow by : Paul Hammond

Download or read book The Shadow and Its Shadow written by Paul Hammond and published by City Lights Books. This book was released on 2000-11 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Shadow and Its Shadow is a classic collection of writings by the Surrealists on their mad love of moviegoing. The forty-odd theoretical, polemical, and poetical re-visions of the seventh art in this anthology document Surrealism's scandalous and nonreductive take on film. Writing between 1918 and 1977, the essayists include such names as Andréeacute; Breton, Louis Aragon, Robert Desnos, Salvador Dalíiacute;, Luis Buñntilde;uel, and man Ray, as well as many of the less famous though equally fascinating figures of the movement. Paul Hammond's introduction limns the history of Surrealist cinemania, highlighting how these revolutionary poets, artists, and philosophers sifted the silt of commercial-often Hollywood-cinema for the odd fleck of gold, the windfall movie that, somehow slipping past the censor, questioned the dominant order. Such prospecting pivoted around the notion of lyrical behavior-as depicted on the screen and as lived in the movie house. The representation of such behavior led the Surrealists to valorize the manifest content of such denigrated genres as silent and sound comedy, romantic melodrama, film noir, horror movies. As to lived experience, moviegoing Surrealists looked to the spectacle's latent meaning, reading films as the unwitting providers of redemptive sequences that could be mentally clipped out of their narrative context and inserted into daily life-there, to provoke new adventures. "Hammond's book is a reminder of the wealth and range of surrealist writings on the cinema. . . . [T]he work represented here is still challenging and genuinely eccentric, locating itself in an 'ethic' of love, reverie and revolt." --Sight & Sound "Hammond, who is the author of the invaluable anthology The Shadow and its Shadow: Surrealist Writing on the Cinema (1978), writes about cinema independently of the changing academic and cultural fashions of film theory and abhors the dogmas of contemporary border-patrol thought. His magnetically appealing free-wheeling form of erudite film-critical writing is recognisable for its iconoclastic humour, non-authoritarian verve and playful witty discursivity." --John Conomos, Senses of Cinema Paul Hammond is a writer, editor, and translator living in Barcelona. He is the author of Constellations of Miróoacute;, Breton which was published by City Lights.

Rediscovering Jacob Riis

Author : Bonnie Yochelson
Publisher : University of Chicago Press
ISBN 13 : 022618286X
Total Pages : 297 pages
Book Rating : 4.2/5 (261 download)

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Book Synopsis Rediscovering Jacob Riis by : Bonnie Yochelson

Download or read book Rediscovering Jacob Riis written by Bonnie Yochelson and published by University of Chicago Press. This book was released on 2014-08-18 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jacob Riis (1849-1914) was the author of How the Other Half Lives (1890). This study of his life and work includes excerpts from Riis’s diary, chronicling romance, poverty, temptation, and, after many false starts, employment as a writer and reformer. In the second half, Yochelson describes how Riis used photography to shock and influence his readers. The authors describe Riis’s intellectual education and discuss the influence of How the Other Half Lives on urban history. It shows that Riis argued for charity rather than social justice; but the fact that he understood what it was to be homeless did humanize Riis’s work, and that work has continued to inspire reformers. Yochelson focuses on how Riis came to obtain his now famous images, how they were manipulated for publication, and their influence on the young field of photography.

The Oxford History of World Cinema

Author : Geoffrey Nowell-Smith
Publisher : Oxford University Press
ISBN 13 : 0198742428
Total Pages : 847 pages
Book Rating : 4.1/5 (987 download)

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Book Synopsis The Oxford History of World Cinema by : Geoffrey Nowell-Smith

Download or read book The Oxford History of World Cinema written by Geoffrey Nowell-Smith and published by Oxford University Press. This book was released on 1996 with total page 847 pages. Available in PDF, EPUB and Kindle. Book excerpt: Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world

The Brighton School and the Birth of British Film

Author : Frank Gray
Publisher : Springer
ISBN 13 : 3030175057
Total Pages : 311 pages
Book Rating : 4.0/5 (31 download)

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Book Synopsis The Brighton School and the Birth of British Film by : Frank Gray

Download or read book The Brighton School and the Birth of British Film written by Frank Gray and published by Springer. This book was released on 2019-07-16 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study is devoted to the work of two early British filmmakers, George Albert Smith and James Williamson, and the films that they made around 1900. Internationally, they are known collectively as the ‘Brighton School’ and are positioned as being at the forefront of Britain’s contribution to the birth of film. The book focuses on the years 1896 to 1903, as it was during this short period that film emerged as a new technology, a new enterprise and a new form of entertainment. Beginning with a historiography of the Brighton School, the study goes on to examine the arrival of the first 35mm films in Britain, the first film exhibitions in Brighton and the first projection of film in Brighton. Both Smith and Williamson’s work features a progression from the production of single shot unedited films to multi-shot edited films. Their subject matter was inspired by a knowledge of contemporary pantomime, humour, literature, theatre, mesmerism, the magic lantern and current affairs and their practices were underpinned by active involvement in the new film trade. Through the exploration of how these filmmakers cultivated a new way of understanding film and its commercial potential, this book establishes them as key figures in the development of British film culture.

Networks of Entertainment

Author : Frank Kessler
Publisher : Indiana University Press
ISBN 13 : 0861969375
Total Pages : 353 pages
Book Rating : 4.8/5 (619 download)

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Book Synopsis Networks of Entertainment by : Frank Kessler

Download or read book Networks of Entertainment written by Frank Kessler and published by Indiana University Press. This book was released on 2008-02-05 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by prominent scholars examining film distribution in the early years of cinema. This collection of essays explores the complex issue of film distribution from the invention of cinema into the 1910s. From regional distribution networks to international marketing strategies, from the analysis of distribution catalogs to case studies on individual distributors, these essays written by well-known specialists in the field discuss the intriguing question of how films came to meet their audiences. Contributors include Richard Abel, Marta Braun, Joseph Garncarz, André Gaudreault, François Jost, Charlie Keil, Martin Loiperdinger, Viva Paci, Wanda Strauven, Gregory Waller, and many more.

Film and the Working Class

Author : Peter Stead
Publisher : Routledge
ISBN 13 : 1317928423
Total Pages : 319 pages
Book Rating : 4.3/5 (179 download)

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Book Synopsis Film and the Working Class by : Peter Stead

Download or read book Film and the Working Class written by Peter Stead and published by Routledge. This book was released on 2013-12-13 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking the subject chronologically from the 1890s to when the book was initially published in 1989, this book analyses those films specifically concerned with working-class conditions and struggle, and discusses them within the context of the debate on the social significance of the feature film. It concentrates on films which depict labour organizations and political activists, as well as life in working-class communities and actors with working-class identities such as James Cagney. Reviews of the original edition: ‘...fills a gap in film studies...the study of social and labour history, and the development of popular culture in Britain and the United States.’

A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography?

Author : Susie Linfield
Publisher : University of Chicago Press
ISBN 13 : 022604906X
Total Pages : 43 pages
Book Rating : 4.2/5 (26 download)

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Book Synopsis A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography? by : Susie Linfield

Download or read book A Little History of Photography Criticism; or, Why Do Photography Critics Hate Photography? written by Susie Linfield and published by University of Chicago Press. This book was released on 2012-12-20 with total page 43 pages. Available in PDF, EPUB and Kindle. Book excerpt: In A Short History of Photography Criticism; or, Why Do Photography Critics Hate Photography?, Susie Linfield contends that by looking at images of political violence and learning to see the people in them, we engage in an ethically and politically necessary act that connects us to our modern history of violence. For many years, Linfield’s acute analysis of photographs—from events as wide-ranging as the Holocaust, the Chinese Cultural Revolution, and recent acts of terrorism—has explored a complex connection between the practices of photojournalism and the rise of human rights ideals. By asking how photography should respond to the darker shadows of modern life, Linfield insists on the continuing moral relevance of photojournalism, while urging us not to avert our eyes from what James Agee once labeled “the cruel radiance of what is.”