Realism and Popular Cinema

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Publisher : Manchester University Press
ISBN 13 : 9780719052514
Total Pages : 302 pages
Book Rating : 4.0/5 (525 download)

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Book Synopsis Realism and Popular Cinema by : Julia Hallam

Download or read book Realism and Popular Cinema written by Julia Hallam and published by Manchester University Press. This book was released on 2000-08-05 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compares Once were warriors with other films that have similar themes.

Realism and the Cinema

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Publisher : London : Routledge & K. Paul : British Film Institute
ISBN 13 :
Total Pages : 306 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Realism and the Cinema by : British Film Institute

Download or read book Realism and the Cinema written by British Film Institute and published by London : Routledge & K. Paul : British Film Institute. This book was released on 1980 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reader brings together the principal arguments in the long-standing and often tortuous debate about realism in the cinema, linking them with a critical commentary which elucidates their dramatic and political character.

Rites of Realism

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Publisher : Duke University Press
ISBN 13 : 0822384612
Total Pages : 362 pages
Book Rating : 4.8/5 (223 download)

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Book Synopsis Rites of Realism by : Ivone Margulies

Download or read book Rites of Realism written by Ivone Margulies and published by Duke University Press. This book was released on 2003-03-27 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary. By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns—particularly the link between cinematic realism and contingency—that the other essays explore further. Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami. Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang

World Cinema and the Ethics of Realism

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Publisher : Bloomsbury Publishing USA
ISBN 13 : 1441154655
Total Pages : 312 pages
Book Rating : 4.4/5 (411 download)

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Book Synopsis World Cinema and the Ethics of Realism by : Lúcia Nagib

Download or read book World Cinema and the Ethics of Realism written by Lúcia Nagib and published by Bloomsbury Publishing USA. This book was released on 2011-01-20 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its allegiance to narrative mimesis, but Nagib challenges this, drawing instead on the filmmaker's commitment to truth and to the film medium's material bond with the real. Starting from the premise that world cinema's creative peaks are governed by an ethics of realism, Nagib conducts comparative case studies picked from world new waves, such as the Japanese New Wave, the French nouvelle vague, the Cinema Novo, the New German Cinema, the Russo-Cuban Revolutionary Cinema, the Portuguese self-performing auteur and the Inuit Indigenous Cinema. Drawing upon Badiou and Rancière, World Cinema and the Ethics of Realism revisits and reformulates several fundamental concepts in film studies, such as illusionism, identification, apparatus, alienation effects, presentation and representation. Its groundbreaking scholarship takes film theory in a bold new direction.

Realist Cinema as World Cinema

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Publisher : Film Culture in Transition
ISBN 13 : 9789462987517
Total Pages : 300 pages
Book Rating : 4.9/5 (875 download)

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Book Synopsis Realist Cinema as World Cinema by : Lúcia Nagib

Download or read book Realist Cinema as World Cinema written by Lúcia Nagib and published by Film Culture in Transition. This book was released on 2020-10-19 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin.

Subjective Realist Cinema

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Publisher : Berghahn Books
ISBN 13 : 1782382798
Total Pages : 160 pages
Book Rating : 4.7/5 (823 download)

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Book Synopsis Subjective Realist Cinema by : Matthew Campora

Download or read book Subjective Realist Cinema written by Matthew Campora and published by Berghahn Books. This book was released on 2014-03-30 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ "subjective realist" narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers' enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

Realism and 'reality' in Film and Media

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Publisher : Museum Tusculanum Press
ISBN 13 : 9788772897165
Total Pages : 288 pages
Book Rating : 4.8/5 (971 download)

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Book Synopsis Realism and 'reality' in Film and Media by : Anne Jerslev

Download or read book Realism and 'reality' in Film and Media written by Anne Jerslev and published by Museum Tusculanum Press. This book was released on 2002 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 2002 theme of 'Northern Lights' is dedicated to the representation of reality in film, TV and new media -- a question of new importance in modern film and media, where a new wave of realism has dominated cinema and reality -- TV became a mass phenomena on both TV and the internet. Eleven articles by Danish, British, and American film and media researchers focus on two sub-themes: 'Film and Realism' deals theoretically with film realism and analyses classic films and modern Danish Dogma films; 'Documentary Forms, Reality TV and New Media' treats new forms of non-fiction film, TV and on the internet in a both theoretical and historical perspective.

Magic Realism, World Cinema, and the Avant-Garde

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Publisher : Routledge
ISBN 13 : 1315312794
Total Pages : 248 pages
Book Rating : 4.3/5 (153 download)

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Book Synopsis Magic Realism, World Cinema, and the Avant-Garde by : Felicity Gee

Download or read book Magic Realism, World Cinema, and the Avant-Garde written by Felicity Gee and published by Routledge. This book was released on 2021-04-19 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book follows the hybrid and contradictory history of magic realism through the writings of three key figures – art historian Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric Jameson – drawing links between their political, aesthetic, and philosophical ideas on art’s relationship to reality. Magic realism is vast in scope, spanning almost a century, and is often confused with neighbouring styles of literature or art, most notably surrealism. The fascinating conditions of modernist Europe are complex and contradictory, a spirit that magic realism has taken on as it travels far and wide. The filmmakers and writers in this book acknowledge the importance of feeling, atmosphere, and mood to subtly provoke and resist global capitalism. Theirs is the history of magic-realist cinema. The book explores this history through the modernist avant-garde in search of a new theory of cinematic magic realism. It uncovers a resistant, geopolitical form of world cinema – moving from Europe, through Latin America and the former Soviet Union, to Thailand – that emerges from these ideas. This book is invaluable to any reader interested in world modernism(s) in relation to contemporary cinema and geopolitics. Its sustained analysis of film as a sensory, intermedial medium is of interest to scholars working across the visual arts, literature, critical theory, and film-philosophy.

Realism and the Birth of the Modern United States

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Publisher : University of Georgia Press
ISBN 13 : 9780820317304
Total Pages : 260 pages
Book Rating : 4.3/5 (173 download)

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Book Synopsis Realism and the Birth of the Modern United States by : Stanley Corkin

Download or read book Realism and the Birth of the Modern United States written by Stanley Corkin and published by University of Georgia Press. This book was released on 1996 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers an interdisciplinary view of American culture in the late nineteenth and early twentieth centuries. Using the conventions of historical study, Stanley Corkin draws out the ways in which the works of writers and filmmakers from 1885 to 1925 shaped and were shaped by the business, politics, and social life of the period. Corkin traces the entrance of the United States into the modern age by considering the historical dimension of cinema and literary aesthetics: first of realism, then naturalism, and finally modernism. He begins with the work of writer William Dean Howells and the advent of American cinema under the stewardship of Thomas Edison, arguing that realism was complexly involved in Progressive political and economic reform. Next, analyses of Theodore Dreiser's novel Sister Carrie and the films of the Edison Company's star director, Edwin S. Porter, detail the relationships of naturalism to the increasingly abstract presentation of the material commodity through mass marketing. The study culminates with an examination of the parallels between Ernest Hemingway's In Our Time and the D. W. Griffith film The Birth of a Nation. These two modernist works, Corkin contends, illustrate strategies of expression that attempt to move the material commodity away from its economic base and into a pristine, apolitical realm. These literary and cinematic works both reflect and participate in the economic, political, and social reorganization of American life from the top down. The result, Corkin concludes, is a world in which a conception of a human being is asserted as differing little from that of a machine, a tree, or an animal.

British Social Realism

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Publisher : Columbia University Press
ISBN 13 : 0231501617
Total Pages : 159 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis British Social Realism by : Samantha Lay

Download or read book British Social Realism written by Samantha Lay and published by Columbia University Press. This book was released on 2019-07-25 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.

New Realism

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Publisher : Edinburgh University Press
ISBN 13 : 1474413048
Total Pages : 224 pages
Book Rating : 4.4/5 (744 download)

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Book Synopsis New Realism by : David Forrest

Download or read book New Realism written by David Forrest and published by Edinburgh University Press. This book was released on 2020-03-18 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.

The Politics and Poetics of Cinematic Realism

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Publisher : Columbia University Press
ISBN 13 : 0231539312
Total Pages : 276 pages
Book Rating : 4.2/5 (315 download)

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Book Synopsis The Politics and Poetics of Cinematic Realism by : Hermann Kappelhoff

Download or read book The Politics and Poetics of Cinematic Realism written by Hermann Kappelhoff and published by Columbia University Press. This book was released on 2015-08-11 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to bind concrete living conditions to individual experience (which existing political institutions cannot), he reads films by Sergei Eisenstein and Pedro Almodóvar, by the New Objectivity and the New Hollywood, to demonstrate how cinema situates spectators within society. Kappelhoff applies the Deleuzean practice of "thinking in images" to his analysis of films and incorporates the approaches of Jacques Rancière and Richard Rorty, who see politics in the permanent reconfiguration of poetic forms. This enables him to conceptualize film as a medium that continually renews the audiovisual spaces and temporalities through which audiences confront reality. Revitalizing the reading of films by Visconti, Fassbinder, Kubrick, Friedkin, and others, Kappelhoff affirms cinema's historical significance while discovering its engagement with politics as a realm of experience.

A Certain Realism

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Publisher : Univ of California Press
ISBN 13 : 0520078551
Total Pages : 391 pages
Book Rating : 4.5/5 (2 download)

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Book Synopsis A Certain Realism by : Maurizio Viano

Download or read book A Certain Realism written by Maurizio Viano and published by Univ of California Press. This book was released on 1993-07-15 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Superb. . . . In its careful handling of the biographical and the autobiographical, the factual and the speculative, this book will become a model for how studies of individual directors should be done in the future."—Peter Brunette, author of Roberto Rossellini

Realism of the Senses in World Cinema

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Publisher :
ISBN 13 : 9780755694617
Total Pages : 268 pages
Book Rating : 4.6/5 (946 download)

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Book Synopsis Realism of the Senses in World Cinema by : Tiago De Luca

Download or read book Realism of the Senses in World Cinema written by Tiago De Luca and published by . This book was released on 2019 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on foundational realist theories and recent takes on the body and the senses, this title examines the fascinating work of Carlos Reygadas, Tsai Ming-liang and Gus Van Sant.

Realist film theory and cinema

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Publisher : Manchester University Press
ISBN 13 : 1526141744
Total Pages : 255 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Realist film theory and cinema by : Ian Aitken

Download or read book Realist film theory and cinema written by Ian Aitken and published by Manchester University Press. This book was released on 2019-01-04 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: ‘Realist film theory and cinema’ embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken’s work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.

Mists of Regret

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Publisher : Princeton University Press
ISBN 13 : 0691239444
Total Pages : 426 pages
Book Rating : 4.6/5 (912 download)

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Book Synopsis Mists of Regret by : Dudley Andrew

Download or read book Mists of Regret written by Dudley Andrew and published by Princeton University Press. This book was released on 2021-11-09 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.

Popular Cinema of the Third Reich

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Publisher : University of Texas Press
ISBN 13 : 9780292734586
Total Pages : 292 pages
Book Rating : 4.7/5 (345 download)

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Book Synopsis Popular Cinema of the Third Reich by : Sabine Hake

Download or read book Popular Cinema of the Third Reich written by Sabine Hake and published by University of Texas Press. This book was released on 2001 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.