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Race And Racism In Nineteenth Century Art
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Book Synopsis Race and Racism in Nineteenth-Century Art by : Naurice Frank Woods
Download or read book Race and Racism in Nineteenth-Century Art written by Naurice Frank Woods and published by . This book was released on 2021-07-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The extraordinary struggle, achievement, loss, and reclamation of three brilliant African American artists of the 1800s
Book Synopsis Race and Racism in Nineteenth-century Art by : Naurice Frank Woods (Jr.)
Download or read book Race and Racism in Nineteenth-century Art written by Naurice Frank Woods (Jr.) and published by . This book was released on 2021 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: The extraordinary struggle, achievement, loss and reclamation of three brilliant African American artists of the 1800s.
Book Synopsis Race and Racism in Nineteenth-Century Art by : Naurice Frank Woods Jr.
Download or read book Race and Racism in Nineteenth-Century Art written by Naurice Frank Woods Jr. and published by Univ. Press of Mississippi. This book was released on 2021-06-28 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Painters Robert Duncanson (ca. 1821–1872) and Edward Bannister (1828–1901) and sculptor Mary Edmonia Lewis (ca. 1844–1907) each became accomplished African American artists. But as emerging art makers of color during the antebellum period, they experienced numerous incidents of racism that severely hampered their pursuits of a profession that many in the mainstream considered the highest form of social cultivation. Despite barriers imposed upon them due to their racial inheritance, these artists shared a common cause in demanding acceptance alongside their white contemporaries as capable painters and sculptors on local, regional, and international levels. Author Naurice Frank Woods Jr. provides an in-depth examination of the strategies deployed by Duncanson, Bannister, and Lewis that enabled them not only to overcome prevailing race and gender inequality, but also to achieve a measure of success that eventually placed them in the top rank of nineteenth-century American art. Unfortunately, the racism that hampered these three artists throughout their careers ultimately denied them their rightful place as significant contributors to the development of American art. Dominant art historians and art critics excluded them in their accounts of the period. In this volume, Woods restores their artistic legacies and redeems their memories, introducing these significant artists to rightful, new audiences.
Book Synopsis Blacks and Blackness in European Art of the Long Nineteenth Century by : AdrienneL. Childs
Download or read book Blacks and Blackness in European Art of the Long Nineteenth Century written by AdrienneL. Childs and published by Routledge. This book was released on 2017-07-05 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compelling and troubling, colorful and dark, black figures served as the quintessential image of difference in nineteenth-century European art; the essays in this volume further the investigation of constructions of blackness during this period. This collection marks a phase in the scholarship on images of blacks that moves beyond undifferentiated binaries like ?negative? and ?positive? that fail to reveal complexities, contradictions, and ambiguities. Essays that cover the late eighteenth through the early twentieth century explore the visuality of blackness in anti-slavery imagery, black women in Orientalist art, race and beauty in fin-de-si?e photography, the French brand of blackface minstrelsy, and a set of little-known images of an African model by Edvard Munch. In spite of the difficulty of resurrecting black lives in nineteenth-century Europe, one essay chronicles the rare instance of an American artist of color in mid-nineteenth-century Europe. With analyses of works ranging from G?cault's Raft of the Medusa, to portraits of the American actor Ira Aldridge, this volume provides new interpretations of nineteenth-century representations of blacks.
Book Synopsis Race and Racism in Nineteenth-Century Art by : Naurice Frank Woods
Download or read book Race and Racism in Nineteenth-Century Art written by Naurice Frank Woods and published by . This book was released on 2021-07-15 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The extraordinary struggle, achievement, loss and reclamation of three brilliant African American artists of the 1800s
Book Synopsis Race and Vision in the Nineteenth-Century United States by : Shirley Samuels
Download or read book Race and Vision in the Nineteenth-Century United States written by Shirley Samuels and published by Rowman & Littlefield. This book was released on 2019-11-08 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the most prominent writers about race and identity, such as Herman Melville and Harriet Beecher Stowe, as well as the technologies of performance including theater and music. Recent work in critical theories of vision, technology, and the production of ideas about racial discourse has emphasized the inextricability of photography with notions of race and American identity. The collected essays provide a vivid sense of how imagery about race appears in the formative period of the nineteenth-century United States.
Book Synopsis Race-ing Art History by : Kymberly N. Pinder
Download or read book Race-ing Art History written by Kymberly N. Pinder and published by Routledge. This book was released on 2013-04-15 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Art produced by non-Europeans has naturally been compared to Western art and its study, which refers to a binary way of viewing both. Each essay in this collection is a response to this vision, to the distant mirror of looking at the other.
Book Synopsis "Race, Representation & Photography in 19th-Century Memphis " by : EarnestineLovelle Jenkins
Download or read book "Race, Representation & Photography in 19th-Century Memphis " written by EarnestineLovelle Jenkins and published by Routledge. This book was released on 2017-07-05 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Race, Representation & Photography in 19th-Century Memphis: from Slavery to Jim Crow presents a rich interpretation of African American visual culture. Using Victorian era photographs, engravings, and pictorial illustrations from local and national archives, this unique study examines intersections of race and image within the context of early African American communities. It emphasizes black agency, looking at how African Americans in Memphis manipulated the power of photography in the creation of free identities. Blacks are at the center of a study that brings to light how wide-ranging practices of photography were linked to racialized experiences in the American south following the Civil War. Jenkins' book connects the social history of photography with the fields of visual culture, art history, southern studies, gender, and critical race studies.
Book Synopsis Mexican Costumbrismo by : Mey-Yen Moriuchi
Download or read book Mexican Costumbrismo written by Mey-Yen Moriuchi and published by Penn State Press. This book was released on 2018-11-08 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo. In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity. Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi’s study is a provocative art-historical examination of costumbrismo’s lasting impact on Mexican identity and history. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Book Synopsis ‘Race Is Everything’ by : David Bindman
Download or read book ‘Race Is Everything’ written by David Bindman and published by Reaktion Books. This book was released on 2023-07-17 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: A timely and revealing look at the intertwined histories of science, art, and racism. ‘Race Is Everything’ explores the spurious but influential ideas of so-called racial science in the nineteenth and the first half of the twentieth centuries, and how art was affected by it. David Bindman looks at race in general, but with particular concentration on attitudes toward and representations of people of African and Jewish descent. He argues that behind all racial ideas of the period lies the belief that outward appearance—and especially skull shape, as studied in the pseudoscience of phrenology—can be correlated with inner character and intelligence, and that these could be used to create a seemingly scientific hierarchy of races. The book considers many aspects of these beliefs, including the skull as a racial marker; ancient Egypt as a precedent for Southern slavery; Darwin, race, and aesthetics; the purported “Mediterranean race”; the visual aspects of eugenics; and the racial politics of Emil Nolde.
Book Synopsis Crania Americana by : Samuel George Morton
Download or read book Crania Americana written by Samuel George Morton and published by . This book was released on 1840 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Southern History Across the Color Line by : Nell Irvin Painter
Download or read book Southern History Across the Color Line written by Nell Irvin Painter and published by UNC Press Books. This book was released on 2002 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work reaches across the colour line to examine how race, gender, class and individual subjectivity shaped the lives of black and white women in the 19th- and 20th-century American South.
Book Synopsis "Race, Representation & Photography in 19th-Century Memphis " by : EarnestineLovelle Jenkins
Download or read book "Race, Representation & Photography in 19th-Century Memphis " written by EarnestineLovelle Jenkins and published by . This book was released on 2017 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "Race, Representation & Photography in 19th-Century Memphis: from Slavery to Jim Crow presents a rich interpretation of African American visual culture. Using Victorian era photographs, engravings, and pictorial illustrations from local and national archives, this unique study examines intersections of race and image within the context of early African American communities. It emphasizes black agency, looking at how African Americans in Memphis manipulated the power of photography in the creation of free identities. Blacks are at the center of a study that brings to light how wide-ranging practices of photography were linked to racialized experiences in the American south following the Civil War. Jenkins' book connects the social history of photography with the fields of visual culture, art history, southern studies, gender, and critical race studies."--Provided by publisher.
Book Synopsis Study in Black and White by : Tanya Sheehan
Download or read book Study in Black and White written by Tanya Sheehan and published by Penn State Press. This book was released on 2019-05-06 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this volume, Tanya Sheehan takes humor seriously in order to trace how photographic comedy was used in America and transnationally to express evolving ideas about race, black emancipation, and civil rights in the mid-1800s and into the twentieth century. Sheehan employs a trove of understudied materials to write a new history of photography, one that encompasses the rise of the commercial portrait studio in the 1840s, the popularization of amateur photography around 1900, and the mass circulation of postcards and other photographic ephemera in the twentieth century. She examines the racial politics that shaped some of the most essential elements of the medium, from the negative-positive process to the convention of the photographic smile. The book also places historical discourses in relation to contemporary art that critiques racism through humor, including the work of Genevieve Grieves, Adrian Piper, Lorna Simpson, Kara Walker, and Fred Wilson. By treating racial humor about and within the photographic medium as complex social commentary, rather than a collectible curiosity, Study in Black and White enriches our understanding of photography in popular culture. Transhistorical and interdisciplinary, this book will be of vital interest to scholars of art history and visual studies, critical race studies, U.S. history, and African American studies.
Book Synopsis The Cambridge History of French Thought by : Michael Moriarty
Download or read book The Cambridge History of French Thought written by Michael Moriarty and published by Cambridge University Press. This book was released on 2019-05-30 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: French thinkers have revolutionized European thought about knowledge, religion, politics, and society. Delivering a comprehensive history of thought in France from the Middle Ages to the present, this book follows themes and developments of thought across the centuries. It provides readers with studies of both systematic thinkers and those who operate less systematically, through essays or fragments, and places them all in their many contexts. Informed by up-to-date research, these accessible chapters are written by prominent experts in their fields who investigate key concepts in non-technical language. Chapters feature treatments of specific thinkers as individuals including Voltaire, Rousseau, Descartes and Derrida, but also more general movements and schools of thought from humanism to liberalism, via the Enlightenment, Romanticism, Marxism, and feminism. Furthermore, the influence of gender, race, empire and slavery are investigated to offer a broad and fulfilling account of French thought throughout the ages.
Book Synopsis The Victorians and Race by : Shearer West
Download or read book The Victorians and Race written by Shearer West and published by . This book was released on 1996 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on race, the aim of this work is to reflect, develop and extend interest in the 19th century - as the former epoch has come sharply into focus as a locus for our understanding not only of the past, but the contours of our modernity.
Book Synopsis Racial Innocence by : Robin Bernstein
Download or read book Racial Innocence written by Robin Bernstein and published by NYU Press. This book was released on 2011-12-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2013 Book Award Winner from the International Research Society in Children's Literature 2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education 2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association 2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association 2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers Part of the American Literatures Initiative Series Beginning in the mid nineteenth century in America, childhood became synonymous with innocence—a reversal of the previously-dominant Calvinist belief that children were depraved, sinful creatures. As the idea of childhood innocence took hold, it became racialized: popular culture constructed white children as innocent and vulnerable while excluding black youth from these qualities. Actors, writers, and visual artists then began pairing white children with African American adults and children, thus transferring the quality of innocence to a variety of racial-political projects—a dynamic that Robin Bernstein calls “racial innocence.” This phenomenon informed racial formation from the mid nineteenth century through the early twentieth. Racial Innocence takes up a rich archive including books, toys, theatrical props, and domestic knickknacks which Bernstein analyzes as “scriptive things” that invite or prompt historically-located practices while allowing for resistance and social improvisation. Integrating performance studies with literary and visual analysis, Bernstein offers singular readings of theatrical productions from blackface minstrelsy to Uncle Tom’s Cabin to The Wonderful Wizard of Oz; literary works by Joel Chandler Harris, Harriet Wilson, and Frances Hodgson Burnett; material culture including Topsy pincushions, Uncle Tom and Little Eva handkerchiefs, and Raggedy Ann dolls; and visual texts ranging from fine portraiture to advertisements for lard substitute. Throughout, Bernstein shows how “innocence” gradually became the exclusive province of white children—until the Civil Rights Movement succeeded not only in legally desegregating public spaces, but in culturally desegregating the concept of childhood itself. Check out the author's blog for the book here.
