Philosophy And Theatre

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Philosophy and Theatre

Author : Tom Stern
Publisher : Routledge
ISBN 13 : 1134575912
Total Pages : 225 pages
Book Rating : 4.1/5 (345 download)

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Book Synopsis Philosophy and Theatre by : Tom Stern

Download or read book Philosophy and Theatre written by Tom Stern and published by Routledge. This book was released on 2013-10-01 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between philosophy and theatre is a central theme in the writings of Plato and Aristotle and of dramatists from Aristophanes to Stoppard. Where Plato argued that playwrights and actors should be banished from the ideal city for their suspect imitations of reality, Aristotle argued that theatre, particularly tragedy, was vital for stimulating our emotions and helping us to understanding ourselves. Despite this rich history the study of philosophy and theatre has been largely overlooked in contemporary philosophy. This is the first book to introduce philosophy and theatre. It covers key topics and debates, presenting the contributions of major figures in the history of philosophy, including: what is theatre? How does theatre compare with other arts? theatre as imitation, including Plato on mimesis truth and illusion in the theatre, including Nietzsche on tragedy theatre as history theatre and morality, including Rousseau’s criticisms of theatre audience and emotion, including Aristotle on catharsis theatre and politics, including Brecht’s Epic Theatre. Including annotated further reading and summaries at the end of each chapter, Philosophy and Theatre is an ideal starting point for those studying philosophy, theatre studies and related subjects in the arts and humanities.

Staging Philosophy

Author : David Krasner
Publisher : University of Michigan Press
ISBN 13 : 0472025147
Total Pages : 343 pages
Book Rating : 4.4/5 (72 download)

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Book Synopsis Staging Philosophy by : David Krasner

Download or read book Staging Philosophy written by David Krasner and published by University of Michigan Press. This book was released on 2010-02-11 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifteen original essays in Staging Philosophy make useful connections between the discipline of philosophy and the fields of theater and performance and use these insights to develop new theories about theater. Each of the contributors—leading scholars in the fields of performance and philosophy—breaks new ground, presents new arguments, and offers new theories that will pave the way for future scholarship. Staging Philosophy raises issues of critical importance by providing case studies of various philosophical movements and schools of thought, including aesthetics, analytic philosophy, phenomenology, deconstruction, critical realism, and cognitive science. The essays, which are organized into three sections—history and method, presence, and reception—take up fundamental issues such as spectatorship, empathy, ethics, theater as literature, and the essence of live performance. While some essays challenge assertions made by critics and historians of theater and performance, others analyze the assumptions of manifestos that prescribe how practitioners should go about creating texts and performances. The first book to bridge the disciplines of theater and philosophy, Staging Philosophy will provoke, stimulate, engage, and ultimately bring theater to the foreground of intellectual inquiry while it inspires further philosophical investigation into theater and performance. David Krasner is Associate Professor of Theater Studies, African American Studies, and English at Yale University. His books include A Beautiful Pageant: African American Theatre, Drama, and Performance in the Harlem Renaissance, 1910-1920 and Renaissance, Parody, and Double Consciousness in African American Theatre, 1895-1910. He is co-editor of the series Theater: Theory/Text/Performance. David Z. Saltz is Professor of Theatre Studies and Head of the Department of Theatre and Film Studies at the University of Georgia. He is coeditor of Theater Journal and is the principal investigator of the innovative Virtual Vaudeville project at the University of Georgia.

The Philosophy of Theatre, Drama and Acting

Author : Tom Stern
Publisher : Rowman & Littlefield
ISBN 13 : 1783486236
Total Pages : 216 pages
Book Rating : 4.7/5 (834 download)

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Book Synopsis The Philosophy of Theatre, Drama and Acting by : Tom Stern

Download or read book The Philosophy of Theatre, Drama and Acting written by Tom Stern and published by Rowman & Littlefield. This book was released on 2017-11-30 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Philosophy of Theatre, Drama and Acting is the ideal collection for students and scholars of aesthetics, theatre studies and the philosophy of art. Ever since the Greeks, philosophy and theatre have always enjoyed a close and often antagonistic relationship. Yet until recently relatively little scholarly attention has been paid to the relationship between philosophy and theatre, drama or acting. This book offers a collection of new essays by renowned scholars on important topics. It includes a clear account of different contemporary debates and discussions from across the field, and includes coverage of significant figures in the history of philosophy (such as Schlegel, Hegel and Nietzsche) and contemporary philosophical analysis of the nature of theatre, drama and acting, as well as theatre’s relation to philosophy and other arts.

Philosophy as Drama

Author : Hallvard Fossheim
Publisher : Bloomsbury Publishing
ISBN 13 : 1350082503
Total Pages : 265 pages
Book Rating : 4.3/5 (5 download)

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Book Synopsis Philosophy as Drama by : Hallvard Fossheim

Download or read book Philosophy as Drama written by Hallvard Fossheim and published by Bloomsbury Publishing. This book was released on 2019-08-22 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plato's philosophical dialogues can be seen as his creation of a new genre. Plato borrows from, as well as rejects, earlier and contemporary authors, and he is constantly in conversation with established genres, such as tragedy, comedy, lyric poetry, and rhetoric in a variety of ways. This intertextuality reinforces the relevance of material from other types of literary works, as well as a general knowledge of classical culture in Plato's time, and the political and moral environment that Plato addressed, when reading his dramatic dialogues. The authors of Philosophy as Drama show that any interpretation of these works must include the literary and narrative dimensions of each text, as much as serious the attention given to the progression of the argument in each piece. Each dialogue is read on its own merit, and critical comparisons of several dialogues explore the differences and likenesses between them on a dramatic as well as on a logical level. This collection of essays moves debates in Plato scholarship forward when it comes to understanding both particular aspects of Plato's dialogues and the approach itself. Containing 11 chapters of close readings of individual dialogues, with 2 chapters discussing specific themes running through them, such as music and sensuousness, pleasure, perception, and images, this book displays the range and diversity within Plato's corpus.

Gilles Deleuze and the Theater of Philosophy

Author : Constantin V. Boundas
Publisher : Routledge
ISBN 13 : 1351622226
Total Pages : 455 pages
Book Rating : 4.3/5 (516 download)

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Book Synopsis Gilles Deleuze and the Theater of Philosophy by : Constantin V. Boundas

Download or read book Gilles Deleuze and the Theater of Philosophy written by Constantin V. Boundas and published by Routledge. This book was released on 2017-08-07 with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection, first published in 1994, contains thirteen critical essays by established scholars from the fields of philosophy, literary criticism, feminist theory, politics, and sociology, and a new essay by Deleuze himself. That the contributors are from a variety of fields indicates the extent to which Deleuze’s work can and will impact theory far beyond the discipline of philosophy.

The Theatre of Production

Author : A. Toscano
Publisher : Springer
ISBN 13 : 0230514197
Total Pages : 262 pages
Book Rating : 4.2/5 (35 download)

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Book Synopsis The Theatre of Production by : A. Toscano

Download or read book The Theatre of Production written by A. Toscano and published by Springer. This book was released on 2006-03-13 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a historical analysis of the philosophical problem of individuation, and a new trajectory in its treatment. Drawing on the work of Gilles Deleuze, C.S. Peirce and Gilbert Simondon, the problem of individuation is taken into the realm of modernity. This is a vibrant contribution to contemporary debates in European philosophy.

Theatre, Magic and Philosophy

Author : Gabriela Dragnea Horvath
Publisher : Taylor & Francis
ISBN 13 : 1134767714
Total Pages : 271 pages
Book Rating : 4.1/5 (347 download)

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Book Synopsis Theatre, Magic and Philosophy by : Gabriela Dragnea Horvath

Download or read book Theatre, Magic and Philosophy written by Gabriela Dragnea Horvath and published by Taylor & Francis. This book was released on 2017-07-06 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

The Birth of Theater from the Spirit of Philosophy

Author : David Kornhaber
Publisher : Northwestern University Press
ISBN 13 : 0810132621
Total Pages : 385 pages
Book Rating : 4.8/5 (11 download)

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Book Synopsis The Birth of Theater from the Spirit of Philosophy by : David Kornhaber

Download or read book The Birth of Theater from the Spirit of Philosophy written by David Kornhaber and published by Northwestern University Press. This book was released on 2016-05-31 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nietzsche's love affair with the theater was among the most profound and prolonged intellectual engagements of his life, but his transformational role in the history of the modern stage has yet to be explored. In this pathbreaking account, David Kornhaber vividly shows how Nietzsche reimagined the theatrical event as a site of philosophical invention that is at once ancestor, antagonist, and handmaiden to the discipline of philosophy itself. August Strindberg, George Bernard Shaw, and Eugene O'Neill— seminal figures in the modern drama's evolution and avowed Nietzscheans all—came away from their encounters with Nietzsche's writings with an impassioned belief in the philosophical potential of the live theatrical event, coupled with a reestimation of the dramatist's power to shape that event in collaboration with the actor. In these playwrights' reactions to and adaptations of Nietzsche's radical rethinking of the stage lay the beginnings of a new direction in modern theater and dramatic literature.

Eugene O'Neill's Philosophy of Difficult Theatre

Author : Jeremy Killian
Publisher :
ISBN 13 : 9780367519209
Total Pages : pages
Book Rating : 4.5/5 (192 download)

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Book Synopsis Eugene O'Neill's Philosophy of Difficult Theatre by : Jeremy Killian

Download or read book Eugene O'Neill's Philosophy of Difficult Theatre written by Jeremy Killian and published by . This book was released on 2022 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "Eugene O'Neill often characterized himself as a psychologist, asserting that "authors were psychologists...and profound ones, before psychology was invented." Though many of O'Neill's plays do reflect insights derived from early psychoanalytic method, contemporary students of psychology might bristle at O'Neil's characterization of his capacity to observe and describe the human condition. It might be better to characterize the so-called Father of American Tragedy as a kind of arm-chair philosopher, and this book attempts such a task. Through a close re- examination of Eugene O'Neill's oeuvre, from minor plays to his Pulitzer-winning works, this study proposes that O'Neill's philosophy of tragedy, though derivative of the larger Western approach to dramatic art, offers a unique account of why tragedy matters in today's world. In addition to offering a new paradigm through which to interpret O'Neill's work, this book argues that O'Neill's theory of tragedy is a robust description of the value of difficult theatre, with more explanatory scope and power than its historical counterparts. This volume enters the discussion of tragic value by way of the plays of Eugene O'Neill, and through this study, Killian makes the case that O'Neill refused to allow Plato to define the terms of tragedy's merit, as most Western theorists have. He argues that O'Neill's theory of tragedy is non-cognitive and locates the value of a play not in what we learn from it, but rather in its ability to make us feel emotions that are difficult to come by in everyday experience. This book is significant for students and scholars of performance studies, literature, and philosophy"--

The Routledge Companion to Performance Philosophy

Author : Laura Cull Ó Maoilearca
Publisher : Routledge
ISBN 13 : 1000056899
Total Pages : 464 pages
Book Rating : 4.0/5 ( download)

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Book Synopsis The Routledge Companion to Performance Philosophy by : Laura Cull Ó Maoilearca

Download or read book The Routledge Companion to Performance Philosophy written by Laura Cull Ó Maoilearca and published by Routledge. This book was released on 2020-07-08 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Performance Philosophy is a volume of especially commissioned critical essays, conversations, collaborative, creative and performative writing mapping the key contexts, debates, methods, discourses and practices in this developing field. Firstly, the collection offers new insights on the fundamental question of how thinking happens: where, when, how and by whom philosophy is performed. Secondly, it provides a plurality of new accounts of performance and performativity – as the production of ideas, bodies and knowledges – in the arts and beyond. Comprising texts written by international artists, philosophers and scholars from multiple disciplines, the essays engage with questions of how performance thinks and how thought is performed in a wide range of philosophies and performances, from the ancient to the contemporary. Concepts and practices from diverse geographical regions and cultural traditions are analysed to draw conclusions about how performance operates across art, philosophy and everyday life. The collection both contributes to and critiques the philosophy of music, dance, theatre and performance, exploring the idea of a philosophy from the arts. It is crucial reading material for those interested in the hierarchy of the relationship between philosophy and the arts, advancing debates on philosophical method, and the relation between Performance and Philosophy more broadly.

The Drama of Ideas

Author : Martin Puchner
Publisher : Oxford University Press
ISBN 13 : 0199742243
Total Pages : 267 pages
Book Rating : 4.1/5 (997 download)

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Book Synopsis The Drama of Ideas by : Martin Puchner

Download or read book The Drama of Ideas written by Martin Puchner and published by Oxford University Press. This book was released on 2010-04-14 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.

Philosophy of the Performing Arts

Author : David Davies
Publisher : John Wiley & Sons
ISBN 13 : 1405188030
Total Pages : 250 pages
Book Rating : 4.4/5 (51 download)

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Book Synopsis Philosophy of the Performing Arts by : David Davies

Download or read book Philosophy of the Performing Arts written by David Davies and published by John Wiley & Sons. This book was released on 2011-05-06 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: PHILOSOPHY OF THE PERFORMING ARTS “David Davies’s Philosophy of the Performing Arts is long-awaited. Not since Paul Thom’s For an Audience has a book in the Anglo-American philosophical tradition focused so clearly, exclusively, informatively, and fairly on all the performing arts. I will use this book in my classes.” James Hamilton, Kansas State University, author of The Art of Theater “In this outstanding philosophical study, David Davies subjects the different, conflicting literatures characterizing works, performances, and their relationships to critical review en route to developing his own integrated theory. Covering classical music to jazz, Shakespeare to Brecht, dance to performance art, this is essential reading for anyone interested in the performing arts.” Stephen Davies, University of Auckland, author of The Philosophy of Art Philosophical inquiry concerning the performing arts has tended to focus on music – specifically classical music – which is assumed to provide a model for understanding the performing arts as a whole. This book engages with this belief and critically explores how the “classical paradigm” might be extended to other musical genres, to theater, and to dance. Taking in key components of artistic performance – improvisation, rehearsal, the role of the audience, the embodied nature of the artistic performer – the book examines similarities and differences between the performing art forms and presents the key philosophical issues that they bring into play. These reflections are then applied to the disputed issue of those contemporary artworks usually classified as “performance art.” Assuming no prior knowledge of the subject matter, this book provides an accessible, yet sophisticated, introduction to the field and a comprehensive framework for thinking about the performing arts.

Henrik Ibsen and the Birth of Modernism

Author : Toril Moi
Publisher : OUP Oxford
ISBN 13 : 0191502642
Total Pages : 416 pages
Book Rating : 4.1/5 (915 download)

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Book Synopsis Henrik Ibsen and the Birth of Modernism by : Toril Moi

Download or read book Henrik Ibsen and the Birth of Modernism written by Toril Moi and published by OUP Oxford. This book was released on 2008-02-14 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.

Analytic Philosophy and the World of the Play

Author : Michael Y. Bennett
Publisher : Taylor & Francis
ISBN 13 : 1315294729
Total Pages : 172 pages
Book Rating : 4.3/5 (152 download)

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Book Synopsis Analytic Philosophy and the World of the Play by : Michael Y. Bennett

Download or read book Analytic Philosophy and the World of the Play written by Michael Y. Bennett and published by Taylor & Francis. This book was released on 2017-07-14 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Acknowledgments -- Introduction: Theatre and the mirror of nature -- Part I Exposing the problem and proposing a solution -- 1 Theatrical names and reference: Dialectical-synecdochic objects and "re-creation"--2 The world of the play: Theatre as "re-creation"--Part II Applying the (proposed) solution to the problems -- 3 "Liveness"? The presumption of dramatic and theatrical "liveness" -- 4 Boundedness of (fictional) theatre to our (real) world: Actor and audience -- 5 Identity across "possible worlds": "The world beyond" the play -- Conclusions -- #1 The purpose of playing: Why go to the theatre? -- #2 Where the world of theatre ends: Performance art -- #3 Make-believe -- Afterword -- Bibliography -- Index

Philosophers and Thespians

Author : Freddie Rokem
Publisher : Stanford University Press
ISBN 13 : 080476350X
Total Pages : 250 pages
Book Rating : 4.8/5 (47 download)

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Book Synopsis Philosophers and Thespians by : Freddie Rokem

Download or read book Philosophers and Thespians written by Freddie Rokem and published by Stanford University Press. This book was released on 2010 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the discursive practices of philosophy and theater/performance on the basis of actual encounters between representatives of these two fields.

Theatre and Phenomenology

Author : Daniel Johnston
Publisher : Red Globe Press
ISBN 13 : 1137530502
Total Pages : 0 pages
Book Rating : 4.1/5 (375 download)

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Book Synopsis Theatre and Phenomenology by : Daniel Johnston

Download or read book Theatre and Phenomenology written by Daniel Johnston and published by Red Globe Press. This book was released on 2017-05-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: What it means to 'be' goes to the heart of drama. But in order to engage with theatre's Being-in-the-world, we need to attend to the meaning of being both in everyday life and in the creative process. This book provides a clear and accessible introduction to key concepts of phenomenology in relation to theatre, showing how they shed light on the works of influential theatre-makers such as Brecht, Artaud, and Stanislavski. By placing these concepts in dialogue with theatre-makers, Johnston is able to demonstrate how philosophical ideas can be put to work in a theatrical context and how we can approach difficult theory from a practical perspective.

The Theatre of Death – The Uncanny in Mimesis

Author : Mischa Twitchin
Publisher : Springer
ISBN 13 : 1137478721
Total Pages : 336 pages
Book Rating : 4.1/5 (374 download)

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Book Synopsis The Theatre of Death – The Uncanny in Mimesis by : Mischa Twitchin

Download or read book The Theatre of Death – The Uncanny in Mimesis written by Mischa Twitchin and published by Springer. This book was released on 2016-10-20 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?