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Performing Gender In The Theatre Of War
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Book Synopsis Entertainment Among the Ottomans by : Ebru Boyar
Download or read book Entertainment Among the Ottomans written by Ebru Boyar and published by BRILL. This book was released on 2019-05-20 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Approaching Ottoman social history through the lens of entertainment, this volume considers the multi-faceted roles of entertainment within society. At its most basic level entertainment could be all about pleasure, leisure and fun. But it also played a role in socialisation, gender divisions, social stratification and the establishment of moral norms, political loyalties and social, ethnic or religious identities. By addressing the ways in which entertainment was employed and enjoyed in Ottoman society, Entertainment Among the Ottomans introduces the reader to a new way of understanding the Ottoman world. Contributors are: Antonis Anastasopoulos, Tülay Artan, Ebru Boyar, Palmira Brummett, Kate Fleet, James Grehan, Svetla Ianeva, Yavuz Köse, William Kynan-Wilson, Milena Methodieva and Yücel Yanıkdağ.
Book Synopsis War and Gender by : Joshua S. Goldstein
Download or read book War and Gender written by Joshua S. Goldstein and published by Cambridge University Press. This book was released on 2003-07-17 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender roles are nowhere more prominent than in war. Yet contentious debates, and the scattering of scholarship across academic disciplines, have obscured understanding of how gender affects war and vice versa. In this authoritative and lively review of our state of knowledge, Joshua Goldstein assesses the possible explanations for the near-total exclusion of women from combat forces, through history and across cultures. Topics covered include the history of women who did fight and fought well, the complex role of testosterone in men's social behaviours, and the construction of masculinity and femininity in the shadow of war. Goldstein concludes that killing in war does not come naturally for either gender, and that gender norms often shape men, women, and children to the needs of the war system. lllustrated with photographs, drawings, and graphics, and drawing from scholarship spanning six academic disciplines, this book provides a unique study of a fascinating issue.
Download or read book Disappearing Acts written by Diana Taylor and published by Duke University Press. This book was released on 1997 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.
Book Synopsis The Theater of War by : Bryan Doerries
Download or read book The Theater of War written by Bryan Doerries and published by Vintage. This book was released on 2016-08-23 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
Book Synopsis Gender and Warfare in the Twentieth Century by : Angela K. Smith
Download or read book Gender and Warfare in the Twentieth Century written by Angela K. Smith and published by Manchester University Press. This book was released on 2004 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning the 20th century, this collection of accessible and very readable essays explores the ways in which men and women have both represented warfare, and represented themselves as participants in warfare.
Book Synopsis War Plays by Women by : Agnes Cardinal
Download or read book War Plays by Women written by Agnes Cardinal and published by Routledge. This book was released on 2013-10-11 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology consists of ten plays from countries involved in the First World War, including plays from Germany and France never before available in translation. Representing a range of dramatic forms, from radio play to street-epic, from comic sketch to musical, this anthology includes plays from: Gertrude Stein, Muriel Box, Marion Wentworth Craig, Dorothy Hewett, Berta Lask, Marie Leneru, Wendy Lill, Alice Dunbar Nelson, and Christina Reid. Highly successful in their day, these plays demonstrate how women have attempted to use theatre to achieve social change. The collection explores the historical development of theatrical conventions and genres and the historical context of social and gender issues.
Download or read book Men at Play written by Jonathan Bollen and published by BRILL. This book was released on 2008-01-01 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: How are masculinities enacted in Australian theatre? How do Australian playwrights depict masculinities in the present and the past, in the bush and on the beach, in the city and in the suburbs? How do Australian plays dramatise gender issues like father-son relations, romance and intimacy, violence and bullying, mateship and homosexuality, race relations between men, and men’s experiences of war and migration? Men at Play explores theatre’s role in presenting and contesting images of masculinity in Australia. It ranges from often-produced plays of the 1950s to successful contemporary plays – from Dick Diamond’s Reedy River, Ray Lawler’s Summer of the Seventeenth Doll, Richard Beynon’s The Shifting Heart and Alan Seymour’s The One Day of the Year to David Williamson’s Sons of Cain, Richard Barrett’s The Heartbreak Kid, Gordon Graham’s The Boys and Nick Enright’s Blackrock. The book looks at plays as they are produced in the theatre and masculinity as it is enacted on the stage. It is written in an accessible style for students and teachers in drama at university and senior high school. The book’s contribution to contemporary debates about masculinity will also interest scholars in gender, race and sexuality studies, literary studies and Australian history.
Book Synopsis The War on Women in the United States by : Joel T. Nadler
Download or read book The War on Women in the United States written by Joel T. Nadler and published by Bloomsbury Publishing USA. This book was released on 2018-02-08 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book examines gender roles, gender inequity, and the impacts of both unintentional and purposeful efforts to undermine women's equal treatment in the United States, documenting what women have faced in the past and still face in America today. Although women's rights is a worldwide issue, this book examines how in the United States, an alleged "war on women" is still occurring. Are there only forces opposing women's equality that aim to subvert women's advancement, or are defensive strategies employed as well? What has been the offensive response from women and supportive groups of women? Is there actually substantial evidence of a "war on women," or is the idea primarily political rhetoric? Are the actions and behaviors contributing to gender inequality intentional or unintentional? In this unique collection, experts from multiple disciplines analyze the U.S. women's rights movement, developments, progress, and obstacles. The chapters extend the analogy of this fight for equal rights with a war to document how women's struggle for gender equality is simultaneously a health issue, a political issue, and a wider issue of social justice—a formidable challenge in which women's lives are sometimes literally at stake and at risk. The book's contributors and editors take the unique angle of eyeing the fight for equality on the same level as a war, analyzing this "war" on historical/social/cultural levels (the "battlefield"); identifying policy, political, and legal issues ("major battles"); and explaining how to best fight on personal or individual levels ("skirmishes"). The coverage includes current federal and state initiatives that have fueled concern that women's rights are under continued assault. All of the nearly 162 million women in the United States—and their family members, regardless of sex—are affected by the issues addressed in this book.
Download or read book Sex on Stage written by Andrew Wyllie and published by Intellect Books. This book was released on 2009-03-01 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the years just after World War II, theater provided an important critique of British society’s engagement with gender and sexual politics. Sex on Stage examines how British playwrights, actors, and directors brought women’s sexuality and gay and lesbian issues to the cutting edge of drama after World War II. Through a close reading of playwrights such as John Osborne, Harold Pinter, and Terence Rattigan, alongside accounts of their sociopolitical context and public reception, Andrew Wyllie reveals that this more progressive age was also one of reactionary statements and industry-wide anxiety.
Book Synopsis Auto/Biography and Identity by : Maggie B B. Gale
Download or read book Auto/Biography and Identity written by Maggie B B. Gale and published by Manchester University Press. This book was released on 2004 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arguing that women use autobiography and performance for expression and as a means of controlling their public and private selves, the contributors of these 11 essays examine the lives and work of a variety of artists ranging from actors as working women in the eighteenth century to monologists and performance artists today. Subjects include several performers, including Alma Ellerslie, Kitty Marion, Ina Rozant, Susan Glaspell, Adrienne Kennedy, Emma Robinson, Lena Ashwell, Tilly Wedekind, Clare Dowie, Janet Cardiff, Tracey Emin, and, in an interview, Bobby Baker, as well as essays on Latina theater and lesbians as performers constructing themselves and their community. Annotation : 2005 Book News, Inc., Portland, OR (booknews.com).
Book Synopsis The Cambridge Companion to Greek Comedy by : Martin Revermann
Download or read book The Cambridge Companion to Greek Comedy written by Martin Revermann and published by Cambridge University Press. This book was released on 2014-06-12 with total page 523 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Book Synopsis Sex and War on the American Stage by : Emily Klein
Download or read book Sex and War on the American Stage written by Emily Klein and published by Routledge. This book was released on 2014-04-24 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: American adaptations of Aristophanes’ enduring comedy Lysistrata have used laughter to critique sex, war, and feminism for nearly a century. Unlike almost any other play circulating in contemporary theatres, Lysistrata has outlived its classical origins in 411 BCE and continues to shock and delight audiences to this day. The play’s "make love not war" message and bawdy humor render it endlessly appealing to college campuses, activist groups, and community theatres – so much so that none of Aristophanes’ plays are performed in the West as frequently as Lysistrata. Starting with the play’s first mainstream production in the U.S. in 1930, Emily B. Klein explores the varied iterations of Lysistrata that have graced the American stage, page, and screen since the Great Depression. These include the Federal Theatre’s 1936 Negro Repertory production, the 1955 movie musical The Second Greatest Sex and Spiderwoman Theater’s openly political Lysistrata Numbah!, as well as Douglas Carter Beane’s Broadway musical, Lysistrata Jones, and the international Lysistrata Project protests, which updated the classic in the contemporary context of the Iraq War. Although Aristophanes’ oeuvre has been the subject of much classical scholarship, Lysistrata has received little attention from feminist theatre scholars or performance theorists. In response, this book maps current debates over Lysistrata’s dubious feminist underpinnings and uses performance theory, cultural studies, and gender studies to investigate how new adaptations reveal the socio-political climates of their origins. Emily B. Klein is Assistant Professor of English and Drama at Saint Mary's College of California. Her work has appeared in Women and Performance and Frontiers as well as Political and Protest Theater After 9/11: Patriotic Dissent (Routledge, 2012).
Book Synopsis Violent Women in Contemporary Theatres by : Nancy Taylor Porter
Download or read book Violent Women in Contemporary Theatres written by Nancy Taylor Porter and published by Springer. This book was released on 2017-12-14 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence — not how it's been sensationalized or demonized or sexualized, but how it is — and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
Book Synopsis Post-war British Drama by : Michelene Wandor
Download or read book Post-war British Drama written by Michelene Wandor and published by Psychology Press. This book was released on 2001 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this extensively revised and updated edition of Michelene Wandor's classic work Look Back in Gender, Wandor takes another provocative look at a selection of key British plays from the last fifty years.
Book Synopsis Performing Gender and Violence in Contemporary Transnational Contexts by : Maria Anita Stefanelli
Download or read book Performing Gender and Violence in Contemporary Transnational Contexts written by Maria Anita Stefanelli and published by LED Edizioni Universitarie. This book was released on 2018-12-14T00:00:00+01:00 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Acknowledgements — Preface by Maria Anita Stefanelli — 1. Making Visible. Theatrical Form as Metaphor: Marina Carr and Caryl Churchill by Cathy Leeney — 2. Obscene Transformations: Violence, Women and Theatre in Sarah Kane and Marina Carr by Melissa Sihra — 3. Can the Subaltern Dream? Epistemic Violence, Oneiric Awakenings and the Quest for Subjective Duality in Marina Carr’s Marble - Interview with Marina Carr - Excerpt from Marble by Marina Carr by Valentina Rapetti — 4. “The house is a battlefield now”: War of the Sexes and Domestic Violence in Van Badham’s Kitchen and Warren Adler’s The War of the Roses - Interview with Van Badham - Excerpt from Kitchen by Van Badham by Barbara Miceli — 5. Serial Killers, Serial Lovers: Raquel Almazan’s La Paloma Prisoner - Interview with Raquel Almazan - Excerpt from La Paloma Prisoner by Raquel Almazan by Alessandro Clericuzio — 6. “To Put My Life Back into the Main Text”: Re-Dressing History in The Second Coming of Joan of Arc by Carolyn Gage - Interview with Carolyn Gage - Excerpt from The Second Coming of Joan of Arc and Selected Plays by Carolyn Gage by Sabrina Vellucci — 7. Turning Muteness into Performance in Erin Shields’ If We Were Birds - Interview with Erin Shields - Excerpt from If We Were Birds by Erin Shields by Maria Anita Stefanelli — 8. Afterword: Vocal and Verbal Assertiveness by Kate Burke — Contributors An extraordinary complexity characterizes the encounter between theatre, mythology, and human rights when gender-based violence is on the platform. Another encounter enhances the cross-disciplinary and transnational dynamics in this book: the one between the scholar and the playwright, who exchange views to pursue a theme demanding due attention at an emergence that needs being explored to be understood and combated, and finally turned into a priority action. Through the analysis of a repertoire of contemporary plays and performance practices from English-speaking countries, the contributors explore in detail the asymmetrical relations that exist between men and women, the crimes involved, and the ways in which the protagonists’ minds work differently. The unconventional format adopted for the five central sections that follow two papers centered on Marina Carr’s theatre in comparison with two noteworthy British playwrights’, and that forerun the final stringent remarks about woman’s (like man’s) fundamental right to speak and need for words, offers not just single chapters, however provocative, on an aspect of the theme, but a tripartite session boasting a critical inquiry into the text, the playwright’s response to criticism, and a sample of the author’s creative expression. What emerges is a prismatic, complex, and visceral vision of the plays offered to the public for further elaboration and critique. Beside Carr, those involved are Raquel Almazan, Van Badham, Carolyn Gage and Erin Shields – all of them champions of today’s feminist commitment to denounce, through their art, violence against women.
Download or read book Women as Hamlet written by Tony Howard and published by Cambridge University Press. This book was released on 2007-02-22 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of actresses playing the role of Hamlet on stage and screen.
Book Synopsis Female Spectacle by : Susan A. Glenn
Download or read book Female Spectacle written by Susan A. Glenn and published by Harvard University Press. This book was released on 2009-07-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women. Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.
