Pasticcio opera in Britain

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Author :
Publisher : Manchester University Press
ISBN 13 : 1526165171
Total Pages : 303 pages
Book Rating : 4.5/5 (261 download)

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Book Synopsis Pasticcio opera in Britain by : Peter Morgan Barnes

Download or read book Pasticcio opera in Britain written by Peter Morgan Barnes and published by Manchester University Press. This book was released on 2024-07-09 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.

The Power of Pastiche

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Author :
Publisher : Liverpool University Press
ISBN 13 : 1942954786
Total Pages : 336 pages
Book Rating : 4.9/5 (429 download)

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Book Synopsis The Power of Pastiche by : Alison DeSimone

Download or read book The Power of Pastiche written by Alison DeSimone and published by Liverpool University Press. This book was released on 2021-04-01 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.

The Favorite Songs in the Opera Berenice. [A Pasticcio.] No 1

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Author :
Publisher :
ISBN 13 :
Total Pages : 20 pages
Book Rating : 4.0/5 (23 download)

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Book Synopsis The Favorite Songs in the Opera Berenice. [A Pasticcio.] No 1 by :

Download or read book The Favorite Songs in the Opera Berenice. [A Pasticcio.] No 1 written by and published by . This book was released on 1765 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The favourite Songs in the Opera called Aquilio. [A pasticcio.]

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Publisher :
ISBN 13 :
Total Pages : 36 pages
Book Rating : 4.0/5 (23 download)

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Book Synopsis The favourite Songs in the Opera called Aquilio. [A pasticcio.] by :

Download or read book The favourite Songs in the Opera called Aquilio. [A pasticcio.] written by and published by . This book was released on 1724 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Favourite Songs in the Opera call'd Demetrio. [A Pasticcio, arranged by G. Cocchi.] 2 pt

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Author :
Publisher :
ISBN 13 :
Total Pages : 46 pages
Book Rating : 4.0/5 (23 download)

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Book Synopsis The Favourite Songs in the Opera call'd Demetrio. [A Pasticcio, arranged by G. Cocchi.] 2 pt by :

Download or read book The Favourite Songs in the Opera call'd Demetrio. [A Pasticcio, arranged by G. Cocchi.] 2 pt written by and published by . This book was released on 1757 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Pasticcio Opera

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Publisher :
ISBN 13 :
Total Pages : pages
Book Rating : 4.:/5 (12 download)

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Book Synopsis Pasticcio Opera by : Peter Barnes

Download or read book Pasticcio Opera written by Peter Barnes and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Amintas. An English opera, etc. [A Pasticcio, altered from Rolt's "Royal Shepherd" by G. F. Tenducci. Music by C. T. Carter, S. Arnold, G. Rush and P. Guglielmi.]

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Author :
Publisher :
ISBN 13 :
Total Pages : 38 pages
Book Rating : 4.0/5 (22 download)

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Book Synopsis Amintas. An English opera, etc. [A Pasticcio, altered from Rolt's "Royal Shepherd" by G. F. Tenducci. Music by C. T. Carter, S. Arnold, G. Rush and P. Guglielmi.] by :

Download or read book Amintas. An English opera, etc. [A Pasticcio, altered from Rolt's "Royal Shepherd" by G. F. Tenducci. Music by C. T. Carter, S. Arnold, G. Rush and P. Guglielmi.] written by and published by . This book was released on 1769 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Favourite Songs in the Opera call'd Antigona. [A pasticcio.]

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Publisher :
ISBN 13 :
Total Pages : 20 pages
Book Rating : 4.0/5 (23 download)

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Book Synopsis The Favourite Songs in the Opera call'd Antigona. [A pasticcio.] by :

Download or read book The Favourite Songs in the Opera call'd Antigona. [A pasticcio.] written by and published by . This book was released on 1764 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Italian Opera in London, 1760-1800

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Publisher :
ISBN 13 :
Total Pages : 452 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Italian Opera in London, 1760-1800 by : Frederick Curtis Petty

Download or read book Italian Opera in London, 1760-1800 written by Frederick Curtis Petty and published by . This book was released on 1980 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Venanzio Rauzzini in Britain

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Author :
Publisher : Boydell & Brewer
ISBN 13 : 1580465323
Total Pages : 416 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Venanzio Rauzzini in Britain by : Paul Francis Rice

Download or read book Venanzio Rauzzini in Britain written by Paul Francis Rice and published by Boydell & Brewer. This book was released on 2015 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: The remarkable career of Venanzio Rauzzini (1746-1810) sheds new light on changing musical tastes in late eighteenth-century Britain. Rauzzini was a leading soprano castrato who sang in the premiere of Mozart's Lucio Silla in 1772. Mozart was so pleased with the singer that he composed the famous motet Exsultate Jubilate for him. This book examines Rauzzini's career in Britain, starting with his three seasons as a principal singer at the King's Theatre in London (1774-77). Rauzzini was the first castrato to make Britain his home, and he enjoyed a multifaceted career there as a singer, concert director, composer (operas, chamber music, and songs), and voice teacher. Rauzzini's leadership of the Bath subscription concerts from 1780-1810 reveals the degree to which shifts in the social demographics of Bath over this period caused him to reevaluate his compositional choices, especially in light of the patriotic fervor that swept the nation during the protracted war with France. Furthermore, the recovery of much of the repertory performed during these concerts provides specific insights into issues of concert management at the time. Paul F. Rice, Professor of Musicology in the School of Music, Memorial University of Newfoundland, is the author of four previous books and has edited scores for CD recordings on the Naxos, Dorian, and Centaur labels.

Music in Eighteenth-Century Britain

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Author :
Publisher : Routledge
ISBN 13 : 1351557408
Total Pages : 299 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Music in Eighteenth-Century Britain by : DavidWyn Jones

Download or read book Music in Eighteenth-Century Britain written by DavidWyn Jones and published by Routledge. This book was released on 2017-07-05 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

English Drama

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Publisher : Routledge
ISBN 13 : 1317870921
Total Pages : 356 pages
Book Rating : 4.3/5 (178 download)

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Book Synopsis English Drama by : Richard W. Bevis

Download or read book English Drama written by Richard W. Bevis and published by Routledge. This book was released on 2014-06-06 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.

Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement

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Publisher :
ISBN 13 :
Total Pages : 788 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement by : British Museum. Department of Printed Books

Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Ballads and Broadsides in Britain, 1500-1800

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Author :
Publisher : Routledge
ISBN 13 : 1317176375
Total Pages : 332 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Ballads and Broadsides in Britain, 1500-1800 by : Patricia Fumerton

Download or read book Ballads and Broadsides in Britain, 1500-1800 written by Patricia Fumerton and published by Routledge. This book was released on 2017-05-15 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.

British Theatre and the Other Arts, 1660-1800

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Author :
Publisher : Associated University Presses
ISBN 13 : 9780918016652
Total Pages : 322 pages
Book Rating : 4.0/5 (166 download)

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Book Synopsis British Theatre and the Other Arts, 1660-1800 by : Shirley Strum Kenny

Download or read book British Theatre and the Other Arts, 1660-1800 written by Shirley Strum Kenny and published by Associated University Presses. This book was released on 1984 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifteen outstanding scholars of theater, music, art, and literature explore the interrelations of eighteenth-century British theater and the various art forms that it incorporated into itself. The essays examine the theater's increasing reliance on set designers, costumers, musicians and composers, poets, dramatists, and librettists, focusing on the ways in which this dependence fundamentally changed the theater. Illustrated.

Venanzio Rauzzini

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Publisher : Cambridge Scholars Publishing
ISBN 13 : 1443861960
Total Pages : 195 pages
Book Rating : 4.4/5 (438 download)

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Book Synopsis Venanzio Rauzzini by : Paul F. Rice

Download or read book Venanzio Rauzzini written by Paul F. Rice and published by Cambridge Scholars Publishing. This book was released on 2014-06-19 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Venanzio Rauzzini (1746–1810) enjoyed a multi-faceted career as a singer, composer and concert director. He began his career in Rome in 1765 as a soprano castrato, and quickly established his operatic credentials in various Italian centres before undertaking leading roles in Vienna and Munich. He returned to the Italian peninsula in 1772 and created the role of Cecilio in the premiere of W.A. Mozart’s opera, Lucio Silla on 26 December. Mozart was so pleased with Rauzzini’s singing that he composed the motet, Exultate jubilate, for the singer. Rauzzini accepted the invitation to become the primo uomo at the King’s Theatre in London for the 1774–75 season of Italian operas. Such was his success that the contract was extended for a further two seasons. Rauzzini remained in Britain rather than returning to the Continent. He continued to sing professionally, directed concerts in both London and Bath, and was a prolific composer. Rauzzini directed the subscriptions concerts in Bath from 1777–1810, raising their prestige to the equal of any in London. Furthermore, he was one of the most sought-after voice teachers in Britain. The cantata, Piramo e Tisbe, was drawn from his opera of the same name that was given its first London performance on 16 March 1775. Rauzzini’s opera proved to be a favourite with both audiences and other singers, and it was revived in London in 1776 and 1781. The composer never published the complete opera, but extended excerpts from it were published in 1775 that created a cantata for the title characters. Not only did the arrangement preserve the principal elements of the story, it likely had greater utility as a performance score than would the publication of the full opera. The overture of the opera has been appended to this edition of the cantata.

Consuming Music

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Author :
Publisher : Boydell & Brewer
ISBN 13 : 1580465773
Total Pages : 266 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Consuming Music by : Emily Green

Download or read book Consuming Music written by Emily Green and published by Boydell & Brewer. This book was released on 2017 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics. The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels betweenthe consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture. CONTRIBUTORS: Glenda Goodman; Roger Mathew Grant; Emily H. Green; Marie Sumner Lott; Catherine Mayes; Peter Mondelli, Rupert Ridgewell, Patrick Wood Uribe, Steven Zohn Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah.