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Ornamentation In Baroque And Post Baroque Music With Special Emphasis On Js Bach
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Book Synopsis Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach by : Frederick Neumann
Download or read book Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach written by Frederick Neumann and published by Princeton University Press. This book was released on 2020-05-05 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Book Synopsis Ornamentation in Baroque & Post-Baroque Music by : Frederick Neuman
Download or read book Ornamentation in Baroque & Post-Baroque Music written by Frederick Neuman and published by . This book was released on 1983 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Ornamentation in Barogue and Post-baroque Music by : Frederick Newmann
Download or read book Ornamentation in Barogue and Post-baroque Music written by Frederick Newmann and published by . This book was released on 1978 with total page 630 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Ornamentation of Baroque Music by : Manfredo Zimmermann
Download or read book The Ornamentation of Baroque Music written by Manfredo Zimmermann and published by BoD – Books on Demand. This book was released on 2021-07-05 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everything you want to know about embellishing Music of the Baroque Era is taught systematically and well-founded here: from the different "essential ornaments" such as trill, mordent, appoggiatura, slide, etc. up to the free melodic ornaments, cadenzas and improvised grounds. In addition, you will find valuable information, tips, constructive exercises, historical examples and much more. Exclusively you get a live recorded harpsichord-basso continuo accompaniment for all exercises, which supports you harmonically and rhythmically. For pupils, students, amateurs and professional musicians
Book Synopsis Trills in the Bach Cello Suites by : Jerome Carrington
Download or read book Trills in the Bach Cello Suites written by Jerome Carrington and published by University of Oklahoma Press. This book was released on 2012-11-19 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers performers, teachers and students new insights into ornamentation. An important new reference work that has earned praise from America’s leading Bach scholar and an impressive list of distinguished cellists. The Cello Suites of Johann Sebastian Bach contain some one hundred trills, many open to diverse execution and more than half sparking controversy among musicians. Now accomplished cellist Jerome Carrington brings together and examines historically informed interpretations of the trills and compares them with contemporary performance practice. Carrington collects and annotates every trill in the Cello Suites, examining each ornament individually to find the most historically accurate solution for its execution. For determining the form of each trill, he offers a method that includes analysis of harmonic structure. Because no autograph copy of the Cello Suites has survived, he undertakes a detailed study of the manuscript of the Lute Suite in G minor, which Bach adapted from Cello Suite No. 5, as a reference for correcting errors and verifying harmonic and rhythmic details. Bursting with new ideas, Trills in the Bach Cello Suites offers insight for performers and music theorists alike. It will aid in the interpretation of these classic works as it renews our appreciation for Bach’s genius.
Book Synopsis Ornamentation and Improvisation in Mozart by : Frederick Neumann
Download or read book Ornamentation and Improvisation in Mozart written by Frederick Neumann and published by Princeton University Press. This book was released on 2019-01-15 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a sequel to Frederick Neumann's Ornamentation in Baroque and Post-Baroque Music, With Special Emphasis on J.S. Bach (Princeton, 1978). In the present volume, the first work on this subject for Mozart's music, the author continues his important contributions to the search for historically correct performance practices, and to the liberation of the performer from improperly conceived and overly restrictive interpretation of musical scores. The first part of this book attempts to free ornamentation in Mozart from rigorism that has resulted from confusing the pure abstraction of ornament tables with concrete musical situations. The second part deals with pitches that were not written in the score yet often intended to be added when Mozart left "white spots" in his notation. These additions range from single notes to lengthy cadenzas. The problem addressed is the question of where such additions are possible or necessary and how they might best be designed. Professor Neumann draws on an immense knowledge of the literature written during Mozart's time and on his own comprehension of the subtleties of Mozart's music and musical styles. Refusing to interpret the sources dogmatically, he frees performers of Mozart from the rigid princples too often imposed by modern scholars. Frederick Neumann is Professor of Music Emeritus at the University of Richmond. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book Synopsis Ornamentation in Baroque and Post-baroque Music by : Frederick Neumann
Download or read book Ornamentation in Baroque and Post-baroque Music written by Frederick Neumann and published by Princeton University Press. This book was released on 1983-12-21 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period. The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Book Synopsis A New Look at Segovia, His Life, His Music, V1 by : GERARD GARNO
Download or read book A New Look at Segovia, His Life, His Music, V1 written by GERARD GARNO and published by Mel Bay Publications. This book was released on 2016-03-31 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: A scholarly edition of over 500 pages written to explore and evaluate Andres Segovia's achievements. Volume One contains a biography of the years of 1893 -1957 and focuses on Segovia's renditions of Renaissance, Baroque and Classical masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti and Sor
Book Synopsis Desire and Pleasure in Seventeenth-Century Music by : Susan McClary
Download or read book Desire and Pleasure in Seventeenth-Century Music written by Susan McClary and published by Univ of California Press. This book was released on 2012-03-06 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
Download or read book Baroque Music written by Peter Walls and published by Routledge. This book was released on 2017-07-05 with total page 588 pages. Available in PDF, EPUB and Kindle. Book excerpt: Research in the 20th and 21st centuries into historical performance practice has changed not just the way performers approach music of the 17th and 18th centuries but, eventually, the way audiences listen to it. This volume, beginning with a 1915 Saint-Sa lecture on the performance of old music, sets out to capture musicological discussion that has actually changed the way Baroque music can sound. The articles deal with historical instruments, pitch, tuning, temperament, the nexus between technique and style, vibrato, the performance implications of musical scores, and some of the vexed questions relating to rhythmic alteration. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s. Leading writers on historical performance practice are represented. Recognizing that significant developments in historically-inspired performance have been led by instrument makers and performers, the volume also contains representative essays by key practitioners.
Book Synopsis J. S. Bach: Six Unaccompanied Cello Suites Arranged for Guitar by : JOHANN SEBASTIAN BACH
Download or read book J. S. Bach: Six Unaccompanied Cello Suites Arranged for Guitar written by JOHANN SEBASTIAN BACH and published by Mel Bay Publications. This book was released on 2011-02-24 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Johann Sebastian Bach did not write any music for the guitar, transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this music commands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing, interpreting and performing this music on the guitar. It is this debate that prompted this long-awaited edition of Bach's unaccompanied cello suites by scholar and concert guitarists Stanley Yates. This definitive work includes performance scores, comparison scores an an invaluable 40-page guide entitled Arranging, Interpreting, and Performing the Music of J.S. Bach. Furthermore, the author offers comments on his arranging process and suggestions on using this edition including: ornamentation, slurs, fingerings, notation, and implementation of the comparison scores. Written in standard notation in guitar-friendly keys.
Book Synopsis Playing Bach on the Keyboard by : Richard Troeger
Download or read book Playing Bach on the Keyboard written by Richard Troeger and published by Hal Leonard Corporation. This book was released on 2003 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Amadeus). In this concise and accessible volume, a noted keyboard artist and Bach specialist takes a fresh look at the performance of J. S. Bach's keyboard music. Addressing the nonspecialist player, Richard Troeger presents a wide range of historical information and discusses its musical applications. The author shares accounts of the musical styles Bach employed and the instruments he knew. In direct and pragmatic terms, he clarifies the importance of notational and style details as guides to the composer's intentions, particularly emphasizing changes in notational norms between Bach's time and the present. Troeger offers core information on dynamics, articulation, tempo, rhythm, ornamentation and accompaniment. He considers controversial issues as well, establishing the importance of the clavichord in Bach's milieu and examining the link between baroque music and rhetoric a dramatic relationship that can bring great vitality to performance.
Book Synopsis Performing French Classical Music by : Timothy Schultz
Download or read book Performing French Classical Music written by Timothy Schultz and published by Pendragon Press. This book was released on 2001 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses what both early and modern sources say about French performance practice and offers solutions to performance problems in Francois Chauvon's Premierre Suitte (taken from Tibiades, 1717). Part one discusses relevant issues of historical performance practice and establishes a conte
Book Synopsis Music in the Galant Style by : Robert Gjerdingen
Download or read book Music in the Galant Style written by Robert Gjerdingen and published by OUP USA. This book was released on 2007-10-05 with total page 527 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in the Galant Style is an authoritative and readily understandable study of the core compositional style of the eighteenth century. Gjerdingen adopts a unique approach, based on a massive but little-known corpus of pedagogical workbooks used by the most influential teachers of the century, the Italian partimenti. He has brought this vital repository of compositional methods into confrontation with a set of schemata distilled from an enormous body of eighteenth-century music, much of it known only to specialists, formative of the "galant style."
Book Synopsis Musical Ornamentation by : Edward Dannreuther
Download or read book Musical Ornamentation written by Edward Dannreuther and published by Createspace Independent Publishing Platform. This book was released on 2015-02-18 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: A DEBT of gratitude is due to the author from pianists and musicians generally for this complete and careful collection of facts respecting musical ornamentation. It is true that of the "graces," to use the quaint old English term, many are already obsolete, while others are gradually disappearing. But, if only for the fact that Sebastian Bach makes extensive use of so many, they cannot be ignored. For the sake alone of that great musician, some of them must be understood : for it is only through clear comprehension of the letter that we can arrive at the spirit of that master, whose works, in spite of some antiquated embellishments, seem to defy the ravages of time. It is strange that though several books contain explanations concerning the execution of "graces," yet, as Mr. Dannreuther shows, in the practical application of the same, many puzzling questions arise. The history of the rise and progress of ornaments commences with Diruta's "Dialogo" and the Italian composers, Andrea and Giovanni Gabrieli and Merulo; and then a chapter is devoted to the famous "Parthenia, or the Maidenhead of the first Musicko that ever was printed for the Virginals." It is apparently among the early English masters that are to be found the earliest instances of a species of stenography to indicate ornaments in music for keyed instruments. Mr. Dannreuther has made an elaborate study of the "Parthenia" music, and his severe strictures on modern transcribers lead one to hope that he will one day bring out an ungarbled version of it. While ornaments constitute his special theme, he introduces many a pleasant aside: as, for instance, in the chapter on Dieupart's "Suittes de Clavecin," in which he demonstrates how Bach "transfigured and glorified" some of his predecessor's music. From Spitta we know how Bach admired Dieupart's "Suittes," but Mr. Dannreuther shows us what a practical form that admiration took. It would occupy many a column were we to attempt even to notice the points of special interest in this volume, but we must hasten on to the last chapter on Joh. Sebastian Bach, which occupies close on a quarter of the book. Mr. Dannreuther deals with a difficult matter in an astonishingly simple way, and students of Bach will find it a wonderful help in interpreting his clavier music. The few general precepts with which it opens seem at once to make many a rough place plain. The very first, respecting the diatonic character of Bach's ornaments, is of the utmost importance : we could mention the name of an illustrious pianist who, by non-observance of this simple precept, has robbed one of Bach's Fugues of much of its quaint dignity. With regard to shakes starting ex abrupto... -The Academy and Literature, Volume 43 [1893]
Book Synopsis On Playing the Flute by : Johann Joachim Quantz
Download or read book On Playing the Flute written by Johann Joachim Quantz and published by UPNE. This book was released on 2001-03 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1752, this is a new paperback edition of the classic treatise on 18th-century musical thought, performance practice, and style
Book Synopsis The Oxford Handbook of the Baroque by : John D. Lyons
Download or read book The Oxford Handbook of the Baroque written by John D. Lyons and published by Oxford University Press. This book was released on 2019-08-08 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
