Niccolò Jommelli, the Last Years, 1769-1774

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Publisher :
ISBN 13 :
Total Pages : 910 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Niccolò Jommelli, the Last Years, 1769-1774 by : Marita P. McClymonds

Download or read book Niccolò Jommelli, the Last Years, 1769-1774 written by Marita P. McClymonds and published by . This book was released on 1980 with total page 910 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Niccolò Jommelli, the Last Years

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Publisher :
ISBN 13 :
Total Pages : 1120 pages
Book Rating : 4.:/5 (31 download)

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Book Synopsis Niccolò Jommelli, the Last Years by : Marita P. McClymonds

Download or read book Niccolò Jommelli, the Last Years written by Marita P. McClymonds and published by . This book was released on 1978 with total page 1120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples

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Publisher : Routledge
ISBN 13 : 1317085396
Total Pages : 341 pages
Book Rating : 4.3/5 (17 download)

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Book Synopsis Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples by : Anthony R. DelDonna

Download or read book Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples written by Anthony R. DelDonna and published by Routledge. This book was released on 2016-05-13 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. The considerable resonance of 'Neapolitan' opera in Europe was verified early in the eighteenth century not only through voluminous reports offered by locals and visitors in gazettes, newspapers, correspondence or diaries, but also, and more importantly, through the rich and tangible artistic patrimony produced for local audiences and then exported to the Italian peninsula and abroad. Naples was not simply a city of entertainment, but rather a cultural epicenter and paradigm producing highly innovative and successful genres of stage drama reflecting every facet of contemporary society. Anthony R. DelDonna provides a rich study of operatic culture from 1775-1800. The book demonstrates how contemporary stage traditions, stimulated by the Enlightenment, engaged with and responded to the changing social, political, and artistic contexts of the late eighteenth century in Naples. It focuses on select yet representative compositions from different genres of opera that illuminate the diverse contemporary cultural forces shaping these works and underlining the continued innovation and European recognition of operatic culture in Naples. It also defines how the cultural milieu of Naples - aristocratic and sacred, private and public - exercises a profound yet idiosyncratic influence on the repertory studied, the creation of which could not have occurred elsewhere on the Continent.

A Short History of Opera

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Publisher : Columbia University Press
ISBN 13 : 0231119585
Total Pages : 1049 pages
Book Rating : 4.2/5 (311 download)

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Book Synopsis A Short History of Opera by : Donald Jay Grout

Download or read book A Short History of Opera written by Donald Jay Grout and published by Columbia University Press. This book was released on 2003 with total page 1049 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day."--Jacket.

The Cambridge Companion to Eighteenth-Century Opera

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Publisher : Cambridge University Press
ISBN 13 : 1139828177
Total Pages : 343 pages
Book Rating : 4.1/5 (398 download)

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Book Synopsis The Cambridge Companion to Eighteenth-Century Opera by : Anthony R. DelDonna

Download or read book The Cambridge Companion to Eighteenth-Century Opera written by Anthony R. DelDonna and published by Cambridge University Press. This book was released on 2009-06-25 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.

Opera

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Publisher : Routledge
ISBN 13 : 113557801X
Total Pages : 655 pages
Book Rating : 4.1/5 (355 download)

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Book Synopsis Opera by : Guy A. Marco

Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.

The Symphonic Repertoire, Volume I

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Publisher : Indiana University Press
ISBN 13 : 0253072131
Total Pages : 918 pages
Book Rating : 4.2/5 (53 download)

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Book Synopsis The Symphonic Repertoire, Volume I by : Mary Sue Morrow

Download or read book The Symphonic Repertoire, Volume I written by Mary Sue Morrow and published by Indiana University Press. This book was released on 2024-03-29 with total page 918 pages. Available in PDF, EPUB and Kindle. Book excerpt: Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.

A History of the Oratorio

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Publisher : UNC Press Books
ISBN 13 : 0807836613
Total Pages : 740 pages
Book Rating : 4.8/5 (78 download)

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Book Synopsis A History of the Oratorio by : Howard E. Smither

Download or read book A History of the Oratorio written by Howard E. Smither and published by UNC Press Books. This book was released on 2012-09-01 with total page 740 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A History of Performing Pitch

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Publisher : Scarecrow Press
ISBN 13 : 0810841851
Total Pages : 628 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis A History of Performing Pitch by : Bruce Haynes

Download or read book A History of Performing Pitch written by Bruce Haynes and published by Scarecrow Press. This book was released on 2002-11-06 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: Haynes (U. of Montreal) traces the history of musical pitch standards over the last four centuries, linking frequency values to pitch names and telling where, when, and why various pitch levels have been used. With a focus on Italy, France, Germany, the Netherlands and the Hapsburg lands, he covers the pitches of about 1,400 historical instruments and how the design and function influenced and were influenced by changes in pitch. In addition, he studies the effect of pitch differences on musical notation and choice of key. The author has also written a book on the oboe, the instrument that plays the "A" to which a symphony orchestra tunes. Annotation copyrighted by Book News, Inc., Portland, OR

Historical Dictionary of Music of the Classical Period

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Publisher : Scarecrow Press
ISBN 13 : 0810871831
Total Pages : 665 pages
Book Rating : 4.8/5 (18 download)

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Book Synopsis Historical Dictionary of Music of the Classical Period by : Bertil H. Van Boer

Download or read book Historical Dictionary of Music of the Classical Period written by Bertil H. Van Boer and published by Scarecrow Press. This book was released on 2012 with total page 665 pages. Available in PDF, EPUB and Kindle. Book excerpt: When we speak of "classical music" it often refers rather loosely to serious "art" music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today's repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers.

The Lyric Myth of Voice

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Publisher : Univ of California Press
ISBN 13 : 0520380797
Total Pages : 299 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis The Lyric Myth of Voice by : Jessica Gabriel Peritz

Download or read book The Lyric Myth of Voice written by Jessica Gabriel Peritz and published by Univ of California Press. This book was released on 2022-11-08 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: "How did 'voice' become a metaphor for selfhood in the Western imagination? The Lyric Myth of Voice situates the emergence of an ideological connection between voice and subjectivity in late eighteenth-century Italy, where long-standing political anxieties and new notions of cultural enlightenment collided in the mythical figure of the lyric poet-singer. Drawing on a range of approaches and frameworks from historical musicology to gender studies, disability studies, anthropology, and literary theory, Jessica Gabriel Peritz shows how this ancient yet modern myth of voice attained interpretable form, flesh, and sound. Ultimately, Peritz argues that music and literature together shaped the singing voice into a tool for civilizing modern Italian subjects"--

The Hammered Dulcimer

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Publisher : Scarecrow Press
ISBN 13 : 1461672902
Total Pages : 482 pages
Book Rating : 4.4/5 (616 download)

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Book Synopsis The Hammered Dulcimer by : Paul M. Gifford

Download or read book The Hammered Dulcimer written by Paul M. Gifford and published by Scarecrow Press. This book was released on 2001-06-13 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt: The last quarter of the twentieth-century saw a renewed interest in the hammered dulcimer in the United States at the grassroots level as well as from elements of the Folk Revival. This book offers the reader a discussion of the medieval origins of the dulcimer and its subsequent spread under many different names to other parts of the world. Drawing on articles the author has written in English as well as articles by specialists in their own languages, Gifford explains the history and evolution of the instrument. Special attention is paid to the North American tradition from the early 18th-century to the 1970s revival. Drawing from local histories, news clippings, photographs, and interviews, the book examines the playing of the dulcimer and its associated social meanings.

Essays on Opera, 1750-1800

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Publisher : Routledge
ISBN 13 : 1351567888
Total Pages : 580 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Essays on Opera, 1750-1800 by : JohnA. Rice

Download or read book Essays on Opera, 1750-1800 written by JohnA. Rice and published by Routledge. This book was released on 2017-07-05 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.

Antonio Salieri and Viennese Opera

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Publisher : University of Chicago Press
ISBN 13 : 9780226711256
Total Pages : 688 pages
Book Rating : 4.7/5 (112 download)

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Book Synopsis Antonio Salieri and Viennese Opera by : John A. Rice

Download or read book Antonio Salieri and Viennese Opera written by John A. Rice and published by University of Chicago Press. This book was released on 1998 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Ombra

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Publisher : Lexington Books
ISBN 13 : 0739169742
Total Pages : 258 pages
Book Rating : 4.7/5 (391 download)

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Book Synopsis Ombra by : Clive McClelland

Download or read book Ombra written by Clive McClelland and published by Lexington Books. This book was released on 2012-03-09 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ombra is the term which applies to an operatic scene involving the appearance of an oracle or demon, witches, or ghosts. Such scenes can be traced back to the early days of opera and were commonplace in the seventeenth century in Italy and France. Operas based on the legends of Orpheus, Iphigenia, and Alcestis provide numerous examples of ombra and extend well into the eighteenth century. Clive McClelland's Ombra: Supernatural Music in the Eighteenth Century is an in-depth examination of ombra and is many influences on classical music performance. McClelland reveals that ombra scenes proved popular with audiences not only because of the special stage effects employed, but also due to increasing use of awe-inspiring musical effects. By the end of the eighteenth century the scenes had come to be associated with an elaborate set of musical features including slow, sustained writing, the use of flat keys, angular melodic lines, chromaticism and dissonance, dotted rhythms and syncopation, tremolando effects, unexpected harmonic progressions, and unusual instrumentation, especially involving trombones. It is clearly distinct from other styles that exhibit some of these characteristics, such as the so-called 'Sturm und Drang' or 'Fantasia.' Futhermore, parallels can be drawn between these features and Edmund Burke's 'sublime of terror,' thus placing ombra music on an important position in the context of eighteenth-century aesthetic theory.

The Eloquent Oboe

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Publisher :
ISBN 13 : 9780198166467
Total Pages : 576 pages
Book Rating : 4.1/5 (664 download)

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Book Synopsis The Eloquent Oboe by : Bruce Haynes

Download or read book The Eloquent Oboe written by Bruce Haynes and published by . This book was released on 2001 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first in-depth survey of the oboe during its Golden Age, tracing the history of the instrument from its invention through its many mutations as it adapted to the changing demands of composers. The author describes in detail the instruments, players, makers, and composers, as well as how and where it was played, and who listened to it.

Musical Theater in Eighteenth-century Parma

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Publisher :
ISBN 13 : 1580469019
Total Pages : 198 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Musical Theater in Eighteenth-century Parma by : Margaret Ruth Butler

Download or read book Musical Theater in Eighteenth-century Parma written by Margaret Ruth Butler and published by . This book was released on 2019 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do you create a style of opera that speaks to everyone, when no one agrees on what it should say -- or how? French and Italian varieties of opera have intermingled and informed one another from the genre's first decades onward. Yet we still have only a hazy view of why and how those intersections occurred and what they meant to a givenopera's creators and audiences. Margaret Butler's Musical Theater in Eighteenth-Century Parma: Entertainment, Sovereignty, Reform tackles these issues, examining performance, spectatorship, and politics in the Bourbon-controlled, northern Italian city of Parma in the mid-eighteenth century. Reconstructing the French context for Tommaso Traetta's Italian operas that consciously set out to fuse French and Italian elements, Butler explores Traetta's operas and recreations in Parma of operas and ballets by Jean-Philippe Rameau and other French composers. She shows that Parma's brand of entertainment is one in which Traetta's operas occupy points along a continuum representing a long and rich tradition of adaptation and generic play. Such a reading calls into question the very notion of operatic reform, showing the need for a more flexible conception of a volatile moment in opera's history. The book elucidates the complicated circumstances in which entertainments were created that spoke not only to Parma's multicultural audiences but also to an increasingly cosmopolitan Europe. MARGARET R. BUTLER is Associate Professor at the University of Wisconsin-Madison.