Musical Form and Musical Performance

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Publisher : W W Norton & Company Incorporated
ISBN 13 : 9780393097672
Total Pages : 103 pages
Book Rating : 4.0/5 (976 download)

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Book Synopsis Musical Form and Musical Performance by : Edward T. Cone

Download or read book Musical Form and Musical Performance written by Edward T. Cone and published by W W Norton & Company Incorporated. This book was released on 1968 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: 3 essays on musical form and performance

Musical Form

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Publisher :
ISBN 13 :
Total Pages : 368 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Musical Form by : Ellis B. Kohs

Download or read book Musical Form written by Ellis B. Kohs and published by . This book was released on 1976 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Investigating Musical Performance

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Publisher : Taylor & Francis
ISBN 13 : 0429651759
Total Pages : 257 pages
Book Rating : 4.4/5 (296 download)

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Book Synopsis Investigating Musical Performance by : Gianmario Borio

Download or read book Investigating Musical Performance written by Gianmario Borio and published by Taylor & Francis. This book was released on 2020-05-21 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms. The chapters present different approaches to this multi-layered phenomenon, including the results of significant research projects. The complex nature of musical performance is revealed within each section which either suggests aspects of dialogue and contiguity or discusses divergences between theoretical models and perspectives. Part I elaborates on the history, current trends and crucial aspects of the study of musical performance; Part II is devoted to the development of theoretical models, highlighting sharply distinguished positions; Part III explores the relationship between sign and sound in score-based performances; finally, the focus of Part IV centres on gesture considered within different traditions of musicmaking. Three extra chapters by the editors complement Parts I and III and can be accessed via the online Routledge Music Research Portal. The volume shows actual and possible connections between topics, problems, analytical methods and theories, thereby reflecting the wealth of stimuli offered by research on the musical cultures of our times.

In Concert

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Publisher : University of Michigan Press
ISBN 13 : 0472128396
Total Pages : 305 pages
Book Rating : 4.4/5 (721 download)

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Book Synopsis In Concert by : Philip Auslander

Download or read book In Concert written by Philip Auslander and published by University of Michigan Press. This book was released on 2021-01-04 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The conventional way of understanding what musicians do as performers is to treat them as producers of sound; some even argue that it is unnecessary to see musicians in performance as long as one can hear them. But musical performance, counters Philip Auslander, is also a social interaction between musicians and their audiences, appealing as much to the eye as to the ear. In Concert: Performing Musical Persona he addresses not only the visual means by which musicians engage their audiences through costume and physical gesture, but also spectacular aspects of performance such as light shows. Although musicians do not usually enact fictional characters on stage, they nevertheless present themselves to audiences in ways specific to the performance situation. Auslander’s term to denote the musician’s presence before the audience is musical persona. While presence of a musical persona may be most obvious within rock and pop music, the book’s analysis extends to classical music, jazz, blues, country, electronic music, laptop performance, and music made with experimental digital interfaces. The eclectic group of performers discussed include the Beatles, Miles Davis, Keith Urban, Lady Gaga, Nicki Minaj, Frank Zappa, B. B. King, Jefferson Airplane, Virgil Fox, Keith Jarrett, Glenn Gould, and Laurie Anderson.

The Analysis of Musical Form

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Publisher : Pearson Prentice Hall
ISBN 13 : 9780131584242
Total Pages : 386 pages
Book Rating : 4.5/5 (842 download)

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Book Synopsis The Analysis of Musical Form by : James Mathes

Download or read book The Analysis of Musical Form written by James Mathes and published by Pearson Prentice Hall. This book was released on 2006-11-01 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'The analysis of musical form' emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. analysis of tonal design, thematic types and phrase structure, formal functions, musical text

Musical Performance

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Publisher : Cambridge University Press
ISBN 13 : 9780521788625
Total Pages : 264 pages
Book Rating : 4.7/5 (886 download)

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Book Synopsis Musical Performance by : John Rink

Download or read book Musical Performance written by John Rink and published by Cambridge University Press. This book was released on 2002-12-12 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents

Musical Form

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Publisher :
ISBN 13 :
Total Pages : 488 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Musical Form by : Hugo Leichtentritt

Download or read book Musical Form written by Hugo Leichtentritt and published by . This book was released on 1951 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Translated and enlarged from the 3d German edition, Musikalische Formenlehre, 1927.

Conceptualizing Music

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Publisher : Oxford University Press
ISBN 13 : 019803217X
Total Pages : 376 pages
Book Rating : 4.1/5 (98 download)

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Book Synopsis Conceptualizing Music by : Lawrence M. Zbikowski

Download or read book Conceptualizing Music written by Lawrence M. Zbikowski and published by Oxford University Press. This book was released on 2002-11-14 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.

Music and Shape

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Publisher : Oxford University Press
ISBN 13 : 0190657014
Total Pages : 352 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis Music and Shape by : Daniel Leech-Wilkinson

Download or read book Music and Shape written by Daniel Leech-Wilkinson and published by Oxford University Press. This book was released on 2017-11-15 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shape is a concept widely used in talk about music. Musicians in classical, popular, jazz and world musics use it to help them rehearse, teach and think about what they do. Yet why is a word that seems to require something to see or to touch so useful to describe something that sounds? Music and Shape examines numerous aspects of this surprisingly close relationship, with contributions from scholars and musicians, artists, dancers, filmmakers, and synaesthetes. The main chapters are provided by leading scholars from music psychology, music analysis, music therapy, dance, classical, jazz and popular music who examine how shape makes sense in music from their varied points of view. Here we see shape providing a key notion for the teaching and practice of performance nuance or prosody; as a way of making relationships between sound and body movement; as a link between improvisational as well as compositional design and listener response, and between notation, sound and cognition; and as a unimodal quality linked to vitality affects. Reflections from practitioners, between the chapters, offer complementary insights, embracing musical form, performance and composition styles, body movement, rhythm, harmony, timbre, narrative, emotions and feelings, and beginnings and endings. Music and Shape opens up new perspectives on musical performance, music psychology and music analysis, making explicit and open to investigation a vital factor in musical thinking and experience previously viewed merely as a metaphor.

Formal Functions in Perspective

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Publisher : Boydell & Brewer
ISBN 13 : 1580465188
Total Pages : 466 pages
Book Rating : 4.5/5 (84 download)

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Book Synopsis Formal Functions in Perspective by : Steven Vande Moortele

Download or read book Formal Functions in Perspective written by Steven Vande Moortele and published by Boydell & Brewer. This book was released on 2015 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents thirteen studies that engage with the notion of formal function in a variety of ways

Pedaling

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Publisher :
ISBN 13 : 9780849762154
Total Pages : 0 pages
Book Rating : 4.7/5 (621 download)

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Book Synopsis Pedaling by : Peter Coraggio

Download or read book Pedaling written by Peter Coraggio and published by . This book was released on 1997 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Conventional Wisdom

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Publisher : Univ of California Press
ISBN 13 : 0520232089
Total Pages : 225 pages
Book Rating : 4.5/5 (22 download)

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Book Synopsis Conventional Wisdom by : Susan McClary

Download or read book Conventional Wisdom written by Susan McClary and published by Univ of California Press. This book was released on 2000 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: McClary, "offers an analysis of our own cultural moment in terms of two dominant traditions: tonality and blues."--Jacket.

Musical Performance

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Publisher : Routledge
ISBN 13 : 1134654391
Total Pages : 188 pages
Book Rating : 4.1/5 (346 download)

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Book Synopsis Musical Performance by : Stan Godlovitch

Download or read book Musical Performance written by Stan Godlovitch and published by Routledge. This book was released on 2002-01-31 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered. Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do, Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses for philosophical aesthetics. Where does does the value of musical performance lie? Is human performance of music a mere transfer medium? Is the performance of music more expressive than recorded music? Musical Performance poses questions such as these to develop a fascinating account of music today. musicians - but via some recording medium on which sound has been stored.

The Composer's Voice

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Publisher : Univ of California Press
ISBN 13 : 0520311671
Total Pages : 196 pages
Book Rating : 4.5/5 (23 download)

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Book Synopsis The Composer's Voice by : Edward T. Cone

Download or read book The Composer's Voice written by Edward T. Cone and published by Univ of California Press. This book was released on 2023-04-28 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music, we are often told, is a language. But if music is a language, then who is speaking? The Composer's Voice tries to answer this obvious but infrequently raised question. In so doing, it puts forward a dramatistic theory of musical expression, based on the view that every composition is a symbolic utterance involving a fundamental act of impersonation. The voice we hear is not that of the composer himself, but of a persona--a musical projection of his consciousness that experiences and communicates the events of the composition. Developing his argument by reference to numerous examples ina wide variety of styles, Mr. Cone moves from song and opera through program music to absolute instrumental music. In particular, he discusses the implications of his theory for performance. According to the dramatistic view, not only every singer but every instrumentalist as well becomes a kind of actor, assuming a role that functions both autonomously and as a component of the total musical persona. In his analysis of the problems inherent in this dual nature of the performer's job, Mr. Cone offers guidance that will prove of practical value to every performing musician. He has much to say to the listener as well. He recommends an imaginative participation in the component roles of musical work, leading to a sense of identification with the persona itself, as the path to complete musical understanding. And this approach is shown to be relevant to a number of specialized kids of listening as well--those applicable to analysis, historical scholarship, and criticism. The dance, too, is shown to depend on similar concepts. Although The Composer's Voice involves an investigation of how music functions as a form of communication, it is not primarily concerned with determine, or interpreting, the "content" of the message. A final chapter, however, puts forward a tentative explanation of musical "meaning" based on an interpretation of the art as a coalescence of symbolic utterance and symbolic gesture. While not essential to the main lines of the argument, it suggests interesting possibilities for further development of the dramatistic theory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

Musical Form and Analysis

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Publisher : Crescendo
ISBN 13 : 9780800854546
Total Pages : pages
Book Rating : 4.8/5 (545 download)

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Book Synopsis Musical Form and Analysis by : Jere T. Hutcheson

Download or read book Musical Form and Analysis written by Jere T. Hutcheson and published by Crescendo. This book was released on 1980 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Masculinity and Western Musical Practice

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Publisher : Routledge
ISBN 13 : 1351559028
Total Pages : 357 pages
Book Rating : 4.3/5 (515 download)

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Book Synopsis Masculinity and Western Musical Practice by : Kirsten Gibson

Download or read book Masculinity and Western Musical Practice written by Kirsten Gibson and published by Routledge. This book was released on 2017-07-05 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: How have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of masculinities in twelve different musical case studies. In other disciplines within the arts and humanities, 'men's studies' is a well-established field. Musicology has only recently begun to address critically music's engagement with masculinity and as a result has sometimes thereby failed to recognize its own discursive misogyny. This book does not seek to cover the field comprehensively but, rather, to explore in detail some of the ways in which musical practices do the cultural work of masculinity. The book is structured into three thematic sections: effeminate and virile musics and masculinities; national masculinities, national musics; and identities, voices, discourses. Within these themes, the book ranges across a number of specific topics: late medieval masculinities; early modern discourses of music, masculinity and medicine; Renaissance Italian masculinities; eighteenth-, nineteenth- and early twentieth-century ideas of creativity, gender and canonicity; masculinity, imperialist and nationalist ideologies in the nineteenth century, and constructions of the masculine voice in late nineteenth- and twentieth-century opera and song. While the case studies are methodologically disparate and located in different historical and geographical locations, they all share a common conc

The Rhythmic Structure of Music

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Publisher : University of Chicago Press
ISBN 13 : 9780226115221
Total Pages : 232 pages
Book Rating : 4.1/5 (152 download)

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Book Synopsis The Rhythmic Structure of Music by : Grosvenor W. Cooper

Download or read book The Rhythmic Structure of Music written by Grosvenor W. Cooper and published by University of Chicago Press. This book was released on 1963-04-15 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.