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Music The British Military In The Long Nineteenth Century
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Book Synopsis Music & the British Military in the Long Nineteenth Century by : Trevor Herbert
Download or read book Music & the British Military in the Long Nineteenth Century written by Trevor Herbert and published by Oxford University Press. This book was released on 2013-07-05 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although military music was among the most widespread forms of music making during the nineteenth-century, it has been almost totally overlooked by music historians. Music & the British Military in the Long Nineteenth Century however, shows that military bands reached far beyond the official ceremonial duties they are often primarily associated with and had a significant impact on wider spheres of musical and cultural life. Beginning with a discussion of the place of the military in civilian and social life, authors Trevor Herbert and Helen Barlow plot the story of military music from its sponsorship by military officers to its role as an expression of imperial force, which it took on by the end of the nineteenth century. Herbert and Barlow organize their study around three themes: the use of military status to extend musical patronage by the officer class; the influence of the military on the civilian music establishments; and an incremental movement towards central control of military music making by governments throughout the world. In so doing, they show that military music impacted everything from the configuration of the music profession in the major metropolitan centers, to the development of wind instruments throughout the century, to the emergence of organized amateur music making. A much needed addition to the scholarship on nineteenth century music, Music & the British Military in the Long Nineteenth Century is an essential reference for music, cultural and military historians, the social history of music and nineteenth century studies.
Book Synopsis Music & the British Military in the Long Nineteenth Century by : Trevor Herbert
Download or read book Music & the British Military in the Long Nineteenth Century written by Trevor Herbert and published by . This book was released on 2013 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This study examines the relationship between the British military as a sponsor of music and musicians within wider aspects of music history during the nineteenth century. While the focus is on Britain, it also deals directly or by implication with other European countries and the USA. Throughout the period the military was by far the largest employer of musicians and generator of the most widely dispersed musical networks. Consequently it was essential to the commerical infrastructures of music.
Book Synopsis Burma, Kipling and Western Music by : Andrew Selth
Download or read book Burma, Kipling and Western Music written by Andrew Selth and published by Taylor & Francis. This book was released on 2016-11-03 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: For decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.
Book Synopsis The Music Profession in Britain, 1780-1920 by : Rosemary Golding
Download or read book The Music Profession in Britain, 1780-1920 written by Rosemary Golding and published by Routledge. This book was released on 2018-03-15 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profession engaged with its place in society. Contributors investigate the ways in which musicians viewed their own identities, public perceptions of the working musician, the statuses of different sectors of the profession and attempts to manipulate both status and identity. Ten chapters examine a range of sectors of the music profession, from publishers and performers to teachers and military musicians, and overall themes include class, gender and formal accreditation. The chapters demonstrate the wide range of sectors within the music profession, the different ways in which these took on status and identity, and the unique position of professional musicians both to adopt and to challenge social norms.
Book Synopsis Opera and British Print Culture in the Long Nineteenth Century by : Christina Fuhrmann
Download or read book Opera and British Print Culture in the Long Nineteenth Century written by Christina Fuhrmann and published by Liverpool University Press. This book was released on 2023-02-16 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.
Book Synopsis Brass Bands of the British Isles 1800-2018 - a historical directory by : Gavin Holman
Download or read book Brass Bands of the British Isles 1800-2018 - a historical directory written by Gavin Holman and published by Gavin Holman. This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Of the many brass bands that have flourished in Britain and Ireland over the last 200 years very few have documented records covering their history. This directory is an attempt to collect together information about such bands and make it available to all. Over 19,600 bands are recorded here, with some 10,600 additional cross references for alternative or previous names. This volume supersedes the earlier “British Brass Bands – a Historical Directory” (2016) and includes some 1,400 bands from the island of Ireland. A separate work is in preparation covering brass bands beyond the British Isles. A separate appendix lists the brass bands in each county
Book Synopsis Songs & Music of the Redcoats by : Lewis S. Winstock
Download or read book Songs & Music of the Redcoats written by Lewis S. Winstock and published by London : Leo Cooper Limited. This book was released on 1970 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Crafting the Woman Professional in the Long Nineteenth Century by : Kyriaki Hadjiafxendi
Download or read book Crafting the Woman Professional in the Long Nineteenth Century written by Kyriaki Hadjiafxendi and published by Routledge. This book was released on 2016-05-13 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the course of the nineteenth century, women in Britain participated in diverse and prolific forms of artistic labour. As they created objects and commodities that blurred the boundaries between domestic and fine art production, they crafted subjectivities for themselves as creative workers. By bringing together work by scholars of literature, painting, music, craft and the plastic arts, this collection argues that the constructed and contested nature of the female artistic professional was a notable aspect of debates about aesthetic value and the impact of industrial technologies. All the essays in this volume set up a productive inter-art dialogue that complicates conventional binary divisions such as amateur and professional, public and private, artistry and industry in order to provide a more nuanced understanding of the relationship between gender, artistic labour and creativity in the period. Ultimately, how women faced the pragmatics of their own creative labour as they pursued vocations, trades and professions in the literary marketplace and related art-industries reveals the different ideological positions surrounding the transition of women from industrious amateurism to professional artistry.
Book Synopsis The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century by : Paul Watt
Download or read book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century written by Paul Watt and published by Oxford University Press. This book was released on 2020-03-02 with total page 752 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
Book Synopsis Military Music of the American Revolution by : Raoul F. Camus
Download or read book Military Music of the American Revolution written by Raoul F. Camus and published by Chapel Hill : University of North Carolina Press. This book was released on 1976 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book correlates early American history during the Revolutionary War with the musical tradition of America. The growth and topics of American colonial and Revolutionary era music, especially in the military, are used as insight to military trends and American culture.
Book Synopsis British Military Prints by : Ralph Nevill
Download or read book British Military Prints written by Ralph Nevill and published by London : The Connoisseur publishing Company. This book was released on 1909 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Let Me Kiss Him for His Mother by : George Kunkel
Download or read book Let Me Kiss Him for His Mother written by George Kunkel and published by . This book was released on 1859 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Music of Herbert Howells by : Phillip A. Cooke
Download or read book The Music of Herbert Howells written by Phillip A. Cooke and published by Boydell & Brewer Ltd. This book was released on 2013 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres except the symphony and opera. Yet today he is known mostly for his church music, and there is as yet relatively little serious study of his work. This book is the first large-scale study of Howells's music, affording both detailed consideration of individual works and a broad survey of general characteristics and issues. Its coverage is wide-ranging, addressing all aspects of the composer's prolific output and probing many of the issues that it raises. The essays are gathered in five sections: Howells the Stylist examines one of the most striking aspect of the composer's music, its strongly characterised personal voice; Howells the Vocal Composer addresses both his well-known contribution to church music and his less familiar, but also important, contribution to the genre of solo song; Howells the Instrumental Composer shows that he was no less accomplished for his work in genres without words, for which, in fact, he first made his name; Howells the Modern considers the composer's rather overlooked contribution to the development of a modern voice for British music; and Howells in Mourning explores the important impact of his son's death on his life and work. The composer that emerges from these studies is a complex figure: technically fluent but prone to revision and self-doubt; innovative but also conservative; a composer with an improvisational sense of flow who had a firm grasp of musical form; an exponent of British musical style who owed as much to continental influence as to his national heritage. This volume, comprising a collection of outstanding essays by established writers and emergent scholars, opens up the range of Howells's achievement to a wider audience, both professional and amateur. PHILLIP COOKE is Lecturer in Composition at the University of Aberdeen. DAVID MAW is Tutor and Research Fellow in Music at Oriel College, Oxford, holding Lectureships also at Christ Church, The Queen's and Trinity Colleges. CONTRIBUTORS: Byron Adams, Paul Andrews, Graham Barber, Jonathan Clinch, Phillip A. Cooke, Jeremy Dibble, Lewis Foreman, Fabian Huss, David Maw, Diane Nolan Cooke, Lionel Pike, Paul Spicer, Jonathan White. Foreword by John Rutter.
Download or read book Augusta Browne written by Bonny H. Miller and published by Eastman Studies in Music. This book was released on 2020 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive biography of any American woman musician born before the Civil War brings to life a composer whose story is both old-fashioned and strikingly modern.
Book Synopsis Coastal Cultures of the Long Nineteenth Century by : Matthew Ingleby
Download or read book Coastal Cultures of the Long Nineteenth Century written by Matthew Ingleby and published by EUP. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the cultural importance of the coastline in Britain during a time of vast change.
Author :Charles River Charles River Editors Publisher :Createspace Independent Publishing Platform ISBN 13 :9781717512413 Total Pages :164 pages Book Rating :4.5/5 (124 download)
Book Synopsis The British Army in the 19th Century by : Charles River Charles River Editors
Download or read book The British Army in the 19th Century written by Charles River Charles River Editors and published by Createspace Independent Publishing Platform. This book was released on 2018-04-28 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: *Includes pictures *Includes contemporary accounts *Includes online resources and a bibliography for further reading "Believe me, nothing except a battle lost can be half so melancholy as a battle won." - The Duke of Wellington at Waterloo Today, the British Army is one of the most powerful fighting forces in the world. Its highly trained professional soldiers are equipped with the most advanced military technology ever made. Its international interventions, while controversial both at home and abroad, are carried out with incredible professionalism and little loss of life among British servicemen and servicewomen. Naturally, the history and traditions behind this army are also impressive. Britain has not been successfully invaded in centuries. Its soldiers once created and defended a global empire, and during the Second World War, it was one of the leading nations standing against the brutal Axis forces, leading the way in the greatest seaborne invasion in military history. But it was not always like this. For most of its history, Britain was a patchwork of competing nations. England, the largest of its constituent countries, was often relatively weak as a land power compared with its European neighbors. Moreover, Britain's armies, like those of the other European powers, were neither professional nor standing armies for hundreds of years. The 18th century was a tumultuous period for the British army, one often overlooked in popular accounts of British history. It began with the formal unification of Britain-a period of great success for the nation's armies-led by one of Britain's greatest generals, the Duke of Marlborough. This was followed by a period of global activity and military reform as the British Empire expanded. Though naval power played a greater part in this success, it led to new obligations and challenges for the army. Even as the empire soared to new heights, the 18th century was one that was initially marked by triumph but ended in failure and decline. The late 1770s and early 1780s brought about a disastrous war for control of the American colonies, during which the British Army was ultimately defeated by colonial militiamen allied with French forces. In the aftermath came a period of decline and complacency, leaving the nation ill-prepared for war with Napoleon and France. Wellington famously referred to his men as the scum of the earth, even as he took pride in their skill and successes. This was an army that took rough material and shaped it into something refined and effective. The demoralized army emerging after the American Revolution became something new and powerful, respected around the world, giving Britain its era of greatest glory. Ironically, the army was a victim of its own success. After having proven its strength against Napoleon and emerging as one of the most respected military and political players in Europe, the British Army took a backseat to what its leaders considered more pressing needs, even as the soldiers were relied on to be garrisoned in colonies across the world. As the Industrial Revolution took hold, its factories and mines drove a staggering period of economic and technological growth. A global empire, supported by the might of the Royal Navy, provided the raw materials and markets the economy needed, as well as military bases and political influence in every corner of the globe. Success was a self-fulfilling prophecy, and Britain's economic and military might let the nation expand its power, absorbing more territory and resources. This ensured the need for a substantial army, as well as the need for the resources to maintain it, but it was not all smooth sailing. There were challenges to be met and periods of complacency to overcome. This book examines the history of the British Army during some of history's most pivotal eras. Along with pictures and a bibliography, you will learn about the British army like never before.
Book Synopsis The Music Profession in Britain Since the Eighteenth Century by : Cyril Ehrlich
Download or read book The Music Profession in Britain Since the Eighteenth Century written by Cyril Ehrlich and published by Oxford University Press, USA. This book was released on 1985 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explains the vigorous expansion of the music profession in the 19th and early 20th centuries, as the widespread demand for lessons and the revolution in commercialized entertainment created new employment opportunities, and follows the profession through to its subsequent decline as changing leisure patterns, "talkies", and relentless improvements in recording technologies displaced both teachers and performers.
