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Music Of The Middle Ages Volume 1
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Book Synopsis Music of the Middle Ages: Volume 1 by : Giulio Cattin
Download or read book Music of the Middle Ages: Volume 1 written by Giulio Cattin and published by Cambridge University Press. This book was released on 1984-12-06 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique history of the vast repertory of monophonic music of the Middle Ages.
Author :David Fenwick Wilson Publisher :New York : Schirmer Books ; Toronto : Collier Macmillan Canada ISBN 13 : Total Pages :440 pages Book Rating :4.3/5 (91 download)
Book Synopsis Music of the Middle Ages by : David Fenwick Wilson
Download or read book Music of the Middle Ages written by David Fenwick Wilson and published by New York : Schirmer Books ; Toronto : Collier Macmillan Canada. This book was released on 1990 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flourishing of fourteenth-century polyphony.--From publisher description.
Download or read book Music of the Middle Ages written by and published by . This book was released on 1994 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music of the Middle Ages: by : Giulio Cattin
Download or read book Music of the Middle Ages: written by Giulio Cattin and published by Cambridge University Press. This book was released on 1984-12-06 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uniquely among histories of mediaeval music, this book is specifically devoted to the vast repertory of monophonic music. Too often treated as a preamble to polyphony, this music forms the basis of Europe's musical tradition. (A companion volume by F. A. Gallo, forthcoming in English translation, covers polyphonic music of the Middle Ages.) Giulio Cattin outlines the birth and evolution of Christian chant in the early centuries of the Church and describes a number of partly independent Byzantine and Western chant traditions. Fr Cattin's own background in the Church gives a particular authority to his writing on liturgical music, and he presents the latest original research without being too technical. In addition to offshoots of the main liturgical tradition such as tropes, metrical offices and liturigical drama, Fr Cattin covers the birth of secular music, first in Latin monody, and then in a growing variety of music in vernacular languages - the Italian laude and the lyrics of the Provençal troubadours, the French trouvères and the German Minnesinger. Chapters on early instrumental music and on the philosopher's view of the ars musica complete the book.
Book Synopsis A Treasury of Early Music by : Carl Parrish
Download or read book A Treasury of Early Music written by Carl Parrish and published by Courier Corporation. This book was released on 2012-12-06 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
Book Synopsis Music and Performance in the Later Middle Ages by : E. Upton
Download or read book Music and Performance in the Later Middle Ages written by E. Upton and published by Springer. This book was released on 2012-12-28 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book seeks to understand the music of the later Middle Ages in a fuller perspective, moving beyond the traditional focus on the creative work of composers in isolation to consider the participation of performers and listeners in music-making.
Book Synopsis Music in the Middle Ages by : Gustave Reese
Download or read book Music in the Middle Ages written by Gustave Reese and published by W. W. Norton. This book was released on 2000-12 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Music in the Middle Ages and the Renaissance by : Harold Gleason
Download or read book Music in the Middle Ages and the Renaissance written by Harold Gleason and published by Alfred Music Publishing. This book was released on 1981 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.
Book Synopsis A Social History of Music from the Middle Ages to Beethoven. Music and Society Since 1815 by :
Download or read book A Social History of Music from the Middle Ages to Beethoven. Music and Society Since 1815 written by and published by . This book was released on 1978 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Cambridge History of Medieval Music by : Mark Everist
Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
Book Synopsis Words and Music in the Middle Ages by : John Stevens
Download or read book Words and Music in the Middle Ages written by John Stevens and published by Cambridge University Press. This book was released on 1986-10-16 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.
Book Synopsis Music Education in the Middle Ages and the Renaissance by : Susan Forscher Weiss
Download or read book Music Education in the Middle Ages and the Renaissance written by Susan Forscher Weiss and published by Indiana University Press. This book was released on 2010-07-16 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.
Book Synopsis Early English Organ Music from the Middle Ages to 1837 by : Francis Routh
Download or read book Early English Organ Music from the Middle Ages to 1837 written by Francis Routh and published by . This book was released on 1973 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sung Birds written by Elizabeth Eva Leach and published by Cornell University Press. This book was released on 2018-07-05 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.
Book Synopsis Music and Instruments of the Middle Ages by : Tess Knighton
Download or read book Music and Instruments of the Middle Ages written by Tess Knighton and published by Boydell & Brewer. This book was released on 2020 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on important topics in early music.
Book Synopsis Music in the Middle Ages by : Suzanne Lord
Download or read book Music in the Middle Ages written by Suzanne Lord and published by Bloomsbury Publishing USA. This book was released on 2008-09-30 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music both influences and reflects the times in which it was created. In the Middle Ages, the previous Dark Ages, the Crusades, and the feudal system all impacted the types and forms of music in the period. Charlemagne standardized the church mass and promoted the Gregorian chant, to the point of threatening excommunication if any other were performed. Musical notation — the staff line — was developed during the period. The troubadours of France, Meistersingers of Germany,the Cantus Firmus of Italy, and the instruments that played the music are all included in this thorough guide to music of the middle ages. Topics include: the British Isles, Dance Music, Eastern Europe, France, Germanic Lands, Harps, Italy, the Low Countries, Spain, and more.
Book Synopsis The Song of Songs in the Middle Ages by : Ann W. Astell
Download or read book The Song of Songs in the Middle Ages written by Ann W. Astell and published by Cornell University Press. This book was released on 2018-10-18 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Included among the sacred books of Judaism and Christianity alike, the Song of Songs does not mention God at all; on the surface it is a lyrical exchange between unnamed lovers who articulate the range of emotions associated with sexual love. Ann W. Astell here examines medieval reader response, both interpretive and imitative, to the Song. Disputing the common view that the literal meaning of Canticles had no value for medieval readers, Astell points to twelfth-century commentaries on the Song, as well as an array of Middle English works, as evidence that the Song's sensuous imagery played an essential part in its tropological appeal. Emphasizing the ways in which a complex fusion of the Song's carnal and spiritual meanings appealed rhetorically to a variety of audiences, Astell first considers interpretive responses to Canticles, contrasting Origen's dialectical exposition with the affective commentaries of the twelfth century—ecclesiastical, Marian, and mystical. According to Astell, these commentaries present Canticles as a marriage song that mirrors a series of analogous marriages, both within the individual and between human and divine persons. Astell describes interpretations of the Song of Songs in terms of the various feminine archetypes that the expositors emphasize—the Virgin, Mother, Hetaira, or Medium. She maintains that the commentat5ors encourage the auditor's identification with the figure of the Bride so as to evoke and direct the feminine, affective powers of the soul. Turning to literature influenced by the Song, she then discusses how the reading process is reinscribed in selected works in Middle English, including Richard Rolle's autobiographical writings, Pearl, religious love lyrics, and cycle dramas. The Song of Songs in the Middle Ages provides an innovative model of reader response that opens the way for a deeper understanding of the literary influence of biblical texts.
