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Music In European Thought 1851 1912
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Book Synopsis Music in European Thought 1851-1912 by : Bojan Bujic
Download or read book Music in European Thought 1851-1912 written by Bojan Bujic and published by Cambridge University Press. This book was released on 1988 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period 1851-1912. Throughout the second half of the nineteenth century music continued to be a subject to which philosophers, psychologists, scientists and critics repeatedly addressed themselves. Some of the philosophical approaches followed the tradition of the German speculative philosophy of the late eighteenth and early nineteenth centuries. Elsewhere the new 'scientific' climate of the nineteenth century left its mark on the work of scientists and psychologists interested in the impact of acoustical stimuli on the human mind or in the role of music and song in the prehistory of mankind.
Book Synopsis Focus: Music, Nationalism, and the Making of a New Europe by : Philip V. Bohlman
Download or read book Focus: Music, Nationalism, and the Making of a New Europe written by Philip V. Bohlman and published by Routledge. This book was released on 2010-09-13 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two decades after the fall of communism in Eastern Europe and one decade into the twenty-first century, European music remains one of the most powerful forces for shaping nationalism. Using intensive fieldwork throughout Europe -- from participation in alpine foot pilgrimages to studies of the grandest music spectacle anywhere in the world, the Eurovision Song Contest -- Philip V. Bohlman reveals the ways in which music and nationalism intersect in the shaping of the New Europe. Focus: Music, Nationalism, and the Making of the New Europe begins with the emergence of the European nation-state in the Middle Ages and extends across long periods during which Europe’s nations used music to compete for land and language, and to expand the colonial reach of Europe to the entire world. Bohlman contrasts the "national" and the "nationalist" in music, examining the ways in which their impact on society can be positive and negative -- beneficial for European cultural policy and dangerous in times when many European borders are more fragile than ever. The New Europe of the twenty-first century is more varied, more complex, and more politically volatile than ever, and its music resonates fully with these transformations.
Book Synopsis Music in German Philosophy by : Stefan Lorenz Sorgner
Download or read book Music in German Philosophy written by Stefan Lorenz Sorgner and published by University of Chicago Press. This book was released on 2011-01-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though many well-known German philosophers have devoted considerable attention to music and its aesthetics, surprisingly few of their writings on the subject have been translated into English. Stefan Lorenz Sorgner, a philosopher, and Oliver Fürbeth, a musicologist, here fill this important gap for musical scholars and students alike with this compelling guide to the musical discourse of ten of the most important German philosophers, from Kant to Adorno. Music in German Philosophy includes contributions from a renowned group of ten scholars, including some of today’s most prominent German thinkers, all of whom are specialists in the writers they treat. Each chapter consists of a short biographical sketch of the philosopher concerned, a summary of his writings on aesthetics, and finally a detailed exploration of his thoughts on music. The book is prefaced by the editors’ original introduction, presenting music philosophy in Germany before and after Kant, as well as a new introduction and foreword to this English-language addition, which places contemplations on music by these German philosophers within a broader intellectual climate.
Book Synopsis Hugo Riemann and the Birth of Modern Musical Thought by : Alexander Rehding
Download or read book Hugo Riemann and the Birth of Modern Musical Thought written by Alexander Rehding and published by Cambridge University Press. This book was released on 2003-05-01 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849–1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart of his musical thought, an idea he defended for most of his career - harmonic dualism. By situating Riemann's musical thought within turn-of-the-century discourses about the natural sciences, German nationhood and modern technology, this book reconstructs the cultural context in which Riemann's ideas not only 'made sense' but advanced an understanding of the tonal tradition as both natural and German. Riemann's musical thought - from his considerations of acoustical properties to his aesthetic and music-historical views - thus regains the coherence and cultural urgency that it once possessed.
Download or read book On Music written by Robin Holloway and published by A&C Black. This book was released on 2003-01-01 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays contains some of the most exciting and original analyses of the Wagner operas from music critic and composer Robin Holloway, who is known for his trenchant style and impassioned thinking. These essays provide sustained, meditative, and illuminating accounts both of the masterpieces of the romantic era and of the classical tradition from which they derive. Holloway persuades listeners that music matters, that there is a real difference between good and bad, great and trivial, and sincere and sentimental, and that one's enjoyment can only be enhanced by the habit of critical study.>
Author :Assistant Professor of Music and Ad Astra Fellow Tomás McAuley Publisher :Oxford University Press, USA ISBN 13 :0199367310 Total Pages :1151 pages Book Rating :4.1/5 (993 download)
Book Synopsis The Oxford Handbook of Western Music and Philosophy by : Assistant Professor of Music and Ad Astra Fellow Tomás McAuley
Download or read book The Oxford Handbook of Western Music and Philosophy written by Assistant Professor of Music and Ad Astra Fellow Tomás McAuley and published by Oxford University Press, USA. This book was released on 2020-12-30 with total page 1151 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.
Book Synopsis The Routledge Companion to Philosophy and Music by : Theodore Gracyk
Download or read book The Routledge Companion to Philosophy and Music written by Theodore Gracyk and published by Routledge. This book was released on 2011-02-14 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Companion to Philosophy and Music is an outstanding guide and reference source to the key topics, subjects, thinkers and debates in philosophy and music. Essential reading for anyone interested in philosophy, music and musicology.
Author :John Paul Edward Harper-Scott Publisher :Cambridge University Press ISBN 13 :052184293X Total Pages :313 pages Book Rating :4.5/5 (218 download)
Book Synopsis An Introduction to Music Studies by : John Paul Edward Harper-Scott
Download or read book An Introduction to Music Studies written by John Paul Edward Harper-Scott and published by Cambridge University Press. This book was released on 2009-01-15 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why study music? An introduction to the main aspects of the subject, outlining the many benefits of a music degree.
Book Synopsis The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music by : Lydia Goehr
Download or read book The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music written by Lydia Goehr and published by Clarendon Press. This book was released on 1992-03-26 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer such questions, Lydia Goehr combines philosophical and historical methods of enquiry. Finding Anglo-American philosophy inadequate for the task, she shows that a historical perspective is indispensable to a full understanding of musical ontology. Goehr examines the concepts and assumptions behind the practice of classical music in the nineteenth century and demonstrates how different they were from those of previous centuries. She rejects the finding that the concept of a musical work emerged in the sixteenth century, placing its emergence instead around 1800. She describes how the concept of a work then came to define the norms, expectations, and behaviour that we now associate with classical music. Out of the historical thesis Goehr draws philosophical conclusions about the normative functions of concepts and ideals. She also addresses current debates among conductors, early music performers, and avant-gardists. - ;Introduction; I. The Analytic Approach: Status and identity: Analytical positions I; Analytical positions II; Critique and transition; II. The Historical Approach: Normativity and Practice: The central claim; Musical meaning I; Musical meaning II; Musical production I; Musical production II; Werktreue: Confirmation and challenge -
Book Synopsis A History of Western Philosophy of Music by : James O. Young
Download or read book A History of Western Philosophy of Music written by James O. Young and published by Cambridge University Press. This book was released on 2023-01-31 with total page 684 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music.
Book Synopsis Music, Criticism, and the Challenge of History by : Kevin Karnes
Download or read book Music, Criticism, and the Challenge of History written by Kevin Karnes and published by Oxford University Press. This book was released on 2008-08-22 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.
Book Synopsis Richard Strauss's Orchestral Music and the German Intellectual Tradition by : Charles Youmans
Download or read book Richard Strauss's Orchestral Music and the German Intellectual Tradition written by Charles Youmans and published by Indiana University Press. This book was released on 2005-07-07 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Strauss's orchestral activity from the perspective of late-19th-century German intellectual history.
Book Synopsis Pure and Programme Music in the Romanticism by : Magda Polo Pujandas
Download or read book Pure and Programme Music in the Romanticism written by Magda Polo Pujandas and published by Ed. Universidad de Cantabria. This book was released on 2016-05-31 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most difficult challenges a music theoretician faces, be it historically, philosophically or in other aspects, is that of correctly and precisely framing the meaning that music has in a specific moment: deducing the “why” and revealing the secret hidden within. The book Pure and Programme Music in the Romanticism, a rigorous and indispensable study to understand music in the period in which music as an expression of feelings, begins to reach the threshold of the sublime –primarily focusing attention on what pure and programme music represent. Both types of music are instrumental, but the difference between them is that the first one, pure music, exists on its own, and for its own sake, establishing an iron-clad alliance with the form. Programme music is inspired by other forms of artistic expression, especially literature, and is indelibly linked with the content. However, halfway between these two types of music, a new one is born: absolute music. This music is the result from the dialectic established between the pure and programme, exactly in the middle of two opposing philosophies, that of Idealism and that of Materialism. All of this context described in this book is what defines the essence of Romantic music but also what allows us to understand the music of the twentieth century and that of today, because the controversy between pure music and programme music has represented, in the history of western musical thought, the turning point that led to the creation of the Gesamtkunstwerk (Total Work of Art) and the relationship between music and film, for example, as well as other artistic expressions.
Book Synopsis Recognizing Music as an Art Form by : Barbara Titus
Download or read book Recognizing Music as an Art Form written by Barbara Titus and published by Leuven University Press. This book was released on 2016-03-21 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: The impact of Hegelian philosophy on 19th-century music criticism Music’s status as an art form was distrusted in the context of German idealist philosophy which exerted an unparalleled influence on the entire nineteenth century. Hegel insisted that the content of a work of art should be grasped in concepts in order to establish its spiritual substantiality (Geistigkeit), and that no object, word or image could accurately represent the content and meaning of a musical work. In the mid-nineteenth century, Friedrich Theodor Vischer and other Hegelian aestheticians kept insisting on art's conceptual clarity, but they adapted the aesthetic system on which this requirement had been based. Their adaptations turned out to be decisive for the development of music criticism, to such an extent that music critics used them to point out musical content and to confirm music’s autonomy as an art form. This book unravels the network of music critics and philosophers, including not only Hegel but also Franz Liszt, Franz Brendel, and Eduard Hanslick, whose works shaped public opinions of music.
Book Synopsis The Late Romantic Era by : Jim Samson
Download or read book The Late Romantic Era written by Jim Samson and published by Springer. This book was released on 1992-01-10 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Late Romantic Era treats the period bounded by the 1848 revolutions and the outbreak of World War I. It examines several musical dimensions of the bourgeois cultural ascendancy of the second half of the 19th century - the growth of independent institutions of music-making, the consolidation of a standard classical repertory and the emergence of increasingly specific repertories of popular music, professional and amateur. Single chapters on particular countries or regions are framed by pairs of chapters on Vienna, Paris and the German cities. In an opening chapter Dr Samson places the later geographical surveys within a thematic context which embraces social and economic change, political ideology and the climate of ideas.
Book Synopsis Romanticism and Film by : Will Kitchen
Download or read book Romanticism and Film written by Will Kitchen and published by Bloomsbury Publishing USA. This book was released on 2020-11-26 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner's music-dramas. One new and interesting way of examining this relationship is by looking beyond Wagner, and developing a concept of audio-visual explanation rooted in Romantic philosophical aesthetics, and employing it in the analysis of film discourse and representation. Using this concept of audio-visual explanation, the cultural image of the Hungarian pianist and composer Franz Liszt, a contemporary of Wagner and another significant practitioner of Romantic audio-visual aesthetics, is examined in reference to specific case studies, including the rarely-explored films Song Without End (1960) and Lisztomania (1975). This multifaceted study of film discourse and representation employs Liszt as a guiding-thread, structuring a general exploration of the concept of Romanticism and its relationship with film more generally. This exploration is supported by new theories of representation based on schematic cognition, the philosophy of explanation, and the recently-developed film theory of Jacques Rancière. Individual chapters address the historical background of audio-visual explanation in Romantic philosophical aesthetics, Liszt's role in the historical discourses of film and film music, and various filmic representations of Liszt and his compositions. Throughout these investigations, Will Kitchen explores the various ways that films explain, or 'make sense' of things, through a 'Romantic' aesthetic combination of sound and vision.
Book Synopsis Ferruccio Busoni and the Ontology of the Musical Work by : Erinn Elizabeth Knyt
Download or read book Ferruccio Busoni and the Ontology of the Musical Work written by Erinn Elizabeth Knyt and published by Stanford University. This book was released on 2010 with total page 641 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.
