Motion Metaphors In Music Criticism

Download Motion Metaphors In Music Criticism full books in PDF, epub, and Kindle. Read online Motion Metaphors In Music Criticism ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!

Motion Metaphors in Music Criticism

Author : Nina Julich-Warpakowski
Publisher : John Benjamins Publishing Company
ISBN 13 : 9027256942
Total Pages : 263 pages
Book Rating : 4.0/5 (272 download)

DOWNLOAD NOW!

Book Synopsis Motion Metaphors in Music Criticism by : Nina Julich-Warpakowski

Download or read book Motion Metaphors in Music Criticism written by Nina Julich-Warpakowski and published by John Benjamins Publishing Company. This book was released on 2022-11-15 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book explores (1) the motivation of motion expressions in Western classical music criticism in terms of conceptual metaphors (Lakoff & Johnson, 1980, 1999) in two corpus studies, and (2) their perceived degree of metaphoricity among musicians and non-musicians in a rating study. The results show that while fundamental embodied conceptual metaphors like TIME IS MOTION certainly play a part in explaining why we speak of Western classical music as motion, it is the specific communicative setting of music criticism that determines the particular use of motion metaphors. Furthermore, the perceived metaphoricity of musical motion metaphors varies with participants’ musical background: musicians perceive musical motion expressions as more literal compared to non-musicians, showing that there are individual differences in the perception of metaphoricity.

Perception Metaphors

Author : Laura J. Speed
Publisher : John Benjamins Publishing Company
ISBN 13 : 9027263043
Total Pages : 382 pages
Book Rating : 4.0/5 (272 download)

DOWNLOAD NOW!

Book Synopsis Perception Metaphors by : Laura J. Speed

Download or read book Perception Metaphors written by Laura J. Speed and published by John Benjamins Publishing Company. This book was released on 2019-02-15 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metaphor allows us to think and talk about one thing in terms of another, ratcheting up our cognitive and expressive capacity. It gives us concrete terms for abstract phenomena, for example, ideas become things we can grasp or let go of. Perceptual experience—characterised as physical and relatively concrete—should be an ideal source domain in metaphor, and a less likely target. But is this the case across diverse languages? And are some sensory modalities perhaps more concrete than others? This volume presents critical new data on perception metaphors from over 40 languages, including many which are under-studied. Aside from the wealth of data from diverse languages—modern and historical; spoken and signed—a variety of methods (e.g., natural language corpora, experimental) and theoretical approaches are brought together. This collection highlights how perception metaphor can offer both a bedrock of common experience and a source of continuing innovation in human communication.

Sensory Perceptions in Language, Embodiment and Epistemology

Author : Annalisa Baicchi
Publisher : Springer
ISBN 13 : 3319912771
Total Pages : 215 pages
Book Rating : 4.3/5 (199 download)

DOWNLOAD NOW!

Book Synopsis Sensory Perceptions in Language, Embodiment and Epistemology by : Annalisa Baicchi

Download or read book Sensory Perceptions in Language, Embodiment and Epistemology written by Annalisa Baicchi and published by Springer. This book was released on 2018-07-21 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book illustrates how the human ability to adapt to the environment and interact with it can explain our linguistic representation of the world as constrained by our bodies and sensory perception. The different chapters discuss philosophical, scientific, and linguistic perspectives on embodiment and body perception, highlighting the core mechanisms humans employ to acquire knowledge of reality. These processes are based on sensory experience and interaction through communication.

Musical Forces

Author : Steve Larson
Publisher : Indiana University Press
ISBN 13 : 0253005493
Total Pages : 243 pages
Book Rating : 4.2/5 (53 download)

DOWNLOAD NOW!

Book Synopsis Musical Forces by : Steve Larson

Download or read book Musical Forces written by Steve Larson and published by Indiana University Press. This book was released on 2012-01-31 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence—as well as his skill as a jazz pianist—to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic patterns. Larson elegantly demonstrated how rhythm and meter arise from, and are given meaning by, these same musical forces.

Time, Metaphor and Language

Author : Sarah E. Duffy
Publisher : Cambridge University Press
ISBN 13 : 1107194032
Total Pages : 203 pages
Book Rating : 4.1/5 (71 download)

DOWNLOAD NOW!

Book Synopsis Time, Metaphor and Language by : Sarah E. Duffy

Download or read book Time, Metaphor and Language written by Sarah E. Duffy and published by Cambridge University Press. This book was released on 2023-11-30 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how metaphoric conceptualizations of time arise from an interplay between space, context, and individual characteristics.

Metaphor and Musical Thought

Author : Michael Spitzer
Publisher : University of Chicago Press
ISBN 13 : 022627943X
Total Pages : 393 pages
Book Rating : 4.2/5 (262 download)

DOWNLOAD NOW!

Book Synopsis Metaphor and Musical Thought by : Michael Spitzer

Download or read book Metaphor and Musical Thought written by Michael Spitzer and published by University of Chicago Press. This book was released on 2015-12-21 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.

Music and Embodied Cognition

Author : Arnie Cox
Publisher : Indiana University Press
ISBN 13 : 0253021677
Total Pages : 304 pages
Book Rating : 4.2/5 (53 download)

DOWNLOAD NOW!

Book Synopsis Music and Embodied Cognition by : Arnie Cox

Download or read book Music and Embodied Cognition written by Arnie Cox and published by Indiana University Press. This book was released on 2016-09-06 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox’s work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

Coherence in New Music: Experience, Aesthetics, Analysis

Author : Mark Hutchinson
Publisher : Routledge
ISBN 13 : 1317164652
Total Pages : 214 pages
Book Rating : 4.3/5 (171 download)

DOWNLOAD NOW!

Book Synopsis Coherence in New Music: Experience, Aesthetics, Analysis by : Mark Hutchinson

Download or read book Coherence in New Music: Experience, Aesthetics, Analysis written by Mark Hutchinson and published by Routledge. This book was released on 2016-06-10 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tō ru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.

Conceptualizing Music

Author : Lawrence M. Zbikowski
Publisher : Oxford University Press
ISBN 13 : 019803217X
Total Pages : 376 pages
Book Rating : 4.1/5 (98 download)

DOWNLOAD NOW!

Book Synopsis Conceptualizing Music by : Lawrence M. Zbikowski

Download or read book Conceptualizing Music written by Lawrence M. Zbikowski and published by Oxford University Press. This book was released on 2002-11-14 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.

Metaphor Wars

Author : Raymond W. Gibbs
Publisher : Cambridge University Press
ISBN 13 : 1107071143
Total Pages : 333 pages
Book Rating : 4.1/5 (7 download)

DOWNLOAD NOW!

Book Synopsis Metaphor Wars by : Raymond W. Gibbs

Download or read book Metaphor Wars written by Raymond W. Gibbs and published by Cambridge University Press. This book was released on 2017-05-04 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: The study of metaphor is now firmly established as a central topic within cognitive science and the humanities. This book explores the critical role that conceptual metaphors play in language, thought, cultural and expressive actions. It evaluates the arguments and evidence for and against conceptual metaphors across academic disciplines.

The Cambridge Handbook of Metaphor and Thought

Author : Raymond W. Gibbs, Jr.
Publisher : Cambridge University Press
ISBN 13 : 113947166X
Total Pages : 550 pages
Book Rating : 4.1/5 (394 download)

DOWNLOAD NOW!

Book Synopsis The Cambridge Handbook of Metaphor and Thought by : Raymond W. Gibbs, Jr.

Download or read book The Cambridge Handbook of Metaphor and Thought written by Raymond W. Gibbs, Jr. and published by Cambridge University Press. This book was released on 2008-09-22 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive collection of essays in multidisciplinary metaphor scholarship that has been written in response to the growing interest among scholars and students from a variety of disciplines such as linguistics, philosophy, anthropology, music and psychology. These essays explore the significance of metaphor in language, thought, culture and artistic expression. There are five main themes of the book: the roots of metaphor, metaphor understanding, metaphor in language and culture, metaphor in reasoning and feeling, and metaphor in non-verbal expression. Contributors come from a variety of academic disciplines, including psychology, linguistics, philosophy, cognitive science, literature, education, music, and law.

Music Psychology

Author : Ernst Kurth
Publisher : Routledge
ISBN 13 : 1315307898
Total Pages : 296 pages
Book Rating : 4.3/5 (153 download)

DOWNLOAD NOW!

Book Synopsis Music Psychology by : Ernst Kurth

Download or read book Music Psychology written by Ernst Kurth and published by Routledge. This book was released on 2022-03-14 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first edition of Ernst Kurth’s Musikpsychologie appeared in 1931, and was regarded by contemporaneous psychologists as no less than the foundation for a new systematic approach to the perception and cognition of music. Time has hardly diminished Kurth’s standing as an original scholar with a distinctive point of view. Music theorists, both in Europe and North America, regard him as an important figure in the history of music theory. Daphne Tan and Christoph Neidhöfer’s first full translation provides English-speaking theorists the opportunity to delve deeper into his ideas. Indeed, Kurth’s concerns – listening habits and habituation, metaphorical language, the limits of memory, and the role of the body in music experience, to name a few – are shared by many in the field today, especially scholars who work at the intersections of music theory, psychology, linguistics, and related disciplines. And while Kurth’s approach lacks the scientific rigour of modern-day empirical musicology, Musikpsychologie nevertheless presents a source of testable hypotheses for those working in the area of music perception and cognition. This translation of Musikpsychologie also has the potential to inspire a new generation of composers, especially through the topics in the second section (energy, force, space, and matter) and, given the inherently interdisciplinary nature of this book and the number of philosophical and scientific sources Kurth incorporates, it will appeal to those interested in the history of science and particularly in the emergence of psychology as an academic discipline in the early 20th century.

Theory, Analysis and Meaning in Music

Author : Anthony Pople
Publisher : Cambridge University Press
ISBN 13 : 9780521028301
Total Pages : 248 pages
Book Rating : 4.0/5 (283 download)

DOWNLOAD NOW!

Book Synopsis Theory, Analysis and Meaning in Music by : Anthony Pople

Download or read book Theory, Analysis and Meaning in Music written by Anthony Pople and published by Cambridge University Press. This book was released on 2006-11-02 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both.

Music as Metaphor

Author : Donald Nivison Ferguson
Publisher : Praeger
ISBN 13 :
Total Pages : 224 pages
Book Rating : 4.4/5 (91 download)

DOWNLOAD NOW!

Book Synopsis Music as Metaphor by : Donald Nivison Ferguson

Download or read book Music as Metaphor written by Donald Nivison Ferguson and published by Praeger. This book was released on 1973 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analysis of the elements of musical expression, correlating musical theme with the nervous tension and impulses which characterize human emotion.

Bodies in Motion and at Rest: On Metaphor and Mortality

Author : Thomas Lynch
Publisher : W. W. Norton & Company
ISBN 13 : 0393344290
Total Pages : 192 pages
Book Rating : 4.3/5 (933 download)

DOWNLOAD NOW!

Book Synopsis Bodies in Motion and at Rest: On Metaphor and Mortality by : Thomas Lynch

Download or read book Bodies in Motion and at Rest: On Metaphor and Mortality written by Thomas Lynch and published by W. W. Norton & Company. This book was released on 2001-06-17 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Masterful essays that illuminate not only how we die but also how we live. Thomas Lynch, poet, funeral director, and author of the highly praised The Undertaking, winner of an American Book Award and finalist for the National Book Award, continues to examine the relations between the "literary and mortuary arts." "Lynch engages the reader with a mixture of poetic and funerary elements....his voice is rich and generous."—Richard Bernstein, New York Times "[W]hat makes him such a fine essayist is that it's just the business of everyday life and death to him."—Los Angeles Times Book Review "Few readers will walk away from this volume less than stunned and grateful."—Jay Parini, author of Benjamin's Crossing "A luminous work of words."—Nicholas Delbanco, author of What Remains

The Science-Music Borderlands

Author : Elizabeth H. Margulis
Publisher : MIT Press
ISBN 13 : 0262373033
Total Pages : 429 pages
Book Rating : 4.2/5 (623 download)

DOWNLOAD NOW!

Book Synopsis The Science-Music Borderlands by : Elizabeth H. Margulis

Download or read book The Science-Music Borderlands written by Elizabeth H. Margulis and published by MIT Press. This book was released on 2023-05-02 with total page 429 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interdisciplinary essays on music psychology that integrate scientific, humanistic, and artistic ways of knowing in transformative ways. Researchers using scientific methods and approaches to advance our understanding of music and musicality have not yet grappled with some of the perils that humanistic fields concentrating on music have long articulated. In this edited volume, established and emerging researchers—neuroscientists and cognitive scientists, musicians, historical musicologists, and ethnomusicologists—build bridges between humanistic and scientific approaches to music studies, particularly music psychology. Deftly edited by Elizabeth H. Margulis, Psyche Loui, and Deirdre Loughridge, The Science-Music Borderlands embodies how sustained interaction among disciplines can lead to a richer understanding of musical life. The essays in this volume provide the scientific study of music with its first major reckoning, exploring the intellectual history of the field and its central debates, while charting a path forward. The Science-Music Borderlands is essential reading for music scholars from any disciplinary background. It will also interest those working at the intersection of music and science, such as music teachers, performers, composers, and music therapists. Contributors: Manuel Anglada-Tort, Salwa El-Sawan Castelo-Branco, Hu Chuan-Peng, Laura K. Cirelli, Alexander W. Cowan, Jonathan De Souza, Diana Deutsch, Diandra Duengen, Sarah Faber, Steven Feld, Shinya Fujii, Assal Habibi, Erin. E. Hannon, Shantala Hegde, Beatriz Ilari, Jason Jabbour, Nori Jacoby, Haley E. Kragness, Grace Leslie, Casey Lew-Williams, Deirdre Loughridge, Psyche Loui, Diana Mangalagiu, Elizabeth H. Margulis, Randy McIntosh, Rita McNamara, Eduardo Reck Miranda, Daniel Müllensiefen, Rachel Mundy, Florence Ewomazino Nweke, Patricia Opondo, Aniruddh D. Patel, Andrea Ravignani, Carmel Raz, Matthew Sachs, Marianne Sarfati, Patrick E. Savage, Huib Schippers, Jim Sykes, Gary Tomlinson, Jamal Williams, Maria A. G. Witek, Pamela Z

Music at Hand

Author : Jonathan De Souza
Publisher : Oxford University Press
ISBN 13 : 0190271124
Total Pages : 240 pages
Book Rating : 4.1/5 (92 download)

DOWNLOAD NOW!

Book Synopsis Music at Hand by : Jonathan De Souza

Download or read book Music at Hand written by Jonathan De Souza and published by Oxford University Press. This book was released on 2017-03-06 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: From prehistoric bone flutes to pipe organs to digital synthesizers, instruments have been important to musical cultures around the world. Yet, how do instruments affect musical organization? And how might they influence players' bodies and minds? Music at Hand explores these questions with a distinctive blend of music theory, psychology, and philosophy. Practicing an instrument, of course, builds bodily habits and skills. But it also develops connections between auditory and motor regions in a player's brain. These multi-sensory links are grounded in particular instrumental interfaces. They reflect the ways that an instrument converts action into sound, and the ways that it coordinates physical and tonal space. Ultimately, these connections can shape listening, improvisation, or composition. This means that pianos, guitars, horns, and bells are not simply tools for making notes. Such technologies, as creative prostheses, also open up possibilities for musical action, perception, and cognition. Throughout the book, author Jonathan De Souza examines diverse musical case studies-from Beethoven to blues harmonica, from Bach to electronic music-introducing novel methods for the analysis of body-instrument interaction. A companion website supports these analytical discussions with audiovisual examples, including motion-capture videos and performances by the author. Written in lucid prose, Music at Hand offers substantive insights for music scholars, while remaining accessible to non-specialist readers. This wide-ranging book will engage music theorists and historians, ethnomusicologists, organologists, composers, and performers-but also psychologists, philosophers, media theorists, and anyone who is curious about how musical experience is embodied and conditioned by technology.