Music and Twentieth-Century Tonality

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Author :
Publisher : Routledge
ISBN 13 : 1136314202
Total Pages : 178 pages
Book Rating : 4.1/5 (363 download)

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Book Synopsis Music and Twentieth-Century Tonality by : Paolo Susanni

Download or read book Music and Twentieth-Century Tonality written by Paolo Susanni and published by Routledge. This book was released on 2012-05-04 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the web of pitch relations that generates the musical language of non-serialized twelve-tone music and supplies both the analytical materials and methods necessary for analyses of a vast proportion of the 20th century musical repertoire. It does so in a simple, clear, and systematic manner to promote an easily accessible and global understanding of this music. Since the chromatic scale is the primary source for the pitch materials of 20th-century music, common sub-collections of the various modes and interval cycles serve as the basis for their mutual transformation. It is precisely this peculiarity of the non-serialized twelve-tone system that allows for an array of pitch relations and modal techniques hitherto perceived difficult if not impossible to analyze. Susanni and Antokoletz present the principles, concepts, and materials employed for analysis using a unique theoretic-analytical approach to the new musical language. The book contains a large number of original analyses that explore a host of composers including Ives, Stravinsky, Bartók, Messiaen, Cage, Debussy, Copland, and many more, providing insight into the music of the tonal revolution of the twentieth century and contributing an important perspective to how music works in general.

Materials and Techniques of Post-Tonal Music

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Author :
Publisher : Routledge
ISBN 13 : 1351859226
Total Pages : 355 pages
Book Rating : 4.3/5 (518 download)

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Book Synopsis Materials and Techniques of Post-Tonal Music by : Stefan Kostka

Download or read book Materials and Techniques of Post-Tonal Music written by Stefan Kostka and published by Routledge. This book was released on 2018-03-13 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.

Critical Music Historiography: Probing Canons, Ideologies and Institutions

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Author :
Publisher : Routledge
ISBN 13 : 1317157214
Total Pages : 332 pages
Book Rating : 4.3/5 (171 download)

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Book Synopsis Critical Music Historiography: Probing Canons, Ideologies and Institutions by : Vesa Kurkela

Download or read book Critical Music Historiography: Probing Canons, Ideologies and Institutions written by Vesa Kurkela and published by Routledge. This book was released on 2016-03-09 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard’s grand narratives, as a sign of what he diagnosed as our ’postmodern condition’, has become more or less an established and unquestioned point of departure among historians. This suspicion, at its most extreme, has led to a radical conclusion of the ’end of history’ in the work of postmodern scholars such as Jean Baudrillard and Francis Fukuyama. The contributors to Critical Music Historiography take a step back and argue that the radical view of the ’impossibility of history’, as well as the unavoidable ideology of any history, are counter-productive points of departure for historical scholarship. It is argued that metanarratives in history are still possible and welcome, even if their limitations are acknowledged. Foucault, Lyotard and others should be taken into account but systematized viewpoints and methods for a more critical and multi-faceted re-evaluation of the past through research are needed. As to the metanarratives of music history, they must avoid the pitfalls of evolutionism, hagiography, and teleology, all hallmarks of traditional historiography. In this volume the contributors put these methods and principles into practice. The chapters tackle under-researched and non-conventional domains of music history as well as rethinking older historiographical concepts such as orientalism and nationalism, and consequently introduce new concepts such as occidentalism and transnationalism. The volume is a challenging collection of work that stakes out a unique territory for itself among the growing body of work on critical music history.

Logic and the Modalities in the Twentieth Century

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Author :
Publisher : Elsevier
ISBN 13 : 0080463037
Total Pages : 733 pages
Book Rating : 4.0/5 (84 download)

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Book Synopsis Logic and the Modalities in the Twentieth Century by : Dov M. Gabbay

Download or read book Logic and the Modalities in the Twentieth Century written by Dov M. Gabbay and published by Elsevier. This book was released on 2006-05-10 with total page 733 pages. Available in PDF, EPUB and Kindle. Book excerpt: Logic and the Modalities in the Twentieth Century is an indispensable research tool for anyone interested in the development of logic, including researchers, graduate and senior undergraduate students in logic, history of logic, mathematics, history of mathematics, computer science and artificial intelligence, linguistics, cognitive science, argumentation theory, philosophy, and the history of ideas.This volume is number seven in the eleven volume Handbook of the History of Logic. It concentrates on the development of modal logic in the 20th century, one of the most important undertakings in logic's long history. Written by the leading researchers and scholars in the field, the volume explores the logics of necessity and possibility, knowledge and belief, obligation and permission, time, tense and change, relevance, and more. Both this volume and the Handbook as a whole are definitive reference tools for students and researchers in the history of logic, the history of philosophy, and any discipline, such as mathematics, computer science, artificial intelligence, for whom the historical background of his or her work is a salient consideration.· Detailed and comprehensive chapters covering the entire range of modal logic.· Contains the latest scholarly discoveries and interpretative insights that answer many questions in the field of logic.

A History of Twentieth-Century Music in a Theoretic-Analytical Context

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Author :
Publisher : Routledge
ISBN 13 : 1135037302
Total Pages : 526 pages
Book Rating : 4.1/5 (35 download)

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Book Synopsis A History of Twentieth-Century Music in a Theoretic-Analytical Context by : Elliott Antokoletz

Download or read book A History of Twentieth-Century Music in a Theoretic-Analytical Context written by Elliott Antokoletz and published by Routledge. This book was released on 2014-03-14 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.

The Rest Is Noise

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Author :
Publisher : Farrar, Straus and Giroux
ISBN 13 : 1429932880
Total Pages : 706 pages
Book Rating : 4.4/5 (299 download)

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Book Synopsis The Rest Is Noise by : Alex Ross

Download or read book The Rest Is Noise written by Alex Ross and published by Farrar, Straus and Giroux. This book was released on 2007-10-16 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Theory and Method in Historical Ethnomusicology

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Author :
Publisher : Lexington Books
ISBN 13 : 1498507050
Total Pages : 431 pages
Book Rating : 4.4/5 (985 download)

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Book Synopsis Theory and Method in Historical Ethnomusicology by : Jonathan McCollum

Download or read book Theory and Method in Historical Ethnomusicology written by Jonathan McCollum and published by Lexington Books. This book was released on 2014-09-11 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.

The Oxford Handbook of Music Composition Pedagogy

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Publisher : Oxford University Press
ISBN 13 : 0197574874
Total Pages : 993 pages
Book Rating : 4.1/5 (975 download)

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Book Synopsis The Oxford Handbook of Music Composition Pedagogy by : Michele Kaschub

Download or read book The Oxford Handbook of Music Composition Pedagogy written by Michele Kaschub and published by Oxford University Press. This book was released on 2024 with total page 993 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Music Composition Pedagogy presents an illuminating collection of philosophy, research, applied practice, and international perspectives to highlight the practices of teaching and learning in the field of music composition. The Handbook offers various strategies and approaches in composition for teachers, music teacher educators, and students of music education.

Music Fundamentals

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Publisher : Rowman & Littlefield
ISBN 13 : 1880157128
Total Pages : 289 pages
Book Rating : 4.8/5 (81 download)

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Book Synopsis Music Fundamentals by : Elvo S. D'Amante

Download or read book Music Fundamentals written by Elvo S. D'Amante and published by Rowman & Littlefield. This book was released on 1994 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a basic theory text designed for music majors as well as nonmajors who wish to acquire a working knowledge of musicianship and music theory. Music fundamentals are approached through the parallel study of pitch considerations and rhythmic design. The text includes four clefs for study, manuscript tips, drill studies for self-testing and monitoring, and chapter assignments. The Instructor's Manual is sold separately.

A Conductor's Guide to Choral-orchestral Works, Twentieth Century, Part II

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Author :
Publisher : Scarecrow Press
ISBN 13 : 9780810833760
Total Pages : 324 pages
Book Rating : 4.8/5 (337 download)

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Book Synopsis A Conductor's Guide to Choral-orchestral Works, Twentieth Century, Part II by : Jonathan D. Green

Download or read book A Conductor's Guide to Choral-orchestral Works, Twentieth Century, Part II written by Jonathan D. Green and published by Scarecrow Press. This book was released on 1998 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: This innovative survey of large choral-orchestral works is a continuation of the author's previous study of twentieth century works with English texts. Green examines nearly one hundred works, from Rachmaninov's Vesna to Penderecki's Song of Songs. For each work, he provides a biography of the composer, complete instrumentation, text sources, editions, availability of performing materials, performance issues, discography, and bibliography of the composer and the work. Based upon direct score study, each work has been evaluated in terms of potential performance problems, rehearsal issues, and level of difficulty for both the choir and orchestra. When present, solo roles are described. The composers represented in this work include Bela Bartok, Leonard Bernstein, Ernest Bloch, Maurice Duruf , Hans Werner Henze, Paul Hindemith, Arthur Honegger, Leos Janacek, Gy rgy Ligeti, Gustav Mahler, Carl Orff, Krzysztof Penderecki, Francis Poulenc, Igor Stravinsky, Anton Webern, and Kurt Weill. Written as a field guide for conductors and others involved in programming concerts for choir and orchestra, this text will prove a useful source of new repertoire ideas and an invaluable aid to rehearsal preparation.

The Oxford Handbook of Music and Medievalism

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Author :
Publisher :
ISBN 13 : 0190658444
Total Pages : 844 pages
Book Rating : 4.1/5 (96 download)

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Book Synopsis The Oxford Handbook of Music and Medievalism by : Stephen C. Meyer

Download or read book The Oxford Handbook of Music and Medievalism written by Stephen C. Meyer and published by . This book was released on 2020 with total page 844 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Music and Medievalism brings together international scholars from a wide range of disciplines to provide a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries.

Journal of Music Theory

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Publisher :
ISBN 13 :
Total Pages : 296 pages
Book Rating : 4.3/5 (91 download)

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Book Synopsis Journal of Music Theory by :

Download or read book Journal of Music Theory written by and published by . This book was released on 1958 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Béla Bartók

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Publisher : Psychology Press
ISBN 13 : 9780815320883
Total Pages : 534 pages
Book Rating : 4.3/5 (28 download)

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Book Synopsis Béla Bartók by : Elliott Antokoletz

Download or read book Béla Bartók written by Elliott Antokoletz and published by Psychology Press. This book was released on 1997 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second edition ofBela Bartok: A Guide to Researchpresents a concisely detailed history of Bartok's musical development, a catalogue of his compositions according to genre (including basic data on Bartok's publishers, achives, library collections, and catalogues), and 1200 annotated primary and secondary sources. A decade of scholarship since the first edition (1988) is included; over forty percent of the material in the second edition is new. Four indexes cover listings by author and title; Bartok's compositions and his editions and transcriptions of earlier keyboard works; proper names; and subjects. Primary sources include: Bartok's own essays, articles, lectures on folk music and art music, letters, and other documents; his folk music collections; facsimilies, reprints, and revisions of his music; and his own editions and transcriptions of earlier keyboard music. Secondary sources include: biographical and historical studies, specialized studies of his personality, philiosophy, andpolitical attitudes; theoretic, analytic, stylistic, and aesthetic studies of his music; discussions of folk music influences and art music influences; studies of his compositional process (based on autograph manuscripts, editions, and his own recordings); discussions of his orientation toward pedagogy; and discussions of insitutional sources for Bartok's research (including archival and bibliographic sources, special issues, festivals, conferences, colloquia, concert programs, and computerized data bases for Bartok analysis and research. This annotated, topically-organizedGuideis the most extensive bibliographical research tool on Bartok. It is the first to draw together the most important primary and secondary bibliographic sources, which cover his varied activities as composer, ethnomusicologist, pianist, pedagogue, linguist, and editor. It is significant not only for those interested in musicological research into Bartok's compositional and scholarly activities but also for those interestedin ethnomusicological research methodology in general, and the study of Eastern European, North African Arab, and Turkish folk music in particular.

The Cambridge Companion to Sibelius

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Publisher : Cambridge University Press
ISBN 13 : 9780521894609
Total Pages : 298 pages
Book Rating : 4.8/5 (946 download)

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Book Synopsis The Cambridge Companion to Sibelius by : Daniel M. Grimley

Download or read book The Cambridge Companion to Sibelius written by Daniel M. Grimley and published by Cambridge University Press. This book was released on 2004-02-26 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Postmodernism in Music

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Publisher : Cambridge University Press
ISBN 13 : 0521151570
Total Pages : 223 pages
Book Rating : 4.5/5 (211 download)

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Book Synopsis Postmodernism in Music by : Kenneth Gloag

Download or read book Postmodernism in Music written by Kenneth Gloag and published by Cambridge University Press. This book was released on 2012-06-21 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.

A Musical Offering

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Publisher : Pendragon Press
ISBN 13 : 9780945193838
Total Pages : 784 pages
Book Rating : 4.1/5 (938 download)

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Book Synopsis A Musical Offering by : Martin Bernstein

Download or read book A Musical Offering written by Martin Bernstein and published by Pendragon Press. This book was released on 1977 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.

The Principles and Practice of Tonal Counterpoint

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Author :
Publisher : Routledge
ISBN 13 : 1317518772
Total Pages : 283 pages
Book Rating : 4.3/5 (175 download)

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Book Synopsis The Principles and Practice of Tonal Counterpoint by : Evan Jones

Download or read book The Principles and Practice of Tonal Counterpoint written by Evan Jones and published by Routledge. This book was released on 2015-08-27 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Principles and Practice of Tonal Counterpoint is a comprehensive textbook that combines practical, "how-to" guidance in 18th-century techniques with extensive historical examination of contrapuntal works and genres. Beginning with an introductory grounding in species counterpoint, tonal harmony, and figured bass, students progress through the study of chorale preludes, invertible counterpoint, and canonic and fugal writing. This textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of tonal counterpoint and familiarizing students with contrapuntal styles from the Baroque period to the 21st century. Also available is a companion volume, The Principles and Practice of Modal Counterpoint, which focuses on 16th-century techniques and covers modal music from Gregorian chant through the 17th century.