Mexico's Cinema

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Publisher : Rowman & Littlefield Publishers
ISBN 13 : 0585241104
Total Pages : 334 pages
Book Rating : 4.5/5 (852 download)

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Book Synopsis Mexico's Cinema by : Joanne Hershfield

Download or read book Mexico's Cinema written by Joanne Hershfield and published by Rowman & Littlefield Publishers. This book was released on 1999-11-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, Mexican films have received high acclaim and impressive box-office returns. Moreover, Mexico has the most advanced movie industry in the Spanish-speaking world, and its impact on Mexican culture and society cannot be overstated. Mexico's Cinema: A Century of Film and Filmmakers is a collection of fourteen essays that encompass the first 100 years of the cinema of Mexico. Included are original contributions written specifically for this title, plus a few classic pieces in the field of Mexican cinema studies never before available in English. These essays explore a variety of themes including race and ethnicity, gender issues, personalities, and the historical development of a national cinematic style. Each of the book's three sections-The Silent Cinema, The Golden Age, and The Contemporary Era-is preceded by a short introduction to the period and a presentation of the major themes addressed in the section. This insightful anthology is the first published study that includes pieces by Mexican and North American scholars, including a piece by the internationally acclaimed essayist Carlos Monsivais. Contributors include other acclaimed scholars and critics as well as young scholars who are currently making their mark in the area of film studies of Mexico. These authors represent various fields-community studies, film studies, cultural history, ethnic studies, and gender studies-making this volume an interdisciplinary resource, important for courses in Latin America and Third World cinema, Mexican history and culture, and Chicana/o and ethnic studies.

The Lost Cinema of Mexico

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Publisher : University Press of Florida
ISBN 13 : 1683403398
Total Pages : 181 pages
Book Rating : 4.6/5 (834 download)

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Book Synopsis The Lost Cinema of Mexico by : Olivia Cosentino

Download or read book The Lost Cinema of Mexico written by Olivia Cosentino and published by University Press of Florida. This book was released on 2022-02-08 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Lost Cinema of Mexico is the first volume to challenge the dismissal of Mexican filmmaking during the 1960s through 1980s, an era long considered a low-budget departure from the artistic quality and international acclaim of the nation’s earlier Golden Age. This pivotal collection examines the critical implications of discovering, uncovering, and recovering forgotten or ignored films. This largely unexamined era of film reveals shifts in Mexican culture, economics, and societal norms as state-sponsored revolutionary nationalism faltered. During this time, movies were widely embraced by the public as a way to make sense of the rapidly changing realities and values connected to Mexico’s modernization. These essays shine a light on many genres that thrived in these decades: rock churros, campy luchador movies, countercultural superocheros, Black melodramas, family films, and Chili Westerns. Redefining a time usually seen as a cinematic “crisis,” this volume offers a new model of the film auteur shaped by productive tension between highbrow aesthetics, industry shortages, and national audiences. It also traces connections from these Mexican films to Latinx, Latin American, and Hollywood cinema at large. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Contributors: Brian Price | Carolyn Fornoff | David S. Dalton | Christopher B. Conway | Iván Eusebio Aguirre Darancou | Ignacio Sánchez Prado | Dolores Tierney | Dr. Olivia Cosentino Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

The White Indians of Mexican Cinema

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Publisher : State University of New York Press
ISBN 13 : 143848805X
Total Pages : 209 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis The White Indians of Mexican Cinema by : Mónica García Blizzard

Download or read book The White Indians of Mexican Cinema written by Mónica García Blizzard and published by State University of New York Press. This book was released on 2022-04-01 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: The White Indians of Mexican Cinema theorizes the development of a unique form of racial masquerade—the representation of Whiteness as Indigeneity—during the Golden Age of Mexican cinema, from the 1930s to the 1950s. Adopting a broad decolonial perspective while remaining grounded in the history of local racial categories, Mónica García Blizzard argues that this trope works to reconcile two divergent discourses about race in postrevolutionary Mexico: the government-sponsored celebration of Indigeneity and mestizaje (or the process of interracial and intercultural mixing), on the one hand, and the idealization of Whiteness, on the other. Close readings of twenty films and primary source material illustrate how Mexican cinema has mediated race, especially in relation to gender, in ways that project national specificity, but also reproduce racist tendencies with respect to beauty, desire, and protagonism that survive to this day. This sweeping survey illuminates how Golden Age films produced diverse, even contradictory messages about the place of Indigeneity in the national culture. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of Emory University and the Andrew W. Mellon Foundation. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7153

Global Mexican Cinema

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Publisher : Bloomsbury Publishing
ISBN 13 : 1838715967
Total Pages : 445 pages
Book Rating : 4.8/5 (387 download)

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Book Synopsis Global Mexican Cinema by : Maricruz Ricalde

Download or read book Global Mexican Cinema written by Maricruz Ricalde and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: The golden age of Mexican cinema, which spanned the 1930s through to the 1950s, saw Mexico's film industry become one of the most productive in the world, exercising a decisive influence on national culture and identity. In the first major study of the global reception and impact of Mexican Golden Age cinema, this book captures the key aspects of its international success, from its role in forming a nostalgic cultural landscape for Mexican emigrants working in the United States, to its economic and cultural influence on Latin America, Spain and Yugoslavia. Challenging existing perceptions, the authors reveal how its film industry helped establish Mexico as a long standing centre of cultural influence for the Spanish-speaking world and beyond.

The Faber Book of Mexican Cinema

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Publisher : Faber & Faber
ISBN 13 : 0571353789
Total Pages : 359 pages
Book Rating : 4.5/5 (713 download)

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Book Synopsis The Faber Book of Mexican Cinema by : Jason Wood

Download or read book The Faber Book of Mexican Cinema written by Jason Wood and published by Faber & Faber. This book was released on 2021-06-01 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twelve years ago, Amores Perros erupted in the cinemas across the world and announced the arrival of Mexican film-makers. The film-makers profiled in that book have now come of age and have made a decisive impact on the international cinema scene The last few years Mexican film-makers winning the Best Director Oscars 5 times, and Best Picture 4 times: Alfonso Cuaron with Gravity and Roma. Alejandro Inarritu with Birdman and The RevenantGuillermo del Toro with The Shape of WaterThis revised edition of The Faber Book of Mexican Cinema brings this astounding story up to date, as well as profiling the next generation, waiting in the wings.

The Classical Mexican Cinema

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Publisher : University of Texas Press
ISBN 13 : 1477308075
Total Pages : 255 pages
Book Rating : 4.4/5 (773 download)

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Book Synopsis The Classical Mexican Cinema by : Charles Ramírez Berg

Download or read book The Classical Mexican Cinema written by Charles Ramírez Berg and published by University of Texas Press. This book was released on 2015-09-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.

Mexican Cinema

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Publisher :
ISBN 13 :
Total Pages : 344 pages
Book Rating : 4.A/5 ( download)

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Book Synopsis Mexican Cinema by : Paulo Antonio Paranaguá

Download or read book Mexican Cinema written by Paulo Antonio Paranaguá and published by . This book was released on 1995 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: With essays by the most authoritative scholars, this unique study and reference work is the first English-language survey and analysis of Mexican cinema. The book provides extensive coverage of the delirious melodramas (of 'El Indio' Emilio Fernandez and Roberto Gavaldon, many shot by the supremely romantic cinematographer Gabriel Figueroa) and the contemporary successes of Jaime Humberto Hermosillo. It also includes the Mexican work of Luis Bunuel, the surreal, intense dramas of Felipe Cazals and Arturo Ripstein, the innovative work of Paul Leduc, and much more. This lavishly illustrated book also contains notes on over 150 individual films, an extensive dictionary of directors and other personalities, together with filmographies and an extensive chronicle of Mexico's political, cultural and cinematic history in the twentieth century.

Mexican Cinema

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Publisher : McFarland
ISBN 13 : 0786491876
Total Pages : 337 pages
Book Rating : 4.7/5 (864 download)

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Book Synopsis Mexican Cinema by : Carl J. Mora

Download or read book Mexican Cinema written by Carl J. Mora and published by McFarland. This book was released on 2015-05-07 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mexican filmmaking is traced from its early beginnings in 1896 to the present in this book. Of particular interest are the great changes from 1990 to 2004: the confluence of talented and dedicated filmmakers, important changes in Mexican cinematic infrastructure and significant social and cultural transformations. From Nicolas Echevarria's Cabeza de Vaca (1991), to the 1992 releases of Hellboy director Guillermo del Toro's Cronos and Alfonso Arau's Como agua para chocolate, to Alfonso Cuaron's Y tu mama tambien (2001), this work provides a close look at Mexican films that received international commercial success and critical acclaim and put Mexico on the cinematic world map. Arranged chronologically, this edition (originally published in 2005) covers the entire scope of Mexican cinema. The main films and their directors are discussed, together with the political, social and economic contexts of the times.

Mexican National Cinema

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Publisher : Psychology Press
ISBN 13 : 9780415230094
Total Pages : 248 pages
Book Rating : 4.2/5 (3 download)

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Book Synopsis Mexican National Cinema by : Andrea Noble

Download or read book Mexican National Cinema written by Andrea Noble and published by Psychology Press. This book was released on 2005 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining key film texts and genres, and set in a broad historical and theoretical context, this student-friendly study provides a thorough and detailed account of the vital and complex relationship between cinema and national identity in Mexico.

Mexican Melodrama

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Publisher : University of Arizona Press
ISBN 13 : 0816532516
Total Pages : 232 pages
Book Rating : 4.8/5 (165 download)

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Book Synopsis Mexican Melodrama by : Elena Lahr-Vivaz

Download or read book Mexican Melodrama written by Elena Lahr-Vivaz and published by University of Arizona Press. This book was released on 2016-10-18 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mexican Melodrama offers a timely look at critically acclaimed films that serve as key referents in discussions of Mexican cinema. Elena Lahr-Vivaz artfully portrays the dominant conventions of historical and contemporary Mexican cinema, showing how new-wave directors draw from a previous generation to produce meaning in the present.

Mexican Cinema

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Publisher : Univ of California Press
ISBN 13 : 9780520043046
Total Pages : 284 pages
Book Rating : 4.0/5 (43 download)

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Book Synopsis Mexican Cinema by : Carl J. Mora

Download or read book Mexican Cinema written by Carl J. Mora and published by Univ of California Press. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author's main reason for writing this book, however, is simply to provide an introduction to the Mexican commercial cinema for American and other English-speaking readers. Although the United States has been, and continues to be, a major foreign market for Mexican movies, the overwhelming majority of Americans are unaware of them. Mexican films are restricted to the Hispanic theater circuits and shown without English subtitles; therefore anyone wishing to see a Mexican movie would have to be fairly fluent in Spanish. Such a requisite effectively eliminates almost the entire general audience in the United States from exposure to Mexican cinema.

Bunuel and Mexico

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Publisher : Univ of California Press
ISBN 13 : 9780520930483
Total Pages : 224 pages
Book Rating : 4.9/5 (34 download)

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Book Synopsis Bunuel and Mexico by : Ernesto R. Acevedo-Muñoz

Download or read book Bunuel and Mexico written by Ernesto R. Acevedo-Muñoz and published by Univ of California Press. This book was released on 2003-11-13 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Though Luis Buñuel, one of the most important filmmakers of the twentieth century, spent his most productive years as a director in Mexico, film histories and criticism invariably pay little attention to his work during this period. The only book-length English-language study of Buñuel's Mexican films, this book is the first to explore a significant but neglected area of this filmmaker's distinguished career and thus to fill a gap in our appreciation and understanding of both Buñuel's achievement and the history of Mexican film. Ernesto Acevedo-Muñoz considers Buñuel's Mexican films—made between 1947 and 1965—within the context of a national and nationalist film industry, comparing the filmmaker's employment of styles, genres, character types, themes, and techniques to those most characteristic of Mexican cinema. In this study Buñuel's films emerge as a link between the Classical Mexican cinema of the 1930s through the 1950s and the "new" Cinema of the 1960s, flourishing in a time of crisis for the national film industry and introducing some of the stylistic and conceptual changes that would revitalize Mexican cinema.

Mexico Unmanned

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Publisher : State University of New York Press
ISBN 13 : 1438486308
Total Pages : 324 pages
Book Rating : 4.4/5 (384 download)

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Book Synopsis Mexico Unmanned by : Samanta Ordóñez

Download or read book Mexico Unmanned written by Samanta Ordóñez and published by State University of New York Press. This book was released on 2021-12-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iconic images of machismo in Mexico's classic cinema affirm the national film industry's historical alignment with the patriarchal ideology intrinsic to the post-revolutionary state's political culture. Filmmakers gradually turned away from the cultural nationalism of mexicanidad, but has the underlying gender paradigm been similarly abandoned? Films made in the past two decades clearly reflect transformations instituted by a neoliberal regime of cultural politics, yet significant elements of macho mythology continue to be rearticulated. Mexico Unmanned examines these structural continuities in recent commercial and auteur films directed by Alfonso Cuarón, Carlos Cuarón, Carlos Reygadas, Amat Escalante, and Julio Hernández Cordón, among others. Informed by cinema's role in Mexico's modern/colonial gender system, Samanta Ordóñez draws out recurrent patterns of signification that reproduce racialized categories of masculinity and bolster a larger network of social hierarchies. In so doing, Ordóñez dialogues with current intersectional gender theory, fresh scholarship on violence in the neoliberal state, and the latest research on Mexican cinema.

The Mexican Cinema of Darkness

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Publisher : McFarland
ISBN 13 :
Total Pages : 214 pages
Book Rating : 4.F/5 ( download)

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Book Synopsis The Mexican Cinema of Darkness by : Doyle Greene

Download or read book The Mexican Cinema of Darkness written by Doyle Greene and published by McFarland. This book was released on 2007-05-16 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following social upheaval and tragedy in 1968, Mexican horror cinema shifted away from masked wrester flicks and toward darker, more explicit films, which can be called avant-exploitation. This work covers six of those films, from 1968s El Topo to 1988s Santa Sangre.

Cinemachismo

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Publisher : University of Texas Press
ISBN 13 : 0292782314
Total Pages : 257 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Cinemachismo by : Sergio de la Mora

Download or read book Cinemachismo written by Sergio de la Mora and published by University of Texas Press. This book was released on 2009-01-27 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity. In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.

Mexico City in Contemporary Mexican Cinema

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Publisher : University of Texas Press
ISBN 13 : 0292789157
Total Pages : 290 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Mexico City in Contemporary Mexican Cinema by : David William Foster

Download or read book Mexico City in Contemporary Mexican Cinema written by David William Foster and published by University of Texas Press. This book was released on 2010-06-28 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Just as Mexican national life has come to center on the sprawling, dynamic, almost indefinable metropolis of Mexico City, so recent Mexican cinema has focused on the city not merely as a setting for films but almost as a protagonist in its own right, whose conditions both create meaning for and receive meaning from the human lives lived in its midst. Through close readings of fourteen recent critically acclaimed films, this book watches Mexican cinema in this process of producing cultural meaning through its creation, enaction, and interpretation of the idea of Mexico City. David William Foster analyzes how Mexican filmmakers have used Mexico City as a vehicle for exploring such issues as crime, living space, street life, youth culture, political and police corruption, safety hazards, gender roles, and ethnic and social identities. The book is divided into three sections. "Politics of the City" examines the films Rojo amanecer,Novia que te vea,Frida, naturaleza viva, and Sexo, pudor y lágrimas. "Human Geographies" looks at El Callejón de los Milagros,Mecánica nacional,El castillo de la pureza,Todo el poder, and Lolo. "Mapping Gender" discusses Danzón,De noche vienes,Esmeralda,La tarea,Lola, and Entre Pancho Villa y una mujer desnuda.

Women Filmmakers in Mexico

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Publisher : University of Texas Press
ISBN 13 : 0292771096
Total Pages : 311 pages
Book Rating : 4.2/5 (927 download)

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Book Synopsis Women Filmmakers in Mexico by : Elissa Rashkin

Download or read book Women Filmmakers in Mexico written by Elissa Rashkin and published by University of Texas Press. This book was released on 2001-04-15 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women filmmakers in Mexico were rare until the 1980s and 1990s, when women began to direct feature films in unprecedented numbers. Their films have won acclaim at home and abroad, and the filmmakers have become key figures in contemporary Mexican cinema. In this book, Elissa Rashkin documents how and why women filmmakers have achieved these successes, as she explores how the women's movement, film studies programs, governmental film policy, and the transformation of the intellectual sector since the 1960s have all affected women's filmmaking in Mexico. After a historical overview of Mexican women's filmmaking from the 1930s onward, Rashkin focuses on the work of five contemporary directors—Marisa Sistach, Busi Cortés, Guita Schyfter, María Novaro, and Dana Rotberg. Portraying the filmmakers as intellectuals participating in the public life of the nation, Rashkin examines how these directors have addressed questions of national identity through their films, replacing the patriarchal images and stereotypes of the classic Mexican cinema with feminist visions of a democratic and tolerant society.