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Medieval Lyric
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Book Synopsis Medieval Lyric by : William Doremus Paden
Download or read book Medieval Lyric written by William Doremus Paden and published by University of Illinois Press. This book was released on 2000 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An essential volume for medievalists and scholars of comparative literature, Medieval Lyric opens up a reconsideration of genre in medieval European lyric. Departing from a perspective that asks how medieval genres correspond with twentieth-century ideas of structure or with the evolution of poetry, this collection argues that the development of genres should be considered as a historical phenomenon, embedded in a given culture and responsive to social and literary change.".
Download or read book Medieval Lyric written by John C. Hirsh and published by John Wiley & Sons. This book was released on 2008-04-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval Lyric is a colourful collection of lyrical poems, carols, and traditional British ballads written between the thirteenth and fifteenth centuries, together with some twentieth-century American versions of them. A lively and engaging collection of lyrical poems, carols, and traditional British ballads written in between the thirteenth and fifteenth centuries, together with some twentieth-century American versions of them. Introduces readers to the rich variety of Middle English poetry. Presents poems of mourning and of celebration, poems dedicated to the Blessed Virgin and to Christ, poems inviting or disparaging love, poems about sex, and more. Reader-friendly - uses modernized letter forms, punctuation and capitalization, and side glosses explaining difficult words. Opens with a substantial introduction by the editor to the medieval lyric as a genre, and features short introductions to each section and poem. Also includes an annotated bibliography, glossary, index of first lines, and list of manuscripts cited.
Book Synopsis The Medieval Lyric by : Peter Dronke
Download or read book The Medieval Lyric written by Peter Dronke and published by . This book was released on 1968 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Medieval German Lyric Verse in English Translation by : J. W. Thomas
Download or read book Medieval German Lyric Verse in English Translation written by J. W. Thomas and published by University of North Carolina S. This book was released on 2020-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology contains representative selections from the verse of Minnesingers, nuns, priests, goliards, Spielleute, middle-class singers, and noblemen from the twelfth to the fifteenth century together with historical background, biographical sketches, and comments on individual poems. At the time of its original publication it was the largest such collection in English.
Book Synopsis Medieval English Lyrics by : Reginald Thorne Davies
Download or read book Medieval English Lyrics written by Reginald Thorne Davies and published by Northwestern University Press. This book was released on 1964 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains over 180 poems, songs, and carols of medieval England in Middle English with extensive linguistic and critical notes.
Download or read book Songbook written by Marisa Galvez and published by University of Chicago Press. This book was released on 2012-06-19 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: How medieval songbooks were composed in collaboration with the community—and across languages and societies: “Eloquent…clearly argued.”—Times Literary Supplement Today we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category poetry: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
Book Synopsis Structure and Meaning in Medieval Arabic and Persian Lyric Poetry by : Julie Meisami
Download or read book Structure and Meaning in Medieval Arabic and Persian Lyric Poetry written by Julie Meisami and published by Routledge. This book was released on 2003-09-02 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive and comparative study of compositional and stylistic techniques in medieval Arabic and Persian lyric poetry. Ranging over some seven countries, it deals with works by over thirty poets in the Islamic world from Spain to present-day Afghanistan, and examines how this rich poetic traditions exhibits both continuity and development in the use of a wide variety of compositional strategies. Discussing such topics as principles of structural organisation, the use of rhetorical figures, metaphor and images, and providing detailed analyses of a large number of poetic texts, it shows how structural and semantic features interacted to bring coherence and meaning to the individual poem. It also examines works by the indigenous critics of poetry in both Arabic and Persian, and demonstrates the critics' awareness of, and interest in, the techniques which poets employed to construct poems which were both eloquent and meaningful. Comparisons are also made with classical and medieval poetics in the west. The book will be of interest not merely to specialists in the relevant fields, but also to all those interested in pre-modern poetry and poetics.
Book Synopsis The Cambridge Companion to Medieval English Literature 1100-1500 by : Larry Scanlon
Download or read book The Cambridge Companion to Medieval English Literature 1100-1500 written by Larry Scanlon and published by Cambridge University Press. This book was released on 2009-06-18 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: A wide-ranging survey of the most important medieval authors and genres, designed for students of English.
Book Synopsis Transfiguring medievalism by : Cary Howie
Download or read book Transfiguring medievalism written by Cary Howie and published by Manchester University Press. This book was released on 2020-12-15 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Transfiguring medievalism combines medieval literature, modern poetry and theology to explore how bodies, including literary bodies, can become apparent to the attentive eye as more than they first appear. Transfiguration, traditionally understood as the revelation of divinity in community, becomes a figure for those splendors, mundane and divine, that await within the read, lived and loved world. Bringing together medieval sources with modern lyric medievalism, the book argues for the porousness of time and flesh, not only through the accustomed cadences of scholarly argumentation but also through its own moments of poetic reflection. In this way, Augustine, Cassian, Bernard of Clairvaux, Dante, Boccaccio and the heroes of Old French narrative, no more or less than their modern lyric counterparts, come to light in new and newly complicated ways.
Book Synopsis The Ennobling Power of Love in the Medieval German Lyric by : Stephen J. Kaplowitt
Download or read book The Ennobling Power of Love in the Medieval German Lyric written by Stephen J. Kaplowitt and published by University of North Carolina S. This book was released on 2020-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every handbook of medieval German literature has stressed the importance of love's ennobling power as a motif in the Minnesang, yet prior to this volume no study had attempted to assess its significance on the basis of its actual occurrence. In this volume Stephen Kaplowitt scrutinizes the entire lyric production of Minnesanger from Der von Kurenberg to Walther von der Vogelweide, identifying and analyzing every example of the motif. He concludes that, although the motif is widespread, its significance has been considerably exaggerated.
Book Synopsis One Hundred Middle English Lyrics by : Robert David Stevick
Download or read book One Hundred Middle English Lyrics written by Robert David Stevick and published by University of Illinois Press. This book was released on 1994 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stevick's classic work remains the only text of its kind aimed at fostering the linguistic competence necessary to understand its poems in Middle English. The wide range of lyric poems in the book are normalized to a Chaucerian dialect. The introduction has been revised to take into account the scholarship and criticism published since the first edition appeared in 1964. It gives the background for the poetry, explains how and why the texts are normalized, and reviews significant critical scholarly studies of the works. Included is a section on morphology and grammar that introduces students to the language of the lyrics, and a section on the evolving meter of Middle English. "A fine piece of work. . . . Learned, wide-ranging, and judicious." -- John B. Friedman, author of The Monstrous Races in Medieval Art and Thought "An impressive collection. Stevick's decision to normalize the texts makes it highly accessible." -- Ralph Hanna III, University of California, Riverside
Download or read book From Song to Book written by Sylvia Huot and published by Cornell University Press. This book was released on 2019-05-15 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics. Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.
Book Synopsis Theory of the Lyric by : Jonathan Culler
Download or read book Theory of the Lyric written by Jonathan Culler and published by Harvard University Press. This book was released on 2015-06-08 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: What sort of thing is a lyric poem? An intense expression of subjective experience? The fictive speech of a specifiable persona? Theory of the Lyric reveals the limitations of these two conceptions of the lyric—the older Romantic model and the modern conception that has come to dominate the study of poetry—both of which neglect what is most striking and compelling in the lyric and falsify the long and rich tradition of the lyric in the West. Jonathan Culler explores alternative conceptions offered by this tradition, such as public discourse made authoritative by its rhythmical structures, and he constructs a more capacious model of the lyric that will help readers appreciate its range of possibilities. “Theory of the Lyric brings Culler’s own earlier, more scattered interventions together with an eclectic selection from others’ work in service to what he identifies as a dominant need of the critical and pedagogical present: turning readers’ attention to lyric poems as verbal events, not fictions of impersonated speech. His fine, nuanced readings of particular poems and kinds of poems are crucial to his arguments. His observations on the workings of aspects of lyric across multiple different structures are the real strength of the book. It is a work of practical criticism that opens speculative vistas for poetics but always returns to poems.” —Elizabeth Helsinger, Critical Theory
Book Synopsis The English Religious Lyric in the Middle Ages by : Rosemary Woolf
Download or read book The English Religious Lyric in the Middle Ages written by Rosemary Woolf and published by Oxford : Clarendon P.. This book was released on 1968 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Union of Words and Music in Medieval Poetry by : Rebecca Anne Baltzer
Download or read book The Union of Words and Music in Medieval Poetry written by Rebecca Anne Baltzer and published by . This book was released on 1991 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: In these essays, five noted scholars draw upon the insights of musicology, philology, linguistics, and metrics to illuminate central aspects of the relationship between poetry and music in the Middle Ages. Rebecca A. Baltzer adds notes on the accompanying musical tape made by the professional ensemble Sequentia, which significantly illustrates the topics under consideration, while offering the experience of listening to superb musical performances.
Book Synopsis The Voices of Medieval English Lyric by : Anne L. Klinck
Download or read book The Voices of Medieval English Lyric written by Anne L. Klinck and published by McGill-Queen's Press - MQUP. This book was released on 2019-11-28 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: What was the medieval English lyric? Moving beyond the received understanding of the genre, The Voices of Medieval English Lyric explores, through analysis, discussion, and demonstration, what the term "lyric" most meaningfully implies in a Middle English context. A critical edition of 131 poems that illustrate the range and rich variety of lyric poetry from the mid-twelfth century to the early sixteenth century, The Voices of Medieval English Lyric presents its texts - freshly edited from the manuscripts - in thirteen sections emphasizing contrasting and complementary voices and genres. As well as a selection of religious poetry, the collection includes a high proportion of secular lyrics, many on love and sexuality, both earnest and humorous. In general, major authors who have been covered thoroughly elsewhere are excluded from the edited texts, but some, especially Chaucer, are quoted or mentioned as illuminating comparisons. Charles d'Orléans and the Scots poets Robert Henryson and William Dunbar add an extra-national dimension to a single-language collection. Textual and thematic notes are provided, as well as versions of the poems in Latin or French when these exist. Adopting new perspectives, The Voices of Medieval English Lyric offers an up-to-date, accessible, and distinctive take on Middle English poetry.
Author :Cristina Maria Cervone Publisher :University of Pennsylvania Press ISBN 13 :0812298519 Total Pages :561 pages Book Rating :4.8/5 (122 download)
Book Synopsis What Kind of a Thing Is a Middle English Lyric? by : Cristina Maria Cervone
Download or read book What Kind of a Thing Is a Middle English Lyric? written by Cristina Maria Cervone and published by University of Pennsylvania Press. This book was released on 2022-08-30 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.
