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Lexposition Des Beaux Arts Salon De 1880
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Book Synopsis Realism in the Age of Impressionism by : Marnin Young
Download or read book Realism in the Age of Impressionism written by Marnin Young and published by Yale University Press. This book was released on 2015-01-01 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The late 1870s and early 1880s were watershed years in the history of French painting. As outgoing economic and social structures were being replaced by a capitalist, measured time, Impressionist artists sought to create works that could be perceived in an instant, capturing the sensations of rapidly transforming modern life. Yet a generation of artists pushed back against these changes, spearheading a short-lived revival of the Realist practices that had dominated at mid-century and advocating slowness in practice, subject matter, and beholding. In this illuminating book, Marnin Young looks closely at five works by Jules Bastien-Lepage, Gustave Caillebotte, Alfred-Philippe Roll, Jean-Franocois Raffaeelli, and James Ensor, artists who shared a concern with painting and temporality that is all but forgotten today, having been eclipsed by the ideals of Impressionism. Young's highly original study situates later Realism for the first time within the larger social, political, and economic framework and argues for its centrality in understanding the development of modern art.
Book Synopsis Marketing Modernism in Fin-de-Siècle Europe by : Robert Jensen
Download or read book Marketing Modernism in Fin-de-Siècle Europe written by Robert Jensen and published by Princeton University Press. This book was released on 2022-02-08 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.
Book Synopsis Critical Readings in Impressionism and Post-Impressionism by : Mary Tompkins Lewis
Download or read book Critical Readings in Impressionism and Post-Impressionism written by Mary Tompkins Lewis and published by Univ of California Press. This book was released on 2023-12-22 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
Book Synopsis Bulletin of the New York Public Library by : New York Public Library
Download or read book Bulletin of the New York Public Library written by New York Public Library and published by . This book was released on 1899 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes its Report, 1896-19 .
Book Synopsis Catalogue of Valuable, Rare & Curious Second Hand Books in Nearly Every Branch of American, English & Foreign Literature by : George J. Coombes
Download or read book Catalogue of Valuable, Rare & Curious Second Hand Books in Nearly Every Branch of American, English & Foreign Literature written by George J. Coombes and published by BoD – Books on Demand. This book was released on 2024-01-09 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1883.
Book Synopsis Jules Breton, Painter of Peasant Life by : Annette Bourrut Lacouture
Download or read book Jules Breton, Painter of Peasant Life written by Annette Bourrut Lacouture and published by Yale University Press. This book was released on 2002-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jules Breton (1827-1906), known as one of the first 'peasant painters', created beautiful scenes of rural French life and was a highly popular figure among the Salon artists of his era. Taking his inspiration from his native Artois and from the landscapes of Brittany, where he stayed for long periods, he painted peasant women and men performing their daily activities, meticulously observing their world and making it a place of peace and harmony. During the second half of the nineteenth century, rewards and official decorations were heaped upon him, and his paintings were purchased not only by the emperor but also by collectors in America, Britain and Ireland. However, Breton's work became eclipsed by the avant-garde movements of the twentieth century, and he was eventually forgotten. This book now pays Breton the tribute that he deserves. It traces the development of his career and the forces that influenced him from his childhood through his early training in Belgium and Paris to his years in Brittany. The book presents and discusses a number of important paintings by Breton, some of which have been almost unknown until now, and it shows how they reflect the artist's social and humanitarian concerns as well as his painterly abilities.
Book Synopsis The Final Spectacle by : Julia Thoma
Download or read book The Final Spectacle written by Julia Thoma and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-03-18 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book examines military paintings in France in the 1850s and 1860s, when the genre experienced a new lease of life. It recreates the paintings’ art-historical, historical and social context, and considers the explosion of military subjects in their own right rather than as a consequence of war reporting. The paintings’ entertainment value effectively communicated political agendas, catering to the emerging phenomenon of mass spectatorship and giving rise to innovative compositions. The book also looks at the other side of the artistic spectrum, proposing that smaller formats adapted the sentimental techniques of military memoirs to focus on the soldiers’ experiences of warfare and to elicit a critique of war.
Download or read book Manet written by Françoise Cachin and published by Metropolitan Museum of Art. This book was released on 1983 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author :Jean-Auguste-Dominique Ingres Publisher :Metropolitan Museum of Art ISBN 13 :0870998919 Total Pages :610 pages Book Rating :4.8/5 (79 download)
Book Synopsis Portraits by Ingres by : Jean-Auguste-Dominique Ingres
Download or read book Portraits by Ingres written by Jean-Auguste-Dominique Ingres and published by Metropolitan Museum of Art. This book was released on 1999 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Download or read book Renoir written by Alexander Eiling and published by Hatje Cantz Verlag. This book was released on 2022-01-01 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wie kaum ein anderer Künstler hat Pierre-Auguste Renoir unser Verständnis von den stimmungsvollen Figurenbildern des Impressionismus geprägt. Sein Gemälde La fin du déjeuner, das sich seit 1910 im Städel Museum in Frankfurt befindet, ist nun Ausgangspunkt für eine weitreichende Auseinandersetzung mit einer für ihn zeitlebens bedeutenden Inspirationsquelle: dem Rokoko. Galt diese Malerei nach der französischen Revolution als frivol und unmoralisch, so erlebte sie im 19. Jahrhundert eine Renaissance und war zu Lebzeiten Renoirs überaus präsent. Dieser umfangreiche Band erscheint anlässlich der großangelegten Ausstellung des Städel Museums und untersucht Renoirs facettenreiche Traditionsverbundenheit ausgehend von erhellenden Gegenüberstellungen seiner Kunst mit Werken des 18. Jahrhunderts sowie von Zeitgenossen.
Book Synopsis Jean Béraud, 1849-1935 by : Patrick Offenstadt
Download or read book Jean Béraud, 1849-1935 written by Patrick Offenstadt and published by . This book was released on 1999 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a true city man Jean Beraud tried with his pictures to capture the real vitality of urban life in Paris. He made portraits of elegant society ladies, but also of working-class women, pictures of folk dancing and absinthe drinkers in the bars and cafes.
Book Synopsis Birmingham free libraries. Catalogue of the reference library by : John Davis Mullins
Download or read book Birmingham free libraries. Catalogue of the reference library written by John Davis Mullins and published by . This book was released on 1883 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Catalogue of the Reference Library by : Birmingham Free Libraries. Reference Department
Download or read book Catalogue of the Reference Library written by Birmingham Free Libraries. Reference Department and published by . This book was released on 1890 with total page 1638 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Classified Catalogue of the Carnegie Library of Pittsburgh, 1895- 1902: Fine Arts. Literature. Fiction. History and travel, part I by : Carnegie Library of Pittsburgh
Download or read book Classified Catalogue of the Carnegie Library of Pittsburgh, 1895- 1902: Fine Arts. Literature. Fiction. History and travel, part I written by Carnegie Library of Pittsburgh and published by . This book was released on 1907 with total page 1312 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Krøyer and Paris by : Mette H. Lehmann
Download or read book Krøyer and Paris written by Mette H. Lehmann and published by Aarhus Universitetsforlag. This book was released on 2022-05-12 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: ‘A lover of light’: in 1912, a French critic used these words to describe the great Danish painter Peder Severin Krøyer, who had close ties to the French art scene for more than two decades. Krøyer first visited Paris in 1877, and his many letters clearly show the impact French art had on Krøyer’s own development as a painter, on the artists’ colony in Skagen, and on Danish art history in general. In Krøyer and Paris. French Connections and Nordic Colours, art historians Mette Harbo Lehmann and Dominique Lobstein describe Krøyer’s artistic development from the Golden Age tradition favoured by the Danish academy to Naturalism and the Modern Breakthrough. They show how inspiration from France can be traced in his painting technique and his open-air paintings from Skagen, revealing how French Naturalism made its mark on Krøyer’s distinctive style. Krøyer and Paris has also been published in Danish.
Download or read book Edgar Degas written by Richard Thomson and published by Getty Publications. This book was released on 1995 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edgar Degas was one of the great pioneers of modern art, and the J. Paul Getty and Norton Simon museums are fortunate to own jointly one of his finest pastels, Waiting (L'Attente), which he made sometime between 1880 and 1882, about midway in his career. In this fascinating monograph, author Richard Thomson explores this brilliant work in detail, revealing both the intricacies of its composition and the source of the emotional pull it immediately exerts upon the viewer. For Waiting is, indeed, an extraordinary object both in its craftsmanship and color and, perhaps most especially, in its aura of ambiguity and even mystery.
Book Synopsis Rivals and Conspirators by : Fae Brauer
Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
