Letras De Los Villancicos Que Se Cantaron En Los Solemnes Maytines De La Purissima Concepcion De Maria Santissima Senora Nuestra

Author : Diana Berruezo-Sánchez
Publisher : Oxford University Press
ISBN 13 : 0198914245
Total Pages : 337 pages
Book Rating : 4.1/5 (989 download)

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Download or read book Black Voices in Early Modern Spanish Literature, 1500-1750 written by Diana Berruezo-Sánchez and published by Oxford University Press. This book was released on 2024-09-05 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking study, Diana Berruezo-Sánchez recovers key chapters in the history of Afro-Iberian diasporas by exploring the literary contributions and life experiences of black African communities and individuals in early modern Spain. From the sixteenth to the eighteenth centuries, international trade involving chattel slavery led to significant populations of enslaved, free(d), and half-manumitted black African women, men, and children in the Iberian Peninsula. These demographic changes transformed Spain's urban and social landscapes. In exploring Spain's role in the transatlantic slave trade and its effects on cultural forms of the period, Berruezo-Sánchez examines a broad range of texts and unearths new documents relating to black African poets, performers, and black confraternities. Her discoveries evince the broad yet largely disregarded literary and artistic impact of the African diaspora in early modern Spain, expanding the scope of linguistic practices beyond habla de negros and creating space for early modern black poets in the Spanish literary canon. These textual sources challenge established understandings of black Africans and black African history in early modern Spain. They show how black Africans exerted significant cultural agency by collectively contributing to and shaping the literary texts of the period, including those of the popular genre villancicos de negros, and by developing artistic traditions as musicians, dancers, and poets. As both creators and consumers of cultural forms, black African men and women navigated a restrictive, coercive slave society yet negotiated their own physical and cultural spaces.